Friday 1 June 2012

Warrantless spying fight

FISA and beyond - away with all warrants!

Meanwhile just four years ago...

Godverdomme!!!



The Little Book Of Procrastination Remedies

My neighbourhood

Fuck - I really hate gentrification...

Chicago guitar genius Pete Cosey dead at 68

Guitar fans have had a rough couple of days. Yesterday brilliant folk and country guitarist Doc Watson died at age 89. This morning, according to the private Facebook page of fellow guitarist and collaborator Vernon Reid, Chicago's own Pete Cosey died at 68. Obituaries and remembrances for Watson have already appeared all over, and deservedly so—few instrumentalists so completely absorbed America's folk and country traditions, and fewer still brought such quiet virtuosity to them. Watson was a key catalyst in the folk revival after his discovery by producer Ralph Rinzler in 1960.
Pete Cosey, on the other hand, was a classic musician's musician; he's not especially well-known, though he played on tons of classic records. As such, word of his passing is traveling rather more slowly.
 Cosey was a key session musician at Chess Records in the 60s, appearing on sides by Howlin' Wolf, Muddy Waters, the Rotary Connection, and Etta James, and he worked with the great Phil Cohran in the latter's Artistic Heritage Ensemble. He's probably most famous, though (to the extent that he's famous at all), for his mind-melting work with Miles Davis in the early 70s: he played on the trumpeter's heaviest, most electric albums, including Agharta, Pangaea, and Get Up With It. After Davis broke up the band in 1975 and went into semi-retirement, Cosey was never able to build the solo career he so richly deserved. He used his guitar like an abstract expressionist painter, creating thick, richly textured solos with fierce rhythmic power, dazzling colors, and nonchalant violence. He continued to appear on records here and there, including Herbie Hancock's Future Shock and an album with Japanese saxophonist Akira Sakata, but he always seemed to be planning his own next project, which never quite materialized.
( Chicago Reader)
via Ed Kuepper and Mark Stewart on FB


November 3, 1973
Stadthalle, Vienna (Austria)
Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)

Too Much Power for a President

The President’s Kill List



I'd just like to say Fuck PayPal - that is all.

Street slang in drug education advertises more than it helps

Am*dam

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Leveson tells Jay off for goading Hunt over his (self-professed) non use of the word "impactful": "Come on Mr Jay..."

Thursday 31 May 2012

               

Jeremy Hunt congratulated James Murdoch on BSkyB deal bid progress

Neil Young & Crazy Horse - Clementine

Doug Dillard RIP

Doug Dillard, the pioneering country rock banjo-player, has died aged aged 75, according to reports.
Dillard had first found fame in the Dillards, a bluegrass group formed with his brother Rodney, who made regular appearances on successful American sitcom, The Andy Griffith Show, where they played a fictional band called 'The Darlings'.
After leaving the Dillards in 1968, Doug Dillard teamed up with former Byrd, Gene Clark, to form Dillard & Clark.
Dillard & Clark released two albums - The Fantastic Expedition of Dillard & Clark (1968) and Through The Morning, Through The Night (1969) - which are both considered country rock classics.
The musicians who played on Dillard & Clark's two albums reads like a Who's Who of country rock's A list: The Byrds' Chris Hillman and Michael Clark, The Eagles' Bernie Leadon and Flying Burrito Brothers' Sneaky Pete Kleinow.
Two tracks from Through The Morning, Through The Night - the title song itself and "Polly" - were later covered by Robert Plant and Alison Krauss on their 2007 album, Raising Sand.
In 2011, Dillard had been admitted to a Nashville hospital suffering from a collapsed lung.
According to country and bluegrass website The Boot, a family spokesperson confirmed that Dillard was taken to a Nashville emergency room on Wednesday night [May 16] and died shortly thereafter.
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How did I miss this sad, sad news???

ACTA rejected by EU Parliament committees in crucial vote

Pete Rock's Vinyl Collection (Crate Diggers)

Crate Diggers profiles people with extraordinary vinyl record collections, with owners displaying and telling the stories behind their collections. In this episode Pete Rock, the legendary DJ and producer for rappers like Nas, Notorious B.I.G, and members of the Wu-Tang Clan, talks about his early days with cousin Heavy D, his love of funk, and a rare Marvin Gaye record.
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The Rolling Stones to celebrate 50th anniversary with free exhibition in London

The Rolling Stones: 50
Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood
A Free Photographic Exhibition at Somerset House
13 July – 27 August 2012
‘This is our story of fifty fantastic years. We started out as a blues band playing the clubs and more recently we’ve filled the largest stadiums in the world with the kind of  show that none of us could have imagined all those years ago’.
- Mick, Keith, Charlie & Ronnie
On 12 July 1962 the Rolling Stones went on stage at the Marquee Club in London’s Oxford Street. A phenomenal 50 years later, and to celebrate this milestone, Somerset House will present a free photographic exhibition documenting the last half-century and looking back at their astounding career. This exhibition will also coincide with the release of the book by the same name, published by Thames & Hudson.
With privileged access to a wealth of unseen and rare material, this one-off exhibition will include over seventy prints ranging from reportage photography, live concert and studio session images, to contact sheets, negative strips and outtakes from every period of the band’s history – from performing in the smallest blues clubs to the
biggest stadium tours of all time.
Visitors to the exhibition will have the opportunity to purchase limited edition prints, copies of the book and other merchandise.
INFORMATION
Dates: 13 July – 27 August 2012
Opening Hours: 10am – 6pm Daily
Address: East Wing Galleries, Somerset House, Strand, London, WC2R 1LA
Admission: Free
Transport: Nearest Underground Stations – Temple, Embankment, Charing Cross
Further Information: www.somersethouse.org.uk

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Australia inches closer to getting killer drones

Ecstasy and cannabis should be freely available for study, says David Nutt


Bono to join Suu Kyi on stage. Is there no end to that woman's torment?

