Sunday 12 June 2011

Inside the murky world of Pete Doherty


Pete Doherty with his friend and fellow addict Pete Wolfe. Photograph: Andrew Kendall (www.andrewkendall.com)
In 2008, Jake Fior received a phone call from a woman he didn't know. "Her voice was a sort of husky velvet," says Fior. "She said her name was Robin Whitehead and she wanted to speak to me as she was making a film about Pete Doherty. I said, 'Oh dear, that's bad luck.' She laughed, and it started from there."
Fior hadn't been joking. The musician and bookseller, now 47, had known the Libertines' singer since 2001. Fior had rewritten and produced Doherty's first top 10 hit, "For Lovers", but by 2005 he'd "had enough of all this chaos in my life", as Doherty's drug-fuelled lifestyle took its toll on everybody around him. Fior returned in 2008, to try to record a solo album with Doherty, before walking away for good.
Whitehead never got that chance. On Sunday 24 January 2010, she died from a suspected drug overdose in the Hackney flat where she had been filming Doherty and his friend, another musician, Pete Wolfe, whom Fior had previously managed. Last month, Doherty was sentenced to six months in prison for possession of class A drugs, and Wolfe 12 months, for possession and supply of class A drugs, a conviction secured by damning evidence filmed by Whitehead on the weekend of her death. It is Doherty's third prison sentence since 2003, and follows multiple fines, court appearances, spells in rehab and broken promises to clean up his act. "The media are calling this a tragedy," says Fior, speaking before the pair received their sentence. "But for a brilliant, beautiful, vibrant 27-year-old girl to have gone into that flat and not come out, it is not a tragedy, it's an obscenity."
Whitehead and Fior had a relationship for nearly a year, but at the time of her death they were just friends. "She was as bright as a button and hilariously funny," he says. "She was really unusual – very, very talented. I couldn't quite work out how Doherty had managed to get her involved [in the film], she seemed too sophisticated… but I think she was first approached when Doherty was still with Kate Moss and she hadn't envisaged that he'd make the film so difficult for her to complete."
The Friday before her death, Fior had dropped Whitehead outside the flat in east London. "I rang her up the next day," he says. "They had reduced her to tears over this film. I was going to go over there, but it would have resulted in a serious confrontation, and Robin didn't want that. But of course, I should have gone all the same."

Film-maker Robin Whitehead. Photograph: Family Handout/PA 
Whitehead was the daughter of film-maker Peter Whitehead and his former wife Dido Goldsmith, a cousin of Jemima Khan and Zac Goldsmith. "Had they known that she was related to the Goldsmiths, I think it would have made a big difference with them," says Fior. "Despite his public persona, Pete [Doherty] isn't immune to being impressed by that sort of thing. They are just bullies really, and like most bullies they are cowardly enough to know who they can and can't pick on."
Fior should know. His first contact with Peter Wolfe came in 2001. "Everybody said I shouldn't go near Wolfe, but Carole – my girlfriend at the time – was living in the same flat, so avoiding him proved difficult. She asked if I could help Wolfe with his music career."
Wolfe, a "failed plumber from Maidstone", was born Peter Randall. He had already made several unsuccessful attempts to become a singer but Fior was sufficiently impressed by Wolfe's writing skills to offer to help. "Even then it was clear that he was a drug addict and quite dishevelled," says Fior. "I told him that if he got himself sorted out I'd try and do something. At the time I thought it was a win-win because he'd never sort himself out and I'd look good for offering. Unfortunately, he went to America and got off drugs for a bit. I wish he hadn't bothered."
Fior put together a band, eventually renamed Wolfman and the Side-Effects. A buzz began to build, partly thanks to their biggest fan. "Even at the height [of our fame], we didn't have much of a fanbase," says Fior. "We had hit records, but only about 100 people at our gigs – but the number one fan was Pete Doherty. I knew Doherty well, I had employed him to hand out wine at private views when I was running a gallery – he did a good job. He is capable of being quite charming."
At the time, Doherty was a singer with indie group the Libertines, the band he had formed with Carl Barât in 1997. Doherty was also hooked on heroin and crack, and partly because of this shared addiction, Doherty and Wolfe were virtually inseparable. Doherty regularly used lines written by Wolfe in his songs and borrowed aspects of his personality. "With his kitchen-sink romanticism, Doherty assumes the existential position of the outsider," say Fior. "But in reality he is an extrovert. Wolfe is the outsider, and for good reason." Wolfe was also getting back into drugs. "We played a show at the Sundance film festival in the US. Afterwards, the bass player told me Wolfe had smuggled some heroin over, up his bum. From then, it just became a case of trying to manage his dependency and make a joke out of it. I approached Special Brew for sponsorship but they declined. Maybe they were worried about the image of their beer?"...
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Peter Watts @'The Guardian'
John Perry Barlow 
Britain's military budget is 7.7% of America's. They don't care about security, I guess...

