Joshua Massad & Dylan Aycock - Two Improvisations
54 minutes ago
Friday 29 April 2011
Bradley Manning no longer held in solitary confinement, Pentagon says
Reporters were allowed to view the kind of accommodation in which Manning is currently being detained, at Fort Leavenworth in Kansas, after he was moved earlier this month from Quantico marine base in Virginia as he awaits court martial.
His treatment in Virginia– which included 23 hours in his cell and being stripped down to a smock at night – was widely condemned by human rights groups including Amnesty International and the UN rapporteur on torture, who subsquently launched an investigation into conditions.
Manning is now detained among other medium-security inmates also awaiting military trial, according to Associated Press, which took part in a media tour of his new accommodation. The move implies that Manning has been cleared as a suicide risk, as any detainee deemed a risk of suicide would be held on their own.
It has long been a complaint of Manning's lawyer, David Coombs, that the advice of psychiatrists at his old prison in Quantico was ignored. Records show that mental health professionals regularly assessed him and found him to be no risk to himself, but Manning was kept on a "prevention of injury" order, which required him to be segregated from other inmates.
Reporters were told that Manning will, in future, be housed alongside another 10 or so prisoners, all of whom are awaiting trial. AP said he will have his own cell, wear standard prison clothing and have open access to a communal area except overnight.
With concern receding about the way Manning is being treated, the focus is now likely to swing towards the trial. No date has yet been sent for the court martial, though it is understood that the first subpoenas have been sent out for acquaintances of Manning to appear before a grand jury investigating the charges.
Manning faces multiple counts relating to the leaking of hundreds of thousands of documents and videos to WikiLeaks, which include the Iraq and Afghan war logs, and the US embassy cables disclosing secret diplomatic intelligence from around the world.
Last week President Obama was accosted by Manning supporters at a fundraising event in San Francisco. The president spoke to one supporter and reportedly said: "He broke the law."
The supporters interpreted Obama's words as referring to Manning, and have complained that by declaring the suspect guilty the president has destroyed the chance of a fair trial.
Ed Pilkington @'The Guardian'
Attorney Challenges “Gag Order” on WikiLeaks Docs
The ongoing release of another large collection of classified documents by WikiLeaks concerning Guatanamo detainees creates a new set of challenges and opportunities for the detainees’ attorneys. But the government says the attorneys cannot discuss those matters in the public domain, even though anyone else can.
Attorney David Remes petitioned a court yesterday to release him from all such restrictions regarding publicly available WikiLeaks documents. His petition (pdf) was posted by Ben Wittes of Lawfare blog.
It was also reported by Scott Shane in the New York Times today, and discussed by Marcy Wheeler at EmptyWheel.
The petition argues that not only are continuing controls on publicly available information futile, they are unjust. That is, they inhibit the attorney’s ability to act in the best interests of his clients by correcting errors or identifying exculpatory factors.
A response by the government will follow.
Steven Aftergood @'Secrecy News'
Attorney David Remes petitioned a court yesterday to release him from all such restrictions regarding publicly available WikiLeaks documents. His petition (pdf) was posted by Ben Wittes of Lawfare blog.
It was also reported by Scott Shane in the New York Times today, and discussed by Marcy Wheeler at EmptyWheel.
The petition argues that not only are continuing controls on publicly available information futile, they are unjust. That is, they inhibit the attorney’s ability to act in the best interests of his clients by correcting errors or identifying exculpatory factors.
A response by the government will follow.
