Monday 13 July 2009

A young person's guide to Cornelius Cardew's 'Treatise'

Cornelius Cardew




These are excerpts of the musical notation of 'Treatise' by Cornelius Cardew.
Go HERE
for more info and follow the links, especially THIS one.

"Experimental music scores are enigmatic, opaque, demanding, irritating, humorous, childlike; the best, like Cardew's Treatise, are also inspiring, giving rise, on occasion, to a music of vitality, intelligence and elegance." - John Tilbury

"Graphic music or graphic notation came out of attempts by composers in the 50's to articulate a different relationship of music/sound to composer and musician. Composers like Brown, Cage, Feldman, Wolff and others were part of a sea change that enabled multiplicity to grow out of the modernist framework." - Kerry Andrews

"A Composer who hears sounds will try to find a notation for sounds. One who has ideas will find one that expresses his ideas, leaving their interpretation free, in confidence that his ideas have been accurately and concisely notated."
- Cornelius Cardew

'Treatise' (Pages 82 - 84)
as performed by:
Keith Rowe: guitar, electronics
Tetuzi Akiyama: amplified acoustic guitar
Oren Ambarchi: guitar, electronics
Toshimaru Nakamura: electric guitar
Otomo Yoshihide: electric guitar
Burkhard Stangl: acoustic and electric guitars
Taku Sugimoto: electric guitar

(Many years ago I found some similar pieces in the basement of the LMC in Camden and like almost everything else I wish that I still had them (and my almost complete collection of 'Musics'.)
In fact I once sent off a bundle to Chuck Wood in New York who I had met when he was playing with Richard Hell, the idea being that he would send me a copy of Theresa Stern's book of poems 'Wanna Go Out?' of which at the time (early eighties) there were apparently lots of copies under Mr. Hell's bed...not going to ask how Chuck knew this! Anyway the outcome was that no copy of the book ever arrived and although I have since got a copy having bought it from Hell when he came to Melbourne in the early 90's but for that Mr. Wood, you get the first and probably last 'Exile - Cunt of a Lifetime Award' )

Sunday 12 July 2009

Quote of the day

"No business wants to invest in a place where the government skims 20 percent off the top, or the head of the port authority is corrupt. No person wants to live in a society where the rule of law gives way to the rule of brutality and bribery. That is not democracy, that is tyranny, and now is the time for it to end."
PRESIDENT OBAMA, on the need for reform in Africa.

A Call to Jihad From Somalia, Answered in America

Some young Somali-Americans left their inner-city neighborhood in Minneapolis to fight in Somalia. At right, a drill by Shabaab fighters near Mogadishu.

A fascinating read from the 'NY Times' here.

Photos of Oren Ambarchi & Nels Cline taken at the gig at the NGV

More here.
(Funnily enough I can see me in this photo!)

George Orwell's grave in Sutton Courtenay (For Niblox)


HERE LIES
ERIC ARTHUR BLAIR
BORN JUNE 25th 1903
DIED JANUARY 21st 1950

'The Pretendies: The art of the spoken interlude' by Paul Kelly

The spoken interlude has a long history in popular song. And takes a fair bit of nerve to pull off. The singer must step out from behind melody’s curtain and act. Elvis’s famous talking bit in ‘Are You Lonesome Tonight’ stretches Shakespeare’s actor-on-the-stage-of-life metaphor to breaking point. In later years even Elvis lost his nerve when reciting these bombastic lines. You can hear him on a live recording falter halfway through, giggle, then lapse into gibberish in a classic example of The Pretendies – the scourge of all performing artists.

The Pretendies – a term first coined, to my knowledge, by the songwriter–guitarist Spencer P Jones in the back of the band Tarago after a gig in Geelong – can strike any time. One minute you’re putting a song over to the crowd, totally inside what you’re doing, everything meshing; then suddenly you’re adrift, floating above yourself and wondering what on Earth you’re doing. You feel like a complete fake, and the thought runs through your head: What made me think I could get away with this?

