The Wild Rover/The Young People/Go Dig My Grave/On A Monday Morning/The New York Trader/Newcastle/Lord Abore and Mary Flynn/The Pride of Petravore/Cold Old Fire/Hunting The Wren/Bear Creek
Lankum - The Wild Rover / John Martyn - Inside Out (BBC Session) / Martyn Bennett - Move / Jesse Rae & The Strange Parcels - Victory Horns / Little Axe - Ride On (Extended) / LSK & Adrian Sherwood - Dub Oddity (Unreleased) / Horace Andy - Safe From Harm/ The Ruts - West One / Killing Joke - Change (Dub) / PIL - Memories / MBV Arkestra - If They Move Kill 'Em / A Certain Ratio - Flight / Golden Palominos - This Is How It Feels Dub / Silver Apples - Whirly Bird / Tim Niblock ft Roger Robinson - The Missing (Eye & Ear Control Imaginary Rework (Edit) / Spoek Mathambo - Control / Asian Dub Foundation - La Haine (Bug Remix) / Leftfield - Release The Pressure (Adrian Sherwood Remix)
She Is Beyond Good & Evil / Blood Money / Snowgirl (Take 3) / We Are Time (Ricochet) / There Are No Spectators / Forces of Oppression / We Are All Prostitutes / Amnesty Report II / Where There’s A Will / Citizen Zombie / Days Like These / Burn Your Flag / She Is Beyond Good & Evil (Dub) / We Are Time (Glastonbury 1979) / Liberty City (Helsinki 1980)
On this day 45 years ago, the 30 June 1978, David Bowie played the 2nd of 3 shows at London's Earls Court. That show and the one on the following night, were filmed for an intended concert movie.
This is a short documentary about those shows, which also attempts to answer the question: “Whatever happened to the STAGE movie?”
This film combines live footage from the Earls Court shows and others from the ‘78 tour, plus material from TV and radio shows, with music from the Welcome to the Blackout album and other sources.
The David Bowie Isolar II 1978 World Tour, also known as The Low / Heroes World Tour or The Stage Tour, hit London in summer 1978. Three nights were played at the Earls Court Arena, 29 & 30 June & the 1 July.
The never-completed and never-shown David Bowie-produced, David Hemmings-directed STAGE movie, was shot at two of the Earls Court shows. The forty+ years old undigitised reels for which were, until recently gathering dust at the Bowie archive.
The STAGE movie is perhaps the ultimate lost treasure of the Bowie cannon. For decades it’s been the subject of much speculation among fans, who are desperate to see it.
When I started this project in 2016, I wanted to make use of the various bits of Earls Court footage and other sources from the ‘78 UK tour. I soon became hungry for information about the mythical STAGE movie, shot at the Earl’s Court shows. David Bowie had of course passed away in 2015 and David Hemmings in 2007. So how could definitive information be found? Bowie ‘78 collector Mike Jewel suggested contacting Rory McLean, Hemings assistant during that era.
I contacted Rory, who is now a celebrated author. He was very forthcoming, providing me with an abundance of information. He knew intimately the story of the film and the original hopes and intentions for it, and the reason why it was not released. A year or so later, we met up and became fast friends.
Eventually Rory and I decided to approach the Bowie Estate with an offer to remake the STAGE movie from scratch, the way Bowie had originally intended it. We sent the Estate a comprehensive thoroughly researched 3,000 word proposal. But unfortunately no response was received.
I went back to my own humble Earls Court project. I decided to incorporate into it something of the events that led to the films production and eventual abandonment. Still, with so little footage available, and uneven audio sources, I was unable to complete it. When Welcome to the Blackout, an official live album recorded at the Earls Court shows was released in 2018, more possibilities presented themselves.
But there was still a deficit of visual material, and the results were unsatisfactory.
In 2022, I produced a semi-finished 20 minute rough-cut “Part 1”, and premiered it at the David Bowie World Fan Convention, in Liverpool.
Shortly after that, actual footage shot by the Hemmings crew, intended for the STAGE movie, surfaced in Brett Morgen’s Bowie film Moonage Daydream. Utilising some of that footage, I swapped out some scenes in my “Part 1” that had formerly used poor sources.
It is strongly rumoured, almost a certainty as far as I’m concerned, that Brett Morgen is creating a new concert movie from the STAGE film footage. Assuming that concert film does indeed surface, my little documentary will become rather superfluous. So I feel some impatience to get it out there.
