It seems odd that art censorship should bleed into virtual reality, a mirror existence built on pixels inside the Internet. But this past June, when the video artist Rose Bochovski exhibited her computer-graphic, 3-D film Susa Bubble in a Second Life art gallery, it was promptly removed, with the censors citing Second Life’s rules disallowing nudity beyond spaces with an “adult” rating. The images, viewable below, depict a young girl who is naked but not in any real provocative way and is completely devoid of sexualization, whether in the rendering or in the context. Real 21st-century problems, these, but they illustrate the vast illogic of censorship -- a couple of keystrokes on the Internet and anyone can view anything from real-life corpses to hardcore pornography. And yet in an online gaming system, a woman whose art piece is moderately less naked than Henry Darger’s cherubic hermaphrodites gets the boot? Surreal. Go here to read Bochovski’s response.
Wednesday, 5 January 2011
Rose Borchovski - The story of Susa Bubble
It seems odd that art censorship should bleed into virtual reality, a mirror existence built on pixels inside the Internet. But this past June, when the video artist Rose Bochovski exhibited her computer-graphic, 3-D film Susa Bubble in a Second Life art gallery, it was promptly removed, with the censors citing Second Life’s rules disallowing nudity beyond spaces with an “adult” rating. The images, viewable below, depict a young girl who is naked but not in any real provocative way and is completely devoid of sexualization, whether in the rendering or in the context. Real 21st-century problems, these, but they illustrate the vast illogic of censorship -- a couple of keystrokes on the Internet and anyone can view anything from real-life corpses to hardcore pornography. And yet in an online gaming system, a woman whose art piece is moderately less naked than Henry Darger’s cherubic hermaphrodites gets the boot? Surreal. Go here to read Bochovski’s response.
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