Steven Aftergood @'Secrecy News'
DJ echochorus - How I Ended This Summer Mix
Tracklist:
01 relapxych.0 – city nightlight II
02 relapxych.0 – ripples on the surface of time
03 bvdub – different place
04 bvdub – nothing you can say
05 skyscraper – shaping the sky
06 cv313 – beyond the clouds
07 bvdub – i knew you then
08 hallucinator – hallucinator
09 the orb – baghdad batteries
10 bvdub – a silent reign
11 bvdub – isolation’s embrace
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01 relapxych.0 – city nightlight II
02 relapxych.0 – ripples on the surface of time
03 bvdub – different place
04 bvdub – nothing you can say
05 skyscraper – shaping the sky
06 cv313 – beyond the clouds
07 bvdub – i knew you then
08 hallucinator – hallucinator
09 the orb – baghdad batteries
10 bvdub – a silent reign
11 bvdub – isolation’s embrace
DOWNLOAD
via
Thursday 28 April 2011
Policy Files: Operation Enduring Freedom and Operation Noble Eagle
OEF ONE SCF
This 47-page document, published on March 28, 2002, "provides instructions and guidance on the classification of information involved in Operation Enduring Freedom and Operation Noble Eagle," the former being "the war on terrorism outside the United States," and the latter referring to "US military operations in support of homeland defense and civil support to federal, state and local agencies in the United States." As such, it provides exhaustive lists of what the classification procedures are for a vast range of eventualities.
Download the PDF file @'WikiLeaks'
charlieconnelly Charlie Connelly
I refuse to accept this wedding is a 'fairytale' until the Archbishop of Canterbury is eaten by a wolf wearing a lace cap and shawl.
AdamBienkov Adam Bienkov
Sleeping rough before protesting against the govt: illegal and wrong. Sleeping rough before bowing your head to the Royals: a patriotic duty
The Mark of Cain (A documentary by Alix Lambert about the culture of Russian prison tattoos)
The Mark of Cain documents the fading art form and language of Russian criminal tattoos, formerly a forbidden topic in Russia. The now vanishing practice is seen as reflecting the transition of the broader Russian society. Filmed in some of Russia;s most notorious prisons, including the fabled White Swan, the interviews with prisoners, guards, and criminologists reveal the secret language of The Zone and The Code of Thieve.
The prisoners of the Stalinist Gulag, or "Zone," as it is called, developed a complex social structure (documented as early as the 1920s) that incorporated highly symbolic tattooing as a mark of rank. The existence of these inmates at prisons and forced labor camps was treated by the state as a deeply-kept secret. In the 1990s, Russia's prison population exploded, with overcrowding among the worst in the world. Some estimates suggest that in the last generation over thirty million of Russia's inmates have had tattoos even though the process is illegal inside Russian prisons.
The Mark of Cain examines every aspect of the tattooing, from the actual creation of the tattoo ink, interviews with the tattooers and soberly looks at the double-edged sword of prison tattoos. In many ways, they were needed to survive brutal Russian prisons, but mark the prisoner for life, which complicates any readmission to normal society they may have. Tattoos expressly identify what the convict has been convicted of, how many prisons he;s been in and what kind of criminal he is. Tattoos, essentially, tell you everything you need to know about that person without ever asking. Each tattoo represents a variety of things; cupolas on churches represent the number of convictions a convict has, epaulets tattooed on shoulders represent the rank of the individual in the crime world and so on and so forth.
The unflinching look at the Russian prison system is slowly woven into the film. Cells meant to hold 15 hold 35 to 45 men. Drug resistant tuberculosis runs rampant through the prison populations and prisoners are served three meals a day of watery slop. There are allegations of brutality by the guards. As these men deal with pestilence, violence and grossly substandard living conditions, the prison guards and administration put on a talent show.
The film served as source material for David Cronenberg's 2007 dramatic movie, Eastern Promises. He commented, "This is a very courageous documentary on the tattooing subculture in Russian prisons. I don't know how it ever got made, but it's beautiful, scary, and heartbreaking."
(Wiki)
Via
Saw this when it was on SBS many years ago. Starting at 11:47 check out the work of Aleksander Borisov, one of the most amazing tattooists ever...
Morrissey on the Royals
Morrissey questioned an interviewer who asked him if he’d be amongst the estimated two billion people watching the ceremony globally. “Why would I watch the wedding? Why would I watch it? I couldn’t take any of that seriously. I don’t think the so-called royal family speak for England now and I don’t think England needs them. I do seriously believe that they are benefit scroungers and nothing else. I don’t believe they serve any purpose whatsoever.”
