Monday 26 March 2012
♪♫ Rowland S Howard - Pop Crimes (ATP Mt Buller 2009)
Bonus:
Life's What You Make It (Fuji Rock Festival 09)
Occupy The War Machine
The differences are slight: one decade, one president, one letter out of four. “Change the q to an n, don’t use the phrase ‘WMD’ or ‘pre-emptive strike’”; each incoming Press Secretary should just pass out a style guide. It’s so absurd that the first reaction is a feeling of nauseau, surreality, perhaps madness. Nuclear weapons? State sponsored terrorism? Did we fall into a time warp? Do they really think we’ll buy any of this? It hasn’t even been long enough for the talking heads to turn over: it’s the same crooks delivering the same empty lines On CNN, in the New York Times, on the floor of the House. It’s 2003 all over again.
But Washington DC can be occupied, the plutocrats are served by employees who can strike, and the pundits screaming for Iranian blood are just people in a studio that can be taken over. Recognizing this is part of overcoming that politically impotent mode of expression that defined the left under President Bush: outrage. Outrage, as distinct from anger and rage, has always been a weak political position. Outrage is a reaction, the recognition and/or expression of offense or hurt and generally adresses itself to the people committing outrageous acts. Outrage reflects surprise and shock, which is why outrage can be so easily faked and manufactured to cover malicious intent. “I had no idea the corruption in my office had gotten this far! I’m outraged!” Outrage laughs angrily at Jon Stewart’s mugging, outrage signs a Moveon.org petition, outrage threatens to move to Canada. Outrage is individuated and alienated, it is an expression of the powerless...
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