Thursday, 6 October 2011
Fuxake!!!
WikiLeaks tweeting Job's alleged medical records (with the caveat that they may be a forgery) allegedly showing Job's was HIV positive is really the MOST fugn stupid thing that Assange could have done.
FontShop FontShop
Thank you Steve Jobs, for all you did in your time on earth toward promoting good design to the masses.
Thank you Steve Jobs, for all you did in your time on earth toward promoting good design to the masses.
OneNakedApe .
Apparently there are 1.78 deaths per second in the world. Some are more meaningful than others bit.ly/7pFtr
Apparently there are 1.78 deaths per second in the world. Some are more meaningful than others bit.ly/7pFtr
Please don't bring back Herbert Marcuse
As an almost soixante-huitard, I predict that the Occupy Wall Street crowd will soon rediscover Herbert Marcuse and return him to guruhood. His 1968 postscript to his 1965 essay on "repressive tolerance" will no doubt be the first to return to vogue.
UPDATE:
An email arrives from my friend the Wall Street lawyer:
UNDER the conditions prevailing in this country, tolerance does not, and cannot, fulfill the civilizing function attributed to it by the liberal protagonists of democracy, namely, protection of dissent. The progressive historical force of tolerance lies in its extension to those modes and forms of dissent which are not committed to the status quo of society, and not confined to the institutional framework of the established society. Consequently, the idea of tolerance implies the necessity, for the dissenting group or individuals, to become illegitimate if and when the established legitimacy prevents and counteracts the development of dissent. This would be the case not only in a totalitarian society, under a dictatorship, in one-party states, but also in a democracy (representative, parliamentary, or 'direct') where the majority does not result from the development of independent thought and opinion but rather from the monopolistic or oligopolistic administration of public opinion, without terror and (normally) without censorship. In such cases, the majority is self-perpetuating while perpetuating the vested interests which made it a majority. In its very structure this majority is 'closed', petrified; it repels a priori any change other than changes within the system. But this means that the majority is no longer justified in claiming the democratic title of the best guardian of the common interest. And such a majority is all but the opposite of Rousseau's 'general will': it is composed, not of individuals who, in their political functions, have made effective 'abstraction' from their private interests, but, on the contrary, of individuals who have effectively identified their private. interests with their political functions. And the representatives of this majority, in ascertaining and executing its will, ascertain and execute the will of the vested interests, which have formed the majority. The ideology of democracy hides its lack of substance.Hard to believe, but as a student I actually had to read such stuff. I suppose I am now myself a cog in the machine upholding the "monopolistic or oligopolistic administration of public opinion".
UPDATE:
An email arrives from my friend the Wall Street lawyer:
You’d think to be taken seriously they would at least loot or destroy something. For historical reference, I think it was Abbie Hoffman who caused a riot on the floor of the NYSE back in the ‘60’s by dumping a basket of dollar bills from the visitors’ gallery. Of course, this is not possible with today’s security, and if you want to throw away money on the exchange you have to do it the old fashioned way (investing in shares).Lexington @'The Economist'
DSG_DSG DeterritorialSupport
A timely word to #Occupywalllst: our struggle is not about Jobs of any kind, it is about the the TOTAL DESTRUCTION of the WAGE-LABOUR THING!
Steve Jobs' 2005 Stanford Commencement Address
Drawing from some of the most pivotal points in his life, Steve Jobs, chief executive officer and co-founder of Apple Computer and of Pixar Animation Studios, urged graduates to pursue their dreams and see the opportunities in life's setbacks -- including death itself -- at the university's 114th Commencement on June 12, 2005.
Transcript of Steve Jobs' address:
http://news-service.stanford.edu/news/2005/june15/jobs-061505.html
Transcript of Steve Jobs' address:
http://news-service.stanford.edu/news/2005/june15/jobs-061505.html
Steve Jobs RIP
We are deeply saddened to announce that Steve Jobs passed away today.
