Monday 11 April 2011

The Prodigy - Live PA, The Point, Dublin, IE 1995-12-31


01. [00:00 3:53] The Prodigy - "Your Love" (1991)
02. [03:53 3:50] The Prodigy - "Voodoo People" (1994)
03. [07:43 5:21] The Prodigy - "Rhythm Of Life" (1993)
04. [13:04 3:14] The Prodigy - "Poison" (1995)
05. [16:18 4:27] The Prodigy - "Out Of Space" (1992)
06. [20:45 1:21] The Prodigy - "Acid Break" (1995)
07. [22:06 3:01] The Prodigy - "The '95 Vibe" (1995)
08. [25:07 4:58] The Prodigy - "Their Law" (1994)
09. [30:05 3:53] The Prodigy - "Skylined" (1994)
10. [33:58 3:25] The Prodigy - "Rock 'n' Roll" [Unreleased]
11. [37:23 4:08] The Prodigy - "No Good (Start The Dance)" (1994)
12. [41:31 3:56] The Prodigy - "Loose Your Mind" [Unreleased]
13. [45:27 6:27] The Prodigy - "One Love" (1993)
14. [51:54 5:38] The Prodigy - "Live Gabba" [Unreleased]

What is radiation anyway? My attempt to demystify nuclear energy

WikiLeaks, Journalism, and Modern Day Muckraking Plenary

A History of War

♪♫ Blur - Tender (Later w/ Jools Holland)

This is where Damon Albarn started getting interesting for me!

The "Nonplussed" Problem

The Internet Freedom Fallacy and the Arab Digital activism

'The Bunker'

Via

Patti Smith in her apartment on MacDougal Street (1974)

Via

Amen...

Depressed Cat
I've had better days.

Sunday 10 April 2011

Fault Lines - Fast food, fat profits: Obesity in America

HA!

Jørgen Leth - A Sunday In Hell (1976 - Documentary)


A Sunday in Hell (original title: En Forårsdag i Helvede) is a 1976 Danish documentary directed by Jørgen Leth. The film is a chronology of the 1976 Paris–Roubaix bicycle race from the perspective of participants, organizers and spectators.

Paris–Roubaix is the most famous and usually the most dramatic of the spring classics. Much of the latter portion is over narrow, cobbled tracks that choke with dust on dry days and become slick and muddy in rain. For the riders it's a challenge to keep going without puncturing or crashing.
The film captures not just the events of the 1976 edition but the atmosphere of a professional race. It begins by introducing the contenders: Eddy Merckx, Roger De Vlaeminck (the previous year's winner), Freddy Maertens, and Francesco Moser, each with their supporting riders (the domestiques), who are charged with helping their team leader win. The film gives views of the team director, protester (the race is halted for a while), spectator, mechanic and rider. As the cobbled section is entered the selection begins. Riders puncture, crash, make the wrong move - the race plays out. By the finish in the velodrome in Roubaix only a few are in with a chance. The winner is a surprise, but that is part of the appeal. Post-race the exhausted riders, mired in dirt, give interviews in the velodrome's showers. They look like men who have been to hell and back. (wikipedia)

"You can see every bead of sweat on the cyclists and every smashed-up ankle. It really makes you never want to get on a bike again. But it is an amazing film." - Nick Fraser, BBC commissioning editor
"Arguably the best film ever made about professional cycling" - Peter Cowie, International Film Guide

Today the 109th edition of Paris-Roubaix takes part

Roundabout in Erfurt, East Germany


a montage from only one hour of filming

Dennis Coffey - Knockabout


The undisputed heavyweight champion of sizzling guitar funk returns with a new batch of Motor City funk. On “Knockabout,” thick breakbeats segue into a ziplock tight groove complete with a choir refrain; perhaps a nod to the Blaxpoitation arrangement aesthetic he mastered on the classic “Black Belt Jones.” As the LA Times says, “Coffey’s funk has a fresh coat of paint, but remains dirty as ever… you might not hear anything with a nastier groove all year.”
Album release date: Apr 26, 2011
via

Yugoslavian Record Covers






more here

5 Songs: Steve Kilbey

David Bowie - 'Sweet Thing/Candidate/Sweet Thing Reprise' (Diamond Dogs, 1974)
Tyrannosaurus Rex - 'Lofty Skies' (A Beard of Stars, 1970)
Donovan - 'Atlantis' (1968)
Genesis  - 'The Lamia' (The Lamb Lies Down on Broadway, 1974)
Kate Bush- 'Lily' (The Red Shoes, 1993)
@'ABC'

