Monday, 19 September 2011

Cultural Exchange: The diplomatic view of classical music

Two recent and seemingly unrelated events, the release of 250,000 unredacted State Department cables written between 1966 and 2011 via WikiLeaks and the pro-Palestinian protests at the Israel Philharmonic concert in London, got us thinking: How closely entwined are politics and classical music in diplomatic circles?
A few weeks ago WikiLeaks published cables sent by American diplomats who were reporting back to the government on events and people of interest to the United States. The reports are incredibly detailed (we can now confirm that, yes, the president of Turkmenistan did get two extra pineapples on his fruit plate in 1997), which can make for a tedious read.
Put a few classical music keywords in the search box, however, and nuclear-weapon panic gives way to the curious mixture of social chess, pageantry theater and "Fawlty Towers" that is cultural diplomacy.
If the reporting diplomat happens to be a good writer, the extra detail creates a vivid and at times extremely entertaining picture.
Classical music is mentioned most often when the diplomat is discussing an individual's openness to Western culture, his level of sophistication and the cultural health of a region in transition.
It is surprising to discover how classical music performances are used to introduce foreign audiences to American culture. An explanation comes from pianist Michael Sheppard, who won a classical fellowship with the American Pianists Assn. in 2003. The prize included a State Department-sponsored tour of Sri Lanka, Bahrain and Syria, which led to Sheppard's name showing up in a cable.
"The State Department probably uses classical music because there aren't words attached it," he said. "It's hard to be inflammatory when you're just playing piano pieces."
Reading the cables, it seems these concerts are more about what the music represents than the performance. Explained Sheppard, "Music can be a propaganda tool for sure, but I don't think the State Department is thinking, 'Let's use music to get [the audience] to like the U.S.' I'm not trying to push a political agenda at all. Music doesn't have anything to do with the little boundaries that we make."
What follows are excerpts selected to give a glimpse into diplomatic life and the various ways classical music fits in...
Continue reading

The good news...

Guys, Quitting Smoking Makes It Bigger. Really.

The bad news...

Measuring Up: How Our Culture's Obsession With Porn-Sized Penises Hurts Men

Americans avert yr eyes...pierced nipples on show

Interview with ‘Haywire’ & ‘Girl With The Dragon Tattoo’ Poster Designer Neil Kellerhouse

♪♫ The Afghan Whigs - Faded (Dusseldorf '96)

Velvet Underground 1965/6


At the Cafe Bizarre
At Delmonico's
At the Architectural Association 
(Click to enlarge) 
MORE

Girlz With Gunz #156 (Разгром армии Путина)


"While Kremlin polit. tech. are collecting cheap little chickies for national PR, the successful girls are against the party of liars and thieves... "
(Thanx Gennady!)

Lulzsec leader, Sabu, returns

Blackout: CNN, Fox, and MSNBC Ignore Thousands Of US Day Of Rage Protesters



Russian oligarch punches rival in TV debate

Occupy Wall Street (contd...)



The weather forecast for tomorrow is partly cloudy skies and highs of 68°F. Nighttime temperatures will reach a low of 52°F. There is a small chance of rain later in the week. Bring, at minimum, warm clothing, sleeping bag, food, water and a tarp.
Saturday's occupation begins at noon in Bowling Green Park. The first people's assembly will start at 3 p.m. at One Chase Manhattan Plaza and continue until our one demand is agreed upon by all. Check out the full schedule of events.
A leaked bulletin from the New York Police Department reveals that they expect at least 5,000, and maybe even 20,000 people to swarm Wall Street tomorrow. That just might be enough for us to pull this off!
A telephone support line has been set up by occupywallst.org. For directions or help call (877) 881-3020 to speak with a local activist. For legal advice, or to report an arrest, call the National Lawyers Guild at (212) 679-6018.
Democracy Now!, Bloomberg News, the Washington Post and CNN covered #OCCUPYWALLSTREET today. The CNN article is a good summary.
When asked about the occupation, the mayor of New York City responded, "People have a right to protest, and if they want to protest, we’ll be happy to make sure they have locations to do it. As long as they do it where other people’s rights are respected, this is the place where people can speak their minds …"
Anonymous says they will release their new hacktivism tool at 7 a.m. in solidarity with #OCCUPYWALLSTREET.
While Michael Moore and the rest of the mainstream left continues to be largely silent about #OCCUPYWALLSTREET, American rapper Lupe Fiasco has been vocal in his support. Lupe has vowed to donate 50 tents to the occupation and has written a poem celebrating our efforts.
President Obama will be in New York City at a private $38,500 per person fundraising event on Monday, September 19th starting at 5:30 p.m. at 820 Park Avenue. Maybe we can go there and invite him to join our people's assembly?
For those who cannot attend one of the many solidarity events happening in Milan, Madrid, Valencia, London, Lisbon, Athens, San Francisco, Santander, Madison, Amsterdam, Los Angeles and now Algeria and Israel, there will be a live stream of events at: livestream.com/globalrevolution
This is your last chance to send a message to all your friends via Facebook, Twitter and phone asking them to join you tomorrow.
For up-to-date information follow occupywallst.org, nycga.net and @occupywallstnyc
Good luck … Hang in there!
for the wild,
Culture Jammers HQ
@'Adbusters'

