Monday, 5 July 2010

No fracking way New Brunswickers should ban the hazardous process of hydraulic fracturing.

In less than 60 days, using a process known as hydraulic fracturing or fracking, an oil and gas company will inject hundreds of tanker truckloads of freshwater laced with thousands of kilograms of toxic chemicals and sand beneath the ground. Their goal is to extract natural gas embedded in a shale rock formation near Elgin in southern New Brunswick.
At risk are the groundwater, surface water, human and non-human health.
A typical frack job requires between 11,400,000 to 15,200,000 litres of water, which returns to the surface highly toxic
Squeezing gas from a rock below ground involves unconventional drilling practices. A vertical well is dug vertically into the ground and then vertically across the shale formation (see attached figure). The fracking fluid is then injected into the well bore — under enough pressure to peel paint from a car — so that it causes the shale to fracture and release the gas from the billions of pockets found throughout this rock. The gas comes up the well, along with most of the fracking fluids.



Fracking is a relatively new technology that involves boring a  vertical well deep into the ground and then drilling a horizontal  pathway

Ultimately, the company sells the gas for a profit, and the province collects royalty payments. Private landowners may also lease their land to the gas company to supplement their income.
Controversy is growing, in Canada and the US, over the nature of the chemicals used in the fracking process, the sheer volume of water needed for the process, as well as the wastewater produced after the fracking fluid spews out of the well.
Scientists in the US report that 65 of the 300-odd compounds used in fracking are hazardous to both humans and non-humans. Some cause cancer. These chemicals are mixed with the water which comes from different sources: municipal water systems, rivers, ponds, and lakes.
A typical frack job requires between 11,400,000 to 15,200,000 litres of water — or enough water to fill an Olympic-sized swimming pool five to seven times over. Most of the water that is pressurized into the well, spews out once the pressure is released. Each well can be fracked multiple times. Safe disposal is an issue, because the water returns laced with toxic chemicals.
In just one year, 2000, the world's oil and gas exploration industry produced 77 billion barrels of wastewater, according to an article by Z Khatib and P Verbeek, published in the Journal of Petroleum Technology. Based on current rates of water consumption, that amount is equivalent to the volume of water needed by the City of Fredericton for the next 20 years.(my emphasis)

According to the United Nations, the world, including Canada, is heading towards a major water shortage crisis — due, in part, to water being used for industrial purposes like fracking.
Laying aside for a moment the moral and ethical questions concerning the industrial use of water in a world facing diminishing sources of good clean drinking water, the question remains as to what to do with the sheer magnitude of the wastewater produced in the fracking process. According to ProPublica, an independent newsroom that does investigative journalism for the public's benefit, it is still unclear as to whether or not we have the technology at our disposal to handle such vast quantities of wastewater.
In some jurisdictions, the wastewater is left in open pits. In other areas, it is emptied into sewage treatment plants, many of which are ill-equipped to handle this type of industrial waste. There are conflicting reports on how and where the fracking fluids are being disposed of here in New Brunswick.
There is no question these fracking fluids are highly toxic. ProPublica reported in 2008 that after treating a worker who got splashed with fracking fluid, an emergency nurse in Colorado ended up with multiple organ failure and nearly died.
Dr Theo Colborn, an independent scientist in Colorado who specializes in low-dosage effects of chemicals on human health, argues that even in very low doses, these chemicals can damage kidneys and immune systems and negatively impact reproduction. Among farm animals raised in close proximity to where the fracking wastewater was being misted in the air for evaporation in Garfield County, CO, a bull went sterile; sheep bred on an organic farm experienced a slew of inexplicable still births; and pigs as well as a herd of beef cows stopped going into heat.
The oil and gas industry, however, appears unmoved and undeterred by these concerns. In fact, a local newspaper published a story June 10th, 2010 in which a representative of the oil and gas industry was quoted in saying that fracking in New Brunswick "won't harm well water".
The fact is that nobody has done any research to see how the process actually works underground. No one knows for sure to what extent the fissures reach underground or whether cracks made in the rock create a passageway for these dangerous chemicals to contaminate the groundwater.
"What is needed now most," wrote ProPublica reporter Abraham Lustgarten in 2009, "according to scientists at the Environmental Protection Agency and elsewhere, is a rigorous scientific study that tracks the fracturing process and attempts to measure its reach into underground water supplies." The price tag for such a study would be around USD10 million.
In 2008, ProPublica reported that there were over 1000 cases documented by courts and local governments in Colorado, New Mexico, Alabama, Ohio, and Pennsylvania, where fracking is a suspected cause of drinking water contamination.
Filmmaker Josh Fox visited regular Americans across 24 US states to produce a documentary challenging and disproving the industry's contention that fracking is harmless. He found and filmed a shocking trail of people and their animals in rural communities getting sick. In one scene in his documentary film, Gasland, (which will air on HBO Canada August 1st, 2010), a local resident uses a cigaret lighter to light the gas that escapes when he tries to draw water from the kitchen sink tap.
Because of the controversies surrounding this process, fracking has been banned in New York State until proven safe. It is disappointing that New Brunswick has not introduced its own ban on this process in order to protect its citizens and our environment from such unnecessary risks.
For its part, in June 2010, the Conservation Council of New Brunswick hosted two public sessions to raise awareness on this issue. The first one happened on June 17th in Penobsquis, the second in Elgin on June 18th.
In Penobsquis, sauna-like temperatures in the meeting room did little to dampen the spirits of concerned citizens, packed like sardines, who came to hear Natural Resources Defence Council Attorney Kate Sinding and Catskills Mountainkeeper Program Director Wes Gillingham speak about their experiences and knowledge of this issue. The underlying message from this presentation was that the potential for contamination of surface and groundwater in New Brunswick is real. Yet despite these concerns, the process continues to occur unabated in New Brunswick.
Of the three companies currently exploring for shale gas in New Brunswick, one company has obtained the lease to conduct tests and see how much of the gas can be recovered from a million-hectare swath of land spreading from the Atlantic coast to the Maine border. It is difficult to predict how many shale gas wells might be constructed if this explorative venture proves to be commercially viable. Estimates range from 480 to 5000 wells.
Given that 29 wells have already disrupted the small community of Penobsquis, a minimum of 480 wells will have a significant impact on the landscape, freshwater supplies, air quality, and lifestyle of many more New Brunswickers. At the moment, New Brunswickers are facing the same situation faced by Pennsylvanians a few years back.
Like New Brunswick, Pennsylvania had no regulations in place to allow for a gradual and community based development of its shale gas industry. And like New Brunswick, it lacked regulations on fracking. Consequently, gas pads started appearing next to homes, hospitals, schools, and summer camps, transforming the countryside into an industrialized zone, with tractor trucks operating 24/7, gas burning flares affecting air quality, and citizens experiencing significant drops in their property values.
"As devastating as the experience is for those who have lost their fundamental right to have clean, safe, potable drinking water come out of their taps," wrote Kate Sanding on her blog April 15, 2010 after visiting Dimock, Pennsylvania, "what was perhaps most eye-opening was the utter transformation of the community." In other words, some of the prettiest and peaceful countryside became transformed into an industrialized zone.
Unless there are provisions in place, and soon, which would allow ordinary New Brunswickers to play an active and determinant role in how the gas industry may evolve in this province, there is no doubt in my mind that we will suffer the same consequences here in New Brunswick. It's too late for Pennsylvanians, but it's still not too late for us New Brunswickers. So, let's get involved.
Jean Louis Deveau has post-graduate degrees in both the natural and social sciences. He is the co-founder of the Friends of the Mount Carleton Provincial Park and an avid canoeist. Apart from proximity to family and friends, he and his wife chose to live and raise their two sons in New Brunswick because of its picturesque countryside, relatively clean air and water, and lack of heavy industrialization.
Jean Louis Deveau @'StraightGoods'

