This is why it is important to resist the casual story that things have ‘progressed’ in any simple linear fashion since Handsworth Songs was made. Yes, the BAFC can now appear at Tate Modern in the wake of new riots in England, something unthinkable in 1985; but, as Film Quarterly editor Rob White pointed out in the discussion at the Tate event, there is little chance now of Handsworth Songs or its like appearing on Channel 4 now, still less being commissioned. The assumption that brutal policing and racism were relics of a bygone era was part of the reactionary narrativisation of the recent riots: yes, there were politics and racism back then, but not now, not any more…
The lesson to be remembered – especially now that we are being asked to defend abortion and oppose the death penalty again – is that struggles are never definitively won. As the academic George Shire pointed out in the Tate discussion, many struggles have not been lost so much as diverted into what he called “the privatisation of politics”, as former activists become hired as ‘consultants’...
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Mark Fisher @'BFI/Sight & Sound'
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