Sunday, 12 June 2011

Intangible Asset Number 82


Simon Barker is an Australian jazz drummer who is known for his unique rhythmic style and his ability to explore a broad variety of sounds with a small drum kit. Barker has said that creative sustainability is a major part of his outlook, and he gained a new perspective on this notion when he first encountered the performances of Kim Seok-Chul. Kim is a shaman from South Korea who uses percussion music as a means of expression; impressed both by the shaman's remarkable talents and his ability to perform for hours at a stretch, Barker sought Kim out to study with him. Barker learned a great deal more than just drumming technique from Kim, and his visits to South Korea became part of a voyage of self-discovery on a number of levels. Musician and filmmaker Emma Franz joined Barker for some of last visits with Kim, and Intangible Asset No. 82 is a travelogue of the Australian's creative, philosophical, and spiritual journey.
Interview w/ Simon Barker (starts at 26:12)
Simon Barker & Bae Il Dong
(Fed Square 4/06/11 Photo by TimN)

Simon Barker - Improvisation inspired by Kim Seok Chul

Chiri @Fed Square 4/06/11 (Scott Tinkler, Simon Barker & Bae Il Dong)



Improvisation by Scott Tinkler (trumpet), Simon Barker (drums) and pansori singer Bae Il Dong
(Photos: TimN)

Fazul Abdullah Mohammed: Death is 'blow' for al-Qaeda

Mistachuck

John Pilger film and US visit banned (Letter from Pilger to Chomsky)

Dear Noam...
I am writing to you and a number of other friends mostly in the US to alert you to the extraordinary banning of my film on war and media, 'The War You Don't See', and the abrupt cancellation of a major event at the Lannan Foundation in Santa Fe in which David Barsamian and I were to discuss free speech, US foreign policy and censorship in the media.
Lannan invited me and David over a year ago and welcomed my proposal that they also host the US premiere of 'The War You Don't See', in which US and British broadcasters describe the often hidden part played by the media in the promotion of war, in Iraq and Afghanistan. The film has been widely acclaimed in the UK and Australia; the trailer and reviews are on my website www.johnpilger.com.
The banning and cancellation, which have shocked David and me, are on the personal orders of Patrick Lannan, whose wealth funds the Lannan Foundation as a liberal centre of discussion of politics and the arts. Some of you will have been there and will know the Lannan Foundation as a valuable supporter of liberal causes. Indeed, I was invited in 2002 to present a Lannan award to the broadcaster Amy Goodman.
What is deeply disturbing about the ban is that it happened so suddenly and inexplicably: 48 hours before David Barsamian and I were both due to depart for Santa Fe I received a brief email with a 'sorry for the inconvenience' from a Lannan official who had been telling me just a few days earlier what a 'great honour' it was to have the US premiere of my film at Lannan, with myself in attendance.
I urge you to visit the Lannan website www.lannan.org. Good people like Michael Ratner, Jeremy Scahill and Glenn Greenwald are shown as participants in discussion about freedom of speech. I am there, too, but my name is the only one with a line through it and the word, 'Cancelled'.
Neither David Barsamian nor I have been given a word of explanation. All my messages to Lannan have gone unanswered; my calls are not returned; my flights were cancelled summarily. At the urging of the New Mexican newspaper, Patrick Lannan has issued a one-sentence statement offering his regrets to the Lannan-supporting 'community' in Santa Fe. Again, he gives no reason for the ban. I have spoken to the manager of the Santa Fe cinema where 'The War You Don't See' was to be screened. He received a late-night call. Again, no reason for the ban was given, giving him barely time to cancel advertising in The New Mexican.
There is a compelling symbol of our extraordinary times in all of this. A rich and powerful individual and organisation, espousing freedom of speech, has moved ruthlessly and unaccountably to crush it.
With warm regards
John Pilger
Via

♪♫ Iggy & The Stooges - Ballad of Hollis Brown

♪♫ Nina Simone - Ballad of Hollis Brown

Guy Rundle - From Cold war to Cyberwar: Power, the State and the Wikileaks Effect

The first of this years Wednesday Lectures  hosted by Raimond Gaita at Melbourne University (8/06/11)

Forthcoming:
Gaita_60x60
The Wednesday Lectures: Raimond Gaita presents 'Power and Consent'
6:30 pm Wednesday 15 June 2011.
lawbuilding
The Wednesday Lectures: Secrecy, Power and Democracy - Panel Discussion
6:30 pm Wednesday 22 June 2011.
Kevin_Heller
The Wednesday Lectures: Kevin Heller presents 'Can the U.S. Prosecute WikiLeaks for Espionage? Should It?'
6:30 pm Wednesday 29 June 2011.