Anything can set The Pretendies off. Maybe a fluffed line or chord that jars you out of the moment. Looking at a pretty woman in the audience or glimpsing someone in the front row who reminds you of somebody you went to school with. You may be just a fraction over-tired. Or over-confident, perhaps having done a great show the night before. Without warning you’ve lost control of what you’re doing – like the kid on a bike who’s riding with no hands and going along fine until he calls out, “Look at me, Mum!”

The Pretendies can shudder through a band. You can almost see them ripple across the stage. The guitarist and the drummer sense that the singer’s got the metaphysical wobbles; everyone keeps their head down, not daring to look each other in the eye as they attempt to right the listing ship.

Elvis, though, on that night, once he takes his turn, doesn’t bother trying to come back. He’s broken right through the veil of illusion, exposed the working of the hitherto-unseen gears – and he’s taking the audience with him. It’s painful and thrilling to listen to. He sounds pilled off his head. Unmoored.

Circumventing the perils of the talking bit is mainly a simple matter of wheel alignment: you need to have the axles of sincerity and slyness in perfect counterweight. Too much overblown feeling on the one side, or too much smirk on the other, and you’re swerving all over the road. Lou Reed steers this course beautifully in ‘I Found A Reason’. You have to keep both hands firmly on the wheel to get away with a line like “I’ve walked down life’s lonely highways hand in hand with myself.”

The cadences of southern American speech are particularly suited to the spoken interlude. Old-time preaching straddles song and prose and goes naturally with country music’s solid pillars of sentiment, morality and religion. The Louvin Brothers serve it up straight in ‘Satan Is Real’ with not a whiff of The Pretendies. Likewise, Red Simpson in ‘Roll, Truck, Roll’, his tale of a trucker missing home, says:

Mama said little Danny’s not doing too good in school
Said he keeps talkin’ about his daddy that he hardly knows
Teacher said that he just sits at his desk and draws the pictures of trucks
I guess I know what that means and what it shows

Delivered without a shred of irony. And rightly so.
Rose Maddox and Buck Owens get a little more playful – talking back and forth to each other – on ‘Mental Cruelty’, despite the seriousness of the subject matter. Rose speaks in rhyme but Buck doesn’t. Many years later, on ‘Far Away Eyes’, Mick Jagger imitated Rose’s vowel-bending drawl, with his tongue firmly in his cheek. His reference to driving through Bakersfield, Buck’s hometown, listening to the gospel music station, is a sly wink to the aficionados.
The talking bit can turn a song into a nightmare – ‘The Leader of the Pack’, for example – or a dream. In ‘Green, Green Grass of Home’, Tom Jones wakes on the morning of his execution to realise he’ll never again touch the gold hair of Mary or kiss her cherry lips. The padre and the hangman are coming for him at daybreak. With the bleak spoken reality breaking in on his pastoral vision, this is the talking bit at its finest and most dramatic.

It’s not for everyone, though. You have to be a believer or, at least, prepared to suspend enough belief to allow the tears to flow and the goose bumps to pimple. There are those who are appalled or sneer. Others fancify their sneer by calling the talking bit “wonderful kitsch”.

The beauty and fascination of being human is the capacity to experience opposing emotions at once – to be cynical and moved in concert (crying during a schmaltzy movie) or to feel blessed and ridiculous simultaneously (sex!) – and to be able to float above them both, observing, testing out the one then the other, dancing the devilish dance of The Pretendies.

Written by Australian singer/songwriter
Paul Kelly
From 'The Monthly' (July 2009)

'Narcotized' (split release featuring Dhul-Qarnayn, Ayyur & Al Namrood)

CD-R: Salute Records (SALR-023)
MC: Salute Records (SALT-002)
Released in December 2008 as a limited edition of 40 cassettes & 60 CD-R's.
Al-Namrood
1.Barzakh05:25
Dhul-Qarnayn
2.Suqoot Allah08:16
Ayyur
3.The Queen of Awres (Narcotized version)04:19
4.Proud Slave05:17
Total playing time23:17
Narcotized cover (Click to see larger picture)

Get it here.
(Via 'Fuck Life')

Black metal from Saudi Arabia, Bahrain and Tunisia.
Download it for track 2 alone. It is an absolute killer!

