Thursday, 22 September 2011

Julian Assange: Statement on the Unauthorised, Secret Publishing of the Julian Assange “autobiography” by Canongate

(Issued by WikiLeaks at 1am)
I have learned today through an article in The Independent that my publisher, Canongate, has secretly distributed an unauthorised 70,000 word first draft of what was going to be my autobiography. According to The Independent, Canongate “enacted a huge security operation to secretly ship books out to thousands of stores nationwide without tipping anyone off as to the content of the book”. It will be in the bookshops tomorrow.I am not “the writer” of this book. I own the copyright of the manuscript, which was written by Andrew O'Hagan. By publishing this draft against my wishes Canongate has acted in breach of contract, in breach of confidence, in breach of my creative rights and in breach of personal assurances. The US publisher, Knopf, withdrew from the deal when it learned of Canongate’s intentions to publish without my consent. This book was meant to be about my life’s struggle for justice through access to knowledge. It has turned into something else. The events surrounding its unauthorised publication by Canongate are not about freedom of information -- they are about old-fashioned opportunism and duplicity--screwing people over to make a buck.
On 20 December 2010, three days after being released from prison and while under house arrest, I signed a contract with Canongate and US publisher Knopf. In it I agreed to authorise a 100,000-150,000 word book - part memoir, part manifesto - in order to fund legal defences and to contribute towards WikiLeaks' operating costs. On the 7th of December 2010 Bank of America, Visa, MasterCard, PayPal, and Western Union folded to US pressure by arbitrarily and unlawfully cutting WikiLeaks off of its financial lifeline. The blockade continues. The European Commission is due to issue its first findings in October. My legal defence fund was similarly targeted and closed.
The draft is published under the title "Julian Assange: The Unauthorised Autobiography" - a contradiction in terms. It is a narrative and literary interpretation of a conversation between the writer and me. Although I admire Mr. O'Hagan's writing, this draft was a work in progress. It is entirely uncorrected or fact-checked by me. The entire book was to be heavily modified, extended and revised, in particular, to take into account the privacy of the individuals mentioned in the book. I have a close friendship with Andrew O'Hagan and he stands by me.
The publisher has not been given a copy of the manuscript by Andrew O’Hagan or me. Rather, as a courtesy they were shown the “manuscript in progress” by Andrew O’Hagan’s researcher, as an act of generosity, and for viewing purposes only – expressly agreed to by Canongate. Canongate physically took the manuscript, kept it, and did not return it to Mr. O’Hagan or me.
Contrary to what The Independent reports, I did not pull the plug on the deal, nor was I unwilling to compromise. Rather, I proposed on 7 June 2011 to cancel the contract as it stood in order to write up a fresh contract with a new deadline. I informed the publishers of this on 7 June 2011, having explained that with the upcoming extradition appeal in the High Court and an ongoing espionage Grand Jury against me in Virginia, I was not in a position to dedicate my full attention to a book that would narrate my personal story and my life's work. On 9 June 2011 I received an email from my agency, PFD, informing me that the US and UK publishers (Knopf and Canongate) were interested in renegotiating the form of the book, and insisting on canceling the contract as it stood: "The primary publishers [Canongate and Knopf] very much like this idea [of changing the book agreed to in the contract into documentary form] and understand that we cannot address this until after 12 July [the first day of the extradition appeal]... Both Jamie [Byng] and Sonny [Mehta, from US publisher Knopf] (who is here at the moment) insisted on cancelling the existing contract." It is this contract, that had been agreed to be cancelled by all parties, that Canongate is basing its actions on.
The initial advance my agent refers to was the first of what should have been three instalments. The advance was paid direct into my former solicitors' (FSI) bank account wholly without my consent. The money sits unspent in FSI's “Julian Assange” client account. FSI has refused to release the money to Canongate as a result of a legal fees dispute (FSI initially agreed to handle my extradition case “pro-bono”, or without fee). The FSI fees have been audited by an independent costs draftsman. The audit shows extreme over-charging. One of the firm’s solicitor’s has resigned, in part to protest the issue. The outcome of this dispute is pending, but a favourable finding would release the entire advance, which has not been touched, back to Canongate and Knopf...

'I am – like all hackers – a little bit autistic'

Magician, Heal Thyself!

