Lessons from the past...

A youth disturbed too often by the future

This dissertation revisits the documents of the May 1968 uprising in France and particularly the posters of the Atelier Populaire to ask what role guerrilla media played in relation to the central socio-political discourses and demonstrations. Three chapters analyse the iconography, language and context of the posters, taking an approach that looks to the materialist semiotics of the Bakhtin Circle alongside the contemporaneous concerns of academics like Lefebvre, Barthes and Derrida, as well as precursory and parallel moments of revolutionary conjuncture. The larger concerns of this dissertation relate to the relationship between revolutionary politics and emancipatory artistic practice

More about May 1968 here.

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