Wednesday 2 March 2011

esther addley
PS I plead guilty, as a Guardian reporter, to failing 's 'masculinity test'

James Blake's first mix 'Electronic Explorations' from May 2009


Heather Brooke
Julian Assange brought wikileaks into the world, it looks like he'll be responsible for its downfall too. Tragic.

Modeselektor + Phon.O present “Tesa“ at WMF, Nov 29th 2009

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MODESELEKTOR invited PHON.O to perform as their guest dj for their project called "Tesa". "Tesa" its a special live-performance based on 2 decks with locked grooves(controlled by phon.o)+2 decks with locked grooves and additional records(controlled by Gernot of Modeselektor) routed through a mixer with a bunch of effects(controlled by Szary of Modeselektor).
The performance of "Tesa" was the warmup for ANTI-POP CONSORTIUM at WMF on november 29th in 2009.

The Who - 8. Rockpalast Nacht 28.-29.März 1981


01 Substitute (2'43'')
02 I Can't Explain (2'20'')
03 Baba O'Reily (5'12'')
04 The Quit One (3'29'')
05 Don't Let Go The Coat (3'46'')
06 Sister Disco (5'11'')
07 You Better You Bet (4'56'')
08 Drowned (5'18'')


09 Behind Blue Eyes (3'26'')
10 Another Tricky Day (5'50'')
11 Pinball Wizard (3'15'')
12 Who Are You (6'23'')
13 5:15 (6'06'')
14 My Generation (3'40'')
15 Won't Get Fooled Again (9'10'')
16 Summertime Blues (3'14'')
17 Twist And Shout (3'12'')
18 See Me, Feel Me

Pete Townshend - g, voc
Roger Daltrey - voc, harm
John Entwistle - b, voc
Kenny Jones - dr
John "Rabbit" Bundrick - keyb, voc

Tom Waits

Tuesday 1 March 2011

♪♫ Blixa Bargeld - Der Morgige Tag Ist Mein


I gotta crash now but tomorrow belongs to me :) XXX

Hear Five Seconds Of Every #1 Pop Single: 1956 to 1992

Hugo Keesing is an academic and a pop music archivist who created a project called Chartsweep in which 5 seconds of every charting #1 American pop song starting from the year 1956 to 1992 has been compiled into a short form historical mixtape of sorts. It starts off with 1956’s “Memories Are Made of This” by Dean Martin and ends with 1992′s Whitney Houston’s cover of “I Will Always Love You”. No word whether the project will continue on but it would be cool to listen to check out the #1′s of 1992-2011 and beyond as well.  
The concept and term “Chartsweep” both originated in the late 60s with a syndicated radio show called “The History of Rock ‘n’ Roll.” I listened to it on WOR-FM in New York and recorded portions of it on an old Wollensack reel-to-reel tape recorder. As you know, the ‘sweep presented segments of every Billboard #1 single starting with “Memories Are Made of This” (Jan 1956). I don’t recall where it stopped, but it was around 1968/69. Six years later I began teaching an American Studies course at the University of Maryland called “Popular Music in American Society.” To provide a setting for each class I dusted off the concept, took it back to January 1950, added a number of songs based on Joel Whitburn’s re-definition of #1 songs, and continued where the original had stopped. I added each new #1 until fall, 1991 when I stopped teaching the course.
   Five Seconds Of Every #1 Pop Single Part 1
   Five Seconds Of Every #1 Pop Single Part 2 
photo: oemebamo
@'Shocklee'
John Perry Barlow
The problem with reality is that there's just too damned much of it to fit in everybody's head.

Oh that'll work!

Via

HA!

(Click to enlarge)

Friends in Embarrassing Places

Israel and the mercenaries behind Gaddafi

HA!


The Infographic that Spoofs Infographics

In 'Free Libya': Hey, Who, Exactly, Is in Charge Here?

It's easy to find the headquarters of the Libyan opposition in Benghazi, the country's second city and the hotbed of the uprising against the regime of Muammar Gaddafi. Just head down to the Corniche, the city's Mediterranean waterfront, and follow the cheering crowds hanging Gaddafi in effigy to the city's district courthouse, where the revolution began on Feb. 17 as a protest by the city's lawyers and judges. But once inside the now battle-scarred and graffitied building, it's hard to figure out who, exactly, is in charge.
Scores of newly minted revolutionary officials — middle-aged volunteers from the city's professional and business classes — have many meetings but appear to make few decisions. They hold press conferences in what used to be a courtroom, while about a dozen opposition spokesmen roam the halls trying to be helpful but often offering conflicting information. Trucks full of eggs and baby formula arrive at the courthouse doors without an apparent system for delivering them to the needy and without clear reports of shortages. And though spirits are high, especially among the young volunteers sporting Che Guevara–style berets, the institutional vibe is more like that of a steering committee of a future liberal-arts college than of a guerrilla movement gearing up for a long fight. "The problem is that we don't have anyone with any political experience whatsoever," says Iman Bugahaighis, a professor of dentistry now acting as an unofficial spokesperson. "We didn't have any institutions other than regime. That was part of Gaddafi's plan: to make everyone loyal only to him."...
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Andrew Lee Butters & Abigail Hauslohner @'Time'