Sunday, 4 July 2010

Quaint Towns, Deadly Poisons Welcome to Toxic Valley

Crossing the Ohio River into Indiana from Owensboro, Ky., travelers are greeted with an image far more symbolic of Hoosier life than an "Indiana Welcomes You" billboard or a drawing of Abraham Lincoln, who spent part of his childhood just a few miles to the west of the William H. Natcher Bridge.
Indeed, the Hoosier state's howdy dominates the horizon a couple hazy miles before the bridge, when fat plumes of opaque-white air pollution from the Rockport Power Plant first appear. The coal-fired plant's twin cooling towers greet passing motorists with a hearty, "Welcome to Indiana, Land of Pollution." Minutes up U.S. 231, the box-like AK Steel plant rises just off the roadway to the east, adding an exclamation point.
Between them, these two industrial facilities told the U.S. Environmental Protection Agency (EPA) that they released nearly 26 million pounds of toxic chemicals into the air, water and land in 2008. In their Toxic Release Inventory (TRI) reports to EPA, AK Steel reported 19.1 million pounds, American Electric Power's Rockport plant 6.7 million.
As John Blair, president of the Evansville-based environmental group Valley Watch has calculated, that's more toxic releases from two Indiana industrial facilities than New York City, Atlanta, Philadelphia, Pittsburgh, Chicago, Indianapolis, Seattle, Los Angeles and San Diego, combined.
Continue reading
Steven Higgs @'Counterpunch'

The list of "enterprises" daily destroying the planet continues, more horrific stories from Indiana, its time for the EPA to do its job, and its time for the shareholders and management to be held accountable. A thousand apologies to readers at Moana for going on about this, but the tide is becoming a Tidal Wave of Tsunami proportions, as business after business declines to meet its environmental responsibilities, as long after the deluge has broken only the ruined will remain, the quick-fix money addicts will have left the building with all its polluted walls and toxic cesspools, for others to clean-up. Contact your local government and ask them about any industries you have concerns about, these abuses will not stop unless our governments are aware of our concern and business is made accountable for its deliquency.........beeden

Happy 4th...

Iran's Guantánamo Bay: the cover-up won't work

Faced with undeniable evidence of a scandal, one solution is to blame others. But picking out a few expendable scapegoats from your own side – and punishing them – often works better. That is the tactic adopted by the Iranian regime in trying to shrug off revelations of atrocities in the Kahrizak detention centre.
This week an Iranian military court convicted and sentenced to death two officials who had been accused of torturing and killing three protesters in the centre during the aftermath of last year's disputed presidential election.
The reports added that nine other suspects in the case were also sentenced to flogging or prison terms and one person was acquitted. The verdict is said to be not final and can be appealed. No names have been disclosed and the court sat behind closed doors, so it is impossible to verify anything about the case independently of the official statement about the case.
Kahrizak, known as Iran's Guantánamo Bay among protesters, became a significant embarrassment for the Islamic Republic when a group of released prisoners gave testimonies to international media about the misfortunes they suffered in custody. It was built underground without proper ventilation and toilet facilities. Although it is supposed to have a maximum capacity of 50 prisoners, in the turmoil after Iran's presidential election it was filled with hundreds. At least five have died under torture there and some were raped.
In July last year, Iran's supreme leader, Ali Khamenei, ordered the closure of Kahrizak when Saeed Sadaghi, a pro-regime photographer, reportedly told him that he had been raped in the detention centre. However Khamenei didn't mention the rape until Mehdi Karoubi, an Iranian opposition leader, wrote a widely publicised letter to the head of Iran's Council of Experts revealing that he had met with a few of those who have been raped inside Kahrizak centre. The rape disclosure became a scandal for a regime that preaches moral values and boasts that it is an Islamic Republic. It sparked an outcry even within the supporters of the regime.
But it was only when 24-year-old Mohsen Rouhalamini, the son of a distinguished conservative figure, was named among those killed that the Iranian authorities were forced to respond. Subsequently, two other victims were identified, Amir Javadifar and Mohammad Kamrani. The two officials reportedly sentenced this week were charged with the death of these three protesters. (Opposition sources maintain that at least five protesters died in the centre, rather than three.)
As with other post-election scandals in Iran, the authorities first dismissed it as opposition propaganda, but later Iranian MPs assigned a committee to investigate the issue. In January 2010, the report of the investigation suggested that Saeed Mortazavi, Tehran's former chief prosecutor, was behind the affair. However the claim of rape was dismissed in the report. Mortazavi was then rewarded by President Ahmadinejad with his appointment as head of Iran's counter-smuggling department.
But since last summer, the more the government has tried to put an end to the scandal, the more the details have emerged about what really had happened. Last month, Roozonline, a US-based Iranian website, revealed that Ramin Pourandarjani, the examining doctor who had disclosed details of the deaths of some protesters, including Rouhalamini, was allegedly suffocated, although the government maintains that his death was due to natural causes.
The Human Rights Activists News Agency had interviewed a prisoner of Kahrizak whose name and gender were not disclosed for security reasons. The prisoner had said: "After 43 days, they let me to call my family for the first time and let them know of my whereabouts. They showed me a video clip of my son and told me that he's in custody and he'll be raped if I don't confess to what they ask me to do."
The agency documented the scandal by piecing together the personal accounts of those who experienced the jail in Kahrizak. "Flogging, beating with batons and metal bars and electric shocks were common. Some were forced to pose their sexual organ in humiliation and some were sexually abused by bottles and batons. Some were bound and others had to pee on them," the report says.
It is not the first time Iran has used the old trick of covering up a scandal by such trials. After a brutal attack on Tehran University campus 11 years ago, which left at least two dead and hundreds injured, the government employed the same method and put its police commanders and officers on trial. However in the appeals court almost all were acquitted, except one who was charged with stealing a student's electric razor.
The trials over the campus scandal were not an end to the story; every year since then students have protested on the anniversary. Iran is now using the same tactic, but it won't work – just as it didn't work for the university campus. A month ago, there was speculation from an opposition website that Iran has reopened Kahrizak by changing its name to "Soroush 111". The Kahrizak story is far from over.
Saeed Kamali Dehghan @'The Guardian'