US Intel officials' emails posted after hack of cybersecurity group

Dub... No Frontiers: Nays Atour - War


Punkcast1939-04-01 Adrian Sherwood previews the forthcoming On U Sound album 'Dub... No Frontiers' at Dub Invasion Festival, Dominion NYC, on Sep 9 2011.
(Thanx Joly!)

IDF Reservists Called Up, Instructions Unclear

Graham Collier RIP

Although a contemporary of such figures as Mike Westbrook, Neil Ardley and Howard Riley, who emerged in the 1960s to form a remarkable generation of British jazz composers, Collier remained doggedly aloof from the trends of the time. Where others experimented with rock rhythms, electronic effects or theatrical presentation, he concentrated on expanding the possibilities of the traditional jazz orchestra.
James Graham Collier was born at Tynemouth, Tyne and Wear, on February 21 1937. Having learned the trumpet as a teenager, he joined an Army band on leaving school in 1954. As his required second instrument he took up the double bass, and this later became his principal instrument.
In 1961 Collier won a scholarship to the Berklee School of Music in Boston, Massachusetts, and in 1963 he became the first Briton to graduate from this, the most prestigious jazz school in the world. He then worked for a while as bassist with the band led by veteran saxophonist Jimmy Dorsey.
Returning to Britain in late 1963, Collier formed his own band, Graham Collier Music, principally to play his own compositions. This ensemble survived in various constantly changing forms for around two decades, and featured some of the country’s finest players. A young member of his very first band was the reed player Karl Jenkins, who later composed of the popular works Adiemus and The Armed Man.
In 1968 Collier won an Arts Council bursary for his composition Workpoints, and in so doing initiated a profound change in the way jazz is perceived in Britain. Hitherto regarded as a branch of popular music, ephemeral and undeserving of official notice, it had suddenly gained a small foothold in the cultural Establishment.
In the years following this achievement, both public funding and academic study became an accepted part of the British jazz scene, although by no means universally applauded. There are many who look upon such things as inimical to the spirit of jazz.
Collier’s most unexpected success, however, was evidence of his continuing love of the free, improvised nature of his chosen music. This triumph began in the mid-1980s, and was the result of a workshop which he set up to give young musicians big-band experience. Once assembled, however, the players took charge, discarding the conventional organisation of a jazz orchestra and generally turning the whole scheme on its head.
The result was Loose Tubes, a conglomeration (up to 21-strong at times) of brilliant, mischievous characters which lit up the London jazz scene for the best part of a decade. Its leading spirit, Django Bates, gave Collier full credit for instigating the band’s creativity: “Graham had sensed there was something exciting in the air and, in the spirit of improvisation, he captured the moment.”
In its unique way, Loose Tubes embodied Collier’s approach to jazz composition, which was to lay out the main elements and leave as much as possible to the inspiration of the moment. The last of his six books, published in 2009, was entitled The Jazz Composer: Moving Music Off The Paper.
The success of Loose Tubes only added to a burgeoning reputation. Allied to his qualities of persistence and self-belief, this made Collier the ideal candidate to become the Royal Academy of Music’s first jazz director. He held the post from 1986 until his retirement in 1999.
Particularly well received among his own works were Day of the Dead (1978), based on Malcolm Lowry’s novel Under The Volcano, and his music for the Radio 3 adaptation of Josef Skvorecky’s novella The Bass Saxophone (1989), which won a Sony Award.
Graham Collier was appointed OBE in 1987. In 1999 he moved to Ronda, in Spain, and in 2008 to the Aegean island of Skopelos.
He is survived by his partner, the writer John Gill.
@'The Telegraph'
Condolences to John...

