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1 hour ago
MOⒶNARCHISM
Dub Gabriel recently set up his turntables at the d/a/c lab. He hooked up his tape delays, reverbs and dub sirens and dropped a 1 1/2 hour set of all vintage vinyl with essential selections of vintage dancehall, reggae & dub. Recorded live at his studio, these vintage selections guarantee to warm up the sound system this summer.
Purple Man - King of the Way
Sancho – Chase Vampire
Billy Boyo - Wicked She Wicked
Carol Kalphat - African Land
Sly & Robbie - Rocks and Mountains
Ranking Dread - Africa
Burro Banton - Can't Take the Running’s in a Babylon
Junior Cat - Anerexol Body
Michigan & Smiley - Down Presser
Nicodemus - Birdman Hunting
Prince Far I - Red Sea
Tapper Zuki - Man Ah Warrior
Yellowman - Strong Me Strong
Prince Jazzbo - In Jah Jah Name
R. Shirley - Everybody Needs A Friend
Ranking Dread - Hard Times
Horace Andy - Money Money
Lee Van Cliff - Bam Salute
Singers & Players - Dungeon & Merchant Ship
Smiley Culture - Cockney Translation
Anthony Red Rose - Dub Organizer Part Two
Wayne Palmer - Suzie
Barrington Lavy - Na Broke No Fight Over Woman
King Burnett - Paul Bogle
Junior Brammer - All Gone
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...And you were responsible for all the editing?I was a bass player - I thought being the bass player of Can nobody will listen to the bass. I could hide myself quite good because I was afraid I was not good enough. So I could with one hand mix everything straight away and with the other one I can play bass. And if something was not right we cut out the mistakes like that. We did not need any multi-track machine and actually it was the best time of Can as everyone was responsible for the whole result. If someone was getting too loud - and there were no limiters or nothing - and disturbed the balance he has destroyed the upcoming album somehow. A special responsibility was required. And therefore I say it was more of a church or a place of rituals than it was a normal tone studio.
After a while we got a little bit successful, we had a hit and we bought a multi-track machine. It was 1975. More or less this was the beginning of the end of Can. Because of the multi-track the musicians thought they want to avoid any mistakes they want to get the best output they are able to do. That means it was not any more this sort of 'underground' idea. No, now suddenly a different programme started...