Infringement is not stealing

Brilliant!

(Click to enlarge)

Joy Orbison - Brklyn Clln (Michna's Brooklyn Bridge Remix)

 

Joe Nice - Mala Tribute 06/10/09



I just got the link for Joe Nice's Gourmet beats radio show from last night, and it contained a very special treat - 16 foundation dubplates from the man like Mala. Many thanks to Section 5 on the heads up.


Download the whole show

Tracklist
01 Adultz Only
02 Mountain Dread March
03 Cowboy Dub
04 Creepah
05 Jah Power Dub
06 Pop Pop Epic
07 Intergalactic Dub
08 Living Different
09 Explorer
10 Unexpected
11 Maintain Thru Madness
12 Big Leg Movement
13 Friday B4
14 Conference Part II
15 Sundayz
16 Bring Sut Unt

A London Dub – a best of Digital Mystikz & Loefah

I’d been looking for an excuse to do a DMZ only mix for a while now. And then my good friend Javier from Serie B mentioned that he’d never heard any of the early and classic DMZ releases until I linked him to the audio from the recent Red Bull Soundclash. I’d found the excuse I needed to do the mix. The idea was simple: do it like we used to back in the days when you’d put all your best songs on a tape for a friend to turn them onto something. Only this time the tape would be digital.
I spent most of the Easter weekend putting this mix together – it went from an all-out, in depth retrospective to a more measured attempt at a ‘best of’, or at least my ‘best of’. I’d originally got it just under 90 minutes to keep with the mixtape vibe but then realised I’d forgot a couple of tracks I absolutely wanted on there so instead of binning it and starting again I just added them and the result is 46 productions in 100 minutes – all tracks by Mala, Coki and Loefah including at least one track from each of the DMZ label releases plus key releases and remixes on various other labels including Tempa, Deep Media, Hotflush and Tectonic among others.
The following blurb about the mix is rather long so if you just want the music skip to the bottom of the post for link, tracklist and stream option.
Putting the mix together and listening back to it got me reminiscing about my own DMZ history and love story with the label, the artists and their music. It all started in 2005 on a rainy evening in London sometime after the summer. I randomly bumped into Steve Kode 9 – who at that point I hadn’t seen in ages – somewhere in Shoreditch who told me to come through to the Old Blue Last pub where he was spinning with some friends that night. I changed my plans and headed to the pub to find him alongside Mala from Digital Mystikz spinning upstairs to a small crowd (I think this night was part of the pub sessions which took place in 04/05 around London if memory serves me right…). And that’s when I discovered DMZ as a label and a sound for the first time.
I’ll never forget that night – every track Mala dropped had me rushing to the decks asking ‘what the hell is this?!’ before jumping around like a lunatic. I must have made a right tit of myself but I walked away that night with a grin on my face like never before and a phone full of release names and one label in particular, DMZ. In many ways this is also the night I ‘discovered’ dubstep again if you will, a few years after being first introduced by Kode to the dark garage mutations taking place in south London after he took me to some early FWD>> sessions at Plastic People and played me his early stuff.
The next thing I know I was in Blackmarket looking for DMZ releases and I went to my first DMZ dance in Brixton, the last one held at Third Base. The second one I went to was the now infamous night where they had to stop the party halfway through the night and move everyone from Third Base to the club upstairs, Mass, where they have been since because the crowd outside was stretching around the corner and there was no way Third Base would hold that many people.
It’s been nearly five years and in that time my love and respect for DMZ has only grown stronger. As a label they are for me one of the most consistent in the quality of their output, making them as fundamental to the sound and history of the music as Hyperdub, Tempa or Hotflush. As Mala and Loefah have both said in interviews, DMZ is a sound. It’s not dubstep, it’s the DMZ sound. It may be a part of dubsptep, but only as much as Hyperdub is or Tempa or Hotflush, to keep the comparisons with what I see as the other 3 key labels in the history and evolution of the music.
As a sound I never stop marveling at just how powerful the productions of these three individuals have been and continue to be. From Mala’s incredibly addictive percussive experiments to Loefah’s minimal sub assaults and Coki’s wobble experiments. These guys are responsible for creating, willingly or not, templates for the sound which have become standards. What’s more remarkable though is how they’ve steered clear of the pitfalls others so willingly fell into. They have always stayed true to their craft and their love of the music, and that’s not only visible in the productions, and their longevity (some of the tracks in this mix are 6 or more years old now), but also in their bi-monthly dances.
Going to a DMZ dance is something anyone who has ever felt something for their music should experience at least once if they can. I remember shortly after, and before, the dances became popular following the Mary Ann Hobbs special on BBC Radio 1 people would come to London from all over the world, literally, to witness the DMZ experience. The atmosphere, the people, the music all combined for some of the most intense and memorable live experiences I’ve ever had. When I left London for two years to go to Japan the one thing I always wanted to return for and missed the most were the DMZ dances.
All of which is a long winded way to explain that this mix is not only a present to a good friend of mine but also a way for me to say thank you to Mala, Loefah and Coki for their gift of music and the inspiration they have provided me in the last five years. Even if the label and dances were to stop tomorrow they would never be forgotten and will always live in my heart as some of the most important moments in my musical life. I spoke about this in more detail in my Red Bull Soundclash review, but one thing I realised after the clash is that to me DMZ, and their sound, are the musical epiphany equivalent to the jungle, hardcore and the early rave days of many of my British friends. I never grew up with rave and its offshoots, living in the south of France I was never exposed to that until I was 16/17 and moved to the UK. And while jungle and the post-rave mutations have been an important part of my musical make up, they haven’t had the same impact that DMZ, Hyperdub and others have had on me as a young man living in London who saw and witnessed the sound evolve, grow and become worldwide. I have a connection with this sound that is spiritual and goes incredibly deep. Like with rave music, I never knew about sound system culture until I was older and DMZ were key in helping me rediscover that culture and fall in love with it all over again.
Back to the point. You can download the mix below, or stream it, as well as find a complete tracklist. As I said before this is a best of Digital Mystikz (aka Mala and Coki) and Loefah productions – all of which are out, though most of the earlier ones are out of print and not all available digitally. All tracks mixed, mashed and dubbed in Ableton.
There are so many unreleased and lost dubs from these guys as well, many of which are for me incredible tunes (Mala’s Mountain Of Dread March, Eyez, Pop Pop Epic, Unexpected, Coki’s Lucifer, Loefah’s Boiler Suit and so many more) that I hope they one day see a release. In the meantime you should check out this amazing Joe Nice mix from the summer of 09 which includes a Mala only selection of all unreleased dubs. There are a few other mixes floating around with many of these lost dubs on there, so if you want more get hunting.
That’s it, all that’s left for me to say is enjoy and I hope you find as much inspiration in the music as I have over the last five years. And if you’re in London or Leeds when DMZ is in town be sure to come and meditate on bass weight – it’ll change your life.
 