THE DEATH PENALTY IN 2010: YEAR END REPORT

The Death of Troy Davis

“To All” – A message from Troy Anthony Davis

September 10, 2011
To All:
I want to thank all of you for your efforts and dedication to Human Rights and Human Kindness, in the past year I have experienced such emotion, joy, sadness and never ending faith. It is because of all of you that I am alive today, as I look at my sister Martina I am marveled by the love she has for me and of course I worry about her and her health, but as she tells me she is the eldest and she will not back down from this fight to save my life and prove to the world that I am innocent of this terrible crime.
As I look at my mail from across the globe, from places I have never ever dreamed I would know about and people speaking languages and expressing cultures and religions I could only hope to one day see first hand. I am humbled by the emotion that fills my heart with overwhelming, overflowing Joy. I can’t even explain the insurgence of emotion I feel when I try to express the strength I draw from you all, it compounds my faith and it shows me yet again that this is not a case about the death penalty, this is not a case about Troy Davis, this is a case about Justice and the Human Spirit to see Justice prevail.
I cannot answer all of your letters but I do read them all, I cannot see you all but I can imagine your faces, I cannot hear you speak but your letters take me to the far reaches of the world, I cannot touch you physically but I feel your warmth everyday I exist.
So Thank you and remember I am in a place where execution can only destroy your physical form but because of my faith in God, my family and all of you I have been spiritually free for some time and no matter what happens in the days, weeks to come, this Movement to end the death penalty, to seek true justice, to expose a system that fails to protect the innocent must be accelerated. There are so many more Troy Davis’. This fight to end the death penalty is not won or lost through me but through our strength to move forward and save every innocent person in captivity around the globe. We need to dismantle this Unjust system city by city, state by state and country by country.
I can’t wait to Stand with you, no matter if that is in physical or spiritual form, I will one day be announcing,
“I AM TROY DAVIS, and I AM FREE!”
Never Stop Fighting for Justice and We will Win!
Via

ThinkProgress 
"I did not personally kill your son, father, brother. I am innocent." -- Troy Davis to victim's family just before execution

Farewell to R.E.M. (until the 2018 reunion tour and album with Bill Berry) Revised discography follows.

Discographies 
R.E.M.: 1 mmbl; 2 mumble; 3 ye olde mumble; 4 Mumble; 5-6 MUMBLE; 7-8 ♫mumble♫; 9-10 m*u&m#b^l@e; 11-12 mumbl; 13-14 "mumble."

#theworldreallyiswatching

Via

Lou Reed/Metallica poster banned from London Underground

♪♫ Brian Eno - Seven Deadly Finns (Dutch TV 1974)

Owen Jones
As Troy Davis faces cruel and unusual punishment, who will take a State Department statement on human rights seriously ever again?

FUXAKE! CNN reporting that Troy Davies is still likely in the execution chamber!!!
The American Prison and the Normalization of Torture

Best Bird Song Ever


(Thanx HerrB for reminding me of this :)
ThinkProgress 
FULL TEXT: Troy Davis' emergency petition to the Supreme Court
Mona Street
Another one, Georgia; watching from Melbourne, Australia.  

Fugn'ell!!!


The Rev. Raphael Warnock, pastor of Ebenezer Baptist Church who has visited Davis in the past, was denied a chance to see the condemned inmate this afternoon.
"We did not get a chance to see Troy," Warnock said. "We reached out to the warden and the [Corrections] commissioner to no avail. We didn't get an explanation [why it was denied]. We wanted to do a pastoral visit, to offer comfort and last rights if you will, to pray. It's another insult to this injustice."
Via

Democracy Now Reporting from Georgia Death Row Vigil for Troy Davis (Livestream)


Even this repugnant motherfugger shouldn't be put to death!
jeremy scahill
If Georgia executes tonight, our whole nation should hang our heads in shame.

Thanks

THANKS PETER, MIKE, BILL, BERTIS AND EVERYONE WHO WAS EVER THERE, WHAT AN ADVENTURE!!!  XXX MICHAEL                      [foto circa…1985 i think]
Via

Michael Stipe Has Great Hair

More of Michael Stipe
(NSFW)

R.E.M. breaks up

Legendary alternative-rock band R.E.M. is calling it quits, according to a statement just posted on their official website.
“To our Fans and Friends: As R.E.M., and as lifelong friends and co-conspirators, we have decided to call it a day as a band. We walk away with a great sense of gratitude, of finality, and of astonishment at all we have accomplished. To anyone who ever felt touched by our music, our deepest thanks for listening.”
Formed in Athens, Georgia in 1980 by singer Michael Stipe, guitarist Peter Buck, bassist Mike Mills, and drummer Bill Berry (who left the band in 1997), R.E.M. was regarded as a pioneer of alternative rock. Following years of underground success in the early and mid-1980s, the band achieved mainstream status in 1987 with the single “The One I Love”. They spent much of the next decade atop the charts thanks to a string smash hit albums, including 1991′s Out of Time, 1992′s Automatic for the People, and 1994′s  Monster. The band continued their dominance into the next century, especially with the release of 2008′s critically acclaimed Accelerate and their most recent LP, 2011′s Collapse Into Now.
Alex Young @'CoS' 

In their own words: The guys share their thoughts on why now.

