Dale Farm: Evictions 'can go ahead' but injunction remains

Mark Stewart & The Maffia Live (30.10.2005 Flex, Vienna)

The Origins Of Synthetic Weed

Brian Eno: Success ruins artists

Brian Eno is widely considered one of the great contemporary composers and music producers, famously for his work with U2 and Coldplay, but perhaps most influentially with David Bowie and the Talking Heads. He began his career in 1971, in his early 20s, as a member of the band Roxy Music, then left to make music on his own, including such albums as “Another Green World,” “Music for Airports” and with David Byrne, “My Life in the Bush of Ghosts,” a landmark in the history of sampling.
His fascination with musical technologies and artistic systems led him to popularize the Koan algorithmic music generator, and, with Peter Schmidt, to develop the “Oblique Strategies” deck of cards, an intervention into the artistic process. His music is heard, unknowingly, by millions of people every day: he created the start-up sound of the Microsoft Windows 95 operating software. He is a founder of the Long Now Foundation, whose mandate is to educate the public into thinking about the distant future. “Drums Between the Bells” is his latest release.
David Mitchell, born in 1969, is the acclaimed, award-winning author of the novels “Ghostwritten” (1999), “Number9Dream” (2001), “Cloud Atlas” (2004) — the latter two shortlisted for the Man Booker Prize — “Black Swan Green” (2006), and “The Thousand Autumns of Jacob de Zoet” (2010). Granta selected him as one of the best young British novelists, and he was named one of the 100 most influential people in the world by Time magazine, which credited him with having “created the 21st century novel.” Mitchell was raised in England, spent many years teaching and writing in Japan, and presently lives in Ireland with his wife and their two children.
Mitchell and Eno were fans and admirers of each other before the idea for this conversation came about, and spoke for the first time over email. David Mitchell asked questions, and Brian Eno provided answers.
I. NO SONG, NO BEAT,
NO MELODY, NO MOVEMENT
Do you agree that no new genre is ever invented, but rather hybridized from something that was there before? That infallible source Wikipedia credits you with coining the phrase ambient music. If that’s so, from what was ambient music cross-pollinated?
Yes, nothing starts from nowhere. My version of ambient was the coalescence of lots of different streams. Some of them were musical, others not. The musical threads I picked up would include Satie, of course, but also the early experiments of Steve Reich, Terry Riley and the other minimalist composers of the late ’60s — all of whom were looking at music as a “steady state” rather than a narrative experience. Also, I would have to add that it was the slow movements of classical works that appealed to me most — the parts where less was happening.
But really, the idea arose out of the new possibilities of the medium of recording. I listened with interest to the work of producers like Phil Spector and Joe Meek and George Martin because I realized that they were doing things with music that could be described as sound painting. For me, trained as a painter, this was exciting: Music was being made like paintings were made, adding and subtracting, manipulating colors, built up over a period of time rather than performed in one sitting. Separated from performance, recorded sound had become a malleable material, like paint or clay. And the results of this process were pointing toward a type of music that was less linear and more immersive: music you lived inside.
The technologies of this manipulation were what I came to specialize in, and they multiply every week, so quite a lot of my time is spent playing with new technology to see what it can do that could never be done before.
What does Doctor Pangloss have to say about how 21st-century human ingenuity is being channeled into inventing juicy gizmos like the iPad, instead of preparing for a world without oil, which, if even conservative estimates are correct, will be upon us by the time my daughter is in her late 20s?
The hope is that some of these gizmos become the tools by which we make those preparations. It’s a worry: Are we entertaining ourselves to death, or are we actually learning new ways of coping? Only time will tell.
One of my favorite definitions of time is that time is what stops everything happening at once. I wonder if music is what stops noise happening all at once?
I think much of your music — like on the albums “Music for Airports,” “Apollo,” “Discreet Music,” “The Pearl” — is ideal writing music. It can kick-start a good writing session, and then, if your mind wanders back to the here and now, your music sends it back to work, but these four albums never obtrude or nag or distract. I wonder if there’s a “Man From Porlock” spectrum on which all music can be placed with, say, Ian Dury at the Porlock end — which is impossible to work to, where listening is compulsory — and much of your work toward the non-Porlock end?
I remember an early review of one of my ambient records saying something like, “No song, no beat, no melody, no movement” — and they weren’t being complimentary. But I think they were accurate, because this is a music of texture and sonic sensuality more than it is any of those things they were alluding to. I’m sure when the first abstract paintings appeared, people said, “No figure, no structure,” etc … The point about melody and beat and lyric is that they exist to engage you in a very particular way. They want to occupy your attention.
I wanted to hear a music that could create an atmosphere that would support your attention but still let you decide where it was directed.
I think I got to this place by noticing what I wanted from music in my own life. Of course I wanted the high-focus, exclusive, pure-Porlock stuff like the Velvet Underground and Shostakovich — but I also wanted a music that simply “tinted” the air around me. Problem was, there wasn’t much of that kind, and what there was all had something wrong with it from my point of view — classical was too stiff and carried the baggage of people sawing away at violins; jazz had too much personality; Muzak was unbearably oversweet.
By the early ’70s, a few friends and I were exchanging cassettes we’d compiled from our record collections — long sequences of “mono-mood” music that were intended to create and maintain a feeling for a long time. Remember that records at this time were compiled on the assumption that nobody could possibly want to spend more than four minutes in the same feeling, so you’d get a fast track and then a ballad and then a dance number, and most classical music was similar: allegro, andante, largo. All of this was based on the idea that music was an ephemeral form — which it used to be, before recording — and that you’d therefore be after an adventure, a narrative.
With recording, everything changed. The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture. It’s an idea that many composers have felt reluctant about because it seemed to them to diminish the importance of music. But my feeling is that it just widens the possibilities: It doesn’t prevent anyone from writing difficult and engaging, high-Porlock music if that’s what they want to do, and I’ve always tried to make it clear where I felt any particular piece of my own work rested on that widened spectrum. I came up with the word “ambient” to suggest that here was a kind of music that rewarded a different sort of listening behavior, but the term certainly isn’t meant to cover everything I do.
I notice that a lot of pop music now is much further toward the non-Porlock end than it used to be. Bands like Portishead and the Cocteau Twins started it (well, I suppose I did, too, but they made it successful). Now there are countless bands that have a sort of ambient-pop sound, where the vocals are partly buried, the instruments are swathed in echo, and the rhythm instruments are softer and more distant.
Perhaps when music has been shouting for so long, a quieter voice seems attractive...