Al Namrood - Youm Tusaar Nar AlJaheem


Al Namrood are a Saudi Arabian black metal band that have been rocking my world these past days. They have to my knowledge released a self titled EP and an album 'Asthl Al Tha'r' which translates as 'Vengeance Intensified' which was released in May.
Their 'Myspace' page is here.
Do yourself a favour and do check them out.
UPDATE:
There was also a split release with
Dhul-Qarnayn & Ayyur called 'Narcotized'

Sly Stone & George Clinton "Thank You For Letting Me Be Myself" Live Zanzibar Santa Monica 3/15/09

Sly Stone w/ a rare appearance playing guitar on the Sly and Family Stone classic w/ help from George Clinton and BabyStone during the Sly Stone Variety Show/ Birthday Party Celebration

The super seven incher!

One question: Do you spit or swallow?

Robot girlfriend for lonely men

She's big-busted, petite, very friendly and she runs on batteries.

Sega, best known for its home video game consoles, has introduced a 15-inch tall robotic 'girlfriend' that kisses on command, with a target market of lonely adult men. The robot, named "EMA", which stands for Eternal Maiden Actualization, is designed to pucker up for nearby human heads, entering "love mode" using a series of infrared sensors powered by battery. "Strong, tough and battle-ready are some of the words often associated with robots, but we wanted to break that stereotype and provide a robot that's sweet and interactive," said Minako Sakanoue, a spokeswoman for the maker, Sega Toys to Reuters news agency. "She's very lovable and though she's not a human, she can act like a real girlfriend." EMA can also hand out business cards, sing and dance. Sega is hoping to sell 10,000 robotic girlfriends in it's first year and envisions a $10-billion market for artificial intelligence in a decade. The busty bot will be available in Japan in September for around $175.

The Fireman of the Follies Bergere 1928


Deadicated...


(Thanx to Chris & Jim)

HA!

Cheney Is Linked to C.I.A. Concealment of Terror Program


The Central Intelligence Agency withheld information about secret counter terrorism program from Congress for eight years on direct orders from former Vice President Dick Cheney, the
agency's director, Leon E. Panetta, has told the Senate and House intelligence committees, two people with direct knowledge of the matter said Saturday.

The report that Mr. Cheney was behind the decision to conceal the still-unidentified program from Congress deepened the mystery surrounding it, suggesting that the Bush administration had put a high priority on the program and its secrecy.

Mr. Panetta, who ended the program when he first learned of its existence from subordinates on June 23, briefed the two intelligence committees about it in separate closed sessions the next day.

More at 'NY Times' here.

Bon Iver - The Wolves (Act I & II)


What might have been lost!
No apologies for this band again...
(Thanx to Heather @ 'I am fuel you are friends')

Saturday 11 July 2009

U.S. Wiretaps Were of Limited Value, Officials Report

While the Bush administration had defended its program of wiretapping without warrants as a vital tool that saved lives, a new government review released Friday said the program’s effectiveness in fighting terrorism was unclear.
(Full story at 'NY Times')

Girlz With Gunz # 66


A different view

SURFACE : A film from underneath from tu on Vimeo.

Thomas Feiner & Anywhen - All That Numbs You

Thomas Feiner & Anywhen - The Siren Songs

Thomas Feiner & Anywhen - For Now



"Getting close by going far away
Going far by staying here
To the kind of place
Where loneliness ‘s travelling best
Leaving ill and well alone
If all fails
All fails
Let the clock strike upon this resting hour

For now
For now
Leaving point despair
Leaving point hope

Getting lost to find a way back home
Getting back by letting go
Make another thought fall
In the flow of things
And death is just a breath away
But so is life
Saying this, but knowing not
Which scares the most

For now
For now
Leaving point despair
Leaving point hope

Whatever worry
running through the veins
When you go, we go
Whatever worry
Raise the flair
When you’re there
You’re there
Getting close
Abandoning point home
Leaving point despair
Looking up from the rush of things
in the point of life
that is now
a point of life
For now"

Basiji Attack Camera Man 09 July 2009

Friday 10 July 2009

Happy Birthday Nikola Tesla

Photo via 'Vintagephoto'
Nikola Tesla
As someone put it in the comments at 'vintagephoto', he invented our world and was then shafted by it!

