Monday 10 September 2012
♪♫ Rocket From The Crypt - He's a Chef (Yo Gabba Gabba)
"He's A Chef" will be available on a limited edition 7" as part of an
apparel and accessories collaboration between Volcom Clothing and the
most re-freshest of all children's shows, Yo Gabba Gabba. In the
creation of this most awesome collection of radness (in the whole
universe), the 7" that also features a Biz Markie and Wayne Coyne
production is being given away to 100 lucky winners at http://www.volcom.com/ygg
and will be available on September 21st at select Volcom retailers as a
free gift when you purchase any of the collaborative products.
(Thanx Gavin!)
(Thanx Gavin!)
Carlo Zeccola: Rutledge Lane, Melbourne (2012)
Saying you like street art but hate tagging is a bit like saying you love sandwiches but hate bread
-Junky Projects
eL Seed
eL Seed
Arab graffiti: vandalism or art?
Deepchord - PlayGround Mix 101 (6/9/12)
Deepchord: “Wind Farm: Night Mix” (Soma Quality Recordings)
Cosmic Cowboys: “Dusk” (Musik Gewinnt Freunde)
MasKinE: “D” (Statik Entertainment)
Deepchord: “Aquatic” (Soma Quality Recordings)
Giriu Dvasios: “Gydantis Lietus” (Cold Tear Recordings)
Morphosis: “Too Far: Dettmann Definition 2” (Delsin)
Overcast Sound: “Templehof” (Entropy Records)
Rolando: “Where Were You?” (Delsin)
Sub Made: “Rotation” (Koax Records)
Deepchord: “Jenneau” (Unreleased)
Vince Watson: “Ioa: Live Version” (Delsin)
Deepchord: “Cruising Towards Dawn” (Soma Quality Recordings)
Octal: “Heavy Petting” (Thule Music)
Onmutu Mechanicks: “Your Touch is so Electric” (Echocord)
Portable: “Tempura” (Scape Music)
Pendle Coven: “MVO Chamber” (Modern Love)
Overcast Sound: “Run” (Entropy Records)
Heinrichs & Hirtenfellner: “Legends” (Supdub)
Deepchord: “Glow” (Soma Quality Recordings)
Sub Made: “Rotation” (Koax Records)
Mind Over MIDI: “Across the Void” (Beatservice)
Mark Ernestus: “Meets BBC” (Honest Jon’s)
Grungerman: “Fackeln Im Sturm” (Kreisel 99)
Undr P: “Russ” (Koax Records)
Thomas Fehlmann: “Berliner Luftikus” (Kompakt)
The Black Dog: “DISinformation Desk” (Soma Quality Recordings)
Desolate: “In Secret” (Fauxpas Musik)
Deepchord: “Unnamed” (Unreleased)
F.L.O.: “Be True” (Cold Tear Recordings)
Ghislain Poirier: “Orange Brulee” (12k)
Mind Over MIDI: “Change” (Beatservice)
Deepchord: “Drifting” (Unreleased)
Release date: Sep 8, 2012Cosmic Cowboys: “Dusk” (Musik Gewinnt Freunde)
MasKinE: “D” (Statik Entertainment)
Deepchord: “Aquatic” (Soma Quality Recordings)
Giriu Dvasios: “Gydantis Lietus” (Cold Tear Recordings)
Morphosis: “Too Far: Dettmann Definition 2” (Delsin)
Overcast Sound: “Templehof” (Entropy Records)
Rolando: “Where Were You?” (Delsin)
Sub Made: “Rotation” (Koax Records)
Deepchord: “Jenneau” (Unreleased)
Vince Watson: “Ioa: Live Version” (Delsin)
Deepchord: “Cruising Towards Dawn” (Soma Quality Recordings)
Octal: “Heavy Petting” (Thule Music)
Onmutu Mechanicks: “Your Touch is so Electric” (Echocord)
Portable: “Tempura” (Scape Music)
Pendle Coven: “MVO Chamber” (Modern Love)
Overcast Sound: “Run” (Entropy Records)
Heinrichs & Hirtenfellner: “Legends” (Supdub)
Deepchord: “Glow” (Soma Quality Recordings)
Sub Made: “Rotation” (Koax Records)
Mind Over MIDI: “Across the Void” (Beatservice)
Mark Ernestus: “Meets BBC” (Honest Jon’s)
Grungerman: “Fackeln Im Sturm” (Kreisel 99)
Undr P: “Russ” (Koax Records)
Thomas Fehlmann: “Berliner Luftikus” (Kompakt)
The Black Dog: “DISinformation Desk” (Soma Quality Recordings)
Desolate: “In Secret” (Fauxpas Musik)
Deepchord: “Unnamed” (Unreleased)
F.L.O.: “Be True” (Cold Tear Recordings)
Ghislain Poirier: “Orange Brulee” (12k)
Mind Over MIDI: “Change” (Beatservice)
Deepchord: “Drifting” (Unreleased)
http://www.playgroundmag.net/music/mixes/playground-mix-101-deepchord
How Bush Snared Blair
Unobtrusively tucked into the chalk hills is Chequers, the 16th century mansion that serves as the official country residence of Britain’s Prime Minister. While Chequers is traditionally used as a weekend getaway, Tony Blair and his staff traveled there on Tuesday, April 2, 2002 for an in-depth and hard-edged debate about Iraq. Since Bush first raised the prospects months before that the United States would hit Iraq, Blair had cajoled and reasoned with the president in an attempt to guide American policy. But the march toward war had continued.
