Fun-Da-Mental - Ja Sha Taan/Mr Bubbleman (Recovery 1997)

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For Muslims living in the West the future lies not in the tinkering of theology but in the production of culture. But how is this process of cultural relevancy to take place? Is it taking place? What are its discernible forms? What are the challenges that need to be surmounted before a genuine cultural expression takes root? And what and who is to define what is 'genuine'? To that extent is cultural output in Islamic civilisation a utilitarian exercise? In the global village of specialised economies and shared global tastes where does the process of being consumers stop and that of being producers of culture begin? What needs to be done to convert Western society to associate Islam with the beauty of the Taj Mahal and the Majesty of the Dome of the Rock rather than with the blasted Twin Towers of New York or the shattered Buddhist statues in Afghanistan? Can we develop an agenda of cultural do's that would harness the energy of our young people -- to teach them that singing, creating, beautifying and being joyous are all part of the Islamic agenda?