Monday 30 March 2015
Sunday 29 March 2015
Saturday 28 March 2015
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Submerged VS Bill Laswell - The Driven
The Driven describes the people running loose in the interior of the mental health section of the prison. "Auto-PILOT" - as fellow resident Semyon Bumagin called them. We were never sure if the Russian really had Alzheimer's, was faking in hopes of a reduced sentence, or was gaming us so well that us being unable to tell was all a part of his master plan.
Submerged - beats / synthesizers
Bill Laswell - bass guitar / bass noise
Balázs Pándi - live drums
Matt Labozza - effectron II / guitars / noise
SHVLFCE - artwork
Summoned by Submerged at Black Site Studio
Submerged vs. Bill Laswell "The Driven"
taken from the forthcoming album
After Such Knowledge, What Forgiveness?
Friday 27 March 2015
RA EX.243: Adrian Sherwood
Adrian Sherwood's love affair with reggae began as a teenager in High Wycombe. He started DJing in his early teens and then threw himself into the music industry—by the time he was 20 he had run a record shop, set up a distribution company and run multiple record labels. In the 1980s he forged a name for himself as a producer, putting his own distinctive, uncluttered stamp on all kinds of music, from reggae to industrial to jazz. The number of projects he's leant his name to is staggering. He's made psychedelic Afro-dub with Africa Head Charge, remixed Depeche Mode, hit the studio with Lee 'Scratch' Perry, dabbled in experimental hip-hop with Tackhead and overseen reggae collectives like Singers & Players. He burst out of the blocks in 2015, releasing a collaborative album with Pinch and starting a new compilation series called At The Controls. He stopped by our London office this month to discuss the highs and lows of his four-decade career
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