Wednesday 31 August 2011

International Overdose Awareness Day 2011

Overdose Awareness Day has a number of aims:
It hopes to lay bare the stigma associated with drug use.
To include overdoses that are heroin related, but also overdoses from alcohol, pills and other drugs. The inclusion of all drugs is important and more reflective of the reality of overdose, allowing us to speak more broadly about the issues.
  • To provide an opportunity for people to publicly mourn for loved ones, some for the first time, without feeling guilt or shame.
  • To include the greatest number of people in Overdose Awareness Day events, and as such, encourages non-denominational involvement.
  • To give community members information about the issue of overdose.
  • To send a strong message to current and former drug users that they are valued.
  • To stimulate discussion about overdose prevention and drug policy.
  • To provide basic information on the range of support services that exist in the local community.
  • To remind the drug user to be careful.




Remember -
It could be your father, your daughter or your loved one...
It could be you...
or me.

 
In memory of Bauwka
Not the first nor the last but one of the youngest...

RIP

Tuesday 30 August 2011

Do You Suffer From Decision Fatigue?

DJ Spooky 'Ghost World: A Story in Sound'

Digital Africa is here people – but you knew that.  DJ Spooky that Subliminal Kid underlines the point with his newest mixtape Ghost World: A Story In Sound.
As Spooky says:
The “Ghost World” mix is all about the multiple rhythms and languages of Africa, but it makes no attempt to give you everything – it’s from my record collection. That’s why the “story” of the mix is about: polyrhythm, multiplex reality.
He goes in-depth on his blog about digging through his records and offering up rarities we’d certainly never heard of – one example being the “Car Horn Orchestra” of Ghana which has a gathering of many taxi drivers who converge in downtown Accra to make a large symphony of honks from their taxis at the end of the work day or for funerals of drivers.  Expect a mix full of other cool sounds you probably wouldn’t anticipate.
Spooky spent time in Africa as a child, traveling through Kenya, Ivory Coast, Senegal, Egypt, and more recently visited Angola where he got turned on to Kuduro, which you’ll hear in this mix as well.  More than a mix, this is an art project that accompanied Spooky’s installation at the Venice Biennial Africa Pavilion.  Although we can’t offer you the installation, we can give you the mix to listen to + download FREE!
Download & Tracklist
@'okayafrica'

The Eleven Best Quotes From Sinéad O’Connor’s Online Sex Hunt

Rare Early Photographs of Musicians Around the World

Hari Dasu, India. c. 1900?
Photo: James
Egypt
The Colored Idea Band of Sonny Clay arrives in Sydney, 1928 / Sam Hood
The band entered Sydney Harbour playing their newly composed 'Australian Stomp' on deck, with their dancers performing. After good reviews, the Truth newspaper organised for the band to be raided. They were found with Australian women and deported. African American bands were banned from visiting until 1954. The Library has photographs of the Louis Armstrong tour, the first Afro-American entertainer to visit after the ban was lifted, and of the Harlem Blackbirds in 1955, the first Afro-American group to visit.

Phone hacking: judge to question Rupert and James Murdoch under oath

Injustice Facts

Intelligent?


