Monday, 21 September 2015
Good Company
For someone who has been described as a 'rudimentary' bass player (though I have to say that I love the Television demos he played on) boy has Richard Hell consistently had great guitarists around him. From Tom Verlaine and Richard Lloyd in Television and Bob Quine and Ivan Julian in the original Voidoids through to Marc Ribot and Bill Frisell on the re-recorded Destiny Street
Staring In Her Eyes (Original version with Bob Quine & Naux)
Staring In Her Eyes (Re-recorded version with Marc Ribot & Bill Frisell)
Staring In Her Eyes (Original version with Bob Quine & Naux)
Staring In Her Eyes (Re-recorded version with Marc Ribot & Bill Frisell)
Saturday, 19 September 2015
A Drink with Shane MacGowan
A Drink with Shane MacGowan was a new form of chat show hosted by the Pogues frontman and commissioned in the 1990s by Channel 4 arts supremo Waldemar Januszczak. However, they never broadcast this anarchic debut featuring live music, lively discussion between actors, writers, and musicians, pizza and a fair few drinks...
Featuring in this episode: Johnny Depp, Traci Lords, Joe Gores, Chris Penn, Sy Richardson, Del Zamora and music from Los Lobos, Jimmy Witherspoon and The Homewreckers
Thursday, 17 September 2015
Mark Fisher: Kill the Malcolm Tucker in your head
Endlessly checking tweets, micro-stagemanaging every public appearance, generalising the bizarre obsessions of the Westminster village: we don't have to do this any more. Lose the fantasy that most of the population is sitting there earnestly watching PMQs and judiciously scoring the combatants' performances. We don't have to impress the corporate elite anymore, overconforming like poor kids with a scholarship to private school.Via
Patience, fortitude, steady purposiveness are the key virtues now. Let them run around in a frenzy while we start the slow but immediately rewarding work of resocialising the UK's boring dystopia
Fraudband - Keyed In
After a tour of Europe they will be playing The Tote in Melbourne on Sun 15th Nov
Can anyone help me out?
I don't know if anyone can help me but I'm searching for two tracks. Both versions of these songs were only released on these two records. They were not included when they released different versions of tracks on the 'Blank Generation' CD than was released on the vinyl.
Richard Hell and The Voidoids' 'You Gotta Lose' from 'The Sire Machine Turns You Up' and Hell's version of 'Love Comes In Spurts' from the Vertigo sampler 'New Wave'.
Needless to say I used to have both until the great record collection heist of 82 (*sigh)
Thanking you in advance
Richard Hell and The Voidoids' 'You Gotta Lose' from 'The Sire Machine Turns You Up' and Hell's version of 'Love Comes In Spurts' from the Vertigo sampler 'New Wave'.
Needless to say I used to have both until the great record collection heist of 82 (*sigh)
Thanking you in advance
Wednesday, 16 September 2015
When clocks are outlawed, only outlaws will have clocks
America: You Have Lost Your Mind
Unbelievable. Any way to get in touch with this kid? We’ve some dangerous-looking electronics we’d like to give him.
http://t.co/L5L7q9l29B
— Raspberry Pi (@Raspberry_Pi) September 16, 2015
Fun-Da-Mental - Ja Sha Taan/Mr Bubbleman (Recovery 1997)
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For Muslims living in the West the future lies not in the tinkering of theology but in the production of culture. But how is this process of cultural relevancy to take place? Is it taking place? What are its discernible forms? What are the challenges that need to be surmounted before a genuine cultural expression takes root? And what and who is to define what is 'genuine'? To that extent is cultural output in Islamic civilisation a utilitarian exercise? In the global village of specialised economies and shared global tastes where does the process of being consumers stop and that of being producers of culture begin? What needs to be done to convert Western society to associate Islam with the beauty of the Taj Mahal and the Majesty of the Dome of the Rock rather than with the blasted Twin Towers of New York or the shattered Buddhist statues in Afghanistan? Can we develop an agenda of cultural do's that would harness the energy of our young people -- to teach them that singing, creating, beautifying and being joyous are all part of the Islamic agenda?
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