MIKE
"During our last tour, and while making Collapse Into Now and putting together this greatest hits retrospective, we started asking ourselves, 'what next'? Working through our music and memories from over three decades was a hell of a journey. We realized that these songs seemed to draw a natural line under the last 31 years of our working together.
"We have always been a band in the truest sense of the word. Brothers who truly love, and respect, each other. We feel kind of like pioneers in this--there's no disharmony here, no falling-outs, no lawyers squaring-off. We've made this decision together, amicably and with each other's best interests at heart. The time just feels right."

MICHAEL
"A wise man once said--'the skill in attending a party is knowing when it's time to leave.' We built something extraordinary together. We did this thing. And now we're going to walk away from it.
"I hope our fans realize this wasn't an easy decision; but all things must end, and we wanted to do it right, to do it our way.
"We have to thank all the people who helped us be R.E.M. for these 31 years; our deepest gratitude to those who allowed us to do this. It's been amazing."

PETER
"One of the things that was always so great about being in R.E.M. was the fact that the records and the songs we wrote meant as much to our fans as they did to us. It was, and still is, important to us to do right by you. Being a part of your lives has been an unbelievable gift. Thank you.
"Mike, Michael, Bill, Bertis, and I walk away as great friends. I know I will be seeing them in the future, just as I know I will be seeing everyone who has followed us and supported us through the years. Even if it's only in the vinyl aisle of your local record store, or standing at the back of the club: watching a group of 19 year olds trying to change the world." 
Via

REM: end of an era

J. Edgar (Trailer)

Warner Bros. Pictures has released the trailer for Clint Eastwood's latest biopic "J. Edgar" starring Leonardo DiCaprio, Naomi Watts, Armie Hammer, Judi Dench, Josh Lucas, and Jeffrey Donovan

U.S. assembling secret drone bases in Africa, Arabian Peninsula, officials say

Max Hattler: 1925 aka Hell


1923 aka Heaven + 1925 aka Hell won the Animate OPEN: Digitalis Audience Prize at animateprojects.org in 2011. 1925 aka Hell also won "Best Short Short" at St. Louis International Film Festival in 2010.
1925 aka Hell is one of two animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage. 1925 is based on Lesage's painting 'A symbolic Composition of the Spiritual World' from 1925.
The second loop, 1923 aka Heaven, is based on Lesage's painting 'A symbolic Composition of the Spiritual World' from 1923 and can be found here: vimeo.com/​maxhattler/​1923
The films were created during 5 days in February 2010 with students at The Animation Workshop in Viborg, Denmark.
facebook.com/​maxhattler.artistpage
animwork.dk
maxhattler.com
maxhattler.com/​1923
maxhattler.com/​1925
Director: Max Hattler
Technical Director: Allan Lønskov
Sound: Adrian Dexter
Previz/Layout: Adrian Dexter
Modelling: Adrian Dexter, Allan Lønskov, Casper Wermuth, David Otzen, Jakob Kousholt, Kristoffer Mikkelsen
Animation: Adrian Dexter, Allan Lønskov, Casper Wermuth, David Otzen, Ditte Frandsen
Lighting: David Otzen
Rendering: Adrian Dexter, Allan Lønskov, David Otzen
Produced by maxhattler.com & The Animation Workshop
Year: 2010
Versions:
- 2 min. festival screening version
- forever-looping 1923/1925 double-projection installation ‘Heaven & Hell’ 

Julian Assange autobiography set to be published tomorrow

Matthew Sweet - Acoustic & Live Sampler (Free Download)

Taxes and the Wealthy

Well, sometimes I really do get tired of trying to reason with these people. Are we really back to the line that the rich are sorely oppressed, because their share of tax payments has risen — never mind how much their share of income has risen?
Let’s look at the tax data — the CBO estimates that separate the really rich from the only very rich only go up to 2005, but things probably haven’t changed much since then. And let me present what they say using one technique the Tax Policy Center uses routinely, asking what effect a change in taxes would have on after-tax income, other things equal. Here’s what I get for changes from 1979 to 2005:
Changes in tax rates have strongly favored the very, very rich.
Now, they’re only a fairly small part of the huge growth in the after-tax inequality of income. But tax policy has very much leaned into that growing inequality, not against it — and anyone who says otherwise should not be trusted on this issue, or any other.
Paul Krugman @'NY Times'

Germany bans its biggest neo-Nazi group

Wednesday, 21 September 2011

Crime-cutting miracles?