Cornell Proves Robots Are Not So Genius, Mostly Just Silly

Ai Weiwei attacks injustices in China in magazine article

Ai Weiwei was held in detention by the Chinese authorities for nearly three months earlier this year. Photograph: David Gray/Reuters
Ai Weiwei, the Chinese artist held by the authorities for almost three months earlier this year, has attacked injustice in China in a passionate article fuelled by his own experiences of detention.
He accused officials of "deny[ing] us basic rights" and compared migrant workers to slaves, describing Beijing as "a city of violence" and "a constant nightmare".
But one of the most powerful passages describes how people "become like mad" as they are held in isolation and how detainees "truly believe [captors] can do anything to you".
His remarks, in an article about Beijing published on the website of Newsweek magazine, are certain to anger Chinese security officials. They come days after it emerged that China is reportedly planning to give police legal powers to hold some suspects for up to six months without telling their families. Campaigners say the move would legitimise and potentially increase the number of secret detentions.
Ai's own 81-day detention caused an international outcry. It was the most high-profile case in a sweeping crackdown that saw dozens of activists, dissidents and lawyers held earlier this year.
State media said he was held for economic crimes and released in June "because of his good attitude in confessing" and a chronic illness. His family and supporters believe he was targeted due to his social and political activism.
The 54-year-old artist is not able to give interviews but confirmed that he had written the article. He described it simply as "a piece about the place I live in".
Ai's bail conditions reportedly prevent him from discussing what happened to him in detention, although a source gave Reuters a detailed account of events, which included more than 50 interrogations.
The restrictions are also said to ban him from using social media – although he sent a brief flurry of angry tweets recently about friends who had been enmeshed in his case – but not from writing.
"The worst thing about Beijing is that you can never trust the judicial system," he wrote in the Newsweek article. "It's like a sandstorm … everything is constantly changing, according to somebody else's will, somebody else's power."
He went on: "My ordeal made me understand that on this fabric, there are many hidden spots where they put people without identity … only your family is crying out that you're missing. But you can't get answers from the street communities or officials, or even at the highest levels, the court or the police or the head of the nation. My wife has been writing these kinds of petitions every day [while he was held], making phone calls to the police station every day. Where is my husband?
"You're in total isolation. And you don't know how long you're going to be there, but you truly believe they can do anything to you. There's no way to even question it. You're not protected by anything. Why am I here? Your mind is very uncertain of time. You become like mad. It's very hard for anyone. Even for people who have strong beliefs."
The artist described the capital as two cities. The first was one of power and money, peopled by officials, coal bosses and the heads of big companies who help to keep "the restaurants and karaoke bars and saunas … very rich". The second was a place of desperation, he wrote, calling migrant workers the city's slaves.
Ai, who helped to design the "bird's nest" national stadium for the Olympics – but publicly turned on the games before they began – said none of his art represented the capital.
He added: "The Olympics did not bring joy to the people."
He also warned: "Beijing tells foreigners that they can understand the city, that we have the same sort of buildings …
"Officials who wear a suit and tie like you say we are the same and we can do business. But they deny us basic rights."
Ai described people giving him quiet support when he went out last week, for example patting him on the shoulder, but only in "a secretive way" because they were not willing to speak out.
He said people told him to "either leave, or be patient and watch how they die. I really don't know what I'm going to do."
Tania Branigan @'The Guardian'

Megrahi was framed

Infographic in today's Times, showing destination & amount of British arms sales Jan-June 2011 to Mid East

(Click to enlarge)
Via

NBN will worsen piracy: leaked cable

Chathexis

Someone who wanted to know how we live might ask how we talk. Madame de Rambouillet talked in bed, stretched out on a mattress, draped in furs, while her visitors remained standing. Blue velvet lined the walls of the room, which became known as “the French Parnassus”: a model for the 17th- and 18th-century salons, where aristocratic women led male philosophes in polite and lively discussion.
Talking, of course, is nothing new. But conversation, in the 17th century, was a novel ideal of speech: not utilitarian instructions or religious catechism, but an exchange of ideas, a free play of wit. Thus the hostesses of the Enlightenment received visitors in a new kind of furniture. In 1667, the Gobelins tapestry-weaving workshop became Louis XIV’s official furniture supplier. Previously, fabric—like Madame de Rambouillet’s velvet—had been confined to walls and clothing. The Gobelins were the first to apply it to chairs, which for many long, uncomfortable centuries had been small and hard. Now they were wide and soft—more like beds. The fauteuil confessional, for instance, had wraparound wings against which the listener might rest her cheek, as the priest had done behind his screen. Listening and talking became even easier in the 1680s, with the introduction of the sofa. Seating for two! For the first time in history, people could sit comfortably together indoors for long stretches—thereby making it easier for them to speak comfortably together for long stretches. Thus was conversation enshrined—en-couched—as a vehicle of Enlightenment, fundamental to the self-improvement of civilization.
Face-to-face exchanges continued in the exchange of letters. As the salon had the sofa, “written conversation”—as one style manual called it—had the desk, another invention of the 17th century. For men, there was the bureau—a big, heavy table for conducting official correspondence. (From bureau comes “bureaucracy.”) For women, there was the secrétaire. Unlike the flat bureau, the light, portable secrétaire featured stacks of shelves and cubbyholes, which were kept locked. Some writing surfaces slid outward, like drawers. Others opened from the top, as if the desk were a jewelry box—or a laptop.
If talking is one thing, and conversation another, then what is chat?
In the early days of the internet, chatting was something that happened between strangers. “Wanna cyber?” millions of people asked, and millions answered: Yes! On AOL—as of 1994, the most popular internet service provider in the US—half the member-created chat rooms were for sex. AOL also launched the first mass IM interface, which was where the real action happened. Each conversation appeared as a flat, white square on your screen—it was like having sex on a tiled floor. But at least it was someone else’s floor. Signing off was like walking out of a public bathroom. Nobody knew where anybody went: answers to “a/s/l?” were likely lies, screen names universally inscrutable. Because AOL permitted five screen names per account, it was possible to use one for strangers, another for friends. Before the introduction of the Buddy List—in 1996, dubbed the “stalker feature” by AOL employees—you could come and go without any of them noticing.
Eventually, AOL’s dominance waned as people signed up for free web-based email and downloaded desktop-based chat clients, like AOL’s own Instant Messenger (1997). In AIM, all that remained of the original AOL  was the AOL Buddy List, which hung in the corner of our screen. (Chat rooms were still out there, but mostly for terrorists and pedophiles.) Chatting now required constant tabbing between applications: browser for email, IM window, browser for search. Like hermit crabs outgrowing their shells, people kept shucking their old screen names for new ones.
Gmail changed all this. We signed up using our real name. So did our friends, and one day those names appeared in a column on the left side of our inbox. This was Gchat, and whenever we signed in, up came the gray, ghostly list of Gchattable names. And what names! Previously, we’d decided which screen names to include on our “Buddy Lists” (poor AOL: it came first and had to name the animals, and it named them in a corporate-Midwestern way that couldn’t help but become comically creepy). Gmail made the choices for us, pulling names from our email contacts. It was like standing outside the door of a party that all your friends had been invited to. Maybe they had already arrived!
Gmail began “in beta” and by invitation only in 2004 and remained technically in beta for the next five years; it continued to feel exclusive long after everyone was using it. (Registration opened to the public in 2007.) Being new, it was also youthful: you could tell when a person signed up for email by the client they used—AOL between 1994 and 1999; Hotmail or Yahoo! between 1999 and 2004; after 2004, only Gmail. When Gmail automatically added Gchat to every user’s inbox in 2006, it was like a conspiracy of the young against the old. We would chat while they thought we were working; they would grow old and die; we would inherit the earth and chat forever...
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Riot sentence 'feeding frenzy' claims anger magistrates