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@'Salon'

EFA, Pirate Party slam film industry lawsuit “extortion”

Audio Palimpest

Audio Palimpsest (2010) is an interactive sound-based installation that explores applications of indeterminacy and randomness in an interactive platform. The piece is based on a hacked cassette recorder, where the device functionalities are reconfigured to work in a different context. Audio Palimpsest is an auditory art system that allows multi-point interaction by synthesizing data inputs collectively and emphasizing the thought of open-endedness in its execution -- opening up content generation to sources beyond the traditional expectations.
Via 
Such a good word 'palimpest'...

Arctic ozone loss at record level

Ozone loss over the Arctic this year was so severe that for the first time it could be called an "ozone hole" like the Antarctic one, scientists report.

About 20km (13 miles) above the ground, 80% of the ozone was lost, they say.
The cause was an unusually long spell of cold weather at altitude. In cold conditions, the chlorine chemicals that destroy ozone are at their most active.
It is currently impossible to predict if such losses will occur again, the team writes in the journal Nature.
Early data on the scale of Arctic ozone destruction were released in April, but the Nature paper is the first that has fully analysed the data.
"Winter in the Arctic stratosphere is highly variable - some are warm, some are cold," said Michelle Santee from Nasa's Jet Propulsion Laboratory (JPL).
"But over the last few decades, the winters that are cold have been getting colder.