Steve's brilliance, passion and energy were the source of countless innovations that enrich and improve all of our lives. The world is immeasurably better because of Steve.His greatest love was for his wife, Laurene, and his family. Our hearts go out to them and to all who were touched by his extraordinary gifts
- Apple'se statement
Steve's brilliance, passion and energy were the source of countless innovations that enrich and improve all of our lives. The world is immeasurably better because of Steve.His greatest love was for his wife, Laurene, and his family. Our hearts go out to them and to all who were touched by his extraordinary gifts
- Apple'se statement
Steve Jobs dead: Apple confirms former CEO loses fight
Occupy Wall Street - Official Demands (UPDATED)
The Sovereign People's Movement, represented nationally through the people occupying the various Liberty Square locations across this great country, have laid out and democratically submitted and are currently voting on the list of following Demands to then be distilled into one Unified Common demand of the people.
LIST OF PROPOSED "DEMANDS FOR CONGRESS"
Participate in Democracy and Vote Here to Have Your Voice Heard
LIST OF PROPOSED "DEMANDS FOR CONGRESS"
- CONGRESS PASS HR 1489 ("RETURN TO PRUDENT BANKING ACT" http://www.govtrack.us/congress/bill.xpd?bill=h112-1489 ). THIS REINSTATES MANY PROVISIONS OF THE GLASS-STEAGALL ACT. http://en.wikipedia.org/wiki/Glass–Steagall_Act --- Wiki entry summary: The repeal of provisions of the Glass–Steagall Act of 1933 by the Gramm–Leach–Bliley Act in 1999 effectively removed the separation that previously existed between investment banking which issued securities and commercial banks which accepted deposits. The deregulation also removed conflict of interest prohibitions between investment bankers serving as officers of commercial banks. Most economists believe this repeal directly contributed to the severity of the Financial crisis of 2007–2011 by allowing Wall Street investment banking firms to gamble with their depositors' money that was held in commercial banks owned or created by the investment firms. Here's detail on repeal in 1999 and how it happened: http://en.wikipedia.org/wiki/Glass–Steagall_Act#Repeal .
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Vote Here #1
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- USE CONGRESSIONAL AUTHORITY AND OVERSIGHT TO ENSURE APPROPRIATE FEDERAL AGENCIES FULLY INVESTIGATE AND PROSECUTE THE WALL STREET CRIMINALS who clearly broke the law and helped cause the 2008 financial crisis in the following notable cases: (insert list of the most clear cut criminal actions). There is a pretty broad consensus that there is a clear group of people who got away with millions / billions illegally and haven't been brought to justice. Boy would this be long overdue and cathartic for millions of Americans. It would also be a shot across the bow for the financial industry. If you watch the solidly researched and awared winning documentary film "Inside Job" that was narrated by Matt Damon (pretty brave Matt!) and do other research, it wouldn't take long to develop the list.
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Vote Here #2
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- CONGRESS ENACT LEGISLATION TO PROTECT OUR DEMOCRACY BY REVERSING THE EFFECTS OF THE CITIZENS UNITED SUPREME COURT DECISION which essentially said corporations can spend as much as they want on elections. The result is that corporations can pretty much buy elections. Corporations should be highly limited in ability to contribute to political campaigns no matter what the election and no matter what the form of media. This legislation should also RE-ESTABLISH THE PUBLIC AIRWAVES IN THE U.S. SO THAT POLITICAL CANDIDATES ARE GIVEN EQUAL TIME FOR FREE AT REASONABLE INTERVALS IN DAILY PROGRAMMING DURING CAMPAIGN SEASON. The same should extend to other media.
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Vote Here #3
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- CONGRESS PASS THE BUFFETT RULE ON FAIR TAXATION SO THE RICH AND CORPORATIONS PAY THEIR FAIR SHARE & CLOSE CORPORATE TAX LOOP HOLES AND ENACT A PROHIBITION ON HIDING FUNDS OFF SHORE. No more GE paying zero or negative taxes. Pass the Buffet Rule on fair taxation so the rich pay their fair share. (If we have a really had a good negotiating position and have the place surrounded, we could actually dial up taxes on millionaires, billionaires and corporations even higher...back to what they once were in the 50's and 60's.