Tracklist:
Mala – Changes (Deep Medi 004)
Digital Mystikz – Mawo Dub (BAM 004)
Digital Mystikz – Lost City (DMZ 002)
Coki – The Sign (BAM 009)
Loefah – Horror Show (DMZ 002)
Coki – Officer (DMZ 004)
Mala – Learn (DMZ 012)
Digital Mystikz – Ancient Memories (DMZ 008)
Digital Mystikz – Chainba (DMZ 001)
Loefah – Root (DMZ 005)
Search & Destroy – Candyfloss (Loefah remix) (Hotflush)
Digital Mystikz – Haunted (DMZ 008)
Digital Mystikz – Thief in Da Night (Soul Jazz)
Mala – Alicia (White Label)
Digital Mystikz – Earth a Run Red (Soul Jazz)
Loefah – Disko Rekah (Deep Medi 003)
Digital Mystikz – Molten (Tectonic)
Mala – Shake Up Your Demons (Disfigured Dubs)
Mala – Level Nine (Hyperdub)
Digital Mystikz – Anti War Dub (DMZ 008)
Coki – Bloodthirst (FREQ 001)
Loefah – Rufage (DMZ 009)
Coki – All Of A Sudden (Deep Medi 003)
Mala – Miracles (Deep Medi 012)
Digital Mystikz – Neverland (DMZ 005)
Mala – Blue Notez (DMZ 010)
Coki – Spongebob (DMZ 013)
Coki – Walkin With Jah (Soul Jazz)
Digital Mystikz – Twisup (DMZ 001)
Coki – Triple Six (DMZ 014)
Digital Mystikz – Ugly (BAM 004)
Mala – New Life Baby Paris (Deep Medi 012)
Mala – Lean Forward (DMZ 012)
Coki – Goblin (Disfigured Dubz)
Mala – In Luv (White Label)
Mala – Forgive (Deep Medi 004)
Johnny Clark vs Mala – Sinners (Disfigured Dubz)
Mala – Bury Da Bwoy (DMZ 011)
Loefah – Mud (DMZ 009)
Coki ft. Mavado – Gangsta for life (White Label)
Loefah – Jungle Infiltrator (BAM 006)
Digital Mystikz – Conference (Soul Jazz)
Loefah – System (Tectonic)
Digital Mystikz – Misty Winter (Soul Jazz)
Coki – Shattered (Tempa)
Loefah – It’s Yours (Ringo)
Coki – Burning (White Label)

Stephen Fry on Social Media



Not the biggest fan of Mr. Fry - but he sure talks a LOT of sense here...

HA!

World Cup replica made of cocaine found in Colombia

Smoking # 73

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HA!

 Amazon.de offering FREE download of
Don't Cry For Me Argentina (Remix Version)

The Male Pregnancy

Couvade syndrome, the popular name is 'sympathetic pregnancy'. And here's the surprise, more expectant fathers experience this than you might think, everything from weight gain to cravings.
Early research in Australian shows around one in four men experience at least some of the symptoms of pregnancy. 