Erik Jones

Chuck D: CNN...news or poison?

Chuck D: Best Story Ever

MJ by Sebastian Kruger

William S. Burroughs, dog & Colt by Sebastian Kruger

Tom Waits' True Confessions by Tom Waits

(Illustration by Sebastian Kruger)

I must admit, before meeting Tom, I had heard so many rumors and so much gossip that I was afraid. Frankly, his gambling debts, his animal magnetism, coupled with his disregard for the feelings of others... His elaborate gun collection, his mad shopping sprees, the facelifts, the ski trips, the drug busts and the hundreds of rooms in his home. The tax shelters, the public urination... I was nervous to meet the real man himself. Baggage and all. But I found him to be gentle, intelligent, open, bright, helpful, humorous, brave, audacious, loquacious, clean, and reverent. A Boy Scout, really (and a giant of a man). Join me now for a rare glimpse into the heart of Tom Waits. Remove your shoes and no smoking, please.


Q: What's the most curious record in your collection?
A: In the seventies a record company in LA issued a record called "The best of Marcel Marceau." It had forty minutes of silence followed by applause and it sold really well. I like to put it on for company. It really bothers me, though, when people talk through it.

Q: What are some unusual things that have been left behind in a cloakroom?
A: Well, Winston Churchill was born in a ladies cloakroom and was one sixteenth Iroquois.

Q: You've always enjoyed the connection between fashion and history...talk to us about that.
A: Okay, let's take the two-piece bathing suit, produced in 1947 by a French fashion designer. The sight of the first woman in the minimal two-piece was as explosive as the detonation of the atomic bomb by the U.S. at Bikini Island in the Marshall Isles, hence the naming of the bikini.

Q: List some artists who have shaped your creative life.
A: Okay, here are a few that just come to me for now: Kerouac, Dylan, Bukowski, Rod Serling, Don Van Vliet, Cantinflas, James Brown, Harry Belafonte, Ma Rainey, Big Mama Thorton, Howlin Wolf, Lead Belly, Lord Buckley, Mabel Mercer, Lee Marvin, Thelonious Monk, John Ford, Fellini, Weegee, Jagger, Richards, Willie Dixon, John McCormick, Johnny Cash, Hank Williams, Frank Sinatra, Louis Armstrong, Robert Johnson, Hoagy Carmichael, Enrico Caruso.


Q: List some songs that were beacons for you.
A: Again, for now... but if you ask me tomorrow the list would change, of course.
Gershwin's second prelude, "Pathatique Sonata," "El Paso," "You've Really Got Me" (Kinks), "Soldier Boy" (Shirelles), "Lean Back" (Fat Joe), "Night Train," "Come In My Kitchen" (R.J.), "Sad Eyed Lady," "Rite of Spring," "Ode to Billy Joe," "Louie Louie," "Just a Fool" (Ike and Tina)," "Prisoner of Love" (J.B.), "Pitch a Wing Dan Doodle (All Night Long)" (H. Wolf), "Ringo" (Lorne Green), "Ball and Chain," "Deportee," "Strange Fruit," "Sophisticated Lady," "Georgia On My Mind," "Can't Stop Loving You," "Just Like A Woman," "So Lonesome I Could Cry," "Who'll Stop The Rain?," "Moon River," "Autumn Leaves," "Danny Boy," "Dirty Ol' Town," "Waltzing Mathilda," "Train Keeps a Rollin," "Boris the Spider," "You've Really Got a Hold On Me," "Red Right Hand," "All Shook Up," "Cause Of It All," "Shenandoah," "China Pig," "Summertime," "Without a Song," "Auld Lang Syne," "This Is a Man's World," "Crawlinking Snake," "Nassun Dorma," "Bring It on Home to Me," "Hound Dog," "Hello Walls," "You Win Again," "Sunday Morn' Coming Down," "Almost Blue," "Pump It Up," "Greensleeves," "Just Wanna See His Face" (Stones), "Restless Farewell," "Fairytale of New York," "Bring Me A Little Water Sylvie," "Raglan Road," "96 Tears," "In Dreams" (R. Orbison), "Substitute," "Good Time Charlie's Got The Blues," Theme from Rawhide, "Same Thing," "Walk Away Renee," "For What It's Worth," theme from Once Upon A Time In America, "Nowadays Clancy Can't Even Sing," "Oh Holy Night," "Mass in E Minor," "Harlem Shuffle," "Trouble Man," "Wade in The Water," "Empty Bed Blues," "Hava Nagila"

Q: What's heaven for you?
A: Me and my wife on Rte. 66 with a pot of coffee, a cheap guitar, pawnshop tape recorder in a Motel 6, and a car that runs good parked right by the door.