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Vote Here #4
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- CONGRESS COMPLETELY REVAMP THE SECURITIES AND EXCHANGE COMMISSION and staff it at all levels with proven professionals who get the job done protecting the integrity of the marketplace so citizens and investors are both protected. This agency needs a large staff and needs to be well-funded. It's currently has a joke of a budget and is run by Wall St. insiders who often leave for high ticket cushy jobs with the corporations they were just regulating. Hmmm.
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Vote Here #5
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- CONGRESS PASS SPECIFIC AND EFFECTIVE LAWS LIMITING THE INFLUENCE OF LOBBYISTS AND ELIMINATING THE PRACTICE OF LOBBYISTS WRITING LEGISLATION THAT ENDS UP ON THE FLOOR OF CONGRESS.
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Vote Here #6
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- CONGRESS PASSING "Revolving Door Legislation" LEGISLATION ELIMINATING THE ABILITY OF FORMER GOVERNMENT REGULATORS GOING TO WORK FOR CORPORATIONS THAT THEY ONCE REGULATED. So, you don't get to work at the FDA for five years playing softball with Pfizer and then go to work for Pfizer making $195,000 a year. While they're at it, Congress should pass specific and effective laws to enforce strict judicial standards of conduct in matters concerning conflicts of interest. So long as judges are culled from the ranks of corporate attorneys the 1% will retain control.
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Vote Here #7
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- ELIMINATE "PERSONHOOD" LEGAL STATUS FOR CORPORATIONS. The film "The Corporation" has a great section on how corporations won "personhood status". http://www.youtube.com/watch?v=8SuUzmqBewg . Fast-forward to 2:20. It'll blow your mind. The 14th amendment was supposed to give equal rights to African Americans. It said you "can't deprive a person of life, liberty or property without due process of law". Corporation lawyers wanted corporations to have more power so they basically said "corporations are people." Amazingly, between 1890 and 1910 there were 307 cases brought before the court under the 14th amendment. 288 of these brought by corporations and only 19 by African Americans. 600,000 people were killed to get rights for people and then judges applied those rights to capital and property while stripping them from people. It's time to set this straight.
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Vote Here #8
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To Vote on All #Revolution Demands - Click Here
The Walkman Museum
Are you wired?
Welcome to Pocket Calculator's Classic Walkman Museum. Our goal here is to provide you with the most complete vintage walkman & portable stereo information source anywhere. As trivial as the subject may be, we realize there's a following out there in search of information on the history, technology and collectibility of personal stereos and walkmans. The museum provides information on the birth and Golden Age (1979-1989) of these devices through photos, information and opinions.
Most of us have no trouble taking this little device for granted, and perhaps that's only indicative of its success. We struggle to name another invention that has reached such ubiquity in such a short period of time. Sadly, this little gadget has fallen into decline in recent years--gone are the days of sharp styling, state-of-the-art engineering in a small, yet feature-laden package. We're left with hackneyed, disposable descendants, most of which are bulkier than those made 15 years earlier...
Welcome to Pocket Calculator's Classic Walkman Museum. Our goal here is to provide you with the most complete vintage walkman & portable stereo information source anywhere. As trivial as the subject may be, we realize there's a following out there in search of information on the history, technology and collectibility of personal stereos and walkmans. The museum provides information on the birth and Golden Age (1979-1989) of these devices through photos, information and opinions.
Most of us have no trouble taking this little device for granted, and perhaps that's only indicative of its success. We struggle to name another invention that has reached such ubiquity in such a short period of time. Sadly, this little gadget has fallen into decline in recent years--gone are the days of sharp styling, state-of-the-art engineering in a small, yet feature-laden package. We're left with hackneyed, disposable descendants, most of which are bulkier than those made 15 years earlier...