Magistrates have responded angrily to prison governors' accusations they have indulged in a sentencing "feeding frenzy" after the riots in England.
Prison Governors Association president Eoin McLennan Murray said sentences had appealed to a populist mentality.
But Magistrates Association chairman John Thornhill said sentencing had followed guidelines and he was "angry and concerned" by the comments.
Since the riots, the prison population has gone up by more than 1,000.
It reached a record high for the third consecutive week last Friday, standing just 1,500 short of its operational capacity at nearly 87,000.
The most recent Ministry of Justice statistics for court cases relating to the disturbances between 6-9 August estimate that 70% of people were remanded in custody. By comparison in 2010, 10% of those brought before magistrates' courts were remanded in custody.
When it came to sentencing, 46% received a custodial sentence. For equivalent offences convicted and sentenced last year the custody rate was 12.3%, the MoJ figures show.
'Conveyor-belt' justice
Mr McLennan Murray said magistrates hearing the riot cases were ignoring the norms of sentencing and that the media were putting pressure on the judiciary.
He said the magistrates were "choosing at a much greater rate" to use custody rather than bail, and criticised the "conveyor-belt" situation where courts were sitting through the night and weekends to deal with the large number of cases.
"What they have been doing is reflecting the anger and emotion that surrounded it and therefore using custody," Mr McLennan Murray told BBC Radio 4's Today programme.
Mr McLennan Murray said the seven-fold increase in remanding in custody raised concerns that "this kind of speedy, across-the-board justice probably means that a number of people are dealt with unfairly".
But Mr Thornhill said the riot cases occurred in "special circumstances", and added that there had been an increase in custody remands because of a corresponding rise in arrests.
'Heightened atmosphere' "Yes, there have been more remands in custody than normal, but there have been more offences than normal - 2,000 arrests and more in a very short period of time."
He dismissed claims of influence, saying "the judiciary does not respond to political pressure", and instead looked at the sentencing guidelines and Bail Act and applied them to individual cases.
"That is what has been happening even in this heightened atmosphere," he said.
The Courts and Tribunals Service says legal advisers in court have been advising magistrates to "consider whether their powers of punishment are sufficient in dealing with some cases arising from the recent disorder". Magistrates are able to refer cases to crown courts which have tougher sentencing powers.
Sentencing guidelines
Maximum sentences are fixed by Parliament and there are discounts for early guilty pleas. The Sentencing Council drafts guidelines to promote consistency but judges and magistrates can depart from them when the interests of justice require it. The Court of Appeal also hands down guidance in appeal cases.
Prisons Minister Crispin Blunt has said he believes harsher terms for rioters are justified under case law. But some MPs and justice campaigners have said some of the sentences handed down have been too harsh.
In one case, magistrates in Manchester jailed mother-of-two Ursula Nevin, 24, for five months for accepting looted shirts. A Manchester Crown Court judge later freed Nevin and ordered her to do 75 hours' unpaid work instead.
@'BBC'

3RRR Byte Into It - 24 August 2011

Dr Suelette Dreyfus talks about digital whistle-blowing, Julian Assange, and the Melbourne Writers Festival. A performance & interview with John Jacobs from the Handmade Music Festival. Presented by Georgia Webster, and Ben Finney.
Download