Q: What's hard for you?
A: Mostly I straddle reality and the imagination. My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane. Math is hard. Reading a map. Following orders. Carpentry. Electronics. Plumbing. Remembering things correctly. Straight lines. Sheet rock. Finding a safety pin. Patience with others. Ordering in Chinese. Stereo instructions in German.

Q: What's wrong with the world?
A: We are buried beneath the weight of information, which is being confused with knowledge; quantity is being confused with abundance and wealth with happiness. Leona Helmsley's dog made $12 million last year... and Dean McLaine, a farmer in Ohio, made $30,000. It's just a gigantic version of the madness that grows in every one of our brains. We are monkeys with money and guns.

Q: Favorite scenes in movies?
A: R. De Niro in the ring in Raging Bull. Julie Christie's face in Heaven Can Wait when she said, "Would you like to get a cup of coffee?" James Dean in East of Eden telling the nurse to get out when his dad has had a stroke and he's sitting by his bed. Marlena Dietrich in Touch of Evil saying "He was some kind of man." Scout saying "Hey Mr. Cunningham" in the scene in To Kill A Mockingbird. Nic Cage falling apart in the drug store in Matchstick Men... and eating a cockroach in Vampire's Kiss. The last scene in Chinatown.

Q: Can you describe a few other scenes from movies that have always stayed with you?
A: Rod Steiger in Pawn Broker explaining to the Puerto Rican all about gold. Brando in The Godfather dying in the tomatoes with scary orange teeth. Lee Marvin in Emperor Of The North riding under the box car, Borgnine bouncing steel off his ass. Dennis Weaver at the motel saying "I am just the night man," holding onto a small tree in Touch of Evil. The hanging in Oxbow Incident. The speech by Rutger Hauer in Blade Runner as he's dying. Anthony Quinn dancing on the beach in Zorba. Nicholson in Witches of Eastwick covered in feathers in the church as the ladies stick needles in the voodoo doll. When Mel Gibson's Blue Healer gets shot with an arrow in Road Warrior. When Rachel in The Exorcist says "Could you help an old altar boy, father?" The blind guy in the tavern in Treasure Island. Frankenstein after he strangles the young girl by the river.

Q: Can you tell me an odd thing that happened in an odd place? Any thoughts?
A: A Japanese freighter had been torpedoed during WWII and it's at the bottom of Tokyo Harbor with a large hole in her hull. A team of engineers was called together to solve the problem of raising the wounded vessel to the surface. One of the engineers tackling this puzzle said he remembered seeing a Donald Duck cartoon when he was a boy where there was a boat at the bottom of the ocean with a hole in its hull, and they injected it with ping-pong balls and it floated up. The skeptical group laughed, but one of the experts was willing to give it a try. Of course, where in the world would you find twenty million ping-pong balls but in Tokyo? It turned out to be the perfect solution. The balls were injected into the hull and it floated to the surface; the engineer was altered. Moral: Solutions to problems are always found at an entirely different level; also, believe in yourself in the face of impossible odds.

Q: Most interesting recording you own?
A: It's a mysteriously beautiful recording from, I am told, Robbie Robertson's label. It's of crickets. That's right, crickets. The first time I heard it... I swore I was listening to the Vienna Boys Choir, or the Mormon Tabernacle choir. It has a four-part harmony. It is a swaying choral panorama. Then a voice comes in on the tape and says, "What you are listening to is the sound of crickets. The only thing that has been manipulated is that they slowed down the tape." No effects have been added of any kind, except that they changed the speed of the tape. The sound is so haunting. I played it for Charlie Musselwhite, and he looked at me as if I pulled a Leprechaun out of my pocket.

