Wednesday, 22 August 2012

Putin's 'Politburo 2.0'

Interestingly I was chatting to a Russian facebook friend earlier and he had this to say:
damn... sounds like there'll be a civil war in russia over pussy riot.. certain neo-nazi/neo-christian groups are threatening to patrol the streets from now on... everybody wants attention and the dogs are out.. I wonder what the police are going to do
...it's a worry. Will right-wing 'hooliganism' run afoul of the law too?

Ikon

Jerzy Patraszewski
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John Richards: Charge/Discharge (Documentary & Performance 2012)


Charge/Discharge explores how the very essence of an electronic instrument, electricity, can be used to shape and control sound.
Current produced by the Faraday ‘Dirty’ Kinetic Generator is stored in capacitors that act as a pool/reservoir. The more capacitance/the greater the size of the pool/reservoir, the longer the capacitors will take to charge and discharge. An idiosyncrasy of this circuit, and a critical part of the piece, is that, as the capacitors discharge, a glissando and ‘dying away’ of sound occurs. It is left to the discretion of the performers to choose the number and size of capacitors for their instrument.
On direction, each performer frantically shakes their Faraday ‘Dirty’ Kinetic Generator. As the capacitors charge, a chord approximately of the same pitch will eventually sound. Once all the capacitors are fully charged, a cue is given to stop shaking. A continuous sound will be present. The unified single pitch will gradually fragment into downward glissandi and an evolving cluster chord as the capacitors discharge. At different times, each oscillator will eventually cease sounding. The piece ends when the final sounding oscillator is silent.
Credits:
Commissioned by Dartington International Summer School 2012
Produced, shot and edited by Andrew Hill
Performed by the Dirty Electronics Ensemble in the Great Hall, Dartington, 3rd August 2012
Info
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Spot the mistake


Hotel California: LA from The Byrds To The Eagles








The Folk Rock scene in California from the 60's to the 70's.
Treating Addiction: Why Kind Love Beats Tough Love

♪♫ Jim Jarmusch & Jozef Van Wissem - The Sun of the Natural World is Pure Fire

A short film by Diego Barrera that references mythology, the elements, and symbolism
Bonus:

♪♫ Carice van Houten (ft. Antony) - Particle of Light


Write like Mark E Smith

Paul Wilson, typographer to the stars, has pieced together the excellent but rather spooky Mark E Smith font:
  • Download the True Type font for PCs here (self-extracting .exe file)
  • Download the Mac version here (also self-extracting)
Via
(Thanx Alan!)

Tuesday, 21 August 2012

Akin: Forgiveness


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Fact Checking Niall Ferguson


Original Article

Virginia Republicans Call for Armed Revolution if Obama Wins in November

Lydia Lunch

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Atrocity (Sydney - 21 August 2012 to Sunday 26 August 2012)

Lydia Lunch
Drawing on the exploration of the eruption of repressed desires and polymorphic perversions into the everyday, hinted at in J G Ballard’s experimental novel ‘The Atrocity Exhibition’, from where the colloquial title is drawn, this collection of images explores the emergence of new manifestations of the psychosexual unconscious. Curated by Jack Sargeant & Linsey Gosper.
Alaska Projects
Level 2 of the Kings Cross Car Park, 9A Elizabeth Bay Rd Elizabeth Bay (directly behind the Kings Cross Police station).
Precinct
New South Wales
Australia
Artists
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Bill Fay: A Cult Figure Returns, Skeptical But Optimistic

Be At Peace With Yourself

Blue Note: A Story of Modern Jazz



Obama On Todd Akin: 'Rape Is Rape'

How Todd Akin And Paul Ryan Partnered To Redefine Rape

A crime upon a crime: Rape, victim-blaming, and stigma

Zurich

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Monday, 20 August 2012


Mark LeVine: After Pussy Riot, artists everywhere must stand up for each other


'Jesus Christ would set them free'
It's impossible to know yet whether the wave of international support received by the Russian punk collective Pussy Riot during their just completed trial impacted the verdict in any way. But it's clear that the plight of the three young women who each now face the remainder of two years' imprisonment has ignited the passion of US and European artists, from Sting to Madonna, who have publicly called for their freedom.
Western artists can and should support their Russian comrades. But the support received by Pussy Riot is sadly an aberration. As a rule, European and US artists have been strangely - and inexcusably - silent when it comes to recognising the plights suffered by their fellow musicians and performers around the world, where freedom of expression receives little protection, censorship is prevalent and artists routinely face the threat of prosecution and jail from their governments, and more dangerously, threats to their physical safety and even lives by conservative social forces...
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(Thanx Frank!)

Director Tony Scott jumps to death from bridge

Cool Britannia

(Click to enlarge)
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(Thanx Helen!)

