Monday, 7 February 2011

The Apostate: Paul Haggis vs. the Church of Scientology

On August 19, 2009, Tommy Davis, the chief spokesperson for the Church of Scientology International, received a letter from the film director and screenwriter Paul Haggis. “For ten months now I have been writing to ask you to make a public statement denouncing the actions of the Church of Scientology of San Diego,” Haggis wrote. Before the 2008 elections, a staff member at Scientology’s San Diego church had signed its name to an online petition supporting Proposition 8, which asserted that the State of California should sanction marriage only “between a man and a woman.” The proposition passed. As Haggis saw it, the San Diego church’s “public sponsorship of Proposition 8, which succeeded in taking away the civil rights of gay and lesbian citizens of California—rights that were granted them by the Supreme Court of our state—is a stain on the integrity of our organization and a stain on us personally. Our public association with that hate-filled legislation shames us.” Haggis wrote, “Silence is consent, Tommy. I refuse to consent.” He concluded, “I hereby resign my membership in the Church of Scientology.”
Haggis was prominent in both Scientology and Hollywood, two communities that often converge. Although he is less famous than certain other Scientologists, such as Tom Cruise and John Travolta, he had been in the organization for nearly thirty-five years. Haggis wrote the screenplay for “Million Dollar Baby,” which won the Oscar for Best Picture in 2004, and he wrote and directed “Crash,” which won Best Picture the next year—the only time in Academy history that that has happened.
Davis, too, is part of Hollywood society; his mother is Anne Archer, who starred in “Fatal Attraction” and “Patriot Games,” among other films. Before becoming Scientology’s spokesperson, Davis was a senior vice-president of the church’s Celebrity Centre International network.
In previous correspondence with Davis, Haggis had demanded that the church publicly renounce Proposition 8. “I feel strongly about this for a number of reasons,” he wrote. “You and I both know there has been a hidden anti-gay sentiment in the church for a long time. I have been shocked on too many occasions to hear Scientologists make derogatory remarks about gay people, and then quote L.R.H. in their defense.” The initials stand for L. Ron Hubbard, the founder of Scientology, whose extensive writings and lectures form the church’s scripture. Haggis related a story about Katy, the youngest of three daughters from his first marriage, who lost the friendship of a fellow-Scientologist after revealing that she was gay. The friend began warning others, “Katy is ‘1.1.’ ” The number refers to a sliding Tone Scale of emotional states that Hubbard published in a 1951 book, “The Science of Survival.” A person classified “1.1” was, Hubbard said, “Covertly Hostile”—“the most dangerous and wicked level”—and he noted that people in this state engaged in such things as casual sex, sadism, and homosexual activity. Hubbard’s Tone Scale, Haggis wrote, equated “homosexuality with being a pervert.” (Such remarks don’t appear in recent editions of the book...)

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Health risks take the gloss off enamel artworks

Hazel Dooney in her studio.
Changing tack ... Hazel Dooney at work. Photo: Hazel Dooney
Hazel Dooney has long savoured the creamy texture of high-gloss enamel paint and the ''perfect veneer'' that emerges after she sands it back. Collectors also like the glossy, Manga-style characters she paints on large boards.
But it's a toxic love affair and after almost 15 years of a range of nasty side-effects, Dooney is ditching the medium. Other than already commissioned works, she will no longer produce enamel paintings.
Dooney is not the first artist to abandon enamel paint after suffering rashes, blisters and nosebleeds. But gallery owners say it could make enamel works more sought-after.
The death of Dooney's father, Thomas Dooney, in January, from cancer, was the catalyst for the change, making her think about the health risks of long exposure to the paint and its fumes. Wearing gloves and a face mask helped but did not eradicate all symptoms, she says.
''I would get a red, blotchy rash on my chest and neck, my skin would break out in itchy sores, [the paint fumes] dried out the inside of my nose'', causing nosebleeds.
Exposure to paints and solvents, especially when ventilation is poor, can cause nausea and irritate skin, according to WorkCover NSW. Longer-term effects include asthma and lung cancer.
Safety sheets provided by paint suppliers advise people to wear eye protection and gloves when using high-gloss enamel paint. Some brands warn that prolonged skin contact may lead to dermatitis. Inhaling paint fumes may irritate airways and cause headaches and dizziness, among other things.
One artist, Jeremy Kibel, recognised for the use of enamel in his landscapes and backgrounds, has also suffered serious side effects from the paint and uses it only in small amounts.
''I used to use it because it was cheap,'' Kibel says. ''The stuff is horrid. I was getting smoker's cough from the fumes. When you use it all the time you get blistering in your nose.''
Kibel's GP advised him to stop using the paint but the artist says it has not affected him professionally.
''People did love those enamel paintings but most people are under-standing about why I flicked it.''
Big enamel works by the likes of Dooney and Kibel will remain popular, according to the owner of Melbourne's MARS Gallery, Andy Dinan. Dinan says Dooney's decision to quit the medium won't hurt her reputation.
''Hazel has worked across several mediums - photography, pen and ink drawings, watercolours - but the big collectors have always wanted the enamels,'' she says.
''[Her work] is so glossy it just pops off the wall.''
Wendy Frew @'SMH'