Reclaiming Phil Spector's troubled genius

For many people, the name Phil Spector is now more synonymous with murder than with a long and illustrious music career. Famously labeled "the first tycoon of teen" by Tom Wolfe, his recording methods and innovations produced the type of songs that shaped the way we understand music: "Be My Baby," by the Ronettes, "Then He Kissed Me," by the Crystals, and "You’ve Lost That Loving Feeling" by the Righteous Brothers. From his role in creating "Wall of Sound," the dense and layered music production technique that characterized an era, to salvaging the Beatles' "Let It Be" and producing John Lennon and George Harrison’s solo records, no history of pop music can be written without him.
Most of that work, however, took place before his spectacular and bloody fall from grace. After decades of isolation and several incidents involving brandished firearms, Spector was charged (and convicted in 2009) for the murder of actress Lana Clarkson. Vikram Jayanti's new documentary, "The Agony and the Ecstasy of Phil Spector," however, focuses less on his downfall than on the man's charms and his position in the musical pantheon. 
Salon sat down with Jayanti and spoke about Spector's guilt and the reasons for his spectacular decline. 
It’s been over a year since Phil Spector went to prison. How do you think people perceive him? 
Unfortunately, the general sense out there is that he’s kind of a freak. Stories of him and guns have been running for 30 years. I don’t think in the general public’s mind he’s a big factor; it’s not like Paul McCartney went to jail. But if you stack up his 21 hits in a row, everyone of every age group has been hearing this their whole life and I wanted to remind people what an incredible artistic achievement it was. 
Mick Brown’s "Tearing Down the Wall of Sound" discusses that paradox: those sweet pop songs coming from such a damaged soul.
When you’re listening to "River Deep, Mountain High" with that swirling chaos in the background, you begin hearing madness. When I hear "Be My Baby," I hear the Wall of Sound trying to push away the void. The yearning is not innocent, teenage yearning, it’s existential chaos. The man who ended up in the courtroom is the same man who made this hits and that’s sort of an abstract mystery to me.
I think that what a lot of artists do are acts of self-medication, in the chaos, disorder and anguish of the world, the moment you have some control, that you can make something beautiful, for a moment: You’re free. The problem is that if you have pathologies of various sorts, you also use it as an instrument of revenge.
Do you think he lost that ability to get to that moment of creative bliss -- and that contributed to his decline?
I think the music moved on. What’s amazing to me is that the Beatles put him out of business in 1965 and yet four years later he’s producing "Let It Be," so I think it’s incredible that he even had a second act. And it’s a fantastic second act. But I think the world moved on and that's hard for people who have been fantastically successful. I think he retreated into his castle and stopped drinking.
Stopped?
He had been sober for 10 years before the night of the death. As far as I understand it, that was the first day he had fallen off the wagon in 10 years.
What do you think happened that night?
I have to hedge my bets on that. Phil kept saying she killed herself. Leonard Cohen told a friend of mine a story of Phil pulling a gun on him and Leonard said: “Oh, Phil, you pull guns on everyone, you haven’t shot anyone yet. You’re not gonna start now.” I can't see that Phil pulled the trigger, even though he's pulled a gun on people all over the place.
It would seem that he introduced the gun in the proceedings that night.
He told me that whenever he had a date come to the house he let them know that there was a loaded gun in the drawer of every room and if they weren’t comfortable, the chauffeur would take them home. It's a perfect "Hollywood Babylon" story. Old, past his prime, legend producer takes home 40-year-old aging starlet. He popped a Viagra while she was in the bathroom taking off her false eyelashes and underskirt, and then she was dead. None of us were surprised. It was something we all assumed would happen one day. Which is why it was so easy for the court of public opinion to convict him. It just seemed another piece of how he lived.
Have you been in touch with him since he’s been in prison?
No, I’m gearing up to try to see him. I want to go pay my respects. Part of him is bound to hate the film because he's naked on-screen and he's weird. Part of him really ought to love the film. If he's feeling rational, he’s got to see that in many ways, however complicated the film is in its view of him, it's also a love song to his legacy, and that it's probably the best thing that will ever be out there about him in terms of humanizing him and celebrating his genius, and also, frankly, the film leaves the impression that I believe there’s a reasonable doubt. And I can't exonerate him, but I would like it to be 100 percent clear he killed her before I’m willing to believe he's guilty.
How do you feel about creating a "love song" to the legacy of someone many people think is a murderer?
I am going to be criticized for seeming to roll over and let him say anything, but I was interested in finding out what it felt like to be Phil, so to that extent, I let him be Phil. It wasn't my interest to evaluate him; it was literally an act of empathy. That’s something you can do with film that’s hard to do with another medium. You cannot discount the amazing soundtrack he gave a generation. I don’t want his legacy to be completely obscured, so I’m just trying to add to the stuff that's out there, and add a little balance. It doesn't excuse what he’s done or not done, but people are complicated, and life is complicated, I'm interested in the complexity.
Do you think there are still any Phil Spector-like mercurial genius characters working now?
James Cameron has that kind of control freak genius on a vast scale. And a lot of people come out of working with him hating him. But you have to hand it to him. "Avatar" is an act of megalomania, which happens to enrich our culture. And the same thing happened with Phil; he’s in the studio, he’s a megalomaniac and it enriches our culture. And I don’t know Cameron, but why do you have to be a nice guy if after you're dead, people are going to talk about "Avatar" in 100 years? The question is: What’s the difference between the art and the artist, what’s the difference between dancer and dance. And Phil is the most extreme example of that.
Besides offering the songs, what do you think Phil Spector’s legacy is?
He elevated the idea of production. He created the idea that there’s more than just recording a song and putting it out. It’s about how you record it. That's stayed with the business. He pushed pop music to where it could be argued that it was art. And obviously the Beatles took it further, and a whole slew of brilliant people have taken it further. But it was a big shift: It wasn’t disposable anymore.
And the Beatles only pushed it further when they began to utilize the recording studio.
He calls himself a revolutionary, and we do think of the music between Elvis and at least the end of the Beatles as a revolutionary movement, and he was one of the big warriors.
Do you think that sort of revolutionary aspect can exist now? Or that things can still be pushed forward?
I think things come in waves. I believe in music, I look for new artists who give me a sense that my life depends on listening to it. The stuff that picks you up by the neck and swings you around the room. Like the way that there's nothing so profoundly truthful as that moment when you know your lover's "lost that loving feeling." It’s so horribly raw and true. I believe that popular music is the achievement of the human experiment. We've found something  that’s not possible for anyone else to make. It goes somewhere that humans can't articulate without music.
And Phil Spector is central to that?
Yeah, for his own contorted reasons.
Justin Sullivan @'Salon'