Paris Underground


Paris, City of Light, really is a tale of two cities. One of them is above ground, with its beloved Eiffel Tower and Notre Dame. That's the city the world sees. And then there's the city very few us will ever see -- an underground Paris, the 'souterrain.' NPR's Jacki Lyden and National Geographic photographer Stephen Alvarez teamed up to see what lies below. (Photographs by Stephen Alvarez/National Geographic)

WikiLeaks founder Julian Assange applies to trademark his name

Julian Assange WikiLeaks founder Julian Assange: following in the footsteps of Sarah Palin. Photograph: Chris Radburn/PA
Julian Assange, the embattled WikiLeaks founder fighting extradition to Sweden over allegations of rape and sexual assault, has applied to trademark his name.
The 39-year-old computer hacker – who will shortly be extradited to Sweden to contest the charges unless he wins an appeal on Thursday, 3 March – wants to protect his name for use in "public speaking services" and "entertainment services", it has emerged.
Assange becomes the latest high-profile figure seeking to trademark his name. Sarah Palin, who famously likened Assange to an al-Qaida operative, has applied for similar protection for both herself and her daughter, Bristol Palin.
Assange applied for the trademark on 14 February through his London-based law firm Finers Stephens Innocent. If granted, he will own the trademark to his name for the purposes of "news reporter services", "journalism", "publication of texts other than publicity texts" and "education services".
Assange has long vowed to clear his name of the allegations, which he denies. Earlier this month he said that the charges, made in August last year, had applied a "black box" to his life. "On the outside of that black box has been written the word rape. That box has now, thanks to an open court process, been opened. I hope in the next days you will see that the box is in fact empty."
The combative Australian, described by foes as a terrorist and by friends as a freedom fighter, also looks set to feature as the central subject in a movie about the whistleblowers' site he set up in 2006. Studio executives last month secured the screen rights to the biography of Assange by award-winning Australian writer Andrew Fowler, The Most Dangerous Man in the World.
Josh Halliday @'The Guardian'

♪♫ Anton Karas - Theme from the Third Man

Ad break #11


Benicio Del Toro Narrates Doc on Reggae Legend Lee 'Scratch' Perry

Jane Russell RIP

Former Hollywood actress and sex symbol Jane Russell has died the age of 89.
The brunette was discovered by eccentric billionaire Howard Hughes, who cast her in his 1941 Western The Outlaw.
Some of her most memorable parts include the The Paleface (1948) with Bob Hope and Gentlemen Prefer Blondes (1953) with Marilyn Monroe.
She died on Monday at her home in California of a respiratory-related illness, her daughter-in-law confirmed.
"She always said I'm going to die in the saddle, I'm not going to sit at home and become an old woman. And that's exactly what she did, she died in the saddle," Etta Waterfield said, recounting that Russell had remained active in her local community until illness intervened in recent weeks.
Russell married three times and adopted three children.
After experiencing problems during the adoption process, she founded World Adoption International Agency, which has helped organise the adoptions in the US of tens of thousands of children from overseas.
@'BBC'
Glenn Greenwald
A nice, clear, bright reminder that Paul Wolfowitz is one of the most repellent people on the planet:

At an Eerie Crossroads in Tripoli

The Cove released in Japanese for free online

One year after winning an Academy Award for best documentary, the filmmakers have released The Cove dubbed in Japanese for free online. In addition a local group called People Concerned for the Ocean are distributing a DVD to all of the citizen of Taiji, the city where the dolphin killings and The Cove takes place.
I've been trying in my own way to try to get more attention to The Cove in Japan. There are criticisms by some Japanese about the film. Some ask "why dolpins and not cows?" Others complain that it's picking on local Japanese culture. Mainly, Japanese don't like foreigners trying to cause change inside of Japan.
The Japanese are not unique about this however - just listen to the Chinese or the recent speeches by Mubarak or Gaddafi. Japan has a very strong nationalist movement that is against any kind of criticism about Japan from the outside.
Why the online release of the film in Japan is so important is that the Japanese people should watch the movie and make up their own mind. Regardless of what you think about the film, banning it is unexcusable. A small group of people from Taiji along with nationalists have prevented the film from being broadly screen in Japan.
The Japanese people should decide whether the claims and criticisms in the film are valid and if it resonates with enough hearts and minds of enough Japanese, then the Japanese will make it a domestic issue and call for an investigation and a change.
The film has a few threads that I think will attract the attention of different groups in Japan. The "save the dolphins" aspect of the film will attract the dolphin lovers, divers and animal rights people.
There are many Japanese who don't care about dolphins. However, the film reveals evidence of very high mercury content in dolphins and the possibility that this meat is being sold as whale meat and being put in children's school lunches. Knowningly causing mercury poisoning in school children is the kind of corruption that would move a completely different set of Japanese - possibly even those conservatives who are pro-whaling.
I urge everyone to send this URL to any Japanese person you know. I will be posting a Japanese translation of this blog post soon.
The URL is: http://thecovemovie.com/freejapanesedownload
Yuri Kageyama has written about this in Forbes.
@'Joi Ito'

Anonymous 1 VS 0 Aaron Barr

HBGary Federal’s Aaron Barr Resigns After Anonymous Hack Scandal


Coke, Hookers, Hospital, Repeat

The President's Speech

James Franco's Oscars of apathy

SWANS Interview with Michael Gira by Ethan Port (Mr. E - Savage Republic - Mobilization.com)

HA! (Thanx Paul!)

A public union employee, a tea party activist, and a CEO are sitting
at a table with a plate of a dozen cookies in the middle of it.
The CEO takes 11 cookies, turns to the tea partier and says,
'Watch out for that union guy. He wants a piece of your cookie.'

W.A.R. Women Art Revolution with Lynn Hershman Leeson (2011-02-12)


  
Interview and discussion with artist and filmmaker, Lynn Hershman Leeson & Film producer Alexandra Chowaniec about feminist art practice and the film "Women Art Revolution." On the Mic: Diana McCarty & Barbara Muerdter.
"Through intimate interviews, art, and rarely seen archival film and video footage, !Women Art Revolution reveals how the Feminist Art Movement fused free speech and politics into an art that radically transformed the art and culture of our times."

Lynn Hershman Leeson (b. in 1941 in Cleveland, Ohio) is an American artist and filmmaker. She was Professor Emeritus at the University of California, Davis, and an A.D. White Professor-at-Large at Cornell University. She is Chair of the Film Department at the San Francisco Art Institute. Hershman studied at the University of California Berkeley in the late 60's.
Over the last three decades, artist and filmmaker Lynn Hershman Leeson has been internationally acclaimed for her pioneering use of new technologies and her investigations of issues that are now recognized as key to the working of our society: identity in a time of consumerism, privacy in an era of surveillance, interfacing of humans and machines, and the relationship between real and virtual worlds.

DOWNLOAD

http://www.womenartrevolution.com

http://lynnhershman.com/livingblog/

http://www.lynnhershman.com/

Left Behind? American Youth and the Global Fight for Democracy


One has no choice but to do all in one's power to change that fate and at no matter what risk - eviction, imprisonment, torture, death. For the sake of one's children, in order to minimize the bill that they must pay, one must be careful not to take refuge in any delusion. - James Baldwin(1)
The people have awakened. If change had happened through elites, there wouldn't have been real change. Now people understand their rights and know how to demand them. They realized their own power. -Ahmed Mahir, leader of the Egyptian Youth April 6th Movement
Within the last few months, we have seen an outpouring of student protests from all over the globe. Fifty thousand students took to the streets in London to protest tuition hikes, while "thousands of young people in Puerto Rico and Ireland are marching against cuts to student funding and fee increases."(2) Students in France and Greece are demonstrating with their bodies, confronting the police and registering their outrage over the imposition of severe austerity measures. In Spain and Italy, youth are challenging unemployment rates that have soared to 40 and 30 percent respectively. In Tunisia and Egypt, students have been at the forefront of uprisings that eventually led to the overthrow of authoritarian societies, which for too long forced young people to linger in a liminal space in which there were no jobs, no hope for the future and far too few freedoms. This general sense of frustration among young people is widespread in Europe and the Middle East. For instance, students marching in Rome "shouted, 'We don't want to pay for the crisis,' referring to the financial crisis that has turned ... labor market[s] from bad to worse. 'Where do I see my future? Certainly not in this country,' said protester, Morgana Proietti, expressing a common sentiment."(3)
Counterpublic spheres and modes of resistance that we once did not think young people could mount have erupted in a rush of emotional and political expressions and scattered demonstrations. Mass demonstrations have been organized through the emergent screen cultures of a generation well versed in new technologically assisted forms of social networking and political exchange. Governments complicit with a lethal combination of massive inequality, joblessness and ongoing cutbacks in social services are now the object of righteous youthful aggression in which buildings are occupied, pitched battles are waged in the streets and banners are dropped from national symbols like the Leaning Tower of Pisa and once impregnable governmental institutions. Shared sufferings, pent up repressions, ideological longings and emotional attachments have flared up in a massive collective demand by young people to be part of a future in which justice, democratic values and politics once again matter. Forging collective spaces of resistance, young people are expressing their long simmering anger and indignation against harsh injustices, growing inequalities and insufferable injuries in both totalitarian and allegedly democratic countries. The fear of political transgression that kept individual actors in check has given way to a politics in which dissent is amplified, multiplied and seized upon with vigor and moral courage that has seldom found such thunderous expression among young people since the late 1970s. Democracy is no longer being defended. It is being reinvented as a kind of shared existence that makes the political possible.(4)
Moral outrage infused by a complex of affective connections, social despair and a deeply held sense of shared possibilities has created a spontaneous tsunami of collective protests, strikes, rallies and demonstrations that have toppled governments, prompted shameless retaliatory outbursts of state terrorism and further fueled the possibilities for a global sense of resistance among repressed youth everywhere...
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Henry A. Giroux @'Truth-out'