Rimbaud's Wise Music

Some associations with the name Rimbaud are very familiar: the highly romantic photograph taken a few months after he first settled in Paris, already at 17 the dedicatedly bohemian artist, with his pale blue eyes, distant gaze, thatch of hair, carelessly rumpled clothes; the startling, much interpreted declaration Je est un autre (“I is someone else”); the fact that he produced a masterly, innovative and influential body of poetry while still in his teens; that he stopped writing around age 21 and never went back to it, engaging thereafter in various sometimes mysterious commercial and mystical enterprises in exotic locations, including a period of gun-­running in Africa (and, oddly, an attempt to enlist in the United States Navy).
He died of cancer in a Marseilles hospital in 1891, still young — having in effect compressed what for others would have been a long lifetime of artistic revolution and exotic adventure into just 37 years. A deepened and more detailed acquaintance with the legend does not disappoint: he is one of those exceptional meteoric individuals whose very eruption and subsequent accomplishments remain dazzling and difficult to explain away.
Arthur Rimbaud was born in 1854 in Charleville, in the northeast of France close to the Belgian border, to a sour-tempered, repressively pious mother and a mostly absent soldier father who disappeared for good when Rimbaud was 6. He excelled in school, reading voraciously and retentively and regularly carrying off most of his grade’s year-end academic prizes. Early poems were written not just in French but sometimes in Latin and Greek and included a 60-line ode, dedicated (and sent) to Napoleon III’s young son, and a fanciful rendering of a math assignment.
He had announced in a letter written when he was only 16 that he intended to create an entirely new kind of poetry, written in an entirely new language, through a “rational derangement of all the senses,” and when, not yet 17, he made his first successful escape to Paris, financed by the older poet Paul Verlaine, he came prepared to change the world, or at least literature. He was immediately a colorful figure: the filthy, lice-infested, intermittently bewitching young rebel with large hands and feet, whose mission required scandalizing the conventional-minded and defying moral codes not only through his verse but through his rude, self-destructive and anarchical behavior; the brilliantly skillful and versatile poet not only of the occasional sentimental subject (orphans receiving gifts on New Year’s Day) but also of lovely scatological verse; the child-faced young innovator whose literary development evolved from poem to poem at lightning speed.
In Paris, he became close friends and soon lovers — openly gay behavior being very much a part of his project of self-­exploration and defiance of society — with Verlaine, whose own poetry Rimbaud had already admired from a distance, with its transgression of traditional formal constraints including, shockingly, bridging the caesura in the alexandrine line. (Although this line occurred in Verlaine’s third book, Rimbaud may well also have been familiar with the first, “Poèmes saturniens,” or “Poems Under Saturn,” which was published in 1866 and has recently appeared in a deftly rhymed and metered new translation by Karl Kirchwey that offers it for the first time in English as an integral volume.) Their stormy relationship, which extended into Belgium and England and lasted a surprising length of time, was richly productive literarily on both sides...
Continue reading
Lydia Davis @'NY Times'

Glenn Greenwald: In a pure coincidence, Gaddafi impeded U.S. oil interests before the war

HA!

Via
(Thanx David!)

Photo of the Day

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Thousands attend Albertina Sisulu funeral held in South Africa

