Saturday, 17 July 2021
Friday, 16 July 2021
'The Hacienda must be built'
Haçienda Landscapes is an eclectic retrospective of the iconic Manchester nightclub, created by its designer Ben Kelly and photographer Eugene Schlumberger and featuring a special contribution from Factory graphic designer Peter Saville. Part photobook, part visual history, Haçienda Landscapes reflects upon the club's enduring design aesthetic via photography of the industrial landscapes of the North, the graphic language of the everyday, and items selected from Kelly's personal Haçienda and Factory Records archives, much of which has never been seen before
More info
They Steal We Suffer Mix
Tracklist
1 Stealing (Original with Bim Sherman vocals) - Tackhead
2 Privatisation Program - Gary Clail
3 More Is Insane (10" Mix) - Strange Parcels & Bim Sherman
4 Privatise The Air (Part 1) - Gary Clail
5 To Be Rich Is A Crime - Jeb Loy Nichols
6 Stealing (Extended Version Bim Sherman vocals) - Tackhead
7 Food Clothes & Shelter / These Things Are Worth Fighting For (Young Gods Club Mix) / Privatise The Air (Part 2) - Gary Clail
8 Stealing In The Name (Live) - Little Axe
Production by Adrian Sherwood and most tracks feature Skip McDonald on guitar, Doug Wimbish on bass and Keith LeBlanc on drums
Paris, Texas
Last night I mentioned this film to someone who had never seen it and was trying to explain just how perfect it is in every way. As for Sam Shepard's script well...
I've lost count how many times I've watched this film but it's being lined up again
Here's Ry Cooder on that amazing score
I had two copies of this book stolen from me in Amsterdam but I did eventually find a copy here in Melbourne when I arrived in 1986. It's not cheap second hand sadly but if you do ever see a copy just grab it. An absolutely beautiful companion to the movie
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'Getting into the spaces that are too weird, too confusing and too dangerous for parents to be in - that’s where Rolling Stone’s got to be'
By any accounting, @NoahShachtman is one of the supreme editors of his generation of American journalism. Very few editors mentor ANYONE anymore. Noah has cultivated an intimidating alumni network of reporters. We would do anything for him because he never gives up on us. pic.twitter.com/ssRzbeKc57
— Spencer Ackerman (@attackerman) July 15, 2021
All we need now is for Attackerman to cover the hardcore beat
No YOU spent Bastille Day in a basement studio rehearsing with @attackerman the 23 minute punk rock opera you wrote about the French Revolution... pic.twitter.com/atPq1Bc5yi
— Mike Duncan (@mikeduncan) July 15, 2021
Thursday, 15 July 2021
This Is A Restricted Mix
So yesterday when I was putting together the The Thème De Yoyo Head mixes I managed to delete the version of High Ideals and Crazy Dreams I included. A day of searching numerous hard drives and a post to the FB On-U Sound page later and eventually I found it. Turns out it was an unreleased 2001 mix by Adrian Sherwood given to someone back then. Anyway this led to a few more finds in the drives to add to the Silly Mix previously posted. This Restricted Mix includes the On-U tape archivist Pats Dokter's remix of High Ideals, a bit of a Mark Stewart 'As The Veener of Democracy Starts To Fade' Megamix entitled 'The Wrong Name & The Wrong Number (This Is A Restricted Mix)' which I'm pretty certain from memory was spliced together by Jethro R Binks (who was responsible for putting together the 'Major Malfuction' version excursion a while back then 'Cowardice Dub' from 'The Lost Tapes' release. This is followed by an unreleased version of High Ideals by the Strange Parcels with Skip MacDonald singing. Bernard Fowler sang one version and a different Skip mix was released in Japan only. The last two tracks are songs which Mark Stewart played as works-in-progress on Steve Barker's On The Wire show in 2010.
Wednesday, 14 July 2021
Thème De Yoyo Head Mix (1 & 2)
Tracklist:
Intro
Lankum - The Wild Rover
John Martyn - Eibhli Ghail Chiuin Ni Chearbhail (BBC Session 10/73)
Hugo Race & Michelangelo Russo - Motor City Is Burning
John Lee Hooker - Motor City Is Burning
Low & Dirty Three - Down by The River
William Tyler & Luke Schneider - The Witness Tree
Applecraft - The Benefactor
Belly - Are You Experienced?
The Icarus Line - Up Against the Wall Motherfuckers
C.C. Sager - King Tubby In His Kitchen
Low - Disappearing
Scritti Politti - Skank Bloc Bologna
Thom Yorke - Creep (Very 2021 RMX)
Tracklist:
Intro
African Head Charge - Throw It Away
Renegade Soundwave - Renegade Soundwave (Whistling Guitar Mix)
Nicky Skopelitis - Tarab
Tweaker (ft. David Sylvian) - Linoleum (Tearglass & Plateglass Remix)
Future Pilot AKA VS Alan Vega/Revolutionary Corps Of Teenage Jesus - Meditation Rat
Black Cab - Frankie Teardrop (Live at Pure Pop St Kilda January 4 2013)
Billie Ray Martin - The Crackdown (Oicho Remix)
A Certain Ratio - Musik Kontrol (ACR VS Massey Mix)
Jan Hammer - Crockett's Theme
Art Ensemble of Chicago - Thème De Yoyo
Anita Lane - Home Is Where The Hatred Is
Consolidated - Who Controls The Past (Adrian Sherwood Dub Remix)
Bill Laswell - Asha (ft. Asha Puthli)
Tapper Zukie - M.P.L.A./Dub
New Age Steppers - Crazy Dreams & High Ideals (Unreleased Adrian Sherwood 2001 Remix)
Artwork: Chris Hanis
Just got to say one thing: FUCK - that new Thom Yorke ('featuring Radiohead') version of Creep is absolutely FUCKING awful. Go to mix2 where I suspect the average age of the tracks would turn out to be what...30 years old and there is SO much more invention at play...'old man music eh?'
All style and content from 1994 below with Renegade Soundwave
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Leftfield's Remix & Dub Version
Bob Sargeant R.I.P.
A nice tribute from Rolo McGinty (from The Woodentops):
R.I.P. Bob Sargeant.
Bob produced Giant album that began production in 1985. Bob was a veteran producer already before we met him. He was in the 80’s what they called a hit maker, but he only did a production if he liked it. He was also a lot of fun to be around though meticulous while working, keeping an eye always on time and how much should be achieved within it. Old school hardcore! Bob came to rehearsals always notepad out. We tried different arrangements, tightening up , changing, trying out the what ifs. Bob was the producer of many bands but the Beat was the one for us. Loved them. I was in the studio everyday (Rolo) and it was a big moment for me watching Bob and John Gallen the engineer at work. John is nearest in the photo. They did by hand what you do with computers now. The drop ins and moving live, huge blocks of backing vocals from one tape recorder to another, doubling snares, all kinds of things. Bob played marimbas, some organ, percussion and backing vocals. I cant tell you how much I enjoyed the experience of recording that album.
So with a heavy heart its Goodby Bob and condolences to Babs Sargeant who is hurting right now xx
Sunday, 11 July 2021
ETERNAL IS THE WARRIOR WHO FINDS BEAUTY IN HIS WOUNDS
I'm really honoured that my friend Ant has hung the banner I made of that Jackie Leven quote at his new pad
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