Pictured above is the first (and best) Walkman I owned (the Sony TCS-310) bought in 1981 for £100 in a shop in Charlotte Street London W1. I got some great recordings of gigs on this back in the day.
To find your 'cassette tape' (a term just dropped from the Oxford English Dictionary) of choice, go here.
Swans In Concert: ATP Festival 2011
Swans never broke up. The blistering and artful noise-rock band just went away for a while — 13 years, to be exact. From all accounts, every time Swans hit the stage during its harrowing existence, it was like a premonition of End Times.
After several years and other projects, frontman Michael Gira reconvened the band in 2010. It wasn't a reunion, because the resulting new album, My Father Will Guide Me Up a Rope to the Sky, was more like the next step. Live, Gira is not unlike his kindred spirit in Woven Hand, shepherding a swirl of foot-stomping chaos, but in five songs smeared over two hours, Swans was absolutely Wagner-ian in scope. The result was masculine and relentless, yet alluring in every respect.
After several years and other projects, frontman Michael Gira reconvened the band in 2010. It wasn't a reunion, because the resulting new album, My Father Will Guide Me Up a Rope to the Sky, was more like the next step. Live, Gira is not unlike his kindred spirit in Woven Hand, shepherding a swirl of foot-stomping chaos, but in five songs smeared over two hours, Swans was absolutely Wagner-ian in scope. The result was masculine and relentless, yet alluring in every respect.
Ron Carter Trio - Jazz sous Les Pommiers Festival 03.06.2011
Ron Carter - bass
Mulgrew Miller - piano
Bobby Groom - guitar
01:20:00
abumuqawama Andrew Exum
The United States complaining about other countries vetoing popular resolutions on the Middle East before the UNSC is ... well, rich.
JPBarlow John Perry Barlow #BoycottWallStreet It's time to give serious thought to creating peer-to-peer banking systems.
Occupy Wall Street Ignored?
Often at the receiving end of US criticism over censorship, China’s media is no doubt delighted to have the chance to be able to turn the tables on the United States.
For the past few weeks, hundreds of protesters have been demonstrating in New York under the ‘Occupy Wall Street’ banner. The demonstrators have a range of gripes over the state of America – not least the woeful state of the economy and what they argue is a destructive corporate greed that’s choking the prospects of the average worker.
But has the US media been paying attention? The China Daily says not. In an editorial, the paper’s deputy US editor, Chen Weihua, blasts what he says is a ‘shameful’ media blackout.
‘As a journalist, I have wondered why the so-called mainstream US media, which is either headquartered in New York or maintains a strong presence in the city, has chosen to ignore the prolonged demonstration since it started,’ Chen asks. ‘Why have those journalists, who made their names covering various protests around the world, suddenly become silent in reporting the mass rally? That clearly does not match their enthusiasm to cover demonstrations in recent months in places such as North Africa and the Middle East.’
The question, of course, is what the protesters would like to do about all this. In the Arab Spring uprisings there was an obvious impediment to progress towards the demonstrators’ goals, an impediment that could ultimately be removed – dictatorial regimes. In much of the Middle East and North Africa there is no election safety valve, leaving the protesters little choice. In the US case, the safety valve can be turned on next year. Yet while the removal of the Obama administration might satisfy some, it seems unlikely that many of those occupying Wall Street would view a Republican administration as the answer to their prayers.
In the meantime, as demonstrators grapple with such issues, Chen might be relieved to know that the media here in the United States has certainly ramped up coverage in the past day or two (although whether it’s enough will likely depend on the degree of sympathy you have for the protesters’ demands).
CBS News ran an opinion piece today on why ‘Occupy Wall Street’ captures the current moment, while New York magazine is one of a number of publications noting that the movement is ‘set to take the show on the road.’ On its website today, though, the New York Times keeps its coverage relatively low key, with the story only just making the top half a dozen main US stories of the day on its website.