Warming up to his topic, he added: “The press reports from Buckingham Palace tell you that people love them, but go out now and speak to people on the street and they will laugh at you. They really will.” Morrissey once fantasised in ‘The Queen is Dead’ back in the 1980s of breaking in to Buckingham Palace armed with just a “sponge and a rusty spanner”. His hatred of the Queen extended to her son Charles, Prince William’s old man, suggesting that he’d like to “appear on the front of the Daily Mail, dressed in your mother’s bridal veil.”
As recently as a few years ago he said of William’s Dad “The very idea of Charles being King is laughable. You might as well say that Ronnie Corbett will be king one day. I think that would give people more pleasure.” Clearly nothing has changed.
Via
The Story Of This Is The Sea: An Interview With Mike Scott Of The Waterboys
It took its name from a Waterboys song, the first single to be released from their second album, A Pagan Place. Though metaphorical in intent, its lyrics applied perfectly to the scale and grandeur with which Scott was beginning to carve his style: "I have heard the big music," he sang, "and I'll never be the same… I have climbed the big tree, touched the big sky / I just stuck my hand up in the air / and everything came into colour / Like jazz manna from sweet, sweet chariots". The album, however, was less successful at creating this sense of sweet euphoria: though its aim was ambitious – something to which opener 'A Church Not Made With Hands' and the mournful 'The Thrill Is Gone' testify, not to mention the eight minute waltz of 'Red Army Blues' – its reach sometimes fell somewhere short of Scott's target, partially due to the claustrophobic sound, a result of the fact that some of its tracks were little more than glorified demos. But that was, as Scott would have it, the river, and now he was looking to further, wider horizons: to the sea. With its follow up, Scott wasn't going to make the same mistake again...
Continue reading
Wyndham Wallace @'The Quietus'
Steadman's unused Fear & Loathing title
HERE
birgittaj Birgitta Jónsdóttir
I'm sure #BradleyManning could use some mail. Write directly to: Bradley Manning 89289 ~ 830 Sabalu Road ~ Fort Leavenworth, KS 66027 USA
William S Burroughs on trial for corrupting Turkish morality
The court referred to a report written by the Prime Ministry’s Council for Protecting Minors from Explicit Publications that accused the novel, “The Soft Machine,” of “incompliance with moral norms” and “hurting people’s moral feelings.” Sel Publishing issued a press release that included parts of their testimony in the court.
“It is impossible to understand the insistence in sending books written and published for adults to councils that specialize in minors. If we consider things from this perspective, then dozens of such reports could be written about TV channels, newscasts and thousands of books,” read the testimony given by the publishing house.
The testimony also argued that the Prime Ministry’s council had no credentials in literature, aesthetics or translation, thus causing what the representatives of the publishing house called a “freakish” decision by the council.
The council also accused the novel of “lacking unity in its subject matter,” “incompliance with narrative unity,” for “using slang and colloquial terms” and “the application of a fragmented narrative style,” while claiming that Burroughs’s book contained unrealistic interpretations that were neither personal nor objective by giving examples from the lifestyles of historical and mythological figures. None of the above, argued the publishing house, constitutes a criminal act.
The council went further and said, “The book does not constitute a literary piece of work in its current condition,” adding it would add nothing new to the reader’s reservoir of knowledge, and argued the book developed “attitudes that were permissive to crime by concentrating on the banal, vulgar and weak attributes of humanity.”
The representatives of the publishing house responded to these charges. “Just as no writer is under any special obligation to highlight humanity’s fair attributes under every circumstance, the measure of whether a book has any literary value or not, and the judge of what the book may add to the reader’s reservoir of knowledge, is not an official state institution, but the reader himself,” they said.
“Once again, societies comprised of modern, creative and inquisitive individuals are formed by reading and being exposed to literary texts and works of art that can be considered as the most extreme examples of their kind,” further asserted the defendants’ statement.
The testimony also invited members of the council to conduct “a simple Internet research” about the writer, and learn about the fact that Burroughs was one of the pioneers the “Beat Generation” that rebelled against the stagnant morality of the middle class in post-World War II America. The testimony also drew attention to the fact that the “cut-up” technique used in the book was once heralded as a great novelty among literary circles.