Twilight Zone / A night in Hebron

The scars speak for themselves: a scorched hole in the middle of his forehead, like a mark of Cain, two more burn holes on his right hand and one on his left arm. The scratches on his face and arm have already healed. That's what remains from the night on which soldiers decided to have a little fun with Salah Rajabi, a student in the 12th grade at the Tareq School in Hebron.
It's not the first time soldiers have beaten him up. There have been no fewer than 12 previous attacks. The most serious of them occurred in 2006, when soldiers broke the boy's shoulder and he was hospitalized. In December 2008, he was arrested with his two brothers on suspicion of stone throwing and released after 10 days. On another occasion he was arrested and released on bail of NIS 1,000. But this was the scariest attack of all, with the burning cigarettes on his flesh, the penknife that cut into his face and a mysterious pill the soldiers made him swallow by force, which frightened him more than anything else.
Another "Clockwork Orange" night in Hebron, in Israeli-controlled Area H2, which has been almost totally abandoned by the Palestinian residents for fear of the settlers and the Israel Defense Forces. Another display of wildness by soldiers, who thought that undercover of darkness they could do as they pleased. The IDF Spokesman made do this week with an appallingly laconic response: "The complaint that was filed with the police will be transmitted to the office of the military advocate general and after it is examined a decision will be made on how to proceed." Whatever.
Rajabi, 19, is trying to complete his matriculation exams. He comes from a poor family of 19 children, from two mothers. Every day after school he goes to his sweets stand, peddling cheap baklava in front of his house. He was there on June 14, too. There was no school that day, because of the exams. In the afternoon he went to his stand and by 10 P.M. he had sold all his wares. He then set out to visit his sister, who, like her husband, is deaf and muteHe is a hefty young man, muscular but shy, his voice soft. His older brother, Kaad, sits next to him, to support him. His sister's home isn't far from where he lives. As he walked up the street, which is partially lit and partially dark, an IDF Jeep, coming from the direction of the stonemasons' industrial zone, suddenly pulled up next to him. The soldier sitting next to the driver opened the door and asked to see his ID card.
The driver recognized him immediately. "Is it you?" he asked. Maybe he's considered a troublemaker, though he has never been convicted of anything. Two other soldiers, who were sitting in the back seat, got out of the Jeep and moved toward him. They pushed him forcefully into the vehicle. Rajabi says he did not resist. He was frightened. They made him sit on the floor of the Jeep, in the back, but did not tie his hands or blindfold him, which is standard procedure in making an arrest.
The soldiers lit cigarettes: four soldiers and four cigarettes in one military Jeep with a Palestinian detainee on the floor, driving through the streets of Hebron, which overnight turned into Marlboro country. The Jeep kept moving, when suddenly one of the soldiers sitting in the back placed the burning cigarette against Rajabi's forehead. While Rajabi was trying to recover from the pain and shock, the soldier sitting next to the driver pulled Rajabi's arm forward and stuck his cigarette twice into the palm of the youth's right hand. Here are the holes. The soldiers cursed him; he's ashamed to repeat what they said. Then the other soldier in the back seat grabbed his left arm and jabbed his burning cigarette deep into it. Here is the hole. Only the driver puffed away tranquilly and did nothing.
Like all games, it's not over till it's over. Now the soldier in the back who was the first to brand Rajabi with a cigarette took out a penknife, one of those with which soldiers pierce the plastic handcuffs of their prisoners, and held it against Rajabi's right cheek. Rajabi was deathly afraid. The soldier cut his cheek across its whole length and then worked on his left arm as well. Not a very deep cut, but blood flowed from his face. He wiped it away with his shirt.
Throughout, the Jeep kept going. They reached a dark, empty lot in the Jebel Juhar area. The driver stopped and turned off the engine. The four soldiers got out and ordered their victim to kneel on the ground. He did as they commanded. They grabbed his head and forced his mouth open, Rajabi relates. One soldier took out a pill and stuffed it into Rajabi's mouth. They held his mouth open until they were certain he had swallowed the bitter pill. Then they threw him to the ground, got into the Jeep and sped off.
  Rajabi lay there in the dark, exhausted and in a panic, blood on his face and arm. In a few minutes he pulled himself together, got up and made his way to the home of relatives about 300 meters from the empty lot. It was midnight. He knocked on the door. His shirt was dirty from the ground and stained with his blood. Opening the door in his pajamas, Ahmed Rajabi was appalled to see his distraught relative. He later testified that this was what happened to Musa Abu Hashhash, a fieldworker of B'Tselem, the Israeli Information Center for Human Rights in the Occupied Territories.
"What happened to you?" Ahmed asked Salah Rajabi, and he told him how the soldiers had stopped him, burned him with cigarettes, cut him with a knife and forced him to swallow a pill. The two called Kaad, Salah's brother, who lives close by.
At this stage, Rajabi felt himself losing consciousness. He was certain it was because of the pill. Kaad arrived immediately and took his brother to Aliya Hospital in the city. On the way, he relates, his brother passed out. In the hospital his stomach was flushed, but the physicians told Kaad they did not have the equipment to determine what the pill was. When his brother woke up in the morning, Kaad relates, he began to attack everyone in sight in a fit of rage or fear.
Rajabi was injected with a tranquilizer and sent home. Since then he has not taken any more exams or returned to his baklava stand. Last week he filed a complaint with the Hebron police, complaint no. 230003/2010. The IDF, as we saw, is looking into it. 
Gideon Levy @'Haaertz'

You better run fast!

Tony Blair's security team cost the taxpayer £250,000 a year

Johann Hari: How Goldman gambled on starvation

By now, you probably think your opinion of Goldman Sachs and its swarm of Wall Street allies has rock-bottomed at raw loathing. You're wrong. There's more. It turns out that the most destructive of all their recent acts has barely been discussed at all. Here's the rest. This is the story of how some of the richest people in the world – Goldman, Deutsche Bank, the traders at Merrill Lynch, and more – have caused the starvation of some of the poorest people in the world.
It starts with an apparent mystery. At the end of 2006, food prices across the world started to rise, suddenly and stratospherically. Within a year, the price of wheat had shot up by 80 per cent, maize by 90 per cent, rice by 320 per cent. In a global jolt of hunger, 200 million people – mostly children – couldn't afford to get food any more, and sank into malnutrition or starvation. There were riots in more than 30 countries, and at least one government was violently overthrown. Then, in spring 2008, prices just as mysteriously fell back to their previous level. Jean Ziegler, the UN Special Rapporteur on the Right to Food, calls it "a silent mass murder", entirely due to "man-made actions."
 Continue reading
HERE