Still, if demonstrators pull off many more stunts like the swarming of the Brooklyn Bridge at the weekend, they will be hard for any paper to side-line.
Jason Miks @'The Diplomat'
For the past few weeks, hundreds of protesters have been demonstrating in New York under the ‘Occupy Wall Street’ banner. The demonstrators have a range of gripes over the state of America – not least the woeful state of the economy and what they argue is a destructive corporate greed that’s choking the prospects of the average worker.
But has the US media been paying attention? The China Daily says not. In an editorial, the paper’s deputy US editor, Chen Weihua, blasts what he says is a ‘shameful’ media blackout.
‘As a journalist, I have wondered why the so-called mainstream US media, which is either headquartered in New York or maintains a strong presence in the city, has chosen to ignore the prolonged demonstration since it started,’ Chen asks. ‘Why have those journalists, who made their names covering various protests around the world, suddenly become silent in reporting the mass rally? That clearly does not match their enthusiasm to cover demonstrations in recent months in places such as North Africa and the Middle East.’
Chen isn’t alone in sympathizing with the protesters’ plight. Financier George Soros has said he understands the growing frustration over the way the big banks have been bailed out. ‘The decision not to inject capital into the banks, but to effectively relieve them of their bad assets and then allow them to earn their way out of a hole leaves the banks bumper profits and then allows them to pay bumper bonuses,’ the BBC quoted Soros as saying.
Critics of the group have said that the protesters’ demands are unclear and unformed, a criticism that Chen dismisses.
‘I am not sure if they are all left-leaning, but a schedule I saw did include sessions on the Communist Manifesto and Spanish Revolution,’ Chen says. ‘Still, that does not justify a blackout imposed by the major news media outlets on such a prolonged protest.’
‘In fact, the message from the protesters is quite clear. They are against corporate greed and influence in American politics, economy and life. These protesters, who call themselves “The 99 Percent,” are angry about the huge amount of wealth collected by the top 1 percent of the population.’The question, of course, is what the protesters would like to do about all this. In the Arab Spring uprisings there was an obvious impediment to progress towards the demonstrators’ goals, an impediment that could ultimately be removed – dictatorial regimes. In much of the Middle East and North Africa there is no election safety valve, leaving the protesters little choice. In the US case, the safety valve can be turned on next year. Yet while the removal of the Obama administration might satisfy some, it seems unlikely that many of those occupying Wall Street would view a Republican administration as the answer to their prayers.
In the meantime, as demonstrators grapple with such issues, Chen might be relieved to know that the media here in the United States has certainly ramped up coverage in the past day or two (although whether it’s enough will likely depend on the degree of sympathy you have for the protesters’ demands).
CBS News ran an opinion piece today on why ‘Occupy Wall Street’ captures the current moment, while New York magazine is one of a number of publications noting that the movement is ‘set to take the show on the road.’ On its website today, though, the New York Times keeps its coverage relatively low key, with the story only just making the top half a dozen main US stories of the day on its website.
Still, if demonstrators pull off many more stunts like the swarming of the Brooklyn Bridge at the weekend, they will be hard for any paper to side-line.
Jason Miks @'The Diplomat'
Primal Scream statement on Tory use of their music
"Primal Scream are totally disgusted that The Home Secretary Theresa May ended her speech at the Tory party conference with our song 'Rocks".
How inappropriate. Didn't they research the political history of our band?
Hasn't she listened to the words? Does she even know what getting your rocks off means? No. She is a Tory; how could she?
Primal Scream are totally opposed to the coalition government, Cameron, Osborne, Gove, Howard, Clegg etc. They are legalised bullies passing new laws to ensure the wealthy stay wealthy, taking the side of big business while eradicating workers rights and continuing their attacks on young people, single parents and o.a.p.'s by slashing education and social security budgets,, in effect persecuting the poor for being poor.