"So given that trend and the high variability, we'd anticipate that we'll have other cold ones, and if that happens while chlorine levels are high, we'd anticipate that we'd have severe ozone loss."

Ozone-destroying chemicals originate in substances such as chlorofluorocarbons (CFCs) that came into use late last century in appliances including refrigerators and fire extinguishers.
Their destructive effects were first documented in the Antarctic, which now sees severe ozone depletion in each of its winters.
Their use was progressively restricted and then eliminated by the 1987 Montreal Protocol and its successors.
The ozone layer blocks ultraviolet-B rays from the Sun, which can cause skin cancer and other medical conditions.
Longer, not colder Winter temperatures in the Arctic stratosphere do not generally fall as low as at the southern end of the world.
No records for low temperature were set this year, but the air remained at its coldest for an unusually long period of time, and covered an unusually large area.
In addition, the polar vortex was stronger than usual. Here, winds circulate around the edge of the Arctic region, somewhat isolating it from the main world weather systems.
"Why [all this] occurred will take years of detailed study," said Dr Santee.
"It was continuously cold from December through April, and that has never happened before in the Arctic in the instrumental record."
The size and position of the ozone hole changed over time, as the vortex moved northwards or southwards over different regions.
Some monitoring stations in northern Europe and Russia recorded enhanced levels of ultraviolet-B penetration, though it is not clear that this posed any risk to human health.
While the Arctic was setting records, the Antarctic ozone hole is relatively stable from year to year.
This year has seen ozone-depleting conditions extending a little later into the southern hemisphere spring than usual - again, as a result of unusual weather conditions.
Chlorine compounds persist for decades in the upper atmosphere, meaning that it will probably be mid-century before the ozone layer is restored to its pre-industrial health.
Richard Black @'BBC'

Americans Raid Byways of Haqqani Insurgents in Afghanistan

Gone but Not Forgotten

Al-Qaeda Claims al-Awlaki is Still Alive

As the U.S government is relishing its victory over al-Qaeda with the alleged death of several of the group's top leaders, amongst whom well-known cleric and mastermind in al-Qaeda in Yemen, Anwar al-Awlaki; the terror group has announced that the allegations were false and that al-Awlaki was still very
alive.
Only a few days, the Yemeni and American government bi-laterally announced to the world that they had killed U.S most wanted terrorist in an airstrike in al-Jawf province in Yemen, north of its capital Sana'a.
Allegedly, al-Awlaki was traveling in a 3 car-convoy when he was struck from the air, leaving him and 3 of his companions dead.
Soon after the announcement of al-Awlaki's death, U.S intelligence officials declared that they believed the bomb maker Ibrahim al-Asiri and Samir Khan, the group' English magazine co-editor, had as well been killed in the attack.
As is happens, al-Qaeda in Yemen is now claiming that both al-Awlaki and al-Asiri are still alive and were in fact nowhere near the explosion.
Since the Yemeni government claimed once already having successfully eliminated the infamous cleric, to be later proven wrong when the man issued a televised statement, doubt has been cast upon the veracity of the American-Yemeni's declarations of victory.
@'Yemen Post'

McKenzie Wark on Occupy Wall Street: 'How to Occupy an Abstraction'