Saturday, 3 July 2010

Indigenous Ecuadoreans Share Oil Spill Experiences with Gulf Coast Communities


Last night, four Indigenous and community leaders from Ecuador arrived in very steamy New Orleans to share their experiences with the long-term impacts of oil pollution with communities dealing with the tragic BP oil spill that continues to gush into the Gulf of Mexico.
As the Chevron in Ecuador blog reports:
Four very different people arrived last night in New Orleans on a late flight from Quito, Ecuador. One is a quiet but fierce 71-year-old grandmother with 27 grandchildren. Another is a gentle, soft-spoken man who is a leader of his Indigenous tribe from the Amazon. Another is a serious and sober man who has won worldwide acclaim for his unique work. And the last is another Indigenous man from the Amazon, who is more sharp-tongued than his traveling companion, but shares his good humor and dignified demeanor.
The four Indigenous and community leaders from Ecuador’s Amazon rainforest are on the front-lines of the nearly two-decade struggle to demand oil giant Chevron clean up the massive contaminate the company left behind in their lands. I’ve written profiles of two of them here before; Cofan leader Emergildo Criollo was in the U.S. in early March to help deliver 350,000 letters of support for cleanup in Ecuador to new Chevron CEO John Watson and campesina activist Mariana Jimenez was in Houston just a few weeks ago to speak out at Chevron’s 2010 shareholder meeting.
Continue reading

Much as Big Oil would like us to believe they are all operating within the law and to the benefit of the people, time and time again we are made aware of the enormous sacrifices made by communities around the globe in order to feed the world's obssession with oil and its products. This might be acceptable if there were no serious calamities to speak about, but instead, like broken records the same tune is dished out to our increasingly benumbed aural orifices on the quality of technology utilised by the industry. Unfortunately, there is no quality about these industries' technologies, and the short road for the fast buck is the only road to be travelled, the profits speak for themselves. I will reiterate, management and shareholders must be held accountable for the travesties that have occurred in their search for greater profits. There can be no profits when people are denied their homes, the health of their families and the destruction of their vital environments. It is time for the message to get through, that ecoterrorism as practised by Big Oil is driving the planet to extinction, and full compensation to the people affected and full regeneration of the environments decapitated is essential. To label management and shareholders as just bloody-minded and greedy is too generous, these people are daily murdering people by their actions for a fistfull of dollars, and should be facing court for their deadly, daily malevolence...........beeden


Trent Reznor On The Facebook Movie. “It’s Really Fucking Good. And Dark!”

Ramadanman - Fall Short

  

The First Amendment Has been Suspended

♪♫ Crispin Glover - Clownly Clown Clown

Crispin Glover on Letterman

David Bowie details Station To Station reissue


It took a bit longer than expected, but David Bowie is finally ready to relive his iconic 1976 album Station To Station.
The reissue will be available in two different configurations, both of which will be highlighted by a remastering of the album and a live recording of Bowie’s March 23rd, 1976 concert at the Nassau Coliseum, Uniondale, New York.
The three-disc “Special Edition” version will also include a 16-page booklet with sleevenotes by Cameron Crowe, chronology by Kevin Cann, three period photocards of Bowie in various settings, and a digitial download code. The digital download will feature the same audio content as the psychical release, but with the added bonus of an unedited alternative mix of “Panic In Detroit” that clocks in at 13:09, according to an issued press release.
The five-disc “Deluxe Edition” version will include all of the above as well as 1985 master of the album, a five-track EP featuring Station to Station single edits, a DVD, copies of both the album and the live recording on 12″ heavyweight vinyl, and facsimile copies of David Bowie’s On Stage 1976 press kit folder and 1976 Fan Club Folder.
Prices for the two releases have not yet been disclosed, but both will hit stores on September 20th via EMI. In the meantime, check out the exact specifics for each configuration

YES!!!


Fugn  
ongelooflijk
!!!

Why Did It Take a Rock Magazine to Report the Military's Total Disaster in Afghanistan?

The controversial Rolling Stone profile of General Stanley McChrystal didn't just expose poor judgment on the part of the U.S. military's key leader in Afghanistan. It also illustrates one of the most persistent shortcomings of American corporate journalism.
It's no surprise that a protracted and fruitless military conflict has produced backbiting at the highest levels. That's the expected result of a flawed policy. But it is -- or should be -- curious that David Hastings's piece appeared in a rock magazine whose cover photograph features a G-strung Lady Gaga with automatic rifles jutting out of her brassiere.
Anyone in the Pentagon press corps could have written Hastings' story. So why did it appear in Rolling Stone?
First, let's give Rolling Stone its due; it's not an ordinary music magazine. Before launching it in 1967, Jann Wenner and Ralph Gleason worked at Ramparts magazine, the legendary San Francisco muckraker that ran high-impact investigative stories on Vietnam and the CIA. Despite its healthy circulation, Ramparts lost money and closed its doors for good in 1975. Then as now, no "business model" (i.e., reliable advertising base) existed for political magazines, left or right.
Wenner focused instead on music and the counterculture, but he also hired Hunter S. Thompson as his national affairs correspondent. One result was Thompson's Fear and Loathing: On the Campaign Trail '72, praised as the least factual and most accurate account of that year's presidential race.
In 2009, Rolling Stone revived the Gonzo tradition by running Matt Taibbi's critical profile of Goldman Sachs, the Wall Street firm with close ties to the Treasury Department. This was another example of an RS irregular scooping beat writers on a huge story. Taibbi's piece drew heat, but most of his critics begrudgingly conceded that his main point was correct.
Hastings has likewise taken criticism from the Pentagon press corps. Lara Logan, CBS's chief foreign affairs correspondent, appeared on CNN's Reliable Sources this weekend to cast aspersions on his methods, to defend the Pentagon beat writers, and to lament the article's effect on General McChrystal's career. "Michael Hastings has never served his country the way McChrystal has," she claimed (as if critical reporting isn't exactly the service journalists are supposed to provide). Responding to Hastings' point that beat writers wrote glowingly about McChrystal to ensure future access to him, Logan labeled that view "insulting and arrogant."...
Continue reading
Peter Richardson @'AlterNet'

Goaaaaaaal!!

Something for the FB crew!

