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Thursday 29 March 2012
23 Skidoo - Two Unreleased Songs
23 Skidoo (1981)
Image: The ever wonderful Panni Bahrti
Image: The ever wonderful Panni Bahrti
Pyramid Stomp
Never before released in any form. Featuring saxophone legend Pharoah Sanders
Ayu (Ambient Mix)
Thus track is featured in the film Beyond Time by Alex Turnbull which features a soundtrack by 23 Skidoo.
To view trailer go to: http://www.williamturnbullart.com
DeepChord - DJBroadcast Podcast (June 2011)
Download
[00:00] Gogooo A Cote -- 1 Ca Sera La
[01:13] Actress -- I Can't Forgive You
[02:10] Chris & Cosey -- Sequencer
[03:55] Deepchord -- Stars
[05:45] G-Man -- Enforcer
[08:37] Ghislain Poirier -- Orange Brule
[12:10] Marcel Dettmann -- Silex
[14:40] Mind Over MIDI -- Across The Void
[17:42] Bandulu -- Shutdown
[19:45] Sueno Latino -- Luxuria
[22:08] Fluxion -- Sub Surface
[24:12] Bandulu -- Downward Glance
[27:58] Claudia Bonarelli -- Vaneigem
[29:42] Cv313 -- Seconds To Forever
[31:28] Gez Varley -- Gardelle
[36:26] Muslimgauze -- Ganges Swimmer
[37:42] Dettmann / Klock -- Blank Scenario
[40:41] Midnight Caller -- Caller's Theme
[42:42] Martin Shulte -- Researches Of Depths
[47:32] Omar S / Shadow Ray -- Oasis One
[49:18] Frank Bretschneider & Taylor Dupree -- Dug In
[50:20] Gez Varley -- Cocoroach
[53:50] Ghislain Poirier -- Position Et Negation
[57:11] Variant -- Enchanted
[57:50] Riou -- House!
[00:00] Gogooo A Cote -- 1 Ca Sera La
[01:13] Actress -- I Can't Forgive You
[02:10] Chris & Cosey -- Sequencer
[03:55] Deepchord -- Stars
[05:45] G-Man -- Enforcer
[08:37] Ghislain Poirier -- Orange Brule
[12:10] Marcel Dettmann -- Silex
[14:40] Mind Over MIDI -- Across The Void
[17:42] Bandulu -- Shutdown
[19:45] Sueno Latino -- Luxuria
[22:08] Fluxion -- Sub Surface
[24:12] Bandulu -- Downward Glance
[27:58] Claudia Bonarelli -- Vaneigem
[29:42] Cv313 -- Seconds To Forever
[31:28] Gez Varley -- Gardelle
[36:26] Muslimgauze -- Ganges Swimmer
[37:42] Dettmann / Klock -- Blank Scenario
[40:41] Midnight Caller -- Caller's Theme
[42:42] Martin Shulte -- Researches Of Depths
[47:32] Omar S / Shadow Ray -- Oasis One
[49:18] Frank Bretschneider & Taylor Dupree -- Dug In
[50:20] Gez Varley -- Cocoroach
[53:50] Ghislain Poirier -- Position Et Negation
[57:11] Variant -- Enchanted
[57:50] Riou -- House!
♪♫ DeepChord presents Echospace - Live In Seattle II
Detroit Techno Militia – Neil V. – DJ Psycho of Detroit Techno MilitiaEvent on 2012-05-05 15:00:00
Quetzalcóatl Rising™® Cincó De Mayó 2012. 3 Stage Indoor / Outdoor Event FEAT: DEEPCHORD presents ECHOSPACE live â-¼ SKOOZBOT 3HR Live/DJ â-¼ NOSPECTACLE live â-¼ THE FLASHBULB live â-¼ THE ABOMINABLE TWITCH live â-¼ MIKE "AGENT X" CLARK â-¼ DETROIT TECHNO MILITIA & much more! Click • "SEE MORE" • for further details! D e t r o i t P a r a n o r m a l S o c i e t y™® —-presents… Quetzalcóatl Rising™® "2012 MOVEMENT WARM UP MINI FESTIVAL" "3 Stage Indoor / Outdoor Event". ::::Sunshine into Stars:::: "3:00PM – 2:30AM" f e a t u r i n g :::: an ultra rare local appearance from dub techno LEGENDS: â-¼ DEEPCHORD presents ECHOSPACE live!â„¢ â-¼ [Echospace, Soma, Kompakt. Berlin / Chicago. Dub Techno]. [2HR live Set feat Custom Stage Setup Integrated with Live Video]. http://www.echospacedetroit.com/
http://www.residentadvisor.net/dj/deepchord
For trnsnd XXX
http://www.residentadvisor.net/dj/deepchord
For trnsnd XXX
'A Beauty I Cannot Deny' - David Sylvian Looks Back
Since attaining pop star status in the early 1980s with Japan, David Sylvian has followed a circuitous, challenging path, constantly refining his world of arty pop and ambience. Wyndham Wallace talks to him about finding and following his muse…
@ The Quietus
Wednesday 28 March 2012
Megastructures are the Shopping Malls of the Avant-Garde
What About ideal cities, and counter revolutionary master plans?
The avant-garde is a paradoxical state. In order to exist, it relies on its incongruous condition of being both fundamentally contemporary and ahead of its time. A conceptual palimpsest, the avant-garde requires writing its history over its own past keeping a vulnerable balance between present problems, and possible future solutions. All about contextualizing the perfect timing, what happens when the avant-garde goes out of sync; when its solutions are overlooked for being too premature, or ridiculed for being delayed?