The occupation isn't actually on Wall Street, of course. And while there is actually a street called Wall Street in downtown Manhattan, “Wall Street” is more of a concept, an abstraction. So what the occupation is doing is taking over a little (quasi) public square in the general vicinity of Wall Street in the financial district and turning it into something like an allegory. Against the abstraction of Wall Street, it proposes another, perhaps no less abstract story.
The abstraction that is Wall Street already has a double aspect. On the one hand, Wall Street means a certain kind of power, an oligopoly of financial institutions which extract a rent from the rest of us and in exchange for which we don't seem to get very much. “What's good for General Motors is good for America” was the slogan of the old military industrial complex. These days the slogan of the rentier class is: “What's good for Goldman Sachs is none of your fucking business.”
This rentier class is an oligopoly that makes French aristocrats of the 18^th century look like serious, well organized administrators. If the rhetoric of their political mouthpieces is to be believed, this rentier class are such hot house flowers that they won't get out of bed in the morning for less than a thousand dollars a day, and their constitutions are so sensitive that if anyone says anything bad about them they will take their money and sulk in the corner. They have, to cap it all, so mismanaged their own affairs that vast tracts of public money were required to keep them in business.
The abstraction that is Wall Street also stands for something else, for an inhuman kind of power, which one can imagine running beneath one's feet throughout the financial district. Let's call this power the vectoral. It's the combination of fiber optic cables and massive amounts of computer power. Some vast proportion of the money in circulation around the planet is being automatically traded even as you read this. Engineers are now seriously thinking about trading at the speed of light. Wall Street in this abstract sense means our new robot overlords, only they didn't come from outer space.
How can you occupy an abstraction? Perhaps only with another abstraction. Occupy Wall Street took over a more or less public park nestled in the downtown landscape of tower blocks, not too far from the old World Trade Center site, and set up camp. It is an occupation which, almost uniquely, does not have demands. It has at its core a suggestion: what if people came together and found a way to structure a conversation which might come up with a better way to run the world? Could they do any worse than the way it is run by the combined efforts of Wall Street as rentier class and Wall Street as computerized vectors trading intangible assets..?

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@'Verso'

Thomas Pavitte: Michael Jackson Dot-to-Dot transformation

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charltonbrooker Charlie Brooker 
Dear angry motorists: you are hilarious. Go drive your fuming tin cans up your own arses. At 80mph.

The 80mph speed limit is a waste of time

Koch Brothers Flout Law With Secret Iran Sales

Jimi Hendrix on the Dick Cavett Show (1969)

Marine at #OccupyWallStreet: "This is the 2nd time I've fought for my country, but it's the first time I've known my enemy"

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Occupy Everything

October 1, 2011. Day 14. 700+ protestors are arrested after thousands march from Liberty Plaza to the Brooklyn Bridge.
Filmed by Kristopher Rae
Edited by Kristopher Rae & Nicky Eyebrows
Music "The Youth" - MGMT

We are the 99 per cent

Occupy Wall Street protesters gathered on Brooklyn bridge. Photograph: Jessica Rinaldi/Reuters
I have spent the last two days at the Occupy Wall Street gathering. It was a beautiful display of peaceful action: so much kindness and gentleness in the camp, so much belief in our world and democracy. And so many different kinds of people all looking for a chance at the dream that America had promised them.
When people critique this movement and say spurious things about the protesters' clothes or their jobs or the general way they look, they are showing how shallow we have become as a nation. They forget that these people have taken time out of their lives to stand up for values that are purely American and in the interest of our democracy. They forget that these people are encamped in an urban park, where they are not allowed to have tents or other normal camping gear. They are living far outside their comfort zone to protect and celebrate liberty, equality and the rule of law.
It is a thing of beauty to see so many people in love with the ideal of democracy, so alive with its promise, so committed to its continuity in the face of crony capitalism and corporate rule. That should be celebrated. It should be respected and admired.
Their message is very clear and simple: get money out of the political process; strive for equality in taxation and equal rights for all regardless of race, gender, social status, sexual preference or age. We must stop poisoning our food, air and water for corporate greed. The people on Wall Street and in the banking industrial complex that destroyed our economy must be investigated and brought to justice under the law for what they have done by stealing people's homes and savings.
Jobs can and must be created. Family farms must be saved. The oil and gas industry must be divested of its political power and cheap, reliable alternative energy must be made available.
This movement transcends political affiliations. America has been debased and degraded by greed. This has touched 99% of America's population. The other 1% is doing just fine – with more than a third of the wealth of this nation. We all know people who have been hurt by the big rip-off. We all know people who have lost their jobs or their homes. We all know people who have had to go and fight wars that seem to have no objective and no end – leaving families for years on end without fathers, mothers, sons and daughters.
The 99% of us have paid a dear price so that 1% could become the wealthiest people in the world. We all pay insanely high energy prices while we see energy companies making record profits, year after year. We live with great injustices in the land of justice. We live with great lawlessness in the land of the law.
It's time to check ourselves, to see if we still have that small part that believes in the values that America promises. Do we still have a shred of our decency intact in the face of debasement? If you do, then now is the time to give that forgotten part a voice. That is what this movement is ultimately about: giving voice to decency and fairness.
I invite anyone and all to participate in this people's movement to regain your dignity and what you have worked for in this capitalist society. Each of us is of great value to the whole. Do not forget your greatness. Even when the world around you is telling you you are nothing. You have a voice. You want a better life for your children and the people you love. You live in a democracy. You belong, and you deserve a world that is fair and equal. You have a right to take your place and be heard.
Show up at an Occupy Wall Street gathering in any major city in the US. Hit your social media outlets. Tweet it. Facebook it. Talk it up. It's easy to do nothing, but your heart breaks a little more every time you do.
Mark Ruffalo @'The Guardian'

