Two and a half questions w/ Robert Henke

The story on the liner notes of Silence – where is that from?
I wrote it by myself. I like to play with my imagination, and fragments of stories help me finding a topic or a common color for an album. Sometimes when making music these stories just arrive and if I am in the right mood I dive into them and let them grow and write them down. I think very much in film scenes.

In your mind, who is the protagonist of the story told by Silence.
There are many possible options. One story could start like this: The protagonist is a biologist. He is in his thirties, very bright as pretty much everyone at the station. He used to work for a pharmaceutical company in Switzerland, but he is from another country. Whilst working for the company he felt more and more unhappy. He is an idealistic person, and wanted to move things, change the world etc… Instead he got stuck in administrativa. In his spare time ( and sometimes during working hours too…) he was following his special topic, research on some bacteria which usually is found next to super hot spots on the ground of the ocean. He got in contact with a researcher from Australia, Carl Miller. Miller at some point told the protagonist that he got a very interesting job offer for him: Joining an international team of high profile researchers who are supposed to work in a newly built laboratory high up in the mountains of Patagonia. The lab is privately financed by a group of entrepreneurs who are confident that they can find out some very interesting immunologic mechanism of a particular plant which might have a dramatic impact on the creation of new pharmaceutical products. The protagonists relationship in Basel is not really working out anymore, he is bored by his job, and he likes the adventure. So, he takes a plane to Melbourne to meet with Miller.

That was two years ago.

At the beginning it all went very well, Miller had a good hand with finding the right people, everyone liked the idea of living in this kind of film like scenario and they indeed found out amazing things. However, living up there in total isolation became more and more an issue. The project had to be secret, and the security was tight. For the outside world everyone working there pretty much vanished from the planet. And then that stupid accident happened …

@'Headphone Commute'

Their review of 'Silence' (definitely in my top 10 of this year)

HERE

Love it

'twitteren' (to twitter) and 'ontvrienden' (to unfriend someone) are the Dutch words of the year.

(Thanx Ings)

The Teardrop Explodes - Passionate Friend

In his autobiography Head-On, Cope describes what was going on from his perspective:

 

******

"We piled into the Toppy studios for what was to be a 'live' broadcast. Of course, we were still going to be lip-synching but it was screened directly to its regular 10 million viewers.

Gary [Dwyer, drummer] and I took huge hits of LSD during the afternoon and our dressing room had a vague narcotics lab feel about it, what with Droyd and Bates and the head of [record label] Phonogram TV punishing large quantities of powder.

We lurched over to our set. I was going to perform the whole song on top of a grand piano, in bare feet with leather pants and a shit embroidered top that I'd made from a Columbia hotel pillowcase.

I climbed on to the piano and freaked. No way. I could barely stand up on the ground. Up on the piano I felt like Basketball Jones, the cartoon kid from the Cheech and Chong video who keeps getting bigger and bigger. I looked up into the ceiling of the studio, the lights twinkled like distant stars. From my elevated position on the piano, studio technicians and members of other groups looked grotesque.

The acid heightened the fake tans of everyone in the room and only accentuated the paleness of the Teardrop members. Of course, if they'd had a chance, Alfie, Jeff and Gary would have been sun-worshippers, but I had to keep those bastards in check.

We ran through the camera rehearsal and loped back into the dressing room. The next few hours were spent smoking spliff and everyone trying in vain to persuade me from wearing the orange pillow case. 'Okay, Copey, five minutes and you're on'. Uh? Wow, Batesy was right. I sat, head down, with the front of my leathers undone. Sweat coursed down my belly and I mopped it up with my shitty top.

I was paranoid as hell. The BBC make-up woman had scared the shit out of me. They had asked me if I'd just come back from the Bahamas and said they loved my tan. Of course, irony is lost on someone who's tripping his brain out, so I figured that I must be turning brown.

'I'm not too dark really , am I?'

'Fuckin ell Copey, you're dead pale, honest'. Gary was trying to make me feel better, but what did he know? He was tripping too and I didn't want people placating me. It was time to go. I wasn't ready. We had to go. I wasn't ready. Why aren't you ready? I don't feel tall enough. Well, you're gonna be standing on top of a piano. Is that tall enough for you. Eh?