Q: You are fascinated with irony. What is irony?
A: Chevrolet was puzzled when they discovered that their sales for the Chevy Nova were off the charts everywhere but in Latin America. They finally realized that "Nova" in Spanish translates to "no go." Not the best name for a car... anywhere "no va."

Q: Do you have words to live by?
A: Jim Jarmusch once told me, "Fast, Cheap, and Good... pick two. If it's fast and cheap, it won't be good. If it's cheap and good, it won't be fast. If it's fast and good, it won't be cheap." Fast, cheap and good... pick (2) words to live by.

Q: What is on Hemingway's gravestone?
A: "Pardon me for not getting up."

Q: How would you compare guitarists Marc Ribot and Smokey Hormel?
A: Octopus have eight and squid have ten tentacles, each with hundreds of suction cups and each with the power to burst a man's artery. They have small birdlike beaks used to inject venom into a victim. Some gigantic squid and octopus with 100-foot tentacles have been reported. Squids have been known to pull down entire boats to feed on the disoriented sailors in the water. Many believe unexplained, sunken deep-sea vessels and entire boat disappearances are the handiwork of giant squid.

Q: What have you learned from parenthood?
A: "Never loan your car to anyone to whom you've given birth." - Erma Bombeck

Q: Now Tom, for the grand prize... who said, "He's the kind of man a woman would have to marry to get rid of"?
A: Mae West

Q: Who said, "Half the people in America are just faking it"?
A: Robert Mitchum (who actually died in his sleep). I think he was being generous and kind when he said that.

Q What remarkable things have you found in unexpected places?
A:
1. Real beauty: oil stains left by cars in a parking lot.
2. Shoeshine stand that looked like thrones in Brazil made of scrap wood.
3. False teeth in pawnshop windows in Reno, Nevada.
4. Great acoustics: in jail.
5. Best food: Airport in Tulsa, Oklahoma.
6. Most gift shops: Fatima, Portugal.
8. Most unlikely location for a Chicano crowd: A Morrissey concert.
9. Most poverty: Washington, D.C.
10 A homeless man with a beautiful operatic voice singing the word "Bacteria" in an empty dumpster in Chinatown.
11. A Chinese man with a Texas accent in Scotland.
12. Best nights sleep: in a dry riverbed in Arizona.
13. Most people who wear red pants: St. Louis.
14. Most beautiful horses: New York City.
15. A judge in Baltimore, Maryland, in 1890 presided over a trial where a man who was accused of murder and was guilty -- convicted by a jury of his peers -- was let go, when the judge said to him at the end of the trial, "You are guilty, sir... but I cannot put in jail an innocent man." You see, the murderer was a Siamese twin.
16. Largest penis (in proportion to its body): The Barnacle


Q: Tom, you love words and their origins. For $2,000, what is the origin of the word bedlam?
A: It's a contraction of the word Bethlehem. It comes from the hospital of Saint Mary of Bethlehem outside London. The hospital began admitting mental patients in the late 14th century. In the 16th century, it became a lunatic asylum. The word bedlam came to be used for any madhouse -- and, by extension, for any scene of noisy confusion.

Q: What is up with your ears?
A: I have an audio stigmatism whereby I hear things wrong -- I have audio illusions. I guess now they say ADD. I have a scrambler in my brain and it takes what is said and turns it into Pig Latin and feeds it back to me.

Q: Most thrilling musical experience?
A: My most thrilling musical experience was in Times Square, over thirty years ago. There was a rehearsal hall around the Brill Building where all the rooms were divided into tiny spaces with just enough room to open the door. Inside was a spinet piano -- cigarette burns, missing keys, old paint and no pedals. You go in and close the door and it's so loud from other rehearsals you can't really work, so you stop and listen. The goulash of music was thrilling. Scales on a clarinet, tango, light opera, sour string quartet, voice lessons, someone belting out "Everything's Coming Up Roses," garage bands, and piano lessons. The floor was pulsing, the walls were thin. As if ten radios were on at the same time, in the same room. It was a train station of music with all the sounds milling around... for me it was heavenly.