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Massive UN-Supported African Palm Plantations Leading to Oppression, Kidnapping and Murder


Since the 2009 coup that overthrew the government of President Manuel Zelaya in Honduras, the countryside of the lower Aguan Valley, a long embattled region and one of Central America's richest agricultural areas, has undergone a brutal rash of kidnappings, murders, detentions and intimidation.The region has been long marked by conflicts over land and land reform; but today in the Aguan Valley -- prime real estate for plantations of African palm -- the stakes have increased dramatically. With the global biofuel rush, and with the expansion of carbon markets, which can provide massive underwriting for projects that appear "green," but in many cases may be anything but, the promise of carbon credits and free money from climate-financing schemes like the U.N.-backed Clean Development Mechanism, appear to be among the causes of renewed violence.
A signal occurrence was the recent kidnapping of a local campesino (peasant farmer) named Juan Chinchilla. Chinchilla is a leader of the Unified Peasant Movement of the Aguan (MUCA in its Spanish acronym) and a member of the National Front of Popular Resistance (FNRP), a movement that rose up after the 2009 coup that ousted President Zelaya. On January 8, Chinchilla was on the road when his motorcycle was fired on. He was quickly taken captive by men identified as wearing police and military uniforms and uniforms of the private security guards of Miguel Facussé, a Honduran businessman who owns vast plantations of African palm in the Aguan Valley.
By the time Chinchilla managed to escape two days later, he had been burned and beaten, though suffered no critical injuries. When he was interviewed, Chinchilla said his captors included "several foreigners who spoke English, and another language I didn't recognize." When asked why he thought he'd been kidnapped, Chinchilla said, "We're in a war with the landowners. We know that our enemies are Miguel Facussé, Rene Morales, and Reinaldo Cabales, and that the government sides with them, not with the people."
In poring over accounts from the Aguan Valley, including frequent reports by Italian journalist Giorgio Trucchi who has been in the Aguan during much of the past year, the name Facussé comes up again and again. A widely known figure in Honduras, Facussé owns thousands of hectares of African palm, among the fastest-growing biofuel feedstock crops. His agribusiness consortium, Grupo Dinant, has reportedly received millions of dollars from International Financial Institutions. If its registration is approved in coming weeks, one of Grupo Dinant's key projects will become the latest of about sixteen projects in Honduras -- including hydroelectric dams, biomass electricity, and methane capture projects -- to receive financing under the Clean Development Mechanism...
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Jeff Conant @'Alternet'

Sunday, 6 February 2011

Riz Khan - Tariq Ramadan and Slavoj Zizek on the future of Egyptian politics

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Noam Chomsky: It's not radical Islam that worries the US – it's independence

Julian Assange: The man who played with fire

There's been no proven crime, no one has been brought to trial, but there are death threats, diplomatic panic, and trumped up scandals. Around the globe people are aghast at how their leaders have lied and connived. Wikileaks has all the bizarre stories and cast of a Hollywood spy thriller. Reporter Wendy Carlisle.
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A planned trip to Switzerland next week by George W. Bush was canceled after human rights activists called for demonstrations and threatened legal action over allegations that the former president sanctioned the torture of terrorism suspects.
The New York-based Center for Constitutional Rights and several European human rights groups said they were planning to file a complaint against Bush and wanted Swiss prosecutors to open a criminal case against him once he arrived in the country.
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