They led me reluctantly out to the studio floor. It was total chaos out there. People were running around and freaking out and winding everyone else up. I suddenly felt very becalmed. A group called Buck's Fizz were doing their thing on the other side of the studio. They were a two-boy, two-girl, fun group with cutesy expressions and dance routines. We were to follow them.

[The Buck's Fizz song was One Of These Nights. The TOTP performance doesn't seem to be archived online, but it must've been pretty darn similar to this one]

I watched fascinated. Then as time moved slowly on I felt sucked into their scene. God, they were brilliant. I wanted to be in Buck's Fizz. I rushed over to Gary and hit him with the idea. The two of us should join. Imagine an acid-soaked dance group with showbiz routines, it would be incredible.

It was two minutes to our performance. We had to be exact as it was live, so no mistakes. Bates dragged me to the grand piano. Shit, it's like an ocean liner. The piano was exquisite and moved gently past me as I walked around it. Little girls ran over towards me as I climbed aboard the piano. I smiled my most ridiculous and inane grin and, after much manoeuvring, scrambled to the top of this vast and polished plateau.

The finish of the piano was unbelievable. I waded in its high gloss black syrup, my bare feet sinking deeper and deeper into the surface like hot wet tar on a newly completed road. It was all I could think about. 'Don't jump around too much, Copey. It'll cost us a fortune if you wreck that thing'. Oh, thanks a lot, Batesy. Thanks fucking loads. That's just what I want to hear when I'm tripping on live TV.

The boom camera swung away from Buck's Fizz as their song faded out. Everyone was in position and I forgot to duck as the camera crane whizzed past my head, nearly knocking me from my dubious perch. Okay, I'm not in Buck's Fizz. I'm not. Better remember.

'The friend I have is a passionate friend, but I can't see you buying...'. Passionate Friend doesn't have an intro or anything. It just starts - vocals, drums, guitar, everything. All together. In a split second, I was fighting for my life up on the piano. I looked back at Gary who was off his head. His blond quiff was hanging straight out over his face, jiblike and starched and strong like a newly creosoted fence. I wanted to climb on to it and walk along its length, like a sailor walking the plank.

Around me, the song waged war with itself. So much going on. How can I keep this together? Who cares, I'm doing fine. I looked down at Jeff, thousands of feet below me at the piano keyboard. He looked ridiculous to me, like the phantom of the opera or some such shit.

Now, Passionate Friend is also one of those songs that has a reprise. See, the whole song builds to a climax then we come to a stop, and start the whole thing again. Suddenly, I was miming, 'the friend I have is a passionate friend, but I can't see you buying...'. Hold on, I thought. What's all this? My mind did double-takes and I battled for some sense of reality. Maybe this was the real start of the performance. Maybe I'd imagined the first half of the song. What the hell is going on?

I felt the song disappearing into a tunnel. It was fading out and the Top of The Pops audience was cheering. I felt as though I had been up there for days. But I'd done battle and I seemed to have won."

@'Bristling Badger' 

via 'Fifi' w/ thanx!

(Just because...)

Scientists crack 'entire genetic code' of cancer

Scientists have unlocked the entire genetic code of two of the most common cancers - skin and lung - a move they say could revolutionise cancer care.

Not only will the cancer maps pave the way for blood tests to spot tumours far earlier, they will also yield new drug targets, says the Wellcome Trust team.
Scientists around the globe are now working to catalogue all the genes that go wrong in many types of human cancer.
The UK is looking at breast cancer, Japan at liver and India at mouth.
China is studying stomach cancer, and the US is looking at cancers of the brain, ovary and pancreas.

