Thursday 14 January 2010

C'mon everybody: How Eddie Cochran and Gene Vincent changed British music for ever


In terms of popular culture, many commentators start the Swinging Sixties with the Beatles in 1963, but the Sixties started swinging in January 1960 itself with the UK's first rock'n'roll package tour featuring the American stars, Eddie Cochran and Gene Vincent. Judging by reports in regional newspapers by inappropriate theatre reviewers, the tour was a Grade A disaster, but of course it wasn't. The audiences loved the shows and more importantly, fledgling British musicians watched closely and determined that this was the way forward. Considering there are now films about relatively unimportant moments in rock history, it is inexplicable that there has not been a film about Cochran and Vincent, especially when the story is so colourful.
In 1956, the impresario Larry Parnes had catapulted Tommy Steele to stardom as Britain's answer to Elvis Presley. Steele played along for a while, but he was not threatening enough to be a Presley and his records made with London jazzmen lacked Presley's commitment. As Steele developed into a family entertainer, Parnes tried again with Marty Wilde and Billy Fury, who were more committed to the new music.
The managers of the American rock'n'roll stars had been reluctant to send their charges to the UK as there was more money to be made in the US. Bill Haley had passed his peak when he visited in 1957; and although Buddy Holly toured with success in March 1958, the rest of the bill was end-of-the pier variety. Lew and Leslie Grade promoted Haley and Holly but they came unstuck in May 1958 when a Jerry Lee Lewis tour was cancelled after he revealed the age of his wife.
There never was a sweet Gene Vincent. In 1956, when he was 21, the curly-haired boy from Norfolk, Virginia had stormed to success with "Be-Bop-A-Lula", but his unpredictable behaviour alienated him from his band, the Blue Caps, who complained to the union. By the autumn of 1959, he was banned from many States and reduced to playing small-time dance halls with pick-up bands. His new manager, Norm Riley, thought European dates were the answer as nobody would know of his problems. The TV producer, Jack Good booked him for ITV's Boy Meets Girl and arranged a guest appearance at Tooting Granada on Marty Wilde's stage show.
Gene was super-polite, saying "sir" and "ma'am" to everyone, and performed very well. Parnes set up some tour dates with Wee Willie Harris in January, while Good worked on his image. He loathed Vincent's vivid green suit with "GV" on the pocket, but loved the intense way he would gaze into the distance while he sang his songs. "Gene wore a leg iron," he recalls, "so he hobbled a bit. I was a Shakespeare fan, so hobbling to me meant Richard III. I even thought of giving him a hunchback, and I'm glad I didn't! Then I thought, 'He can also be moody like Hamlet', so we'll dress him in black from head to toe and put a medallion round his neck."...
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