Q: What would you have liked to see but were born too late for?
A: Vaudeville. So much mashing of cultures and bizarre hybrids. Delta Blues guitarists and Hawaiian artists thrown together, resulting in the adoption of the slide guitar as a language we all take for granted as African-American. But it was a cross pollination, like most culture. Like all cultures. George Burns was a Vaudeville performer I particularly loved. Dry and unflappable, curious, and funny -- no matter what he said. He could dance, too. He said, "Too bad the only people that know how to run the country are busy driving cabs and cutting hair."

Q: What is a gentleman?
A: A man who can play the accordion, but doesn't.

Q: Favorite Bucky Fuller quote?
A: "Fire is the sun unwinding itself from the wood."

Q: What do you wonder about?
A:
1. Do bullets know whom they are intended for?
2. Is there a plug in the bottom of the ocean?
3. What do jockeys say to their horses?
4. How does a newspaper feel about winding up papier-mache?
5. How does it feel to be a tree by a freeway?
6. Sometimes a violin sounds like a Siamese cat; the first violin strings were made from cat gut. Any connection?
7. When is the world going to rear up and scrape us off its back?
8. Will we humans eventually intermarry with robots?
9. Is a diamond just a piece of coal with patience?
10. Did Ella Fitzgerald really break that wine glass with her voice?

(Illustration by Vincent Altamore)

Q: What are some sounds you like?
A:
1. An asymmetrical airline carousel creating a high-pitched haunted voice brought on by the friction of rubbing; it sounds like a big wet finger circling the rim of a gigantic wine glass.
2. Street corner evangelists
3. Pile drivers in Manhattan
4. My wife's singing voice
5. Horses coming/trains coming
6. Children when school's out
7. Hungry crows
8. Orchestra tuning up
9. Saloon pianos in old westerns
10. Rollercoaster
11. Headlights hit by a shotgun
12. Ice melting
13. Printing presses
14. Ball game on a transistor radio
15. Piano lessons coming from an apartment window
16. Old cash registers/Ca Ching
17. Muscle cars
18. Tap dancers
19. Soccer crowds in Argentina
20. Beatboxing
21. Fog horns
22. A busy restaurant kitchen
23. Newsrooms in old movies
24. Elephants stampeding
25. Bacon frying
26. Marching bands
27. Clarinet lessons
28. Victrola
29. A fight bell
30. Chinese arguments
31. Pinball machines
32. Children's orchestras
33. Trolley bell
34. Firecrackers
35. A Zippo lighter
36. Calliopes
37. Bass steel drums
38. Tractors
39. Stroh Violin
40. Muted trumpet
41. Tobacco auctioneers
42. Musical saw
43. Theremin
44. Pigeons
45. Seagulls
46. Owls
47. Mockingbirds
48. Doves

The world's making music all the time.

Q: What's scary to you?
A:
1. A dead man in the backseat of a car with a fly crawling on his eyeball.
2. Turbulence on any airline.
3. Sirens and search lights combined.
4. Gunfire at night in bad neighborhoods.
5. Car motor turning over but not starting; it's getting dark and starting to rain.
6. Jail door closing.
7. Going around a sharp curve on the Pacific Coast Highway and the driver of your car has had a heart attack and died, and you're in the back seat.
8. You are delivering mail and you are confronted with a Doberman with rabies growling low and showing teeth -- you have no dog bones and he wants to bite your ass off.
9. In a movie, which wire do you cut to stop the time bomb, the green or the blue?
10. McCain will win.
11. Germans with submachine guns.
12. Officers, in offices, being official.
13. You fell through the ice in the creek and it carried you downstream, and now as you surface you realize there's a roof of ice.

Q: Tell me about working with Terry Gilliam.
A: I am the Devil in the Imaginarium of Dr. Parnassus -- not a devil; The Devil. I don't know why he thought of me. I was raised in the church. Gilliam and I met on Fisher King. He is a giant among men and I am in awe of his films. Munchausen I've seen a hundred times. Brazil is a crowning achievement. Brothers Grimm was my favorite film last year. I had most of my scenes with Christopher Plummer (He's Dr. Parnassus). Plummer is one of the greatest actors on earth! Mostly I watch and learn. He's a real movie star and a gentleman. Gilliam is an impresario, captain, magician, a dictator (a nice one), a genius, and a man you'd want in the boat with you at the end of the world.