Drake - Headlines

Putin’s Eye for Power Leads Some in Russia to Ponder Life Abroad

We're Not Broke, Just Twisted: Extreme Wealth Inequality in America

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Social Immobility: Climbing The Economic Ladder Is Harder In The U.S. Than In Most European Countries

The Great American Bubble Machine

The first thing you need to know about Goldman Sachs is that it's everywhere. The world's most powerful investment bank is a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money. In fact, the history of the recent financial crisis, which doubles as a history of the rapid decline and fall of the suddenly swindled dry American empire, reads like a Who's Who of Goldman Sachs graduates.
By now, most of us know the major players. As George Bush's last Treasury secretary, former Goldman CEO Henry Paulson was the architect of the bailout, a suspiciously self-serving plan to funnel trillions of Your Dollars to a handful of his old friends on Wall Street. Robert Rubin, Bill Clinton's former Treasury secretary, spent 26 years at Goldman before becoming chairman of Citigroup — which in turn got a $300 billion taxpayer bailout from Paulson. There's John Thain, the asshole chief of Merrill Lynch who bought an $87,000 area rug for his office as his company was imploding; a former Goldman banker, Thain enjoyed a multi-billion-dollar handout from Paulson, who used billions in taxpayer funds to help Bank of America rescue Thain's sorry company. And Robert Steel, the former Goldmanite head of Wachovia, scored himself and his fellow executives $225 million in golden-parachute payments as his bank was self-destructing. There's Joshua Bolten, Bush's chief of staff during the bailout, and Mark Patterson, the current Treasury chief of staff, who was a Goldman lobbyist just a year ago, and Ed Liddy, the former Goldman director whom Paulson put in charge of bailed-out insurance giant AIG, which forked over $13 billion to Goldman after Liddy came on board. The heads of the Canadian and Italian national banks are Goldman alums, as is the head of the World Bank, the head of the New York Stock Exchange, the last two heads of the Federal Reserve Bank of New York — which, incidentally, is now in charge of overseeing Goldman — not to mention …
But then, any attempt to construct a narrative around all the former Goldmanites in influential positions quickly becomes an absurd and pointless exercise, like trying to make a list of everything. What you need to know is the big picture: If America is circling the drain, Goldman Sachs has found a way to be that drain — an extremely unfortunate loophole in the system of Western democratic capitalism, which never foresaw that in a society governed passively by free markets and free elections, organized greed always defeats disorganized democracy.
The bank's unprecedented reach and power have enabled it to turn all of America into a giant pump-and-dump scam, manipulating whole economic sectors for years at a time, moving the dice game as this or that market collapses, and all the time gorging itself on the unseen costs that are breaking families everywhere — high gas prices, rising consumer credit rates, half-eaten pension funds, mass layoffs, future taxes to pay off bailouts. All that money that you're losing, it's going somewhere, and in both a literal and a figurative sense, Goldman Sachs is where it's going: The bank is a huge, highly sophisticated engine for converting the useful, deployed wealth of society into the least useful, most wasteful and insoluble substance on Earth — pure profit for rich individuals...