Why Newt Gingrich’s campaign crashed

US defence chief blasts Europe over Nato

Robert Gates delivers a speech on entitled Reflections on the status and future of the transatlantic alliance, warning that Nato risks 'military irrelevance' unless spending is increased by members other than the US. Photograph: Jason Reed/AFP/Getty Images
The US defence secretary, Robert Gates, has warned that a new post-cold war generation of leaders in America could abandon Nato and 60 years of security guarantees to Europe, exasperated by Europe's failures of political will and the gaps in defence funding needed to keep the alliance alive.
In a blistering attack on Europe - which he accused of complacency over international security - Gates predicted a Nato consigned to "military irrelevance" in a "dim if not dismal" future unless allies stepped up to the plate.
"If current trends in the decline of European defence capabilities are not halted and reversed, future US political leaders - those for whom the cold war was not the formative experience that it was for me - may not consider the return on America's investment in Nato worth the cost," Gates, a former CIA chief, warned.
Three weeks before standing down as Pentagon head and retiring from decades at the heart of the US security establishment, Gates used a 20-minute valedictory speech in Brussels to read the riot act to a stunned elite audience of European officers, diplomats, and officials.
Nato had degenerated into a "two-tiered" alliance of those willing to wage war and those only interested in "talking" and peacekeeping, he fumed in his bluntest warning to the Europeans in nearly five years as the Pentagon head.
Washington's waning commitment to European security could spell the death of the alliance, he said. The speech was laced with exasperation with and contempt for European defence spending cuts, inefficiencies, and botched planning.
The Libya mission was a case in point, Gates said, pointing out that the Anglo-French-led campaign was running out of munitions just weeks into operations against an insubstantial foe. The US had again had to come to the rescue of the Europeans in a campaign on Europe's shores and deemed to be of vital interest to the Europeans, he complained.
"The mightiest military alliance in history is only 11 weeks into an operation against a poorly armed regime in a sparsely populated country. Yet many allies are beginning to run short of munitions, requiring the US, once more, to make up the difference."
In March, all 28 Nato members had voted for the Libya mission, he said. "Less than half have participated, and fewer than a third have been willing to participate in the strike mission … Many of those allies sitting on the sidelines do so not because they do not want to participate, but simply because they can't. The military capabilities simply aren't there."
The air campaign had been designed to mount 300 sorties daily but was struggling to deliver 150, Gates added.
Away from the specifics of the current operations in Libya and Afghanistan, Gates charged Europe's leaders with lacking the political will to sustain Nato, complained bitterly about unending defence budget cuts, but conceded that the reduction in spending was probably irreversible.
The US share of Nato military spending had soared to 75%, much more than during the cold war heyday when Washington maintained hundreds of thousands of US troops across Europe, he said. The US public would not stand for this much longer.
Congress would rebel against spending "increasingly precious funds on behalf of nations apparently willing and eager for American taxpayers to assume the growing security burden left by reductions in European defence budgets", he said.
Noting he was 20 years older than Barack Obama, Gates said his peers' "emotional and historical attachment" to Nato was "ageing out".
"In the past, I've worried openly about Nato turning into a two-tiered alliance, between members who specialise in 'soft' humanitarian, development, peacekeeping, and talking tasks, and those conducting the 'hard' combat missions ... This is no longer a hypothetical worry. We are there today. And it is unacceptable."
Ian Traynor @'The Guardian'

Andy Carvin - Curating The Revolution(s)

Saturday, 11 June 2011

Little Feat Live at The Rainbow Theatre London (August 2, 1977)

Lowell George


Walking All Night
Fat Man In The Bathtub
Red Streamliner
Oh Atlanta
All That You Dream
Mercenary Territory
On Your Way Down
Skin It Back
Old Folks Boogie
Rock & Roll Doctor
Cold Cold Cold >
Dixie Chicken >
Tripe Face Boogie (fades out)