I'm Ready For Love VS Lust For Life

Contrast & Compare:
Martha & The Vandellas (1966)

Iggy Pop (1977)


James Williamson on Kill City

James Williamson & Iggy Pop - Gröna Lund, Stockholm, Sweden, August 10, 2012
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Contrast & compare:
Kill City
  
Saturday Night's Alright For Fighting

The xx - Angels (Bodhi Remix)

Exile EXCUSIVE (sic)

HERE

Big data is our generation’s civil rights issue, and we don’t know it

Data doesn’t invade people’s lives. Lack of control over how it’s used does.
What’s really driving so-called big data isn’t the volume of information. It turns out big data doesn’t have to be all that big. Rather, it’s about a reconsideration of the fundamental economics of analyzing data.
For decades, there’s been a fundamental tension between three attributes of databases. You can have the data fast; you can have it big; or you can have it varied. The catch is, you can’t have all three at once...
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PSA


What Does Pussy Riot Mean in Russian?

Pussy Riot and Russia’s Deep State

(Thanx GKB!)

Sunday, 19 August 2012

Pussy Riot - Убей Cексиста/Kill The Sexist (2012)

Tracklist:
01 Raze The Pavement
02 Kropotkin-Vodka
03 Mother of God, Drive Putin Out!
04 Putin Zassal
05 Death of Jail, Freedom of Protest
06 Kill the Sexist
Lyrics
Review
Support 
Look cool
Only guessing but it seems to me that this mini album was deliberately leaked to help spread the word. 
No info despite using yandex and even some of the cheapish Russian mpfree bootleg sites are offering it as a free download.
Of course if this is not the case then please let me know and I shall remove it ASAP.


 
DOWNLOAD
(Thanx to the chooks!)

Knowledge is FREE



Sex and the conservatives’ matriarch

Ayn Rand Institute finds dilemma in radical author's evolving legacy

Praise the dawning

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Mormon/Bubble Pr0n

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Being mormon, I can't look at porn or nudity. So I have to get creative.That's why I invented "bubbling"
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Why Dicks Get Ahead

An evil collusion between a tyrant and a man of God

Since we cannot know all that there is to be known about anything, we ought to know a little about everything. - Blaise Pascal

Marijuana Withdrawal Syndrome: A Bibliography

The idea of marijuana addiction and withdrawal remains controversial in both private and scientific circles. For an unlucky few, a well-identified set of symptoms characterizes abstinence from heavy, daily use of pot. In this respect, marijuana addiction and withdrawal does not differ greatly from alcoholism--the vast majority of recreational users and drinkers will never experience it.
For those that do, however, the withdrawal symptoms of marijuana abstinence can severely impact their quality of life. Since discussions of this topic frequently veer off into sociopolitical arguments, leaving the science behind, I offer a sampling of the growing medical and psychiatric literature on this aspect of drug use and abuse.
HERE
(Thanx Dirk!)
/енд

LV talk South Africa, Sebenza and more with FACT TV


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The Riot Grrl Manifesto

BECAUSE us girls crave records and books and fanzines that speak to US that WE feel included in and can understand in our own ways.

BECAUSE we wanna make it easier for girls to see/hear each other's work so that we can share strategies and criticize-applaud each other.

BECAUSE we must take over the means of production in order to create our own moanings.

BECAUSE viewing our work as being connected to our girlfriends-politics-real lives is essential if we are gonna figure out how we are doing impacts, reflects, perpetuates, or DISRUPTS the status quo.

BECAUSE we recognize fantasies of Instant Macho Gun Revolution as impractical lies meant to keep us simply dreaming instead of becoming our dreams AND THUS seek to create revolution in our own lives every single day by envisioning and creating alternatives to the bullshit christian capitalist way of doing things.

BECAUSE we want and need to encourage and be encouraged in the face of all our own insecurities, in the face of beergutboyrock that tells us we can't play our instruments, in the face of "authorities" who say our bands/zines/etc are the worst in the US and

BECAUSE we don't wanna assimilate to someone else's (boy) standards of what is or isn't.

BECAUSE we are unwilling to falter under claims that we are reactionary "reverse sexists" AND NOT THE TRUEPUNKROCKSOULCRUSADERS THAT WE KNOW we really are.

BECAUSE we know that life is much more than physical survival and are patently aware that the punk rock "you can do anything" idea is crucial to the coming angry grrrl rock revolution which seeks to save the psychic and cultural lives of girls and women everywhere, according to their own terms, not ours.

BECAUSE we are interested in creating non-heirarchical ways of being AND making music, friends, and scenes based on communication + understanding, instead of competition + good/bad categorizations.

BECAUSE doing/reading/seeing/hearing cool things that validate and challenge us can help us gain the strength and sense of community that we need in order to figure out how bullshit like racism, able-bodieism, ageism, speciesism, classism, thinism, sexism, anti-semitism and heterosexism figures in our own lives.

BECAUSE we see fostering and supporting girl scenes and girl artists of all kinds as integral to this process.

BECAUSE we hate capitalism in all its forms and see our main goal as sharing information and staying alive, instead of making profits of being cool according to traditional standards.

BECAUSE we are angry at a society that tells us Girl = Dumb, Girl = Bad, Girl = Weak.