FBI Trainer Says Forget ‘Irrelevant’ al-Qaida, Target Islam

Kenzaburo Oe: Resignation to and responsibility for Fukushima disaster

The Picture Editors' Guild Awards 2011

Photograph: Matthew Lloyd/Getty Images Europe
Newscast Young Photographer of the Year winner: – English Defence League supporters chant during a demonstration in Bradford city centre

Ryan Adams - Invisible Riverside


Bonus: Dirty Rain (acoustic)

First Impressions of 'Ashes & Fire'

Diego Stocco - Music From A Dry Cleaner


Almost everyday, on my way to a local bakery, I walk in front of a dry cleaners.
When they have the front door open, I hear a lot of interesting sounds coming from their work equipment. Eventually, the different mechanical and steam sounds sparked something in my mind, so one day I asked the owners if I could record a piece of music by using their machines as musical instruments.
I used a puff iron, press and dry cleaning machines, a washer, clothes hangers, and a bucket full of soap.
The bass and lead sounds were created from the buzzing tones coming from the conduits and engines.
There are no additional sounds from any traditional or electronic instruments. Enjoy!
More info and pictures are available at the Behance gallery: behance.net/​gallery/​Music-from-a-Dry-Cleaner/​2161629

Music made entirely from a dry cleaner

Metropolitan police drop action against the Guardian

The Metropolitan police has dropped its attempt to order the Guardian to reveal confidential sources for stories relating to the phone-hacking scandal.
The Met had been hoping to force Guardian reporters to reveal confidential sources for articles disclosing that the murdered teenager Milly Dowler's phone was hacked on behalf of the News of the World. But after an intervention by the Crown Prosecution Service and widespread outrage, Scotland Yard was forced into an abrupt climbdown.
The Met claimed that one of the paper's reporters, Amelia Hill, could have incited a source to break the Official Secrets Act and broken the act herself.
At an Old Bailey hearing scheduled for this Friday, the Met had been due to apply for a production order to obtain all the material that the Guardian holds that would disclose sources for the newspaper's coverage of the phone-hacking inquiry this year.
The statement put out by the Met announcing its retreat left open the possibility that the production order could be applied for again, but the Guardian's lawyers have been told that the police have dropped the application. A senior Yard source said: "It's off the agenda."
The police application was formally being made under the Police and Criminal Evidence Act, but with an assertion that Hill had committed an offence under the Official Secrets Act by inciting an officer from Operation Weeting – the Met's investigation into phone hacking – to reveal information.
The Yard source said: "There will be some hard reflection. This was a decision made in good faith, but with no appreciation for the wider consequences. Obviously, the last thing we want to do is to get into a big fight with the media. We do not want to interfere with journalists. In hindsight the view is that certain things that should have been done were not done, and that is regrettable."
The Guardian's editor-in-chief, Alan Rusbridger, said: "We greatly welcome the Met's decision to withdraw this ill-judged order. Threatening reporters with the Official Secrets Act was a sinister new device to get round the protection of journalists' confidential sources. We would have fought this assault on public interest journalism all the way. We're happy that good sense has prevailed."
Many lawyers had expressed astonishment at the police resorting to the Official Secret Act. Their surprise was reinforced on Monday when the director of public prosecutions, Keir Starmer QC, revealed that the Crown Prosecution Service had not been contacted by officers before the application was made.
Neil O'May, the Guardian's solicitor, said: "This was always a misconceived application for source material. Journalists' sources are protected in law. For the Metropolitan police to turn on the very newspaper which exposed the failings of the previous police inquiries and reported on hacking by the News of the World was always doomed to failure. The Metropolitan police need to control the officers who are involved in these sensitive areas."
In a statement , the CPS said: "[On] Monday the Metropolitan police asked the CPS for advice in relation to seeking a production order against Guardian Newspapers.
"The CPS has asked that more information be provided to its lawyers and has said that more time will be needed fully to consider the matter. As a result, the scheduled court hearing will not go ahead on Friday. [The Metropolitan Police] will consider what application, if any, it will make in due course, once it has received advice from the CPS."
The Met said in a statement: "The Metropolitan police's directorate of professional standards consulted the Crown Prosecution Service about the alleged leaking of information by a police officer from Operation Weeting.
"The CPS has today asked that more information be provided to its lawyers and for appropriate time to consider the matter. In addition the MPS has taken further legal advice this afternoon and as a result has decided not to pursue, at this time, the application for production orders scheduled for hearing on Friday 23 September. We have agreed with the CPS that we will work jointly with them in considering the next steps.