Pressure on attorney general to block Met move against press freedom

The attorney general, Dominic Grieve, is facing growing pressure to block an attempt by the Metropolitan police to use the Official Secrets Act to force journalists to reveal their sources.
As senior Liberal Democrats indicated that Nick Clegg was "sympathetic" to journalists, police sources also expressed unease after Scotland Yard applied last week for an order under the 1989 act to require the Guardian to identify its sources on phone hacking. One police source said the decision to invoke the act was "likely to end in tears" for the Met.
Lib Dem sources said that as deputy prime minister, Clegg was unable to express a view on what action the attorney general should take. But senior Lib Dems lined up at the party conference in Birmingham to call on the attorney general to use his powers to rule that the Yard's use of the act is not in the public interest.
Simon Hughes, the Lib Dem deputy leader, who is suing News International over alleged phone hacking at the News of the World, said: "Millions of people believe the Guardian has done a public service by exposing the series of scandals behind phone hacking carried out on a regular basis by individuals on behalf of other media organisations like the Murdoch empire. It is entirely inappropriate for the Officials Secret Act to be used to try to prosecute journalists who have taken these actions.
"I hope that the law officers, or the government more widely, will make it clear that such an intervention and such a prosecution would not be in the public interest. The police or the Crown Prosecution Service may be able to justify on technical grounds that this is the proper thing to do. But the wider interests should prevail and the sooner a decision is made to end plans to prosecute the better."
Don Foster, a veteran Lib Dem MP who advises the culture secretary, Jeremy Hunt, informally on media issues, called on the attorney general to block the "extremely bizarre" use of the act. "I understand the attorney general has the opportunity to use this power," Foster said after a fringe meeting, organised by the Hacked Off campaign, that was addressed by the actor Hugh Grant. "He should use it and say this is not in the public interest."
Foster, who praised the Guardian for "fantastic journalism" in exposing phone hacking, found unanimous support at the fringe meeting when he asked whether the Guardian's disclosure that Milly Dowler's phone had been hacked – the revelation that prompted the police use of the Official Secrets Act – was justified. The MP said: "If it was in the public interest for the Guardian to do what they did, it is extremely bizarre, it is almost unheard of, for the Metropolitan police to have used the Official Secrets Act as the basis for seeking to get hold of the information they want.
"It is absolutely vital that we find out first of all who actually signed off agreement to use the Official Secrets Act and, secondly, we have to have a very, very clear explanation of why they are doing it. A final decision is made by the attorney general as to whether to allow it to happen. The one good bit of news is that, in making his decision, the attorney general can use public interest as one of the criteria that he considers. I hope he will very seriously indeed."
The Met's actions were also condemned by other newspapers: in a leader in the Times, the Met is accused of using the Official Secrets Act "not to protect the public interest but as a punitive measure to curb journalistic inquiry and pursue a sectarian and self-interested campaign". It goes on to say that the "principle and the method in the Met's action are wrong. They are not only a constraint on the Guardian's reporting, but an attack on the principles of free expression, the workings of a free press and the future of investigative journalism".
The Daily Telegraph described the situation as a "direct attack on the freedom of the press" and "an intolerable abuse of power". Its leader asks if the Met are "seriously contemplating that the first prosecutions arising from the phone-hacking scandal should involve the very people who exposed it?"
Tom Brake, chair of the Lib Dem home affairs committee, said: "The use of the Official Secrets Act in these circumstances is very unusual, and all the more worrying because it does not allow the defendant to argue that their actions were in the public interest. The Met need to explain why they think it is appropriate to use the Official Secrets Act in this case. While this is clearly a matter for the police and the attorney general, I do question whether this action is in the public interest given everything that has happened, or indeed in the interests of investigative journalism."
The political unease was echoed in police circles. One insider asked: "When was the last time the OSA [Official Secrets Act] was used successfully against the media?"
The source added that the Met had to be seen to be rigorous, but threatening to get a production order requiring the handing over of notes and the revealing of sources was a step too far: "No one was expecting us to use the OSA. Usually the use of the OSA ends in tears." With the new Met commissioner, Bernard Hogan-Howe, not due to start his job as Britain's top police officer officially until later this month, the source added: "He is not even in office and he is facing his first crisis."
Grant said at the Hacked Off meeting: "A lot of us victims and campaigners had come to the view that the new police inquiry – [Operation] Weeting under Sue Akers – were good cops. It was a new investigation. They were embarrassed by the behaviour of their predecessors and colleagues. So for them to suddenly turn on their fellow goodies in this battle is worrying and deeply mysterious."
The Met said that the application for a production order was made under the Police and Criminal Evidence Act and did not seek to use powers under the OSA. But the police said that the OSA was mentioned in the application because a possible offence under that act might have been committed.
Nicholas Watt and Vikram Dodd @'The Guardian'

