Behind Comey’s firing: An enraged Trump, fuming about Russia

The Nightmare Scenario: Trump Fires Comey, the One Man Who Would Stand Up to Him

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Yours for a $100 million!

HA!

In search of Trough Man, an icon of Sydney's 1980s gay scene

Style

‘Drop dead gorgeous’ teen girl shows up for prom in coffin

Hannity Then and Now on NSA Surveillance

The Attackerman reunites with Noah Schachtman

Manga Artist Kiyohiko Azuma’s Urban Sketches of Japan

The great British Brexit robbery: how our democracy was hijacked

Dr. Bill Bruford - Making it Work: Creative music performance and the Western kit drummer (2015)

Abstract
This study synthesises a range of views from cultural psychology, action theory and expert practitioners to illuminate issues of creativity and meaning in the performance of the Western kit drummer. Creativity and cultural psychology models are tested and critiqued, but require extension or adaptation to cast a more focused light on the meaning of creative performance for drummers. Aspects of the work of Csikszentmihalyi, Dewey, and Boesch are drawn together and developed to argue that the construct of ‘significant action in context’ provides the conceptual and methodological tool with which to begin analysis of this relationship of mind to cultural setting. In seeking understanding of perception rather than objectively-determined facts, a qualitative interpretivist paradigm is adopted. Semi-structured interviews and autobiographical data of expert practitioners are used to generate rich data. Viewed from an action-theoretical perspective, the data are analysed and interpreted using thematic analysis, expanded here to encompass both autoethnographic and phenomenographical components. The agency of the researcher is assumed throughout, and the importance of scholarly self-reflexivity highlighted. The purpose of the study is to construct a cultural psychology of the Western kit drummer which may reveal aspects of creativity in performance. It emerges organically from an ongoing sense of needing to know, or at least understand better, how drummers’ cultural psychology determines what they do. Such an explanation may not only contribute functionally to drummer practice, but also improve understanding of collaborative and creative interactional processes in music and related artistic spheres
PDF

GRIN REAPER

Nick Cave: ‘I have turned a corner and wandered on to a vast landscape’

US army releases photographer's final image, showing blast that killed her

Believe It or Not!

Praxis - Live at the Warsaw Summer Jazzfest (1996)

Praxis featuring Bill Laswell, Buckethead, Brain, and the Invisibl Skratch Piklz

Sonny Sharrock - Live on Jazz Session (French TV 3/10/70)

Material - Live in Switzerland (13/7/83)

Material featuring Bill Laswell, Michael Beinhorn, Grandmixer DST, Sonny Sharrock, Henry Kaiser, JT Lewis, and Keith Haring on Magic Marker
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Material featuring Amina Claudine Myers, Bill Laswell, Aiyb Dieng, Gigi, Hamid Drake, Karsh Kale, DST, Buckethead, and Oz Fritz in 1998

Material featuring Bill Laswell, Michael Beinhorn, Grandmixer DST, Sonny Sharrock, Henry Kaiser, JT Lewis, and Keith Haring on Magic Marker, live at the Milano Suono Festival, Milan, July 1983Material featuring Bill Laswell, Nils Petter Molvaer, Foday Musa Suso, Hamid Drake, Abegasu Shiota, and AIyb Dieng perform at the Latin Lounge at Tokyo Jazz in 2005

Hari Kunzru: Trump’s first 100 days - ignorant, thuggish, insecure - a president as would-be oligarch

Trump: 'He’s a self-basting satirist'

During Armando Iannucci's appearance on the Australian panel show Q&A on Monday night, the creator of Veep and The Thick of It says satirists are struggling in the time of Donald Trump because the US president does their job for them
Armando Iannucci on why he's glad he left Veep: 'I don’t know how I’d respond to America now'

My mum, the punk pioneer: Poly Styrene’s daughter remembers the X-Ray Spex leader

David Asher's On U Sound Sunday Roast (April 2017)

Shipwreck Radio: Steven Stapleton Of Nurse With Wound's Inspirations Mix

Via

What Doesn't Kill Me (Vic Chesnutt Documentary)

Via

Imabari Meeting Live 1991 (includes Bill Laswell's Dropzone, Ginger Baker Band & Toshinori Kondo/IMA)

Ginger Baker Band - Ginger Baker: drums; Bill Laswell: bass; Anton Fier: keyboards; Foday Musa Suso: kora, vocal
Bill Laswell's Dropzone - Bill Laswell: bass; Anton Fier: drums; Kiyohiko Semba: drums; Akira Sakata: sax; Peter Brotzmann: sax
Disc info
瀬戸内海音楽祭
The disc above is now my Laswell holy grail. If anyone has it to share I would be very grateful

Forest Swords - Panic / Arms Out

Calling All Active Agents (WSB) Mix

'Smash the control machine'
Tracks from Electronic Revolution/Real English Tea Made Here/Nothing Here Now But The Recordings/10% File Under Burroughs/Vaudeville Voices/Dub Spencer & Trance Hill/Ministry/Laurie Anderson/Bill Laswell & Material. Also features The Master Musicians of Joujouka with and without Ornette Coleman and opens with one of Paul Bowles' field recordings of Morocco

Donald Trump's First 100 Days In Office

War with North Korea: No Joke

The Hungarian Rise And Fall Of Sebastian Gorka

Laurel Halo - Jelly

Grateful Dead (ft Lowell George) - I Need A Miracle

Shakedown Street rehearsal August 1, 1978
Via

Michael Rother talks krautrock, NEU! and David Bowie

From Bad Seeds to Bad Girl: Warren Ellis on his 'brutal' way of working

What's the chance?

NYT Anatomy of a Scene: Free Fire

Blink/Tic/Om (Laswell) Mix

Ambient>Tabla & Bass
Tracklist:
1 Eternal Drift (Eternal Thaemlitz Curse Mix) by Material
2 Transfer Complete by Terre Thaemlitz & Bill Laswell
3 The Upper Air by Bill Laswell
4 Corpse Pose by Divination
5 Needle Drop by Bill Laswell
6 Holy Beggars by Oz Fritz
7 Asiyah Dub (Blinding The Starry Eyes Of God) by Automaton
8 Kashi/Lost Roads Orchestral Site/The Taliban/Black Ice/Shiva Myth by Bill Laswell
9 Mantra by Material
10 Morning Breeze by Asana
11 Devotional by Tabla Beat Science

Robert M. Pirsig R.I.P.