Underworld - Dawn of Eden

Gunman kills six in Netherlands shopping centre

Julian Assange claims WikiLeaks is more accountable than governments

WikiLeaks founder Julian Assange
WikiLeaks 'is more responsive than a government that is elected after sourcing money from big business every four years,' Assange told the audience. Photograph: Akira Suemori/AP
WikiLeaks is more accountable than democratically elected governments because it accepts donations from members of the public, Julian Assange has claimed, in his first formal public appearance since being arrested in December following accusations of rape and sexual assault.
Questioned at a public debate about the whistleblowing organisation's own transparency, Assange told an audience of 700 people, many of them supporters: "We are directly supported on a week-to-week basis by you. You vote with your wallets every week if you believe that our work is worthwhile or not. If you believe we have erred, you do not support us. If you believe we need to be protected in our work, you keep us strong.
"That dynamic feedback, I say, is more responsive than a government that is elected after sourcing money from big business every four years."
The WikiLeaks founder, who is currently appealing against his extradition to Sweden to face allegations of sexual assault, told the audience at a packed debate organised by the New Statesman and the Frontline Club that whistleblowing was essential in a democracy because "the only way we can know whether information is legitimately kept secret is when it is revealed".
He cited the examples of Vietnam and "the disaster that was the Iraq war", saying that if whistleblowers had had the courage to speak up earlier about both conflicts, "bloodbaths" could have been avoided.
He said he "could speak for hours" about the impact of the publication of leaked US embassy cables, much of it through the Guardian, and that leak's positive impact.
The Hindu newspaper had in recent weeks published 21 front pages based on so-called "cablegate" revelations, he said, leading to the Indian government walking out four times and a growing anti-corruption movement in the country.
But the political commentator Douglas Murray, director of the centre for social cohesion, challenged Assange over the website's sources of funding, its staffing and connections with the Holocaust denier Israel Shamir, who has worked with the site.
"What gives you the right to decide what should be known or not? Governments are elected. You, Mr Assange are not."
Murray also challenged the WikiLeaks founder over an account in a book by Guardian writers David Leigh and Luke Harding, in which the authors quote him suggesting that if informants were to be killed following publication of the leaks, they "had it coming to them".
Assange repeated an earlier assertion that the website "is in the process of suing the Guardian" over the assertion, and asked if Murray would like to "join the queue" of organisations he was suing.
The Guardian has not received any notification of such action from WikiLeaks or its lawyers.
Jason Cowley, the editor of the New Statesman and chair of the debate, interjected to ask: "How can the great champion of open society be using our libel laws to challenge the press?"
The WikiLeaks founder was obliged to leave before responding to all the questions in order to comply with the curfew conditions of his bail.
WikiLeaks' lawyer Mark Stephens could not be reached for comment. Asked after the debate whether he could shed any light on the supposed legal action, WikiLeaks spokesman Kristin Hrafnsson said "not really".
Esther Addley @'The Guardian'

Kevin Mitnick
I requested my FBI file under the Freedom of Information Act, The LA office claims they lost my file. Maybe Wikileaks can find it for me :-)

Lee "Scratch" Perry - Higher Level (feat. Tunde Adebimpe)


Taken from forthcoming Lee Scratch Perry album "Rise Again":
Eleven all-new songs, mixed in the dub style by Bill Laswell
and featuring:
Tunde Adebimpe (TV on the Radio)
Ejigayehu "Gigi" Shibabaw (Ethiopian superstar)
Hawkman (Methods Of Defiance, Tricky)
Jahdan Blakkamoore
Bernie Worrell (P-Funk legend)
Josh Werner (Matisyahu, Wu-Tang)
Sly Dunbar (Sly and Robbie)
Hamid Drake (master drummer/percussionist)
Aiyb Dieng (Senegalese percussionist)
Dominick James (Angelique Kidjo, Shakira)

Release date: May 10, 2011

Why, Kate? WHY?

So, Kate Bush has a new album - Director's Cut - on the way. It'll contain re-recorded versions of a selection of songs from from The Sensual World (1989) and The Red Shoes (1993) and the first single from it - Deeper Understanding - is up on YouTube. And, having been looking forward to some new tunes from KB, I have to say I think it's a real disappointment but y'all can make up your own minds:

Sorry, Kate, but it really doesn't do anything for me. Maybe I'm unimpressed because it's my favourite song on my favourite album of hers and didn't really think it needed another version - but mostly it's the autotune that I think spoils it. It may be The Law Of The Music Biz that all pop albums in 2011 must have at least one track with it on, but if there was ever an effect that I thought was old from the first time I heard it (Cher's Believe), it's autotune.
So here's another old track - not by Kate Bush - to relieve my disappointment: Marina & The Diamonds I Am Not A Robot (Starsmith's 24 Carat Mix):

Where was I, before I got sidetracked by a wave of meh? Oh yes. All the news that's fit to pront. Kate Bush's new album Director's Cut is slated for release on 16 May 2011 and the tracklist (according to Wikipedia) is:
1. Flower of the Mountain
2. Song of Solomon
3. Lily
4. Deeper Understanding
5. The Red Shoes
6. This Woman's Work
7. Moments of Pleasure
8. Never Be Mine
9. Top of the City
10. And So is Love
11. Rubberband Girl
I'm just hoping that the remakes of Never Be Mine and This Woman's Work (in particular) actually do something new with the originals. Something that's not autotuned...