Reggae - The Story Of Jamaican Music





Bonus:
'Reggae Britannia at the Barbican' (2011) after the jump

Jacque Fresco - Future By Design (2006)

Future by Design shares the life and far-reaching vision of Jacque Fresco, considered by many to be a modern day Da Vinci. Peer to Einstein and Buckminster Fuller, Jacque is a self-taught futurist who describes himself most often as a "generalist" or multi-disciplinarian -- a student of many inter-related fields. He is a prolific inventor, having spent his entire life (he is now 90 years old) conceiving of and devising inventions on various scales which entail the use of innovative technology. As a futurist, Jacque is not only a conceptualist and a theoretician, but he is also an engineer and a designer.
A film by William Gazecki

U.S. Underwrites Internet Detour Around Censors

...and then Americans can hopefully use the technique to bypass their govt's attempt at censoring their internet!

A Real Debate About Drug Policy

Meanwhile...??? 

Brujo’s Bowl – Healing With Sound

Arkona Creation proudly presents Healing With Sound by Brujo’s Bowl (Saxon Higgs), a talented producer from Mid Wales in the UK. Whereas Brujo’s debut 900 focused on deeply organic progressive psytrance, Healing With Sound features intriguing experiments in psychedelic dubstep, a fresh fusion of styles that is already provoking considerable interest worldwide. The four tracks on this release represent more than just wonk and wiggle; these songs overflow with a warm and zingy character, sending waves through the senses. With intricately designed sound effects and an entrancing ambience, this release deserves a spot on every open-minded psy lovers playlist. Mastered by Jurr Pradox (Arkona Creation) with artwork by Saxon Higgs.
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Death in Tahrir Square - What happened on 2/2/11?


This is my eyewitness account of the the night of 2nd February 2011, in Tahrir Square, Cairo.
It was one of the bloodiest nights in Cairo, since the first day of protests. Anti-government protesters clashed with pro-Mubarak thugs in, and around, the square.
At least seven protesters died during the running street battles.

Ras Amerlock - A Bass Oddity (Trinity All Stars)


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Rampant untruths kill asylum debate

♪♫ Laibach - Ballad of a Thin Man


(Thanx DJ Pigg!)

Korean Drumming



Bae Il Dong @Fed Square 4/06/11

(Photos: TimN)

Intangible Asset Number 82


Simon Barker is an Australian jazz drummer who is known for his unique rhythmic style and his ability to explore a broad variety of sounds with a small drum kit. Barker has said that creative sustainability is a major part of his outlook, and he gained a new perspective on this notion when he first encountered the performances of Kim Seok-Chul. Kim is a shaman from South Korea who uses percussion music as a means of expression; impressed both by the shaman's remarkable talents and his ability to perform for hours at a stretch, Barker sought Kim out to study with him. Barker learned a great deal more than just drumming technique from Kim, and his visits to South Korea became part of a voyage of self-discovery on a number of levels. Musician and filmmaker Emma Franz joined Barker for some of last visits with Kim, and Intangible Asset No. 82 is a travelogue of the Australian's creative, philosophical, and spiritual journey.
Interview w/ Simon Barker (starts at 26:12)
Simon Barker & Bae Il Dong
(Fed Square 4/06/11 Photo by TimN)

Simon Barker - Improvisation inspired by Kim Seok Chul

Chiri @Fed Square 4/06/11 (Scott Tinkler, Simon Barker & Bae Il Dong)



