Sunday, 21 October 2012

Carole Jerrems: Vale Street #2 (1975)

A quintessential image of the 1970s, 'Vale Street #2' has lost none of its capacity to enchant and disturb in the intervening years. In one sense it can be read as a sociological document; in another as a wholly subjective work of art. Like the mediumistic spirit-photographs of the nineteenth century, Jerrems's photo seems to disclose the very souls of its subjects. As they respond, each in their individual fashion, to the regarding presence of the camera lens, the figures compose themselves, without theatrics, into telling attitudes. The prominence and bodily confidence of the open-faced young woman is set against the reticence of her boyish companions. As a portrait of relationships as well as individuals, 'Vale Street' speaks of gender relations, adolescent sexuality, suburban mores and the photographer's own subtly partisan demeanour in regard to these themes.
(Art Gallery Handbook, 1999)

A look at Carol Jerrems

Juliet holding 'Vale Street' 

Between suburbia and radicalism

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