Thousands of sadhus - or holy men - have been banned from selling cannabis to festival-goers at an ancient temple in Nepal.
They are gathering at Pashupatinath Temple in Kathmandu to celebrate the Hindu festival of Shivaratri.
Sadhus - Hindus who renounce the world around them - traditionally celebrate Shivaratri by smoking cannabis.
But those found selling drugs at the temple this year will face eviction by armed police, temple officials say.
Since last week police have been mingling with the sadhus in plain clothes to identify anyone selling drugs.
About 20 sadhus have already been arrested and have been moved to an area outside the city, officials say. 'Spoilt' The Hindu god Shiva is said to have enjoyed smoking cannabis.
Because of that sadhus - who mostly live in forests, caves and temples - see their use of the drug as receiving a blessing from him.
Thousands of sadhus have travelled from India for the festival - which falls on 2 March this year - and the temple authority has said it does not object to the sadhus smoking cannabis for their own worship.
Despite this, the Pashupati Area Development Trust (PADT) wants to ensure the drug is not sold on the temple premises.
"Over the past few years, the use of drugs has become more widespread and it's also become commercial," PADT Member Secretary Sushil Nahata told the BBC.
"It has spoilt the essence of the festival."
"We heard a lot of rumours that sadhus were selling these drugs. We tried to stop them doing this last year, but weren't able to," said Mr Nahata.
"This year we've started a proper campaign."
The PADT has put together a task force of 25 people, including police and armed police officers, to enforce the ban.
"We have only found limited amounts of hashish in cigarettes so far," Mr Nahata said.
He added: "Any sadhus arrested with large quantities of the drug will be sent to jail."
@'BBC' Nepalese charas and my cobra chillum - memories *sigh*!
Iranian police have fired tear gas to disperse opposition supporters mounting protests in the capital Tehran.
A BBC correspondent in Tehran said large numbers of riot police and militia on motorcycles in the city centre broke up any crowds that formed.
The unrest comes a day after websites close to opposition leaders Mir Hossein Mousavi and Mehdi Karroubi said they had been jailed.
The government has denied this, saying the two men were at home.
The BBC's Mohsen Agsari in Tehran said by early evening the security forces appeared to have full control of the streets.
The Basiji militia were chanting victory slogans, he said.
Earlier, despite the presence of security forces in Tehran's main streets and squares, sporadic gatherings were held close to the main Azadi square, our correspondent said.
Demonstrators chanting "Ya Hossein, Mir Hossein" were immediately attacked by the police.
After night fell, demonstrators made random protests, using the cover of darkness to confuse the security forces, our correspondent adds.
Police blocked the focal point of the demonstrations, Eskandari street, at both ends, sending bikers to disperse the protesters. Detention denial Both Mr Mousavi and Mr Karroubi have called for demonstrations in Iran in the light of the recent uprisings in Tunisia and in Egypt.
Earlier this month the two men, along with their wives, were detained in their respective homes in Tehran as protests were staged.
Thousands of their supporters took to the streets of Tehran on 14 February, amid clashes with security forces which left two dead.
On Monday one of Mr Karroubi's sons told the BBC Persian service he had been told his father had been "taken by security forces to an unspecified location".
The semi-official news agency Isna quoted state prosecutor Gholam Hossein Mohseni Ejehei on Monday as saying that Mr Mousavi and Mr Karroubi were not detained.
The two men ran as opposition candidates in the disputed June 2009 presidential election. Mr Mousavi said he was the actual winner and President Mahmoud Ahmadinejad was only re-elected through a rigged vote.
Hundreds of thousands of opposition supporters then took part in marches that were violently broken up by the security forces, including the Basij militia on motorcycles.
@'BBC'
MODESELEKTOR invited PHON.O to perform as their guest dj for their project called "Tesa". "Tesa" its a special live-performance based on 2 decks with locked grooves(controlled by phon.o)+2 decks with locked grooves and additional records(controlled by Gernot of Modeselektor) routed through a mixer with a bunch of effects(controlled by Szary of Modeselektor).
The performance of "Tesa" was the warmup for ANTI-POP CONSORTIUM at WMF on november 29th in 2009.