Download

BitTorrent.com and Archive.org Blacklisted as Pirate Sites by Major Advertiser

GroupM, one of the world’s leading advertising companies, has compiled a blacklist of more than 2,000 URLs in an attempt to prevent its clients’ ads from appearing on pirate websites. The blacklist includes many of the usual suspects such as The Pirate Bay and KickassTorrents, but it also features many perfectly legitimate websites including Archive.org and BitTorrent Inc’s site.
blockedGroupM is a leading player in the advertising world, spending several billion dollars buying ads on websites each year. The company represents many top brands worldwide and has more than 17,000 employees and 400 offices.
In keeping with a company of its stature, GroupM is very diligent when it comes to the placement of their clients’ ads. To ensure ‘legit’ advertising placements, this week GroupM introduced a blacklist designed to prevent its clients’ ads from appearing on websites that distribute illegally obtained content.
“We’re serious about combating piracy and protecting our clients’ intellectual property as forcefully as we possibly can,” said GroupM North America CEO Rob Norman in the press release.
“Pirate sites are known to ‘domain hop,’ so we need to keep on top of the latest list of identified offenders as best as we possibly can in order to enforce this new policy to its fullest effect,” Norman added.
Indeed, companies that maintain a blacklist have to be on top of it, and compile the list with the utmost care. The last thing they want is to miss a potential pirate site, or indeed the opposite – include websites that don’t offer or link to unauthorized downloads at all.
GroupM was kind enough to share the full list of 2279 domains with TorrentFreak, so we could see for ourselves how accurate their list is. As we suspected, there’s still a lot of work to do for the advertising giant.
Among the ‘pirate’ websites that are currently listed we find the non-profit digital library Archive.org, which isn’t particularly known for offloading warez. Also listed is the website of BitTorrent Inc., the San Francisco based company which only offers its own software for download.
Neither of the above sites carry advertising at the moment, which limits the effects of the blacklist, but they are undoubtedly unhappy being branded as pirates.
“BitTorrent is simply a technology company that enables people to efficiently move large files over the Internet. We don’t distribute unauthorized content, though we do work with many independent artists to help distribute their works,” BitTorrent Inc’s Senior Director of Marketing Allison Wagda told TorrentFreak.
Aside from Archive.org and BitTorrent.com there are various other websites in the list which don’t offer or even link to copyrighted material. The file-sharing clients Frostwire, Emule, BitTornado, SoulSeek and Acquisition for example, the IRC client mIRC and the ‘legal’ torrent search engines Mininova, Publicdomaintorrents and YouTorrent.com.
Other websites that are not directly linked to piracy are the Russian Facebook Vkontakte, the video portal Suprnova.org and the Linux distro site Tuxdistro.com.
And then there are many file-hosting services such as RapidShare, YouSendit and the late Drop.io that are in the grey area to say the least. All are banned from serving ads. Those who take a good look at the list will see many websites that are not necessarily linked to copyright infringement, but are included nonetheless.
GroupM’s failed effort to compile a completely accurate anti-piracy blacklist once again shows the problem with these types of censorship; the collateral damage. Although one can certainly make a case for blocking many of the listed sites, it also puts several obviously non-infringing sites in the same corner.
Although there are problems, rather than hide behind a veil of secrecy, GroupM has been bold enough to allow their list into the open, a level of transparency rarely seen in these instances. GroupM was asked to comment on our findings, and we will add their response to the article when it comes in.
The Blacklist
Ernesto @'Torrent Freak'
Very interesting! As a point of reference in the two and a half years of doing this blog (all 13,800 posts,) I have only received a handful of DMCA takedown notices and most have been for links to legal downloads at the archive...

Faust's Jean-Hervé Péron wearing his 'Exile' badge

(Click to enlarge)
(Top) J-PH wearing his 'Exile' badge that I gave to him this afternoon at the chat put on at 3RRR.
(Bottom) Occasional 'Exile' photographer TimN with J-PH.
(Photos: Mona Street)
(BIG thank you for 'Rund ist schön ist rund...')

Faust (Melbourne 10/06/11)

(Click to enlarge)
Photos by 
Gennady Revzin
(BIG thanx!)

Ras Amerlock - Farther East (JTR EP04)


For over twenty years, Michael McCutcheon a.ka. Ras Amerlock has been refining his chosen profession of music. Whether performing with The Milwaukee Symphony Orchestra as a classical solo violinist, or as a roots reggae dub entertainer, opening for acts such as Burning Spear; Ras lives to perform and give Jah the glory for all that is, in this life. Ras Amerlock's music is a reflection in sound of the Rastafarian way of life he as a Rasta in America embraces. His current releases are heavy "old school" style dubs aiming to reflect a variety of techniques within the realm of the dubstyle sound. Ras has performed throughout North America, Russia and Europe by the grace of Jah.
Prepare for a flashing hitchhiking trip through the sonar landscapes of dubby history with our NET-EP 04, where Ras Amerlock is about to give you an exclusive lift aboard his hidden space ship laboratory!
Feeling the ever-present aftermaths of such dub fundamentalists as Scientist, King Tubby or Lee Perry all the way through your journey you will wonder if the legendary Black Ark studio really dissolved into its own mythical ashes - or if it hasn't reintegrated back into a new orbit just now.
Ras Amerlock's crazy 3D-dubness experiments will take you far beyond the black hole of historical emulation. "Farther East" is rather an echo-driven time machine, jumping from a glorious past straight to an unknown future, conveying deep studies into bassline gravity, Zero-G-offbeat science and deadly snare-blasters underway. Leaving a long trail of green haze in its wake. Fasten your seatbelts and switch on your Sens-I-Mania life support systems!
(JAHTARI)

Farther East
Prayer 4 Dreadlion
Panic
Space Buccaneer Vs. The Slaughters
Dub Wise
End Game Dub
One From Tesla's Lab
Farther East (version)


DOWNLOAD WHOLE EP
GET SINGLE TRACKS
(41.3 MB) 33:22 min
http://www.myspace.com/rasamerlockstatemonrasta

♪♫ Faust - Krautrock

Quite enjoyed Faust last night...at least it was LOUD!
Bonus: Interview after jump

Bloody Wednesday | الأربعاء الدامي | The Battle of Tahrir Square

Wednesday 2nd February was a pivotal day of the Egyptian Revolution. Peaceful protesters were attacked by men on horses and camels in Tahrir Square. A battle raged for over 24 hours as the men and women of the Revolution defended themselves and the square that embodied Egypt's struggle.
Filmed & edited by Omar Robert Hamilton
www.orhamilton.com

HA!