Q: Give me some fresh song titles you two are working on.
A: "Ghetto Buddha," "Waiting For My Good Luck To Come," "I'll Be an Oak Tree Some Day," "In the Cage," "Hell Broke Loose," "Spin The Bottle," "High and Lonesome."

Q: You're going on the road soon, right?
A: We're going to PEHDTSCKJMBA (Phoenix, El Paso, Houston, Dallas, Tulsa, St. Louis, Columbus, Knoxville, Jacksonville, Mobile, Birmingham, Atlanta). I have a stellar band: Larry Taylor (upright bass), Patrick Warren (keyboards), Omar Torrez (guitars), Vincent Henry (woodwinds) and Casey Waits (drums and percussion). They play with racecar precision and they are all true conjurers. I'm doing songs with them I've never attempted outside the studio. They are all multi-instrumentalists and they polka like real men. We are the Borman Six and as Putney says, "The Borman Six have got to have soul."

From NPR.org

(A tip o' the hat to Reinhard, with thanx)

Modern life is rubbish - Incredible shadow art made from piles of garbage by Tim Noble and Sue Webster



British born and based artists Tim Noble and Sue Webster skilfully skirt the boundaries between beauty and the shadowier aspects of humanity, playing with our perceptions as well as our notions of taste. Many of their most notable pieces are made from piles of rubbish, with light projected against them to create a shadow image entirely different to that seen when looking directly at the deliberately disguised pile.
(From 'Environmental Graffiti' via 'Renegade Futurist')

I Murder Hate



A few years back Adrian Sherwood and Doug Aubrey's worlds met and mixed somewhere in North London. A shared interest in noise, silence and a mutual hearing loss, caused by Bombs, Drum and Bass, led the Godfather of dub and Aubrey starting to talk about trying to make a film together...Aided by a few fellow conspirators from On-U-sounds world: Ghetto Priest, Doug Wimbush, Mark Stewart and a passing cat, they produced a short never seen video...until now.
The dubmaster and the filmmaker again met recently in Edinburgh and at Graham Fagan's fantastic 'I Murder Hate' event in Stirling and there's now rumour of a major film collaboration for the 30th anniversary of the seminal On-U-sounds in 2011, which will form part of a DvD box set, a work for cinema and who knows even television...?
Enjoy !
Via '38 Minutes'


PS: If you are a member of 'Demonoid' then there is a great SBD recording of the recent Stirling show here.

Bonus audio:
'Auld Lang Syne/The Slave's Lament & I Murder Hate'
Ghetto Priest, Skip McDonald, Pete Lockett & Ian King mixed live by Adrian Sherwood.
Live at The Tolbooth, Stirling, Scotland 14th March 2009.

Inspirations: Gram and Keith



Guitar as weapon (AKA - Don't fuck wiv Keef!)

Thursday 9 July 2009

US worker dies in chocolate vat

A man has died after falling into a vat of hot chocolate at a factory in the US state of New Jersey.

Vincent Smith Jr, 29, was emptying pieces of solid chocolate into the melting vat when he slipped from a platform into the 2.5m (8ft) deep unit. A spokesman for the local prosecutor's office said the man appeared to have died instantly from a blow to his head by a paddle mixing the chocolate. His colleagues at the factory tried to shut down the mixer, but were too late. Local journalists met some of the workers in the car park, covered in chocolate and seemingly in dismay, US network ABC reported. Mr Smith was a temporary worker at the Cocoa Services Inc plant in the city of Camden. The chocolate is mixed at the plant by another company before being shipped.

@BBC

Wednesday 8 July 2009

Tackhead - Funky President (Brand new version of James Brown's tune, recorded in rehearsal for their NY gig earlier this year)

Scurvy says:

Tom Wilkes RIP

In 1967 Wilkes was the art director of the Monterey International Pop Festival. He created all graphics and printed materials for Monterey Pop, including festival’s psychedelic poster.
(Via 'Jahsonic' here.)

The Clash - Interview with Tom Synder 1981