“Through this technique, Burroughs runs counter, not just to entrenched attitudes in people’s lifestyles but also in contradiction to [older] literary techniques. That being the case and since the aim of the book itself is to push boundaries, it is clearly absurd to search for criminal elements in the book by suggesting that the book does not conform with social norms,” further stated the press release.
“Moreover, it is also meaningless to expect William S. Burroughs, who was not raised in accordance with the National Education Law, or as an individual who ‘identifies with the national, moral, humanitarian, material and spiritual cultural values of Turkish society, and who always tries to exalt his family, country and nation,’ to have produced a text within this framework,” read the testimony. “It is clear and obvious that this case carries no weight nor any respectability outside of the borders of our country.”
“We demand an end to investigations that constrain our activities and the prosecution of books for any reason whatsoever,” concluded the statement.
@'Hurriyet Daily News'
Wednesday 27 April 2011
ABC forced to pull Chaser wedding coverage
Just two days before Prince William and Kate Middleton are due to tie the knot, ABC TV has been forced to cancel The Chaser's one-off live coverage of the event due to what it says are restrictions imposed by the royal family.
The Chaser's Royal Wedding Commentary was due to air on ABC2 from 7:00pm AEST on Friday, offering viewers a satirical take on the royal wedding. But now the live special - promised to be "uninformed and unconstitutional" - has been reluctantly pulled due to restrictions imposed over the Easter break.
ABC TV was initially advised by the BBC, and subsequently by Associated Press Television News (APTN), there were no coverage restrictions that would prevent The Chaser's wedding commentary.
But new conditions of use issued by APTN over the Easter break state footage cannot be used "in any drama, comedy, satirical or similar entertainment program or content".
ABC TV director Kim Dalton says he is disappointed.
"The national broadcaster has acted in good faith in its negotiations around ABC2's planned coverage with both the BBC and APTN," he said.
"We're surprised and disappointed at this very late stage to be informed that any satirical or comedic treatment of the marriage of Australia's future head of state has been banned."
As late as this morning the BBC issued a new contract imposing additional restrictions on the use of its material.
"ABC TV had always planned to take the BBC's full coverage with commentary on ABC1, however, like other broadcasters, we thought Australians would appreciate an alternative take on this major event," Mr Dalton said.
"The Nine Network has Dame Edna giving her commentary and the Ten Network has the 7PM Project taking a light-hearted approach to the royal wedding.
"Our obvious choice for a light-hearted commentary is The Chaser team. Clearly, the BBC and Clarence House have decided The Chaser aren't acceptable."
The Chaser's Julian Morrow says the team accepts the ABC has been put in an "impossible position by people acting on behalf of the royal family".
"For a monarchy to be issuing decrees about how the media should cover them seems quite out of keeping with modern democratic times... but I suppose that's exactly what the monarchy is," he said.
"It's traditional for the condemned to appeal to the monarch for a stay of execution, so that's what we're going to do.
"Unfortunately it's also traditional for people who appeal for clemency to be executed."
Morrow says the move goes against free speech.
"It seems a bit crazy for the royal family to be trying to dictate the way they get represented in the media," he said.
"It seems a bit out of step with a modern democracy, but I suppose royalty is out of step with a modern democracy, so there you go."
The Chaser's Chris Taylor says it is an "honour" to be taken off air by the Queen herself.
The APTN advisory says the restrictions on the coverage of the wedding ceremony from Westminster Abbey have been agreed between Clarence House, the private office of the Prince of Wales, and the BBC.
According to the advisory, restrictions apply to the "period from the arrival of the first member of the royal family for the wedding service until the last member of the royal family leaves the main entrance of Westminster Abbey following the conclusion of the wedding service".
ABC1 will still be taking the BBC coverage of the wedding, including its commentary, and ABC News and ABC News 24's coverage will not be affected by the ban on ABC2 usage.
@'ABC'
Australian Republic NOW!!!
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