We would like to distance ourselves from this sick association.
The Tories are waging a war on the disenfranchised, They are the enemy.
Primal Scream"
UPDATE:
OOPS! She actually used 'Bohemian Like You'!!!
Australian Songwriter Paul Kelly Sings the Hits, from A to Z
A stood for "Adelaide," singer-songwriter Paul Kelly's ode to his hometown in Australia, and "Anastasia Changes Her Mind." The B's included the wry warning "Be Careful What You Pray For" and "Before Too Long," one of Kelly's best early songs, from his 1986 Australian double album, Gossip. And the D's ran the range from "Deeper Water," with its opening memory of Kelly's dad teaching him how to swim, to the rock-bottom account "Dumb Things." The latter was originally cut as seething electric garage for 1988's Under the Sun. But at Rockwood Music Hall in New York on September 26th, Kelly played it as solo self-recrimination – "I lost my shirt/I pawned my rings/I've done all the dumb things" – with his nephew, singer-guitarist Dan Kelly, adding amp jangle and plaintive harmonies.
This show, the first of two at Rockwood and the end of a brief U.S. visit, was "the speed-dial version," as Paul put it, of From A-Z, a live alphabetical retrospective of Kelly's life's work as Australia's Bob Dylan and Elvis Costello combined, in narrative candor, trap-door wit and devotion to rock's country, folk and blues roots. Kelly was already a welcome alternative in the New Wave Eighties to the Joe Jackson-Graham Parker model – less acidic, with strong local color in his tales – with his band Paul Kelly and the Dots and on his 1985 solo debut, Post, which included one of this show's F's: the homesick ballad "From St. Kilda to Kings Cross."
All of His Best, Up to L
There is no evening long enough to cover the best of Kelly. Tonight he only made it to L, with M-Z promised for the second Rockwood show. Even that's not enough: Kelly usually does From A-Z as a four-gig stand. (He will be back in the U.S. next year and plans more full-length engagements.) But even in this hastened form, Kelly's storytelling – framed by pithy guitar hooks, with a grainy conversational magnetism in his singing – revealed his unique spin on a world of echoes: Hank Williams, Willie Dixon, Paul Simon, Lou Reed. Before performing 1989's "Everything's Turned White," Kelly acknowledged his debt to Raymond Carver's short story "So Much Water, So Close to Home" (Kelly used that title in his chorus). And Kelly explained how the lesson of Irving Berlin's "White Christmas" – how to write a holiday classic about absence and missing – inspired "How to Make Gravy," a tender letter from a jailbird who won't be home for the family feast.
Much of what Kelly played at Rockwood is on the two-CD set, Greatest Hits: Songs From the South Volumes 1 & 2 (Gawd Aggie) a previous Australian release out here on October 25th. The A-Z Recordings (Gawd Aggie) is an 8-CD anthology, released in Oz last year, of live recordings from Kelly's alphabet shows over the past half-dozen years. And Kelly's 2010 autobiography, How to Make Gravy: A-Z, A Mongrel Memoir (Penguin Global), is his engaging way with a stage anecdote gone long. The book is especially strong on how and why the songs get written, like the riff analysis in Keith Richards' Life minus the knives and rock-pirate action. (The A-Z Recordings and How to Make Gravy are available at Amazon.)
Leaps and Bounds
Missing from the D's at Rockwood was "Darling It Hurts," a Sixties-beat dynamo from Gossip with its chorus pun on Darlinghurst, a Sydney neighborhood. But representing L, E and F were the exuberant "Leaps and Bounds," the hilariously despairing "Every Fucking City" and a succinct example of Kelly's ingenuity with opposites, "From Little Things Big Things Grow," from 1991's Comedy. The melody is a lullabye, the rhythm is a waltz. But the subject is moral strength: an aboriginal man who fought an entire government for the return of ancestral lands – and won.