A few weeks ago, I showed the present version at the David Bowie World Fan Convention, in NYC.
And now, finally it’s online.
Thanks for watching, hope you dig it!
Video:
LWT David Bowie Special | 1978
Moonage Daydream | 2022 | Brett Morgen
Live in Tokyo | 1978
Live on Stage | Dallas | 1978 | Stanley Dorfman
Northern Lights | Tyne Tees | 1978
Reporting Scotland | BBC | 1978
Various Super 8 1978 tour footage
Audio:
David Bowie | Joe the Lion [Soundcheck Rehearsal] | from Alabama Song 7” | Recorded Earls Court | 1 July 1978 | Mixed By John Prestage
David Bowie | Warsawa | “Heroes” | What in the World | Blackout | Beauty and the Beast | 5 Years | from Welcome to the Blackout | Recorded 30 June & 1 July 1978 | Produced by David Bowie | Mixed by David Bowie & David Richards
Interview with Nicky Horn | Capital Radio | 1979
Musicians:
David Bowie | Vocals
Dennis Davis | Drums
Carlos Alomar | Rhythm guitar, backing vocals
George Murray | Bass, backing vocals
Adrian Belew | Lead guitar, backing vocals
Simon House | Violin
Sean Mayes | Piano, backing vocals
Roger Powell | Keyboards, backing vocals
Documents, photos courtesy Rory MacLean
Always more videos to follow, so please keep your electric eye on me babe!
I don't own the rights, and I'm not making any money out of this etc. Just a fan making videos for other fans.
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I was at the Glasgow Apollo gig and weird to see the footage after all this time
It is With immense sadness and Love I had to let Monte go. He was very ill & in pain so I take comfort in the fact that that part is over but I miss him already! Where ever it is we go off to I am certain He will be causing trouble in his own way RIP the One & Only Monte Cazazza pic.twitter.com/SWoOjqQHz8
Thanks to Nev for the loan of his Tascam and to Mark for saving the best seat in the house
What a gig! There were only 45 tickets on sale for this gig at my local and I told everyone that it would be one of the gigs of my lifetime. They all thought I was lying and it turned out I was as it was even better than that!
Tracklist: Insemination / Fuck You GI / Fire / Language & Dub / Last Words / Coup & Version (In The Palace) / Coup de Grace / Invocation / Contemplation
Tracklist: River Man / Mayfair / Way To Blue / Time Has told Me / Three Hours / The Thoughts of Mary Jane (Richard Hewson Orchestral Take) / Cello Song / Poor Boy / Fly / Parasite /Black Eyed Dog / Rider On The Wheel
First time behind decks since about '83
Tracklist:
Gong: Master Builder - Sprinkling of Clouds / John Martyn: Glistening Glydenbourne / Holger Czukay: Persian Love / Edge Wobble Czukay: Snake Charmer Dub / Rip Rig & Panic: You're My Kind of Climate / Last Poets: Blessed Are Those Who Struggle / Heaven 17: Fascist Groove Thing / Consolidated: This Is Fascism Dub / A Certain Ratio: Fox / 23 Skidoo: Gospel Comes To New Guinea / Maffia: Hallelujah / Dub Syndicate: No Alternative / Mark Stewart & Maffia: Jerusalem / Lee Perry & Dub Syndicate: Train To Doomsville / Defunkt: Razor's Edge / Prince: Sign o'the Times / Mark Stewart: Fatal Attraction / Tackhead: Mind At The End of Tether - Demolition House / EBTG: Driving / Happy Mondays: WFL
I was speaking to someone today and was astonished to learn that he had never heard Marquee Moon.
We have numerous bands in common that we like and tho he is probably 20 years younger than me (mid 40's?) this really did surprise me.
So here's a brief intro to Television and the genius of Tom Verlaine should you be in the same position
(PS) I was today years old when I learnt that Wingnut in 'Little Johnny Jewel' is a reference to Patti Smith who wrote in her New Yorker obit of Tom Verlaine:
"In his final hours, watching him sleep, I travelled backward in time. We were in the apartment, and he cut my hair, and some pieces stuck out this way and that, so he called me Winghead. In the years to follow, simply Wing. Even when we got older, always Wing (...)"
Tracklist:
Little Johnny Jewel / Venus / Marquee Moon / Foxhole / Days / Little Johnny Jewel (Live SF78)
There are only two types of people in the world. Those who have heard Marquee Moon and those who haven't