One Shot Not Remix : Joey Burns (Calexico)


Two Silver Trees
Factured Air (Tornado Watch)
Graphic Ladies!?!

Saturday 9 April 2011

Krautrock Hörvergnügen


"Our good friends over at the RBMA have teamed up with us and Goethe Institut Los Angeles for another installment of our THEME-STREAM series – a deep web radio excursion into a designated musical area. On this occasion, we’re diving into the canon of German music for a five week long extravaganza dubbed German Sound Exploration, featuring exclusive mixes, live sets and interviews. You can tune in via the dedicated microsite anytime until May 1.
Spanning the very early days of krautrock and analogue synths with innovators such as Manuel Göttsching, Kraftwerk, and Cluster, to techno trailblazers like Moritz von Oswald and Wolfgang Voigt, to electronic baton-grabbers like Mouse On Mars, Atom TM, and To Rococo Rot, this radio stream demonstrates a rich variety of sounds and styles from across the German kosmos. Jawohl!"
(dublab)

RBMA presents ‘Hörvergnügen’

01. Brainticket – Jardins – RCA
02. Unknown – Unknown – Unknown
03. Die Egozentrischen 2 – Durchdrehn In Der DB – Was Soll Das?
04. Roland Kovac – Nymphe – Selected Sounds
05. Cluster – Caramel – Brain
06. Conrad Schnitzler – Auf Dem Schwarzen Kanal – RCA
07. Futurologischer Kongress – Stoned Im Dschungel – Berlin Rock News
08. Eric Vann – Sunken Galleons – Coloursound
09. Säurekeller – Desa D – Ulan Bator
10. Quiet Life – Schlafen – Wartungsfrei
11. Schatten Unter Eis – Red Frogs – WSDP
12. Kraftwerk – Hall of Mirrors – Capitol
13. Ashra – Ocean Of Tenderness – Virgin
14. Peter Baumann – Phase By Phase – Virgin
15. A La Ping Pong – Go Go Pongs – private


DOWNLOAD

Bill Callahan - Apocalypse (2011 - Albumstream)


Those looking for a logical musical follow-up to Bill Callahan's surprisingly accessible Sometimes I Wish I Were an Eagle from 2009 might scratch their heads at the sound on Apocalypse. The musical reference point in his catalog is, perhaps, A River Ain't Too Much to Love, under the Smog moniker. It's not that this recording resembles that one musically, so much as it employs outsider takes on American roots traditions to get its seven songs across. Apocalypse is a song cycle that places the usually extremely inward-looking Callahan in the unlikely role of observer and interpreter of various American myths; myths both externally held and culturally self-referential, that inform the interior world of the protagonist. Recorded and mixed in Texas and adorned by Paul Ryan's iconic painting Apocalypse at Mule Ears Peak, Big Bend National Park in West Texas, the album portrays America in all its complexity from the vantage point of an empathic yet wryly humorous narrator. On album-opener "Drover," Callahan plays a minor-key, two-chord vamp on a nylon-string guitar, offering a fragmented narrative on a cattle drive. Backed by a full-on rock band led by Matt Kinsey's reverb-laden electric guitar, and colored by Gordon Butler's fiddle, it begs the question: do these cattle actually exist or are they metaphorical elements in the protagonist's psyche? The chorus is the hint as it introduces a lovely second melody and turns the song back on the listener as Callahan sings: "One thing about this wild, wild country/It takes a strong, strong it breaks a strong, strong mind..." "Baby's Breath" is more fractured and rockist, with a taut balance of acoustic and knife-edged electric guitars populating the musical space. Callahan's protagonist found the right place, the right woman, and lost the latter. He has questions but no answers. "America" is the set's hinge piece. A repetitive, electric, pulsing, hypontic distorted blues--a la R.L. Burnside--that examines America's mythical past and its tarnished present. Callahan name checks songwriting heroes -- Kris Kristofferson, Mickey Newbury, George Jones, and Johnny Cash -- by their actual ranks and branches in the armed forces while admitting he's never served, as if that might be the problem; then amid the din to make things more complex, he names our greatest national failures and dirty conquests. The album's most melodic and utterly beautiful song is the confessional waltz "Riding for the Feeling," with glistening electric piano and Wurlitzer played by Jonathan Meiburg. Closer "One Fine Morning" is a nearly nine-minute, lilting ballad that turns on a couple of chords, some pastoral yet jarring lyrics, and a gospel piano atop strummed guitars, which transmute the listener to another place and time. Apocalypse is a deceptively complex gem.
(Thom Jurek - allmusic; 4/5)