♪♫ The Twilight Singers w/ Mark Lanegan - Number Nine (live @Great American Music Hall, SF - Sep 17,2011)

Pirate Party Enters Berlin Parliament After Historical Election Win

For the first time in history a Pirate Party has managed to enter a state parliament. With an estimated 9 percent of the total vote the Pirate Party exceeded the 5% floor needed to enter the Berlin parliament with several seats. For the international Pirate Party movement this is the second major success after the European elections of 2009.
piratenThe German Pirate Party has scored a massive win in the elections for the Berlin state parliament today. Two hours after the voting booths closed the first results show the Pirates achieving 9 percent of the counted votes. This translates into 15 parliament seats.
Founded in September 2006, the German Pirate Party has already booked several successes in its relatively short existence. Before today, the party had over 50 members in elected offices across Germany, which is more than in all other countries combined. However, today’s election win trumps all previous ones.
Never before has a Pirate Party been elected into a state or federal parliament. And with the 5 percent floor that was required to enter, the achievement at the Berlin elections is all the more impressive.
The initial results show that the Pirates received the most support from younger voters. 15 percent of people under 30 voted for the Pirate Party, but even among voters aged 60 years and up, a few percent voted for the Pirates.
Friedrichshain-Kreuzberg was the first region to finish counting, and the Pirate Party got 14.7 percent of all votes there. With 99.9 percent of the total vote counted in the state the Pirates are at 8.9 percent.
piraten
8.9% with 99.9% of the votes counted
TorrentFreak asked Sebastian Nerz, Chairman of the German Pirate Party, what this success means for the party. He told us that due to an increase in funds and influence the Pirate Party will have a greater chance to make its mark.
“At the moment the Pirate Party of Germany does not have any paid employees,” Nerz says. “Everyone working for the party – including myself – is working in an honorary capacity. In contrast, Members of Parliament are paid for their work. In addition they receive state money to pay for assistents and co-workers. This will enable those Pirates to work full-time for the party, thus giving us much more work force.”
“Another very important benefit is, that citizens and media are taking parties with access to the parliament much more seriously. A number of times i’ve heard, “Your party is not relevant because it does not have members of parliament.” Following this weekend’s successes, in this respect the party’s position will be greatly improved.
In addition the Pirate Party expects that their heightened profile will lead to an increase in members and more people working for the party. As for the party’s ideals, they want to be as transparent as possible, secure the privacy of citizens, abolish patents and limit the ever growing control of copyright exploiting organizations.
“We are going to demonstrate that it is possible to conduct a transparent approach to politics. Traditionally politics are a secret ‘no trespassing’ area. Meetings are held behind closed doors, agendas and protocols are closed, treaties are not being published,” Nerz told TorrentFreak.
“We will demonstrate that it is possible to openly and truthfully inform the citizens what is going on, what alternatives are possible and why a certain path has been chosen. We will demonstrate that citizens can be integrated into the fact-finding and path-choosing methods. Why not ask citizens about their opinion before you decide? Its well worth a try!”
One thing’s for certain. The German Pirate Party scored a sensational win today. As a result, the Berlin state parliament will undoubtedly notice the fresh wind coming from the most technology-friendly and privacy preserving party out there. All the Berlin candidates are ready and eager to start according to the chairman.
“In short: We are going to demonstrate that politics can be reformed,” Nerz says.
Note: we will update the percentages and other information as more information comes in. (updated 00:20 CET)
The election win is currently being celebrated by hundreds of Pirate Party enthusiasts in Berlin, including the founder of the Swedish and first Pirate Party Rick Falkvinge. Rick already predicted the massive win yesterday and shared a picture of the festivities with TorrentFreak.

Party like it’s no longer 1984
null
“Pirates of Berlin, thank you for your fantastic work in making tonight happen. We all stand shoulder to shoulder in fighting for the next generation — one of succeeding is all of us succeeding. Tomorrow, people will look to your success, and the movement will grow yet more. You are the source of inspiration for the next wave of civil liberties activists,” Falkvinge adds in a blog post.
Ernesto @'Torrent Freak'

What does it feel like to fly over planet Earth?