In the past century alone, the avant-garde was victim of two untimely appearances. In the first one, its proposals arrived too early; the world was taken aback by the boldness of its ambitions, by the audacity of its delirium. In the second coming, the avant-garde was too late. Here its stratagems were on a futile mission of inventing a program that already existed.
These consecutive setbacks have concealed the potential of a parallel form of urban intelligence that not only is able to complete even the most ambitious truncated plans of the avant-garde in Europe, but that can also propose and achieve a set of alternative and original forms of urbanism. Can a genealogy of key events in the 20th century reveal the potential of this parallel non-European universe, and its relationship to the avant-garde as we know it?
Via Archinect
The avant-garde is a paradoxical state. In order to exist, it relies on its incongruous condition of being both fundamentally contemporary and ahead of its time. A conceptual palimpsest, the avant-garde requires writing its history over its own past keeping a vulnerable balance between present problems, and possible future solutions. All about contextualizing the perfect timing, what happens when the avant-garde goes out of sync; when its solutions are overlooked for being too premature, or ridiculed for being delayed?
In the past century alone, the avant-garde was victim of two untimely appearances. In the first one, its proposals arrived too early; the world was taken aback by the boldness of its ambitions, by the audacity of its delirium. In the second coming, the avant-garde was too late. Here its stratagems were on a futile mission of inventing a program that already existed.
These consecutive setbacks have concealed the potential of a parallel form of urban intelligence that not only is able to complete even the most ambitious truncated plans of the avant-garde in Europe, but that can also propose and achieve a set of alternative and original forms of urbanism. Can a genealogy of key events in the 20th century reveal the potential of this parallel non-European universe, and its relationship to the avant-garde as we know it?
Via Archinect
A Year In The Mix: The Future Of Oz Mix (1990)
2. Pleasure - Please (Future Mix)
3. Solid Gold Easy Amex feat. Red Box - Enjoy (Future Mix)
4. Gary Clail (On-U Sound System) feat. Bim Sherman - Beef (Future Mix)
5. Gino Latino - Welcome (Land Of Oz Excursion Mix)
6. The Shamen - Pro>gen (Land Of Oz Mix)
7. Amina - Belly Dance (Land Of Oz Mix)
8. Jesus Loves You - Generations Of Love (Land Of Oz Mix)
9. INXS - Suicide Blonde (Milk Mix)
10. Max Q - Sometimes (Land of Oz Mix)
11. Lynda Law - I Don't Want Your Love (Land Of Oz Mix)
12. Sunsonic - Kind Of Loving (Land Of Oz Mix)
13. Cabaret Voltaire - Keep On (Land Of Oz Mix)
14. Frazier Chorus - Nothing (Land Of Oz Mix)
15. The Strings Of Love - Nothing Has Been Proved (Land Of Oz Mix)
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Doubled hooded solidarity
I don't always wear a hoodie, but when I do, I wear a double hooded, Gator hoodie because my neighborhood watch captain is a Seminole, and I really like to freak him out. Stay crazy, my friends...
Jiddu Krishnamurti - Understanding Fear (August 2, 1962)
We can see what fear does to each one of us. It makes one tell lies; it corrupts one in various ways; it makes the mind empty, shallow. There are dark corners in the mind which can never be investigated and exposed as long as one is afraid. Physical self-protection, the instinctive urge to keep away from the venomous snake, to draw back from the precipice, to avoid falling under the tramcar, and so on, is sane, normal, healthy.
But I am talking about the psychological self-protectiveness which makes one afraid of disease, of death, of an enemy. When we seek fulfillment in any form, whether through painting, through music, through relationship, or what you will, there is always fear. So, what is important is to be aware of this whole process in oneself, to observe, to learn about it, and not ask how to get rid of fear. When you merely want to get rid of fear, you will find ways and means of escaping from it, and so there can never be freedom from fear.
If you consider what fear is and how to approach it, you will see that for most of us the word is much more important than the fact. Take the word loneliness. By that word I mean the sense of isolation that suddenly comes upon one for no apparent reason. I don't know if this has ever happened to you. Though you may be surrounded by your family, by your neighbors, though you may be walking with friends or riding in a crowded bus, suddenly you feel completely isolated.
From the memory of that experience there is fear of isolation, of being lonely. Or you are attached to someone who dies, and you find yourself left alone, isolated. Feeling that sense of isolation, you escape from it by means of the radio, the cinema, or you turn to sex, to drink, or you go to church, worship God. Whether you go to church or take a pill, it is an escape, and all escapes are essentially the same.
Now, the word loneliness prevents us from entering into a complete understanding of that state. The word, associated with past experience, evokes the feeling of danger and creates fear; therefore, we try to run away. Please watch yourself as in a mirror, do not just listen to me, and you will see that the word has extraordinary significance for most of us. Words like God, communism, hell, heaven, loneliness, wife, family - what an astonishing influence they have on us.
We are slaves to such words, and the mind that is a slave to words is never free of fear. To be aware of and learn about fear in oneself is not to interpret that feeling in words, for words are associated with the past, with knowledge; and in the very movement of learning about fear without verbalization, which is not to acquire knowledge about it, you will find there is a total emptying of the mind of all fear.
This means that one has to go very deeply into oneself, putting aside all words; and when the mind understands the whole content of fear and is therefore empty of fear, both conscious and unconscious, then there comes a state of innocency.
For most Christians that word innocency is merely a symbol; but I am talking of actually being in a state of innocency, which means having no fear, and therefore the mind is completely mature, instantly, without going through the passage of time.
And that is possible only when there is total attention, an awareness of every thought, of every word, of every gesture. The mind is attentive without the barrier of words, without interpretation, justification, or condemnation. Such a mind is a light unto itself, and a mind that is a light unto itself has no fear.
Jiddu Krishnamurti
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