ALBUMSTREAM

Structure of stars revealed by 'music' they emit

♪♫ The Weather Prophets - Hollow Heart

Playing Russian Roulette at Davis-Besse - Nuclear Nightmare on the Great Lakes

The Great Lakes of North America make up 20% of the Earth's fresh surface water. Their dynamic ecosystems have been considered by many Native American tribes to function as the heart of the interconnected ecosystems that make up the North American continent known to many of the Indigenous peoples here as Turtle Island. The Great Lakes are known world wide for their biodiversity, beauty, fishing, and trade and shipping routes. These fragile and beautiful ecosystems along with the human populations that live along their shores are under constant threat from the Nuclear Industry that has been slowly and quietly irradiating the heart of the Turtle for decades.
Spent fuel pools of highly radioactive wastes sit dangerously on the shores of lakes Erie, Huron, Michigan and Ontario. Aging and dysfunctional reactors continue to operate as the Nuclear Regulatory Commission, the Department of Energy and their Canadian counterparts push to allow these dangerous behemoths to function for decades more, prioritizing corporate profits ahead of public health and safety and the protection of the natural environment. This series of articles will detail this Nuclear Nightmare on the Great Lakes of North America as it has transpired and continues to unfold.
Davis-Besse
The Davis-Besse Nuclear power plant on the shores of Lake Erie sits just over 20 miles east of Toledo, Ohio near the town of Oak Harbor. Its' legacy is one of narrowly averted catastrophic nuclear accidents and negligent mismanagement that has worked to expose the criminal incompetence of the plant's operator, FirstEnergy Corporation, and complete ineptitude of the Nuclear Regulatory Commission in monitoring this facility. FirstEnergy and the NRC are now colluding in an attempt to extend the operating license of this imminent and constant nuclear threat to the citizens of Ohio, Michigan and Southern Ontario as well the Great Lakes ecosystem by another 20 years. The current license expires in 2017.
Davis-Besse boasts the two worst industry accidents in the United States since Three Mile Island and discoveries as recently as 2010 have been enough to bring alarm and outrage to citizen's groups fighting to protect public health and the Lake Erie Basin from a profit and greed driven catastrophe. A hole in the original reactor head; equipment failure and malfunctions; worker instability, mistakes and incompetence; an F2 tornado; and a concerted effort by the NRC and FirstEnergy corporation to cover-up major systemic problems with the Davis-Besse reactor have led to several near catastrophes in the 34 year history of the plant's operation. In 2008 a Tritium leak was discovered by chance. Discoveries of cracks in the reactors replacement head in 2010 and subsequent inadequate repairs have been brushed aside by NRC regulators to allow the FirstEnergy reactor to operate full steam ahead until another replacement lid can be put into place in the fall of 2011.
3/16 of an inch from a meltdown?! The reactor with a hole in its head, March, 2002
In 2002 Davis-Besse faced what the U.S. Government Accountability Office describes as "the most serious safety issue confronting the nation's commercial nuclear power industry since Three Mile Island in 1979..."
Continue reading
Kevin Kamps & Michael Leonardi @'Counterpunch'

Friday 8 April 2011

Justice Dept. to Congress: Don’t Saddle 4th Amendment on Us

Tsunami-hit towns forgot warnings from ancestors

Ad (rock) break...

Obsessed with Jacob

This Is Ska - Traditional Ska and Rocksteady (BBC Documentary)

Foundation Gives Bristol Palin More Money Than Its Own Cause

Michael Faber: The Crimson Petal and the White: Watching my novel reborn on TV

Thursday 7 April 2011

OH this will stop kids smoking...



Australia today unveiled logo- and brand-less cigarette packs that the government is hoping tobacco companies will use, if a legislation aimed at curbing smoking among young people is passed, reports News.com.au.
Under the proposed legislation, tobacco companies will be required to follow strict rules on cigarette packaging, including the removal of all logos and setting type in a specific font. The new packs are all olive green, which research found to be the “least attractive color for smokers”, the Australian news website said.
Health warnings and graphic images depicting the various diseases smoking can cause will be enlarged to take up 90% of the front of packs and 75% of the back, News.com.au said.
“Our research shows that the look of the pack is an important consideration for young people at risk of being drawn to smoking,” Ian Oliver, chief executive of the Heart Foundation and Cancer Council Australia, said in a statement.
[via News.com.au]
Via

Kode 9 - Otherman / Love is the Drug (Hyperdub)