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Matt Taibbi @'Rolling Stone'

Cheney praises strike, but seeks apology

Image

Obama: A disaster for civil liberties

Jake Tapper vs. Jay Carney on President Killing U.S. Citizens

Really, stop what you are doing and just watch this. It’s short. Even though you know what the ultimate position is, try to forget that for a minute and listen with fresh ears. This is simply astounding.
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ADR- Solitary Pursuits

Aaron David Ross: Brooklyn Resident, multimedia artist, and one half of Giallo-crusaders Gatekeeper (Merok) is here as ADR for this first full-presentation from Public Information.
Solitary Pursuits: an 8 track mini LP, a burning head-trip into electronic swamplands packed with science-fiction sonics.
Korg portraits in deep Melancholia. Slo-Mo Drexciyan swoon. Analog Echoes of the Arabesque, in heartbreaking miniature. 21C-Frippertronics. Sun-burst boogie splashes. Library Music Rushes.

Apparat - Song of Los (Director's Cut)

The Haqqani network and Pakistan

If I hear about the ‘Haqqani network’ and their collusion with Pakistan one more time I will be very, very upset. That interestingly is exactly what the members of the All-Parties Conference (APC) convened by Prime Minister (PM) Gilani did; they were all very upset, very, very upset and even some might say a little irate. And in their combined opinion the Haqqanis, whoever they might be, have nothing to do with the Pakistan army’s Inter-Services Intelligence Directorate (ISI) and even if they did it was at best a very ‘innocent’ relationship based on occasional roast lamb and chicken pulao parties and some entirely harmless social chitchat. Whenever it comes to the goings on in Afghanistan, all the ‘players’ have different points of view. First is of the US and its allies, including the Afghan government, and that be can summarised as ‘Pakistan bad, ISI bad, Taliban bad, Haqqanis very bad’ and they are all trying their best to make life difficult for the US and President Karzai. After 10 years in Afghanistan, the US has reached the point of exhaustion and wants to get most of its fighting men out as soon as possible. The problem for the US is that it does not want to leave a situation behind where the Taliban take over Kabul and much of Afghanistan soon after the US combat forces withdraw from Afghanistan.
Then there is the point of view of the Pakistanis or at least of the Pakistani ‘establishment’. For those who still wonder who exactly is the ‘establishment’, a look at the APC participants will give them the answer. The beards, the pirs, the Makhdooms, the epaulets and sashes, the Chaudhries, the Maliks, the Mians and the Syeds, the tribal sardars or their representatives and the occasional ‘ordinary’ MQM types were all there. The bureaucrats might not have participated directly but were the ‘event managers’ who prepared the guest list, decided upon the agenda and were responsible for what came out of the meeting. What came out was basically that the US has overstayed its welcome in Afghanistan by almost 10 years, and ‘thank you very much for the money you gave us’ but now please leave and let us do our ‘thing’. However, after a decent interval please do restore your financial aid.
What do the Taliban want? Well, first they would like to kill as many of the foreign ‘infidels’ as possible. While killing all these infidels they would also like to see the US and NATO forces leave as soon as possible so that they can re-establish their emirate in Afghanistan and continue the holy work they were doing when they were so rudely interrupted by the US infidels 10 years ago. Once back in power, they will kill many more infidels of the Muslim sort, and destroy all remnants of ‘modernisation’ once again.
As far as the truth is concerned, truth is always the first casualty of war. So now we have multiple truths pushed by the different participants in this ‘theatre’ of war. But there are some truths that apply to us the ordinary people in Pakistan but for most of us ‘strategic depth’ is a meaningless concept. For us, the real truths that matter are about load shedding, the deteriorating law and order situation, terrorism, galloping food price inflation, the dengue epidemic in Lahore, target killings in Karachi, corruption and a rapidly disappearing sense of hope in our future as a country. Yes, these are our truths and the Haqqani network is definitely one of them...