A time-lapse taken from the front of the International Space Station as it orbits our planet at night. This movie begins over the Pacific Ocean and continues over North and South America before entering daylight near Antarctica. Visible cities, countries and landmarks include (in order) Vancouver Island, Victoria, Vancouver, Seattle, Portland, San Fransisco, Los Angeles. Phoenix. Multiple cities in Texas, New Mexico and Mexico. Mexico City, the Gulf of Mexico, the Yucatan Peninsula, Lightning in the Pacific Ocean, Guatemala, Panama, Columbia, Ecuador, Peru, Chile, and the Amazon. Also visible is the earths ionosphere (thin yellow line) and the stars of our galaxy. Raw data was downloaded from;
The Gateway To Astronaut Photography of Earth
"http://eol.jsc.nasa.gov/sseop/mrf.htm ".
Virtualdub was used to create the final movie.

Sunday, 18 September 2011

Israel: Adrift at Sea Alone

♪♫ Wire - Drill (Late Show)

WTF???

(Click to enlarge)
Via

Cut Copy - Blink And You'll Miss A Revolution

Met use Official Secrets Act to demand Guardian reveals sources

Met's threats to Guardian are 'direct attack on free press', say lawyers

Psycho

Wall St.
Via

The Opiates - Anatomy of a Plastic Girl (Chris & Cosey Remix)

Tingling Neurons Titillate your Tinnitus

How Long Can You Stand 2 KHz and 4 KHz?
John Perry Barlow
There are reports that the NYPD are trying to keep media from parking feed trucks near

Cocksucker Blues

Via

Heroes & Heroins

Debbie Harry & Richard Hell

Wall Street

Via



Saturday, 17 September 2011

James Blake Essential Mix for Radio 1 17th September, 2011

Tracklist:
Erik Satie – Gnossienne No.5
James Blake – Olivia Kept
James Blake Versus Drake – Half Heat Full Versus Up All Night
James Blake – Pan
SALEM – Trapdoor
Snoop Dogg – Drop it like it’s Not (Harmonimix)
[unknown] – Unknown
Klaus – Tarry
D’Angelo – One mo’ Gin
[unknown] – Sicko Cell
Blawan – What You Do With What You Have [R&S Records]
James Blake – No More Than A Road (Dub)
James Blake – At Birth (Dub)
The Chain – Suffer For Your Art [R&S Records]
Peverelist – Roll With The Punches (Harmonimix)
[unknown] – Navigator
OutKast – Return of the G
Africa Hitech – Out In The Street
DJ Nate – 3 Peat
James Blake – Deeds
Gavin Bryars – Three Elegies for Nine Clarinets II
Gavin Bryars – Three Elegies for Nine Clarinets III
Odi et Amo – Johann Johannsson
Grouper – Vessel
James Blake – Untitled
James Blake – Untitled
[unknown] – What Was It
The Tallest Man on Earth – Love Is All
SALEM – Redlights
Rev. James Cleveland – Jesus Saves
Trim – Confidence Boost (Harmonimix)
James Blake – Evening Fell Hard For Us
James Blake – Placing Us
James Blake – Words We Both Know
Arthur Russell – Love Comes Back
(via)


"After Jamie xx‘s appearance on Radio 1′s Essential Mix a few weeks ago it is obvious that the doors have now opened for a new kind of dance music DJ to have their spotlight on the legendary show. James Blake was scheduled to appear on the show way back in May but that was mysteriously postponed until this morning when his 2 hour Essential Mix finally aired.
Over the two hour Essential Mix, James drops a load of his own music, as well as tracks from Salem, Drake, Africa Hitech and Stevie Wonder. There’s everything from classical music through to hip-hop, dubstep to soul, in what must be one of the most eclectic selections in months."
(Details of my Life so far...)

Paul Carr: I’m Leaving TechCrunch. Here’s Why

Occupy Wall St (Sept 17)

'Shaun Ryder in the Happy Mondays wasn't me. He was a caricature'

The Cyborg in Us All

The $2 Billion UBS Incident: 'Rogue Trader' My Ass

Friday, 16 September 2011

Art Pepper: Notes From A Jazz Survivor

An intensely personal and sometimes painful look into the fascinating world of Art Pepper. One of Jazz' greatest alto saxophonists and most expressive soloists, Pepper was also a thief, drug addict, alcoholic, womanizer, and world renown wildman. In candid interviews he recounts his triumphs, troubles, and luck in meeting Laurie, his last wife.
For half the film Pepper leads a trio in a Malibu nightclub, the set includes: "Red Car", "Patricia", and "Miss Who?".
Via

♪♫ Amy LaVere - Damn Love Song

Why Won't Israel Use the Upcoming UN Vote to Its Advantage?