Update:

Friday, 2 July 2010

Secret millions grease World Cup bid


Two controversial European lobbyists hired to help bring the football World Cup to Australia stand to receive up to $11.37 million in fees and bonuses - one-quarter of the taxpayer-funded bid - according to secret Football Federation Australia files.
The files include a spreadsheet that suggests the federal government was not told specific details about how taxpayers' money was to be spent on the lobbyists and grants to overseas football bodies headed by powerful FIFA officials.
An investigation into Australia's World Cup bid can also reveal how the FFA:
Bought Paspaley pearl necklaces for the wives of many of the 24 FIFA executive committee members who in December will decide which countries will host the 2018 and 2022 World Cups. Pearl cufflinks were also handed out, taking the total value of the gifts to an estimated $50,000.
Offered an all-expenses paid trip to the South American FIFA executive committee member Rafael Salguero and his wife to Australia this year to mark his birthday.
Paid for a Caribbean football team linked to the FIFA vice-president Jack Warner to travel to Cyprus last year.
An FFA document contains two budget balance sheets outlining how the $45.6 million World Cup bid government grant is to be spent.
One balance sheet is for the FFA only and is headed ''bid budget management reporting''. The other is for the government and is less detailed and titled ''bid budget government reporting''.
The spreadsheets from mid-2009 suggest the FFA chose not to disclose to the government specific details of the payment structure for its two consultants, Peter Hargitay and Fedor Radmann.
The FFA said its accounting practices were exemplary and independently audited.
''The FFA is completely transparent in its dealings with government and has provided all information regarding the bidding process requested by government,'' said the FFA chief executive, Ben Buckley, who also declined to reveal publicly what Mr Hargitay and Mr Radmann were being paid.
However, confidential documents show the pair - who have been hired to direct Australia's lobbying of FIFA officials - stand to make $11.37 million if Australia wins the right to host the 2022 World Cup. Australia this month withdrew its bid for the 2018 cup.
Mr Hargitay is being paid $1.35 million by the FFA and has a success fee of $2.54 million. Mr Radmann's work for the Australian bid, which the FFA has tried to keep confidential, will earn him up to $3.49 million through a German consulting firm. He is also entitled to a success fee of $3.99 million.
As part of a separate contract, the FFA is paying Mr Radmann's business partner Andreas Abold an additional $3 million for World Cup "bid book production and bid advice''. It is unclear if Mr Abold will also receive some of Mr Radmann's fees.
The mid-2009 spreadsheet also suggests the government was not told details about plans to give $6.5 million in taxpayer funds to football bodies in Africa, Asia and Oceania. The document says the FFA's bid strategy will give large grants to "international football development''.

The government was told by the FFA that $11.37 million was going to ''consultants/agencies''. But the FFA prepared a more detailed spreadsheet for its own executives, specifically outlining how this figure would be divided into fees and bonuses for Mr Hargitay and Mr Radmann's international ''advocacy'' campaign.
Mr Buckley said: ''Consistent with standard management practice, FFA maintains a more comprehensive breakdown of expenditure and forecasts for day-to-day internal management purposes and accountability.''
The necklaces and cufflinks were given at a dinner in 2008 for FIFA officials at the home of the FFA chairman, Frank Lowy, after Australia had announced its World Cup intentions but before formal bidding had begun.
Mr Buckley said: ''It is a widely accepted, common practice, among governments, many business and sporting organisations to provide symbolic gifts, to visiting international delegations.''
FIFA allows "occasional gifts'' of ''symbolic or incidental value''.
It is believed the FFA funded the Trinidad and Tobago under-20 team's travel to Cyprus at the request of Mr Hargitay, who is close to the Caribbean football chief and FIFA vice-president Jack Warner.
In several FFA documents Mr Hargitay refers to his strong ties to "Jack''. Mr Warner has been repeatedly accused of using FIFA status to enrich himself and his family. After an investigation in 2006 FIFA ordered him to repay $US1 million his family earned through the improper sale of World Cup tickets.
Last October Mr Warner returned a $435 luxury handbag - one of 24 given to the wives of FIFA executive committee members - from the English bid team, after media reports in Britain.
FFA documents make it clear that Mr Radmann and Mr Hargitay are managing the international "strategy" on behalf of the Australian bid team. They boast ties to some of football's most powerful men, including Mr Warner, the former German player Franz Beckenbauer and the FIFA president, Sepp Blatter.
Mr Radmann and Mr Hargitay have colourful histories. Mr Radmann, who has worked as an aide to Beckenbauer, has been implicated in:

A scheme in 2000 to allegedly offer financial inducements to key FIFA executive committee officials to get them to back Germany's bid to host the 2006 World Cup.
Conflict of interest scandals in 2003 that forced him to stand down from Germany's cup organising committee.
It is understood Australian bid officials sought to minimise any publicity about Mr Radmann's involvement in the bid.
Mr Hargitay's past includes being acquitted twice for cocaine trafficking in the 1990s and his alleged link to a securities fraud in Hungary, according to US court documents from 1997.
Mr Hargitay also boasts about daily meetings in South Africa with the Asian Football Confederation boss, Mohammad bin Hamman.
Documents detail Mr Hargitay's role arranging meetings between overseas football officials and Mr Lowy and Australian politicians. The former prime minister Kevin Rudd met Mr Warner in his Trinidad and Tobago home in November.
A spokeswoman for the Department of Health and Ageing, the agency that provided the World Cup grant, said yesterday that the FFA briefed it regularly on its spending.
Asked about differing bid balance sheets, the spokeswoman said: ''The detailed internal accounting systems of the FFA are a matter for them.''
She said the department was aware of the backgrounds of Mr Hargitay and Mr Radmann. It also had no evidence of any breaches of the public service guidelines that cover the FFA's consultants.
All FFA bid team employees and lobbyists must comply with Australia's Public Service code of conduct and act in an honest and ethical manner. The spokeswoman said: ''The FFA has assured the[ department] taskforce that this provision is being adhered to. If evidence contrary to this was provided it would be thoroughly investigated as would any alleged breach of the funding agreement.''
Nick McKenzie & Richard Baker @'SMH'

Spiritualized - Acoustic Mainlines 1/07/10



Acoustic Mainlines
'Inspired By Iceland'
Reykjavík´s Music Pavillion Park
July 1st 2010.

♪♫ Plan B - Prayin'


Extended version
 'Stay Too Long'

The album 'The Defamation of Strickland Banks' that this is from is truly one of the most amazing English soul albums that I have ever heard...No kidding, highly recommended!

Girlz With Gunz # 117

(Thanx TRNSND!)
 Just saw Eclipse, an icy-blooded tool to turn adolescent female brains into jellied, right-wing corn syrup. Family values.

iNudge - Everyone can make music


When Did BDSM Become So Wildly Popular?

WTF??? Republicans Block Investigative Power for Oil Spill Commission


(Thanx Carolyn!)

Psychiatric Drugs: A History in Ads

John Cleese - Soccer VS Football

A Timeline Of How The Entertainment Industry Made The File Sharing Issue Much Worse For Itself