These catalogues are going to change the way we think about individual cancers Wellcome Trust scientist Professor Michael Stratton

The International Cancer Genome Consortium scientists from the 10 countries involved say it will take them at least five years and many hundreds of thousands of dollars to complete this mammoth task.
But once they have done this, patients will reap the benefits.
Professor Michael Stratton, who is the UK lead, said: "These catalogues are going to change the way we think about individual cancers.
"By identifying all the cancer genes we will be able to develop new drugs that target the specific mutated genes and work out which patients will benefit from these novel treatments.
"We can envisage a time when following the removal of a cancer cataloguing it will become routine."
It could even be possible to develop MoT-style blood tests for healthy adults that can check for tell-tale DNA patterns suggestive of cancer.
Russian roulette
The scientists found the DNA code for a skin cancer called melanoma contained more than 30,000 errors almost entirely caused by too much sun exposure.

Most of the time the mutations will land in innocent parts of the genome, but some will hit the right targets for cancer Wellcome Trust researcher Dr Peter Campbell

The lung cancer DNA code had more than 23,000 errors largely triggered by cigarette smoke exposure.
From this, the experts estimate a typical smoker acquires one new mutation for every 15 cigarettes they smoke.
Although many of these mutations will be harmless, some will trigger cancer.
Wellcome Trust researcher Dr Peter Campbell, who conducted this research, published in the journal Nature, said: "It's like playing Russian roulette.
"Most of the time the mutations will land in innocent parts of the genome, but some will hit the right targets for cancer."
By quitting smoking, people could reduce their cancer risk back down to "normal" with time, he said.
The suspicion is lung cells containing mutations are eventually replaced with new ones free of genetic errors.
By studying the cancer catalogues in detail, the scientists say it should be possible to find exactly which lifestyle and environmental factors trigger different tumours.
Treatment and prevention
Tom Haswell, who was successfully treated 15 years ago for lung cancer, believes the research will benefit the next generation:
"For future patients I think it's tremendous news because hopefully treatments can be targeted to their particular genome mutations, hopefully... reducing some of the side effects we get".
Cancer experts have applauded the work.
The Institute of Cancer Research said: "This is the first time that a complete cancer genome has been sequenced and similar insights into other cancer genomes are likely to follow.
"As more cancer genomes are revealed by this technique, we will gain a greater understanding of how cancer is caused and develops, improving our ability to prevent, treat and cure cancer."
Professor Carlos Caldas, from Cancer Research UK's Cambridge Research Institute called the research "groundbreaking".
"Like molecular archaeologists, these researchers have dug through layers of genetic information to uncover the history of these patients' disease.
"What is so new in this study is the researchers have been able to link particular mutations to their cause.
"The hope and excitement for the future is that we will eventually have detailed picture of how different cancers develop, and ultimately how better to treat and prevent them."

@'BBC'

Robert Henke on Max

More here.

Can - Silent Night

Xmas pressie download from Mute Records

HERE

The Subterraneans - My Flamingo/Veiled Women

One time member of The Subterraneans Chrissie Hynde with then partner Nick Kent.

Various members of The Damned played gigs with Kent as The Subterraneans but from memory I am pretty certain that Henry Padovani played guitar on this single. The line "like a deaf mute in a phone booth" came from an interview Kent did with Lou Reed I also seem to recall.

See what sort of things I keep in my brain...

My thanx to Malcolm as this was one of my holy grails...

Get it

HERE

HA!

@'Flickr'

Kilowatts - Six Silicates

HERE

Brothers of End - Big Bird

   

Amazing who jumps into bed w/ each other!!!

Insurgents hack US drones

Militants in Iraq have used $26 off-the-shelf software to intercept live video feeds from U.S. Predator drones, potentially providing them with information they need to evade or monitor U.S. military operations.

Senior defense and intelligence officials said Iranian-backed insurgents intercepted the video feeds by taking advantage of an unprotected communications link in some of the remotely flown planes' systems. Shiite fighters in Iraq used software programs such as SkyGrabber -- available for as little as $25.95 on the Internet -- to regularly capture drone video feeds, according to a person familiar with reports on the matter.

U.S. officials say there is no evidence that militants were able to take control of the drones or otherwise interfere with their flights. Still, the intercepts could give America's enemies battlefield advantages by removing the element of surprise from certain missions and making it easier for insurgents to determine which roads and buildings are under U.S. surveillance...

@'Wall Street Journal'

Frances Bean gets restraining order against Courtney

Book staircase

@'Fubiz'