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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)
37 minutes ago
Monday, 8 October 2012
William S. Burroughs - Politically Incorrect Advice to the Young
Well… here are a few simple admonitions for young and old:
Never interfere in a boy-and-girl fight.
Beware of whores who say they don’t want money. The hell they don’t. What they mean is they want MORE MONEY, much more.
If you’re doing business with a religious son of a bitch, get it in writing. His word isn’t worth shit, not with the good Lord telling him how to fuck you on the deal.
Avoid fuck-ups. You all know the type. Anything they have anything to do with, no matter how good it sounds, turns into a disaster.
Do not offer sympathy to the mentally ill. Tell them firmly, ‘I am not paid to listen to this drivel. You are a terminal fool.’
Now some of you may encounter the devil’s bargain if you get that far. Any old soul is worth saving at least to a priest, but not every soul is worth buying. So you can take the offer as a compliment. They charge the easy ones first, you know, like money, all the money there is. But who wants to be the richest guy in some cemetery? Not much to spend it on, eh, Gramps? Getting too old to cut the mustard. Have you forgotten something, Gramps? In order to feel something, you have to be there. You have to be 18. You’re not 18, you are 78. Old fool sold his soul for a strap-on.
How about an honorable bargain? ‘You always wanted to become a doctor. Now’s your chance. Why, you could have become a great healer and benefit humanity. What’s wrong with that?’ Just about everything. There are no honorable bargains involving exchange of qualitative merchandise like souls. Just quantitative merchandise like time and money. So piss off, Satan, and don’t take me for dumber than I look. As an old junk pusher told me, ‘Watch whose money you pick up.’
Via
Sunday, 7 October 2012
Photek - Essential Mix (BBC Radio1 6/10/12)
After the release of his album ‘Solaris’ for Virgin records, he relocated to Los Angeles, where he scored music for film and television, including the Italian Job remake and Pirates Of The Carribbean. He was nominated for a Grammy award for his remix of Daft Punk’s ‘End Of Line’ from the Tron Legacy soundtrack.
This is his first Essential Mix since 1997 and it features new material from his forthcoming album Ku:Palm, as well as new music from Grenier, Calibre and Sasha.
Apparat & Raz Ohara – Holdon (Modeselektor Remix) [SHITKATAPULT]
Photek – Quadrant [Photek Productions]
Apparat – Arcadia (Telefon Tel Aviv Remix) [SHITKATAPULT]
GRENIER – Bury The Blade [Unknown]
Cowboy Rythmbox – Shake [Comeme]
Truncate – Transients [Truncate]
Jan Driver – Gain Reaction [Boysnoize]
MJ Cole – TGV [Prolific Recordings]
Blackbird Blackbird – It’s A War [LAVISH HABITS]
Maxxi Soundsystem – Regrets We Have No Use For (feat. Name One) [Hypercolour]
Alan Fitzpatrick – Always Something For Nothing [Drumcode]
Parallel Dance Ensemble – Shopping Cart (Maxxi Soundsystem Remix) [Permanent Vacation]
Kobana & Yane3 – BN2 1TW (Original Mix) [Particles]
Ellen Allien & Apparat – Jet (Ben Klock Remix) [BPitch Control]
Appleblim & Ramadanman – Void 23 (Carl Craig Re-Edit) [aus music/FutureAudio]
Hot Chip – Flutes (Sasha Remix) [Last Night on Earth]
Apparat – Berlin [Shitkatapult]
Mao – Harvest [Southern Fried]
Delano Smith – Wires [Sushitech]
Maetrik – Revenge of Jack [True Soul]
GRENIER – Frenemies [Photek Productions]
The Mole – Stupid Famous [Maybe Tomorrow]
Photek – Quevedo [Photek Productions]
Calibre – Temple Step [Signature]
Photek – Pyramid [Photek Productions]
Dub Phizix – Handmade [Critical Music]
Photek – Shape Charge [Photek Productions]
Mala – The Tunnel [Brownswood Recordings]
Die & Break – Tear Down [Digital Sound Boy]
Enei & Kasra – So Real [Critical Music]
Light Year – Moderation [Bang Gang]
L-Vis 1990 – Feel The Void (Paul Woolford’s After Hours Mix) [PMR Records]
Cannible – Primitive [Monique Musique]
Oliver & Destructo – La Funky [BNR Trax]
Photek – Mine To Give (Satoshie Tomiie Remix) [Science/Virgin]
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Bonus:
Essential Mix: December 1997
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Tracklist
Misophonia: the hatred of sound
Misophonia – literally the hatred of sound – can be defined as a hypersensitivity to background sounds or visual stimuli that are generally ignored by other people. More importantly than the individuals inability to block out the offending stimuli or “trigger” is the acute negative emotional response experienced as a direct result of being in contact with a trigger.