Panetta Confronts Pakistan Over Collusion With Militants

NATO’s Newest Bombing Tool: Twitter

Johann Hari: Spare us the fawning over Prince Philip

Pretending WikiLeaks Doesn’t Exist: Government Secrecy Reaches Absurdity

Yesterday, the ACLU filed a lawsuit after the State Department failed to respond to a Freedom of Information Act (FOIA) request seeking the declassification of 23 State Department cables disclosed by WikiLeaks and widely disseminated online and in the press. The cables we seek reveal the diplomatic cost of policies that the Bush and Obama administrations have tried to keep secret from the American public.
Several of the cables describe high-level efforts by the government to pressure Spain and Germany into dropping investigations of the CIA's torture of detainees. The cables show that the U.S. expended significant diplomatic resources in order to try and guarantee impunity for officials responsible for the abduction and torture of victims including Khaled El-Masri, an entirely innocent German citizen. At home, the Bush and Obama administrations have invoked legal fictions such as the "state secrets" privilege to prevent U.S. courts from addressing cases of innocent people tortured and rendered by the CIA; these cables reveal the secret ways in which the government worked to defeat accountability abroad. We believe the American people have a right to know about the government's efforts to shield from liability those officials who violated domestic and international law by engaging in abduction, rendition, and torture.
Other cables requested by the ACLU reveal the government's paradoxical efforts to coordinate the resettlement or prosecution of Guantánamo detainees in foreign countries, even as the United States refused to resettle or prosecute those same detainees in the U.S. Still other cables describe the strains on our relationships with other countries caused by U.S. rendition flights and drone strikes. This information should never have been secret in the first place. Its continued classification illustrates how the government all too often uses secrecy not to enhance national security, but to hide embarrassing and difficult facts from the public.
In spite of the cables' widespread availability, the government has continued to maintain that documents released by WikiLeaks and published by national and international newspapers are classified. The government's decision to cling to a legal fiction rather than conform its secrecy regime to reality has led to absurd consequences. Congressional Research Service (CRS) analysts are blocked by the Library of Congress from using these widely available documents, even as Congress relies on CRS reports to inform new legislation. The Air Force blocked the entire websites of the New York Times and other major media outlets that posted the leaked cables. Perhaps the most troubling consequence of the government's adamant refusal to incorporate common sense into its secrecy regime is that lawyers for Guantánamo detainees have been barred from reading or discussing leaked documents concerning their clients, even though these documents are posted on the websites of major national and international newspapers and available to anyone in the world. The government has gone so far as to claim it is unable to comply with a court order that it provide guidance to lawyers representing Guantánamo detainees regarding how the lawyers may use those documents that are already publicly available.
The ACLU's lawsuit comes on the anniversary of another famous leak. On Monday, June 13, 2011, the United States will release the declassified Pentagon Papers — 40 years after they were first leaked. The fact that for 40 years after their original release the government maintained the pretense that release of the Pentagon Papers would cause damage to U.S. national security shows just how divorced from reality the U.S. approach to secrecy has become. Americans should not have to wait 40 more years for the government to declassify vital information that the whole world is already discussing.
@'ACLU'

Life

Via

All Aboard the Latin American Drug War Gravy Train

What could they do to me?

“What could they do to me? Nothing more than banish, kidnap, or imprison me – perhaps they could fabricate my disappearance into thin air – but they don't have any creativity or imagination, and they lack both joy and the ability to fly.”
– Blog posting by Chinese artist Ai Weiwei, before being seized and incarcerated by Chinese police on April 3.
Via

Four Tet Live from Mister Sunday


"Reggae, jazz, hip-hop, classic house and all variances of other stuff were on the platters laid down by Mister Kieran Hebden for our inaugural jam this past Sunday. Luckily we caught it all on tape, and it’s ready to serve up once again for your listening pleasure:
Four Tet Live From Mister Sunday, May 29, 2011
Enjoy!"
via

Sarah Palin Uses Email Dump To Release Critics Personal Information

A Marxist Theory of the Web


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Syrian army helicopters open fire on protesters

Khoda


What if you watch a film and whenever you pause it, you face a painting? This idea inspired Reza Dolatabadi to make Khoda. Over 6000 paintings were painstakingly produced during two years to create a five minutes film that would meet high personal standards. Khoda is a psychological thriller; a student project which was seen as a ‘mission impossible’ by many people but eventually proved possible!