InstaCRT demonstration

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Michael Franti sings to my friend Lou's (upcoming) grandchild

Filmed in Louisville last Saturday night

Modern Warfare

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Punk Britannia (Trailer)

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Exclusive performances can be found here
If you are outside the UK, use this to view them...

EPIC, EPIC FIAL!!!

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An ap(p)t spelling really when you think of it...

Concerns of Racism Ahead of Euro 2012

John Pilger: Why the Assange Case Is Important

On 30 May, Britain's Supreme Court turned down the final appeal of Julian Assange against his extradition to Sweden. In an unprecedented move, the court gave the defense team of the WikiLeaks editor permission to "re-apply" to the court in two weeks' time. On the eve of the judgment, Sweden's leading morning newspaper, Dagens Nyheter, known as DN, interviewed investigative journalist John Pilger, who has closely followed the Assange case. The following is the complete text of the interview, of which only a fraction was published in Sweden.
DN: Julian Assange has been fighting extradition to Sweden at a number of British courts. Why do you think it is important he wins?
JP: Because the attempt to extradite Assange is unjust and political. I have read almost every scrap of evidence in this case and it's clear, in terms of natural justice, that no crime was committed. The case would not have got this far had it not been for the intervention of Claes Borgstrom, a politician who saw an opportunity when the Stockholm prosecutor threw out almost all the police allegations. Borgstrom was then in the middle of an election campaign. When asked why the case was proceeding when both women had said that the sex had been consensual with Assange, he replied, "Ah, but they're not lawyers." If the Supreme Court in London rejects Assange's appeal, the one hope is the independence of the Swedish courts. However, as the London Independent has revealed, Sweden and the US have already begun talks on Assange's "temporary surrender" to the US - where he faces concocted charges and the prospect of unlimited solitary confinement. And for what? For telling epic truths. Every Swede who cares about justice and the reputation of his or her society should care deeply about this.
DN: You have said that Julian Assange's human rights have been breached. In what way?
JP: One of the most fundamental human rights - that of the presumption of innocence - has been breached over and over again in Assange's case. Convicted of no crime, he has been the object of character assassination -perfidious and inhuman - and highly political smear, of which the evidence is voluminous. This is what Britain's most distinguished and experienced human rights lawyer, Gareth Peirce, has written: "Given the extent of the public discussion, frequently on the basis of entirely false assumptions ... it is very hard to preserve for [Assange] any presumption of innocence. He has now hanging over him not one but two Damocles swords of potential extradition to two different jurisdictions in turn for two different alleged crimes, neither of which are crimes in his own country. [And] his personal safety has become at risk in circumstances that are highly politically charged."
DN: You, as well as Julian Assange, don't seem to have confidence in the Swedish judicial system. Why not?
JP: It's difficult to have confidence in a prosecutorial system that is so contradictory and flagrantly uses the media to achieve its aims. Whether or not the Supreme Court in London find for or against Assange, the fact that this case has reached the highest court in this country is itself a condemnation of the competence and motivation of those so eager to incarcerate him, having already had plenty of opportunity to question him properly. What a waste all this is.
DN: If Julian Assange is innocent, as he says, would it not have been better if he had gone to Stockholm to sort things out?
JP: Assange tried to "sort things out," as you put it. Right from the beginning, he offered repeatedly to be questioned - first in Sweden, then in the UK. He sought and received permission to leave Sweden - which makes a nonsense of the claim that he has avoided questioning. The prosecutor who has since pursued him has refused to give any explanation about why she will not use standard procedures, which Sweden and the UK have signed up to.
DN: IF the Supreme Court decides that Julian Assange can be extradited to Sweden, what consequences/risks do you see for him?
JP: First, I would draw on my regard for ordinary Swedes' sense of fairness and justice. Alas, overshadowing that is a Swedish elite that has forged sinister and obsequious links with Washington. These powerful people have every reason to see Julian Assange as a threat. For one thing, their vaunted reputation for neutrality has been repeatedly exposed as a sham in US cables leaked by WikiLeaks. One cable revealed that "the extent of [Sweden's military and intelligence] co-operation [with NATO] is not widely known" and unless kept secret "would open up the government to domestic criticism." Another was entitled "WikiLeaks puts neutrality in the dustbin of history." Don't the Swedish public have a right to know what the powerful say in private in their name?
Dagens Nyheter @'truthout'

 
               

Julian Assange given 14 days to challenge extradition ruling

Wednesday 30 May 2012

♪♫ Ruby - Tiny Meat

I'd forgotten how good Lesley Rankine/Ruby is/are. (Was/were?)

Alice in Dali land

Salvador Dali and Alice Cooper, 1973

Twitter War Rages on Between Russia and US Ambassador

Friendly As A Hand Grenade


Dylan awarded Medal of Freedom

President Obama presented Bob Dylan with the Medal of Freedom at the White House today, saying "There is not a bigger giant in the history of American music." It is the United States' highest civilian honor and is awarded for meritorious contributions to the national interest of the United States, to world peace, or to other significant endeavors. Congratulations, Bob!
Photo by Charles Dharapak/AP

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Macbeth in Damascus

Illustration: Judy Green

Besides torture - and yeah, that's a big exception - is there a single civil liberties issue where Obama is better than Bush?

Amanda Fucking Palmer

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AFP
This Is The Future Of Music

The Impending Violence Of The Failing Right Wing

Brilliant!!!

(Click to enlarge)

'Authenticity' In Advertising: The Worst Kind Of Fake?

♪♫ Fostercare - The Empire Will Drain U