Now, the Prime Minister was scheduled to meet with Bush at the Crawford ranch in three days, and it would be his best opportunity to hammer out a strategy for bending the President’s will a bit closer to his own—if only he could figure out how to do it.
The British officials gathered at ten that morning on the first floor in the Long Gallery, and Blair described his predicament. “I believe, that Bush is in the same position I am,” he said. “It would be great to get rid of Saddam, but can it be done without terrible unforeseen consequences?”
British intelligence presented an assessment of the situation in Iraq. The state of its military forces was adequate, the opposition to Saddam was feeble, and Saddam himself—well, he was a maniac. Those elements made a combustible and unpredictable mix. The consequences of an American-led invasion were anybody’s guess...
Blondie - One Way Or Another (2006)
Mark Radcliffe narrates a documentary about New York band Blondie, from their Bowery beginnings at CBGB's in 1974 to their controversial induction into the Rock 'n' Roll Hall of Fame. With exclusive backstage and performance footage from their recent UK tour plus in-depth interviews with current and ex band members and friends Iggy Pop, Shirley Manson, Tommy Ramone and Chris Frantz and Tina Weymouth of Talking Heads.
Narrated by Mark Radcliffe
Produced and Directed by Matt O'Casey
Bonus:
Sunday 9 September 2012
My life after Anonymous: 'I feel more fulfilled without the internet'
Photograph: Jeff Blackler/Rex Features
The last time I was allowed to access the internet was several moments before the police came through my door in the Shetland Isles, over a year ago. During the past 12 months I have pleaded guilty to computer misuse under the banners of "Internet Feds", "Anonymous" and "LulzSec". One of my co-defendants and I have also been indicted with the same charge in the United States, where we may possibly be extradited, and if found guilty I could face several decades in an American prison. Now I am on conditional bail and have to wear an electronic tag around my ankle. I'm forbidden from accessing the internet.
I'm often asked: what is life like without the net? It seems strange that humans have evolved and adapted for thousands of years without this simple connectivity, and now we in modern society struggle to comprehend existence without it. In a word, life is serene. I now find myself reading newspapers as though they weren't ancient scrolls; entering real shops with real money in order to buy real products, and not wishing to Photoshop a cosmic being of unspeakable horror into every possible social situation. Nothing needs to be captioned or made into an elaborate joke to impress a citizenry whose every emotion is represented by a sequence of keystrokes.
Things are calmer, slower and at times, I'll admit, more dull. I do very much miss the instant companionship of online life, the innocent chatroom palaver, and the ease with which circles with similar interests can be found. Of course, there are no search terms in real life – one actually has to search. However, there is something oddly endearing about being disconnected from the digital horde.
It is not so much the sudden simplicity of daily life – as you can imagine, trivial tasks have been made much more difficult – but the feeling of being able to close my eyes without being bombarded with flashing shapes or constant buzzing sounds, which had occurred frequently since my early teens and could only be attributed to perpetual computer marathons. Sleep is now tranquil and uninterrupted and books seem far more interesting. The paranoia has certainly vanished. I can only describe this sensation as the long-awaited renewal of a previously diminished attention span.