01 Substitute (2'43'') 02 I Can't Explain (2'20'') 03 Baba O'Reily (5'12'') 04 The Quit One (3'29'') 05 Don't Let Go The Coat (3'46'') 06 Sister Disco (5'11'') 07 You Better You Bet (4'56'') 08 Drowned (5'18'')
09 Behind Blue Eyes (3'26'') 10 Another Tricky Day (5'50'') 11 Pinball Wizard (3'15'') 12 Who Are You (6'23'') 13 5:15 (6'06'') 14 My Generation (3'40'') 15 Won't Get Fooled Again (9'10'') 16 Summertime Blues (3'14'') 17 Twist And Shout (3'12'') 18 See Me, Feel Me
Pete Townshend - g, voc Roger Daltrey - voc, harm John Entwistle - b, voc Kenny Jones - dr John "Rabbit" Bundrick - keyb, voc
Hugo Keesing is an academic and a pop music archivist who created a project called Chartsweep in which 5 seconds of every charting #1 American pop song starting from the year 1956 to 1992 has been compiled into a short form historical mixtape of sorts. It starts off with 1956’s “Memories Are Made of This” by Dean Martin and ends with 1992′s Whitney Houston’s cover of “I Will Always Love You”. No word whether the project will continue on but it would be cool to listen to check out the #1′s of 1992-2011 and beyond as well. The concept and term “Chartsweep” both originated in the late 60s with a syndicated radio show called “The History of Rock ‘n’ Roll.” I listened to it on WOR-FM in New York and recorded portions of it on an old Wollensack reel-to-reel tape recorder. As you know, the ‘sweep presented segments of every Billboard #1 single starting with “Memories Are Made of This” (Jan 1956). I don’t recall where it stopped, but it was around 1968/69. Six years later I began teaching an American Studies course at the University of Maryland called “Popular Music in American Society.” To provide a setting for each class I dusted off the concept, took it back to January 1950, added a number of songs based on Joel Whitburn’s re-definition of #1 songs, and continued where the original had stopped. I added each new #1 until fall, 1991 when I stopped teaching the course. Five Seconds Of Every #1 Pop Single Part 1 Five Seconds Of Every #1 Pop Single Part 2 photo: oemebamo @'Shocklee'
It's easy to find the headquarters of the Libyan opposition in Benghazi, the country's second city and the hotbed of the uprising against the regime of Muammar Gaddafi. Just head down to the Corniche, the city's Mediterranean waterfront, and follow the cheering crowds hanging Gaddafi in effigy to the city's district courthouse, where the revolution began on Feb. 17 as a protest by the city's lawyers and judges. But once inside the now battle-scarred and graffitied building, it's hard to figure out who, exactly, is in charge.
Scores of newly minted revolutionary officials — middle-aged volunteers from the city's professional and business classes — have many meetings but appear to make few decisions. They hold press conferences in what used to be a courtroom, while about a dozen opposition spokesmen roam the halls trying to be helpful but often offering conflicting information. Trucks full of eggs and baby formula arrive at the courthouse doors without an apparent system for delivering them to the needy and without clear reports of shortages. And though spirits are high, especially among the young volunteers sporting Che Guevara–style berets, the institutional vibe is more like that of a steering committee of a future liberal-arts college than of a guerrilla movement gearing up for a long fight. "The problem is that we don't have anyone with any political experience whatsoever," says Iman Bugahaighis, a professor of dentistry now acting as an unofficial spokesperson. "We didn't have any institutions other than regime. That was part of Gaddafi's plan: to make everyone loyal only to him."...
Paris, City of Light, really is a tale of two cities. One of them is above ground, with its beloved Eiffel Tower and Notre Dame. That's the city the world sees. And then there's the city very few us will ever see -- an underground Paris, the 'souterrain.' NPR's Jacki Lyden and National Geographic photographer Stephen Alvarez teamed up to see what lies below. (Photographs by Stephen Alvarez/National Geographic)
WikiLeaks founder Julian Assange: following in the footsteps of Sarah Palin. Photograph: Chris Radburn/PA Julian Assange, the embattled WikiLeaks founder fighting extradition to Sweden over allegations of rape and sexual assault, has applied to trademark his name.
The 39-year-old computer hacker – who will shortly be extradited to Sweden to contest the charges unless he wins an appeal on Thursday, 3 March – wants to protect his name for use in "public speaking services" and "entertainment services", it has emerged.
Assange becomes the latest high-profile figure seeking to trademark his name. Sarah Palin, who famously likened Assange to an al-Qaida operative, has applied for similar protection for both herself and her daughter, Bristol Palin.
Assange applied for the trademark on 14 February through his London-based law firm Finers Stephens Innocent. If granted, he will own the trademark to his name for the purposes of "news reporter services", "journalism", "publication of texts other than publicity texts" and "education services".
Assange has long vowed to clear his name of the allegations, which he denies. Earlier this month he said that the charges, made in August last year, had applied a "black box" to his life. "On the outside of that black box has been written the word rape. That box has now, thanks to an open court process, been opened. I hope in the next days you will see that the box is in fact empty."
The combative Australian, described by foes as a terrorist and by friends as a freedom fighter, also looks set to feature as the central subject in a movie about the whistleblowers' site he set up in 2006. Studio executives last month secured the screen rights to the biography of Assange by award-winning Australian writer Andrew Fowler, The Most Dangerous Man in the World. Josh Halliday @'The Guardian'