The response has been described as a reflexive emotional flood of rage and panic with a storm of fight-or-flight reactions becoming paramount. Adrenaline flooding, face flushing, heart-pounding and/or shaking and the need to physically flee or attack are often experienced.
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Saturday, 6 October 2012
The Century Of The Self (2002)
Info
Julian Assange: No longer true, just red, white and blue
President Obama has been waging a war on whistleblowers from the Oval Office, the most obvious example being the mistreatment of Bradley Manning. The Obama-Biden campaign brags about prosecuting twice as many "national security" disclosures as all previous administrations combined. There have also been sustained attacks on my organisation, WikiLeaks, via a financial blockade of donations enforced with the support of the US government.
Most disturbingly, WikiLeaks has been warned by the Pentagon not to solicit service members to leak classified information. Military personnel who make contact with WikiLeaks or our supporters could be charged with "communicating with the enemy," a crime that carries a possible death sentence. The Pentagon has also stated this month that it considers the continued publication by WikiLeaks of classified information belonging to the US government to be an ongoing violation of the law.
This sets a precedent: contact by military whistleblowers to any media organization may soon be treated with similar hostility.
But these attacks are not just directed at whistleblowers and those that publish their information for the public to see. Governments in the UK, the US and Australia are seeking to extend already extreme powers of surveillance so they can gather intelligence on their citizens.
Under proposed changes to national security laws, the Australian government will force Internet service providers to retain the internet and phone records of all Australians for two years. Some agencies are demanding even more extreme powers to keep a full record of citizens activities indefinitely. Such extremism will in effect be the reality: the proposed laws require the creation of a nation-wide infrastructure that is capable of intercepting all communications.
Every email, every Facebook post, every tweet, every google search will pass through this database and portions will be stored and could be used against you at some point down the track.
A nation wide mass interception infrastructure is a national security disaster waiting to happen. Of course, the changes to the law promised at the last election to protect whistleblowers have fallen off the legislative agenda.
These are significant expansions of government power without justification and without any checks and balances to ensure that the rights of everyday people are respected. There is no way of knowing how this or future governments will use such power. Australians deserve to know what is being done in their name.
Technology offers us incredible opportunities to share information, spread ideas and collaborate across geographical divides. It has the potential to shine a light on wrong-doing, correct injustice and empower those without a voice. The freedom to use such platforms must be safely defended, lest it become simply a place for the government to spy on its population.
The power given to governments to govern, after all, derives from the mandate given by the people. Technology should be about empowering citizens and giving expression to the inner core of our public and private political lives. This is a prospect that makes the powers that be very uncomfortable.
When an organisation like WikiLeaks shows the emperor with no clothes on, predictably every attempt is made to undermine us. The Prime Minister has never retracted the comment she made about WikiLeaks being based on an illegal act. By her own Governments admission, such an accusation is unsustainable. It is untrue and should be retracted.
The Australian Government has turned its back on one of its citizens, in order to avoid offending the US, and has repeatedly lied about its support for me. Ecuador, after careful and lengthy consideration of the evidence, concluded that I had a well-founded fear of persecution and that I could not rely on my own government to protect me.