BECAUSE we are unwilling to let our real and valid anger be diffused and/or turned against us via the internalization of sexism as witnessed in girl/girl jealousism and self defeating girltype behaviors.

BECAUSE I believe with my wholeheartmindbody that girls constitute a revolutionary soul force that can, and will change the world for real.

"The Riot Grrrl Movement began in the early 1990s by Washington State band Bikini Kill and lead singer Kathleen Hanna. The riot grrrl manifesto was published 1991 in the BIKINI KILL ZINE 2"
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Manic Pixie Dream Dissidents

Imagine this: The three men sit in court, awaiting their verdict. The youngest, a experienced dissident described by the media as a “sultry sex symbol” with “Angelina Jolie lips”, glances at his colleague, an activist praised by the Associated Press for his “pre-Raphaelite looks”.  Between them sits a third man, whose lack of glamour has led the New Republic to label him “the brain” and deem his hair a “poof of dirty blonde frizz”. The dissidents – or “boys” as they are called in headlines around the world – have been the subject of numerous fashion and style profiles ever since they first spoke out against the Russian government. “He’s a flash of moving color,” the New York Times writes approvingly about their protests, “never an individual boy.”
If this sounds ridiculous, it should – and not only because I changed the gender. These are actual excerpts from the Western media coverage of Pussy Riot, the Russian dissident performance art collective sentenced to two years in prison for protesting against the government. Pussy Riot identifies as feminist, but you would never know it from the Western media, who celebrate the group with the same language that the Russian regime uses to marginalize them. The three members of Pussy Riot are “girls”, despite the fact that all of them are in their twenties and two of them are mothers. They are “punkettes”, diminutive variations on a 1990s indie-rock prototype that has little resemblance to Pussy Riot’s own trajectory as independent artists and activists. “Why is Vladimir Putin afraid of three little girls?” asked Huffington Post columnist Ron Galloway, intending it as a compliment...
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(Thanx Josh!)

Viona, Pussy Riot, and the Russian Winter

Pussy Riot trial gives Russia 'the image of a medieval dictatorship'

Steve Reich - Drumming





The Cole Conservatory New Music Ensemble (Directed by Dr. Dave Gerhart)

Inside Scientology's Rehab Racket

Josh Bryan: Einstein

(Click to enlarge)
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Bombin' (1987 Documentary About British Graffiti and Hip-Hop Culture)


First broadcast in 1987 on the UK's Channel 4, Bombin' was directed by documentary filmmaker Dick Fontaine and was a sequel to his earlier 1984 documentary "Beat This!", once again taking a look at how American hip-hop culture was making its way over the pond to the UK, this time using the lens of the graffiti and tagging subcultures.
The documentary offers a fascinating look at 1980's UK hip-hop and graffiti culture and specifically for Massive Attack fans, 3D during one segment is also featured tagging alongside future Drum n' Bass/Jungle musician Goldie in Birmingham. The two had already at this point setup the Trans-Atlantic Federation, a collective of UK/US based graffiti artists.
Perhaps the most interesting element of the Bombin' documentary, is when we see some of the British establishment's dismissal and even disdain to the tagging ethos and how that further alludes to the social implications of ethnicity and poverty, and their relationship with the hip-hop culture before it became widely accepted.
NB: sound improves after a couple of minutes
(Thanx DevHool!)

HA!

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Water Light Graffiti

The "Water Light Graffiti" is a surface made of thousands of LED illuminated by the contact of water. You can use a paintbrush, a water atomizer, your fingers or anything damp to sketch a brightness message or just to draw. Water Light Graffiti is a wall for ephemeral messages in the urban space without deterioration. A wall to communicate and share magically in the city.
More pictures and details on Digitalarti : bit.ly/O2v7aw
Water Light Graffiti is a project of Antonin Fourneau (atocorp.free.fr/)
Engineer : Jordan McRae
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Gay parades banned in Moscow for 100 years

Moscow's top court has upheld a ban on gay pride marches in the Russian capital for the next 100 years.
Earlier Russia's best-known gay rights campaigner, Nikolay Alexeyev, had gone to court hoping to overturn the city council's ban on gay parades.
He had asked for the right to stage such parades for the next 100 years.
He also opposes St Petersburg's ban on spreading "homosexual propaganda". The European Court of Human Rights has told Russia to pay him damages.
On Friday he said he would go back to the European Court in Strasbourg to push for a recognition that Moscow's ban on gay pride marches - past, present and future - was unjust.
The Moscow city government argues that the gay parade would risk causing public disorder and that most Muscovites do not support such an event.
In September, the Council of Europe - the main human rights watchdog in Europe - will examine Russia's response to a previous European Court ruling on the gay rights issue, Russian media report.
In October 2010 the court said Russia had discriminated against Mr Alexeyev on grounds of sexual orientation. It had considered Moscow's ban on gay parades covering the period 2006-2008.
@'BBC'
Image: Blue Noses Collective - Kissing Policemen (an Epoch of Clemency)