"This decision does not mean that the investigation has been concluded. This investigation, led by the DPS, not Operation Weeting, has always been about establishing whether a police officer has leaked information, and gathering any evidence that proves or disproves that. Despite recent media reports, there was no intention to target journalists or disregard journalists' obligations to protect their sources.
"It is not acceptable for police officers to leak information about any investigation, let alone one as sensitive and high profile as Operation Weeting.
"Notwithstanding the decision made this afternoon it should be noted that the application for production orders was made under the Police and Criminal Evidence Act (PACE), NOT the Official Secrets Act (OSA).
"The Official Secrets Act was only mentioned in the application in relation to possible offences in connection with the officer from Operation Weeting, who was arrested on August 18 2011 on suspicion of misconduct in a public office relating to unauthorised disclosure of information. He remains on bail and is suspended.
"Separately, the MPS remains committed to the phone hacking investigation under Operation Weeting."The picture painted by Met insiders is that a relatively junior officer took the decision to take on the Guardian without consulting his superiors, setting off a calamitous chain of events that saw the Met condemned for an attempted assault on press freedom.
Police sources said the senior investigating officer who was inquiring into whether a member of the Weeting team had leaked information had taken the decision to seek the production order on his own.
The senior source said that not even Deputy Assistant Commissioner Mark Simmons had been told about the decision in advance. Simmons is the head of professionalism issues at Scotland Yard and is seen as a rising star within the force.
The senior source said: "There was not a lot of happy people at our place over the weekend because it was a decision made by the SIO. There was no referral upwards, and you would have thought on something as sensitive as this there would have been." Simmons and the incoming commissioner, Bernard Hogan-Howe, did discuss the issue, as the criticism grew, but the source said the commissioner had left it to Simmons to take the decision, and that there was no instruction or directive. The Met stressed that Hogan-Howe, despite being in charge of professional standards as deputy commissioner, was not involved in the original decision to seek a production order. Simmons took the decision to review the application by the SIO.
Geoffrey Robertson QC said: "This is a victory for common sense and freedom of speech. Had the police continued with this ill-considered action, journalists might have been forced to disobey a court order so as to protect their source.
"Putting journalists into that dilemma and possibly in jail would only bring discredit on police and the law. It should now be accepted that journalists are entitled to protect their sources of information, otherwise that information will dry up and there will be less public interest information, such as the hacking of Milly Dowler's phone." The Met's move had been condemned by all Britain's major newspapers, including the Times and Sunday Times, and the Daily Mail's columnist Richard Littlejohn.Isabella Sankey, director of policy for Liberty, said: "
"It would have been perverse in the extreme for early prosecutions in the phone-hacking scandal to be against those who blew it open rather than those who covered it up.
"We hope that editors and journalists never forget how important human rights are to a free press."
Michelle Stanistreet, general secretary of the National Union of Journalists, said: "We are delighted that common sense has prevailed and the Met has woken up to the fact that they cannot get away with such flagrant abuse of the Official Secrets Act.This was an outrageous attack on a central tenet of journalism – the protection of our sources. This is a victory for journalism, democracy and press freedom."
The Yard pursued its action against the Guardian without consulting the CPS, until Monday, or the attorney-general Dominic Grieve.
Owen Bowcott and Vikram Dodd @'The Guardian'

Ramellzee, Toxic C1, and Basquiat @ the Rhythm Lounge (1983)

A Grievous Wrong

Bad Brains - Live at CBGB's (1982)

A rare chance to view one of the most important bands in American Hardcore history in their prime at CBGB circa '82. This breathtaking performance displays why Bad Brains became one of the most important bands in the history of American Hardcore. On Christmas Eve 1982, Bad Brains began their three-day stint at a Hardcore Festival hosted by legendary CBGB. This DVD represents the very best of these shows, culled from over 4 hours of footage. Their live performances were legendary, their visual recordings were impossible to find. Now, for the first time on DVD, that powerful performance is revisited in extraordinary fashion.
Via

♪♫ Maria Taylor - Song Beneath the Song

SLAB - She Dreamed of Blossom Falling

 
burying sadness in snow

James Blake - Morning Becomes Eclectic (KCRW) 19. September 2011