It is bitterly disappointing that the country that I love has abandoned my organisation. WikiLeaks is an Australian organisation and an Australian success story and yet the Australian Government has done nothing to defend us. Quite the contrary. It has slandered us in public during a time when we face significant risks.
For me personally, it is difficult and in some cases impossible to see my family and friends. I have been unable to be with them in recent moments of family grief.
I want nothing more than to do my work in peace. I began my career as someone who understood the importance of exposing corruption and wrong doing. I am now a publisher who faces persecution for doing my job. It is the duty of publishers to fearlessly publish the truth and the duty of all good citizens to defend their right to do so.
It is time for Australia to embrace a different path: to reject campaigns of harassment and intimidation against publishers, journalists and whistleblowers. We must demand that our government abandon efforts to impose a surveillance state on its citizens. We deserve a government that protects its citizens no matter whom they have offended or embarrassed. We have the opportunity to build a democracy that welcomes transparency and the more just, humane and responsive government that it brings.
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♪♫ Television - Foxhole (OGWT 1978)
For those interested in old/rare Television/Tom V. articles, Youtoober Bobjb999 has created a link to a file of scans of approx. 60 articles/interviews (most contain interview content):
http://www.4shared.com/zip/p6aGwLm6/Tom_Verlaine_Television_etc_Ar.html
Collected between 1978 & 1990, & the articles date from '74 to '90. The Wonder fan site has an excellent articles collection (mostly text files), but many of these articles aren't yet available there. Also, here's a link to a file of scans of 'The Night', a poetry book(let) by Tom Verlaine & Patti Smith, published 1976. The book was called The Night reportedly at least partly 'cause Tom & Patti wrote all the poems in one night. Even numbered poems are by Tom, odd numbered by Patti. Patti consciously relates the book to French poet Arthur Rimbaud and from memory the font used was the same as an early Rimbaud book. My thanx to friend of Exile Kaggsy who scanned her copy for me a while ago as I had long lost mine.
http://www.4shared.com/zip/eM4vfO6L/The_Night_Tom_Verlaine__Patti_.html
Now if anyone can hook me up with a complete copy of this tape or Richard Hell's article about David Johansen from Hit Parader from about 1975 which from memory was nothing less than Hell's rock'n'roll manifesto.
http://www.4shared.com/zip/p6aGwLm6/Tom_Verlaine_Television_etc_Ar.html
Collected between 1978 & 1990, & the articles date from '74 to '90. The Wonder fan site has an excellent articles collection (mostly text files), but many of these articles aren't yet available there. Also, here's a link to a file of scans of 'The Night', a poetry book(let) by Tom Verlaine & Patti Smith, published 1976. The book was called The Night reportedly at least partly 'cause Tom & Patti wrote all the poems in one night. Even numbered poems are by Tom, odd numbered by Patti. Patti consciously relates the book to French poet Arthur Rimbaud and from memory the font used was the same as an early Rimbaud book. My thanx to friend of Exile Kaggsy who scanned her copy for me a while ago as I had long lost mine.
http://www.4shared.com/zip/eM4vfO6L/The_Night_Tom_Verlaine__Patti_.html
Now if anyone can hook me up with a complete copy of this tape or Richard Hell's article about David Johansen from Hit Parader from about 1975 which from memory was nothing less than Hell's rock'n'roll manifesto.
Richard Hell & Patty Oldenberg (c.1970)
Patty met Richard and “Tommy Miller,” the future Tom Verlaine at the artist’s bar, St. Adrian’s at the Broadway Central Hotel in early 1969. Richard was 19, Patty was about to turn 35, and they were soon living together. It was an important time and an important relationship for both. Richard has written: “The two and a half years from early 1969 through summer/fall 1971 that began when I met Patty and ended with the composition of Wanna Go Out? (a set of collaborative poems written by Tom [Verlaine] and me in the persona of a despairing, faux-vicious hooker named Theresa Stern) were probably my most formative.” Patty and Richard continue to be friends in regular contact with one another.
Via
Richard Hell, Genesis: Grasp, and the Blank Generation: From Poetry to Punk in New York’s Lower East Side
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