For it is our attention spans that have suffered the most. Our lives are compressed into short, advertisement-like bursts or "tweets". The constant stream of drivel fills page after page, eating away at our creativity. If hashtags were rice grains, do you know how many starving families we could feed? Neither do I – I can't Google it.
A miracle cure or some kind of therapeutic brilliance are not something I could give, but I can confidently say that a permanent lack of internet has made me a more fulfilled individual. And as one of many kids glued to their screens every day, I would never before have imagined myself even thinking those words. Before, the idea of no internet was inconceivable, but now – not to sound as though it's some kind of childish and predictable revelation spawned as a result of going cold turkey – I look back on the transcripts of my online chats (produced as legal evidence in my case, in great numbers) and wonder what all the fuss was about.
It's not my place to speculate on whether or not the hacker community should stop taking itself so seriously, but I certainly became entangled within it and had forgotten how easy it was simply to close a laptop lid.
I hope, then, that others in a similar situation may decide to take a short break from the web (perhaps just for a week) and see if similar effects are found. It can't hurt to try.
Jake Davis @'The Guardian'
Anonymous: behind the masks of the cyber insurgents
Her Ghost (Trailer)
UK premier of Kode9, MFO & Ms. Haptic's Her Ghost - a powerful and provocative live performance, reworking the late Chris Marker's La Jetée
from the female character's perspective, redressing its historical
gender imbalance as they draw new narratives, a mounumental sound
composition from Kode9, and MFO's carefully reconfigured images, out of
Marker's originals. Also on the evening, a new filmic performance by Aura Satz
encodes sound as light via synaesthetic experiments with the image and
optical tracks of 16mm film, with live music and a voice over scripted
in collaboration with Lis Rhodes,
whose iconic work of expanded cinema, Light Music, was a response to
the under-representation of women in the musical avant-garde. Ben
Russell's Trypps film series is an ongoing study in trance, travel and
psychedelic ethnographies.
More info:
Her Ghost: An Homage to Chris Marker's La Jetée is an on-going collaborative film-sound performance project between DJ, Hyperdub label boss, and sound designer Kode9 (Steve Goodman) Berlin-based MFO visual artist collective Marcel Weber and Lucy Benson, and researcher/lecturer/performer, Ms.Haptic (Jessica Edwards), that significantly re-works, both aurally and visually, Marker's science fiction film-photo-essay original (1962). 50 years from the premiere of Chris Marker's science fiction anomaly, Her Ghost refracts the original script, so that it now sheds light onto the previously obscured figure of the woman. Drawing from the stills, narrative and soundscape of the original film, Her Ghost suggestively recasts, further complicates and asks difficult questions of its ‘parent'. It is performed live, but off-stage, amidst its audience. Each iteration of the project produces a fractionally different mutation of the film. Her Ghost was originally commissioned by Unsound Festival and first performed in Krakow, Poland in November 2011. This will be its UK premier.
Arnolfini/Bristol 1/11/12
Info
More info:
Her Ghost: An Homage to Chris Marker's La Jetée is an on-going collaborative film-sound performance project between DJ, Hyperdub label boss, and sound designer Kode9 (Steve Goodman) Berlin-based MFO visual artist collective Marcel Weber and Lucy Benson, and researcher/lecturer/performer, Ms.Haptic (Jessica Edwards), that significantly re-works, both aurally and visually, Marker's science fiction film-photo-essay original (1962). 50 years from the premiere of Chris Marker's science fiction anomaly, Her Ghost refracts the original script, so that it now sheds light onto the previously obscured figure of the woman. Drawing from the stills, narrative and soundscape of the original film, Her Ghost suggestively recasts, further complicates and asks difficult questions of its ‘parent'. It is performed live, but off-stage, amidst its audience. Each iteration of the project produces a fractionally different mutation of the film. Her Ghost was originally commissioned by Unsound Festival and first performed in Krakow, Poland in November 2011. This will be its UK premier.
Arnolfini/Bristol 1/11/12
Info
Parliament Funkadelic - Funkentelechy (Houston 1978)
Solos by bassist Rodney "Skeet" Curtis and guitarist Michael Hampton
Saturday 8 September 2012
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