How an Afghan Methadone Clinic is Fighting to Counter HIV

Journalistic Verification, Amina Arraf, and Haystack

How did a Syrian blogger, who told beautiful and heartwrenching stories of life as a lesbian in Damascus, manage to trick so many people? How did an American software engineer, whose passion for the Iranian cause led him to build what he dubbed the safest of circumvention tools, do the same? The stories of Amina Arraf and Haystack contain odd parallels: Both took advantage of fervor around Middle Eastern uprisings, both had a grassroots formation of followers…and both thrived on the promotion of professional journalists, whose praise helped garner them support. Both were also absolutely sensational stories that may have caused journalists, otherwise scrutinizing, to discard their usual standards.
I’ve written extensively on the Haystack story, but to quickly re-cap: Circumvention tool comes out of nowhere, built by young, outspoken engineer. Wild claims about efficacy. Media picks up on the hype, young engineer wins awards, media builds the hype even further. Circumvention and censorship experts begin to raise doubts about the tool itself, eventually get ahold of it, tear it apart. Turns out it’s not as secure as the engineer–and by extension, the media–had hyped it to be.
In the case of Amina Arraf, her blog–Gay Girl in Damascus–gained a following amongst bloggers and Middle East enthusiasts, then was quickly catapulted into relative blogger stardom after a series of articles in prominent publications profiled her. Therefore, when on June 6, her “cousin Rania” posted to her blog that she had been kidnapped, the public was quick to believe it. It wasn’t until the next day, when Andy Carvin and others began to question the story, that the details started unraveling as the public quickly jumped in to sleuth the story.
So what made journalists cast aside their usual levels of scrutiny? Or, is it perhaps that journalists are not as careful as we trust them to be?
I would argue that the journalistic treatment of the Haystack story was far more problematic, not least because it was easier to verify: After all, the product’s engineer was based in the US. He was reachable by phone and traveled for several interviews and awards. Numerous journalists met him, and yet not one after questioned the security of the tool. In the case of Amina, the journalists (the pseudonymous “Kathryn Marsh” and Shira Lazar) who first profiled her should have seen red flags when they couldn’t get her on the phone, but they were also dealing with a situation in which digging too much could’ve put an already endangered woman in far more danger...

NPR’s Andy Carvin, reporter or participant in Libya’s war?

The GOP's CIA Playbook: Destabilize Country to Sweep Back Into Power

♪♫ Mark Ernestus vs. Konono N° 1 - Masikulu Dub

Mexican Cops: These Are Their Stories

♪♫ Defunkt - In The Good Times

The Same Financial Firms Responsible For Our Economic Crisis Are Driving Us Toward a Global Food Disaster


US and EU investors -- including US universities, pension funds and investment firms -- are involved in unprecedented land grabs currently taking place in Africa, according to a series of investigative reports released on Wednesday by the Oakland Institute.
The Oakland Institute spent over a year working undercover to gather information on land deals in Ethiopia, Mali, Sierra Leone, Mozambique, Tanzania and South Sudan.
The reports show how land deals have a number of effects, including the destabilization of food prices, mass displacement and environmental damage.
"The same financial firms that drove us into a global recession by inflating the real estate bubble through risky financial maneuvers are now doing the same with the world's food supply," said Anuradha Mittal, executive director of the Oakland Institute.
"In Africa," she added, "this is resulting in the displacement of small farmers, environmental devastation, water loss and further political instability."
These deals are often presented as agricultural investment, providing much-needed economic funds, creating jobs and infrastructure in developing countries.
Yet, the report argues, many of the deals have negative impacts. These include inadequate participation of local populations, misinformation, lack of adequate compensation, especially for women or indigenous populations.
The intention of releasing the reports is not to curb agricultural investment but rather to ensure that the funding does what it promises to do and minimizes the deleterious effects.
The "Understanding Land Investment Deals in Africa" reports reveal that these largely unregulated land purchases are resulting in virtually none of the promised benefits for native populations, but instead are forcing millions of small farmers off ancestral lands and small, local food farms in order to make room for export commodities, including biofuels and cut flowers.
So there is an inversion of small, local farming to industrialized agriculture...e="clear: both; text-align: center;">
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Tina Gerhardt @'Alternet'