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Dr Syed Mansoor Hussain @'Pakistan Daily Times'

Dreaded militant hit squad goes rogue in Pakistan

Haqqani network senior commander captured

UK rewrites war crimes law at Israel’s request

:)

(Thanx HerrB!)

The Amy Winehouse Story - A Last Goodbye

Call by UK Government's Home Secretary to scrap the Human Rights Act

Today is the start of the Conservative Party's annual conference in Manchester and the Home Secretary and Minister of State at the Equalities Office, Theresa May, hasn't wasted the chance to say something controversial and of great concern. In the BBC's article Home Secretary Theresa May wants Human Rights Act axed, she says that she wants the existing Human Rights Act 1998 (which puts the protections in the European Convention on Human Rights into UK law) scrapped and replaced with a Bill of Rights. Why?

I'd personally like to see the Human Rights Act go because I think we have had some problems with it.

I see it, here in the Home Office, particularly, the sort of problems we have in being unable to deport people who perhaps are terrorist suspects.

Obviously we've seen it with some foreign criminals who are in the UK.

Trying hard to avoid the obvious conclusion that this is a blatant and shameful attempt to institutionalise and legitimise racism and xenophobia by the state, I have to ask if we're seriously expected to believe we don't already have legislation in place to permit deportation under such circumstances? And that such laws are so lax the only solution is to scrap the HRA?

I can't help but feel that the current administration's continuing swing to the extreme right of the political spectrum is epitomised by this suggestion and I do start to wonder how much the proposal is actually driven by the 'middle England' section of the population who voted for Prime Minister David Cameron and Mrs May in the first place. Certainly, it's difficult not to draw that conclusion when the tabloid newspapers read by middle Englanders - for example, the Daily Mail - routinely publish such scare stories under garish headlines like Terror suspect allowed to stay in Britain 'because deporting him would be unfair on his children' and Sex attacker we can’t deport gets £1,000 a month in handouts (... and, guess what, the father of two says it's his human right to live in Britain). Meanwhile, migrant women continue to be incarcerated in the Yarl's Wood immigration prison - and the ending of child detention has, as UK Indymedia points out, been "skillfully employed by the coalition government to avoid talking about the brutal and inhumane detention regime in general" [via].

Mr Cameron, interviewed on the BBC's Andrew Marr Show, continued this avoidance of talking about these breaches of human rights when he said he wanted to change the "chilling culture" created by the HRA.

He cited an example of a prison van being driven nearly 100 miles to be used to transport a prisoner 200 yards "when he was perfectly happy to walk".

"The Human Rights Act doesn't say that's what you have to do. It's the sort of chilling effect of people thinking 'I will be found guilty under it'."

"The government can do a huge amount to communicate to institutions and individuals let's have some commonsense, let's have some judgment, let's have that applying rather than this over-interpretation of what's there."

This is a variation on the obnoxious "political correctness gone mad" smokescreen so beloved of reactionaries everywhere as an all-purpose way of denying everyone else their fundamental human rights.

Kai Chang deconstructed that particular meme in an essay called The Greatest Cliché: The Unexamined Propaganda of "Political Correctness" (link here) - and it still holds true five years later.