Fear and Loathing in Coal Seam Gas Debate

Simmering tensions between landholders, mining companies and the State Government have reignited after ABC Television’s Four Corners program showed shocking images of coal seam gas (CSG) mining.
The heat of the CSG debate has barely cooled within the pages of this newspaper in the past three years, but the intense rage gripping southern Queensland landholders has now reached fever pitch, escalating within 24 hours of the current affairs program going to air on Monday.
Among the harrowing scenes striking fear into rural and regional landholders across the state were:
Faulty gas wells polluting bores and pumping potentially lethal toxins into underground aquifers.
Worrying assessments by environmental scientists that damage to the Great Artesian Basin will not be repaired for another 1000 years.
Heavy-handed tactics by mining companies to access private land.
The inability of Mines Minister Stephen Robertson to answer direct questions. So far, developments dominating the fallout include:
Landholders aligned to the Coal4 Breakfast group are mobilising in their hundreds to protest at a Community Cabinet meeting in Toowoomba on March 13 in what could be the district’s biggest rally yet against CSG mining.
Australian Petroleum Production & Exploration Association (APPEA) chief executive Belinda Robinson goes on the attack, calling anti-CSG campaigners a “noisy and misleading minority” and claiming Australia’s CSG industry is the most carefully scrutinised and heavily regulated in the country.
AgForce president Brent Finlay slams Premier Anna Bligh for her recent Cabinet reshuffle that has seen government responsibility for the issue withdrawn from the seasoned Stephen Robertson and transferred to two new ministers who must now be briefed on the run.
Australian Lot Feeders Association president Jim Cudmore reveals that feedlots have experienced significant reductions in groundwater levels since the CSG industry began operating in their areas, while others have bores leaking gas due to CSG development despite Queensland Government guarantees that such bores would be fixed.
Basin Sustainability Alliance chairman Ian Hayllor fears a raft of environmental impact statements provided to the State Government may have been shelved, saying their repeated warnings verified by independent analysis have not been paid due attention by the government or the mining companies at the centre of the storm.
The overwhelming condemnation of CSG mining operations and the State Government’s role in drafting legislation that has allowed a handful of energy companies to ride roughshod over prime agricultural land is now in the mainstream public spotlight.
It has also left the Government scrambling to defend its environmental and economic credentials – both taking a hammering – as it walks a tightrope to appease anxious landholders, agitated miners and a fragile alliance with shadowy green groups.
But there’s also trouble looming for the Opposition, with veteran hard-man Jeff Seeney reaffirming his position that CSG and liquid natural gas mining can coexist with farming, isolating him further colleagues and the LNP’s rural con-stituency that Labor will be key to exploit in the state election countdown...
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Libya analysis: 'Muammar Gaddafi looks a very lonely man'

                    
@'The Guardian'

TC - Where's My Money Caspa remix (DJ Moneyshot 110 re-edit)

   

Orelha Negra - M.I.R.I.A.M. X Vhils

Via

One Shot Not : Lloyd Cole


No Blue Skies
Writers Retreat
Like A Broken Record


Lloyd Cole celebrated his 50th birthday on January 31, 2011

♪♫ Lykke Li - Get Some


As Regimes Fall in Arab World, Al Qaeda Sees History Fly By