There was also a new song, so new Kelly hasn't formally cut it yet (although there's a live version in the A-Z box). "I Keep Coming Back for More" was a dark bluesy thing about good intentions, punishing returns and a stubborn hope for just reward. Those are endless subjects, and they are already in a lot of Kelly's songs. But he hasn't run out of compelling variations – or letters.
David Fricke @'Rolling Stone'
This show, the first of two at Rockwood and the end of a brief U.S. visit, was "the speed-dial version," as Paul put it, of From A-Z, a live alphabetical retrospective of Kelly's life's work as Australia's Bob Dylan and Elvis Costello combined, in narrative candor, trap-door wit and devotion to rock's country, folk and blues roots. Kelly was already a welcome alternative in the New Wave Eighties to the Joe Jackson-Graham Parker model – less acidic, with strong local color in his tales – with his band Paul Kelly and the Dots and on his 1985 solo debut, Post, which included one of this show's F's: the homesick ballad "From St. Kilda to Kings Cross."
All of His Best, Up to L
There is no evening long enough to cover the best of Kelly. Tonight he only made it to L, with M-Z promised for the second Rockwood show. Even that's not enough: Kelly usually does From A-Z as a four-gig stand. (He will be back in the U.S. next year and plans more full-length engagements.) But even in this hastened form, Kelly's storytelling – framed by pithy guitar hooks, with a grainy conversational magnetism in his singing – revealed his unique spin on a world of echoes: Hank Williams, Willie Dixon, Paul Simon, Lou Reed. Before performing 1989's "Everything's Turned White," Kelly acknowledged his debt to Raymond Carver's short story "So Much Water, So Close to Home" (Kelly used that title in his chorus). And Kelly explained how the lesson of Irving Berlin's "White Christmas" – how to write a holiday classic about absence and missing – inspired "How to Make Gravy," a tender letter from a jailbird who won't be home for the family feast.
Much of what Kelly played at Rockwood is on the two-CD set, Greatest Hits: Songs From the South Volumes 1 & 2 (Gawd Aggie) a previous Australian release out here on October 25th. The A-Z Recordings (Gawd Aggie) is an 8-CD anthology, released in Oz last year, of live recordings from Kelly's alphabet shows over the past half-dozen years. And Kelly's 2010 autobiography, How to Make Gravy: A-Z, A Mongrel Memoir (Penguin Global), is his engaging way with a stage anecdote gone long. The book is especially strong on how and why the songs get written, like the riff analysis in Keith Richards' Life minus the knives and rock-pirate action. (The A-Z Recordings and How to Make Gravy are available at Amazon.)
Leaps and Bounds
Missing from the D's at Rockwood was "Darling It Hurts," a Sixties-beat dynamo from Gossip with its chorus pun on Darlinghurst, a Sydney neighborhood. But representing L, E and F were the exuberant "Leaps and Bounds," the hilariously despairing "Every Fucking City" and a succinct example of Kelly's ingenuity with opposites, "From Little Things Big Things Grow," from 1991's Comedy. The melody is a lullabye, the rhythm is a waltz. But the subject is moral strength: an aboriginal man who fought an entire government for the return of ancestral lands – and won.
There was also a new song, so new Kelly hasn't formally cut it yet (although there's a live version in the A-Z box). "I Keep Coming Back for More" was a dark bluesy thing about good intentions, punishing returns and a stubborn hope for just reward. Those are endless subjects, and they are already in a lot of Kelly's songs. But he hasn't run out of compelling variations – or letters.
David Fricke @'Rolling Stone'
The most influential graphic arts blog of late-1920s Tokyo: Gendai Shogyo Bijutsu Zenshu
Over the past five years or so, a loose cadre of visual data miners at blogs including BibliOdyssey, 50 Watts, but does it float, Accidental Mysteries, Agence Eureka, and La Boite Verte (to name but a few) have collectively developed an on-line pictorial archive of inestimable value to artists and graphic designers who wish to renew their powers in the streams of history...
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