Simply put, the great "PC" cliché, as commonly deployed in mainstream discourse, is cultural propaganda designed to befuddle and misdirect while defending the current power structure. All politics deal with power relations, and [...] there’s a stark asymmetry of power between the defiant megaphone-wielders who complain of being constrained by humorless hypersensitivity from below, and the under-represented people of color, women, LGBT, disabled, poor, and otherwise marginalized or dispossessed people who have no choice but to absorb the linguistic, cultural, and physical barbs of the ruling class.

Mrs May's announcement might seem to be almost cynical in its timing. As Liberty, the organisation campaigning for human rights in the UK, notes, the Bill of Rights Commission public consultation is nearing its closing date.

This consultation asks ‘do we need a UK Bill of Rights?’ - we might be missing something here, but haven’t we already got a modern day Bill of Rights in this country? Yes we have; it’s called the Human Rights Act (and to the consternation of its critics it protects everyone in our country regardless of nationality, race, sex, wealth or the preferences of the powerful).

The public consultation is open until Friday 11th November 2011 so please get writing now. Why not encourage a friend or colleague to respond and double your efforts? To get you started read our six reasons why we don't need a replacement Bill of Rights. [via]

In the words of Liberty Director Shami Chakrabarti:

Modern Conservatives should think again about human rights values that were truly Churchill's legacy.

Only a pretty 'nasty party' would promote human rights in the Middle East whilst scrapping them at home. [via]

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Image via the UK Human Rights Blog

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Cross-posted at Bird of Paradox

Abbas is punished by $200m cut in aid from US

PJ Harvey on The Andrew Marr Show (October 2, 2011)

Thanks Kaggsy!

Understanding Cultural Geography: Places and Traces

Jon Anderson: Understanding Cultural Geography: Places and Traces 

This new and comprehensive book offers a holistic introduction to cultural geography. It integrates the broad range of theories and practices of the discipline by arguing that the essential focus of cultural geography is place. The book builds an accessible and engaging configuration of this important concept through arguing that place should be understood as an ongoing composition of traces.
The book presents specific chapters outlining the history of cultural geography, before and beyond representation, as well as the methods and techniques of doing cultural geography. It investigates the places and traces of corporate capitalism, nationalism, ethnicity, youth culture and the place of the body. Throughout these chapters case study examples will be used to illustrate how these places are taken and made by particular cultures, examples include the Freedom Tower in New York City, the Berlin Wall, the Gaza Strip, Banksy graffiti, and anti-capitalist protest movements. The book discusses the role of power in cultural place-making, as well as the ethical dimensions of doing cultural geography.
Understanding Cultural Geography: Places and Traces offers a broad-based overview of cultural geography, ideal for students being introduced to the discipline through either undergraduate or postgraduate degree courses. The book outlines how the theoretical ideas, empirical foci and methodological techniques of cultural geography illuminate and make sense of the places we inhabit and contribute to. This is a timely synthesis that aims to incorporate a vast knowledge foundation and by doing so it will also prove invaluable for lecturers and academics alike.
HERE

Humanity...

Via

The quote comes from a telegram sent on the 17th May 1967, by the Situationist’s leading the Occupations Committee of the Sorbonne, to the Communist Party of the USSR.

In full the telegram said:
SHAKE IN YOUR SHOES BUREAUCRATS STOP THE INTERNATIONAL POWER OF THE WORKERS’ COUNCILS WILL SOON WIPE YOU OUT STOP HUMANITY WILL NOT BE HAPPY UNTIL THE LAST BUREAU- CRAT IS HUNG WITH THE GUTS OF THE LAST CAPITALIST STOP LONG LIVE THE STRUGGLE OF THE KRONSTADT SAILORS AND OF THE MAKHNOVSCHINA AGAINST TROTSKY AND LENIN STOP LONG LIVE THE 1956 COUNCILIST INSURRECTION OF BUDAPEST STOP DOWN WITH THE STATE STOP

#OccupyWallStreet: There's Something Happening Here, Mr. Jones

:)