Improvisation by Scott Tinkler (trumpet), Simon Barker (drums) and pansori singer Bae Il Dong
(Photos: TimN)

Fazul Abdullah Mohammed: Death is 'blow' for al-Qaeda

Mistachuck

John Pilger film and US visit banned (Letter from Pilger to Chomsky)

Dear Noam...
I am writing to you and a number of other friends mostly in the US to alert you to the extraordinary banning of my film on war and media, 'The War You Don't See', and the abrupt cancellation of a major event at the Lannan Foundation in Santa Fe in which David Barsamian and I were to discuss free speech, US foreign policy and censorship in the media.
Lannan invited me and David over a year ago and welcomed my proposal that they also host the US premiere of 'The War You Don't See', in which US and British broadcasters describe the often hidden part played by the media in the promotion of war, in Iraq and Afghanistan. The film has been widely acclaimed in the UK and Australia; the trailer and reviews are on my website www.johnpilger.com.
The banning and cancellation, which have shocked David and me, are on the personal orders of Patrick Lannan, whose wealth funds the Lannan Foundation as a liberal centre of discussion of politics and the arts. Some of you will have been there and will know the Lannan Foundation as a valuable supporter of liberal causes. Indeed, I was invited in 2002 to present a Lannan award to the broadcaster Amy Goodman.
What is deeply disturbing about the ban is that it happened so suddenly and inexplicably: 48 hours before David Barsamian and I were both due to depart for Santa Fe I received a brief email with a 'sorry for the inconvenience' from a Lannan official who had been telling me just a few days earlier what a 'great honour' it was to have the US premiere of my film at Lannan, with myself in attendance.
I urge you to visit the Lannan website www.lannan.org. Good people like Michael Ratner, Jeremy Scahill and Glenn Greenwald are shown as participants in discussion about freedom of speech. I am there, too, but my name is the only one with a line through it and the word, 'Cancelled'.
Neither David Barsamian nor I have been given a word of explanation. All my messages to Lannan have gone unanswered; my calls are not returned; my flights were cancelled summarily. At the urging of the New Mexican newspaper, Patrick Lannan has issued a one-sentence statement offering his regrets to the Lannan-supporting 'community' in Santa Fe. Again, he gives no reason for the ban. I have spoken to the manager of the Santa Fe cinema where 'The War You Don't See' was to be screened. He received a late-night call. Again, no reason for the ban was given, giving him barely time to cancel advertising in The New Mexican.
There is a compelling symbol of our extraordinary times in all of this. A rich and powerful individual and organisation, espousing freedom of speech, has moved ruthlessly and unaccountably to crush it.
With warm regards
John Pilger
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♪♫ Iggy & The Stooges - Ballad of Hollis Brown

♪♫ Nina Simone - Ballad of Hollis Brown

Guy Rundle - From Cold war to Cyberwar: Power, the State and the Wikileaks Effect

The first of this years Wednesday Lectures  hosted by Raimond Gaita at Melbourne University (8/06/11)

Forthcoming:
Gaita_60x60
The Wednesday Lectures: Raimond Gaita presents 'Power and Consent'
6:30 pm Wednesday 15 June 2011.
lawbuilding
The Wednesday Lectures: Secrecy, Power and Democracy - Panel Discussion
6:30 pm Wednesday 22 June 2011.
Kevin_Heller
The Wednesday Lectures: Kevin Heller presents 'Can the U.S. Prosecute WikiLeaks for Espionage? Should It?'
6:30 pm Wednesday 29 June 2011.

Rimbaud's Wise Music

Some associations with the name Rimbaud are very familiar: the highly romantic photograph taken a few months after he first settled in Paris, already at 17 the dedicatedly bohemian artist, with his pale blue eyes, distant gaze, thatch of hair, carelessly rumpled clothes; the startling, much interpreted declaration Je est un autre (“I is someone else”); the fact that he produced a masterly, innovative and influential body of poetry while still in his teens; that he stopped writing around age 21 and never went back to it, engaging thereafter in various sometimes mysterious commercial and mystical enterprises in exotic locations, including a period of gun-­running in Africa (and, oddly, an attempt to enlist in the United States Navy).
He died of cancer in a Marseilles hospital in 1891, still young — having in effect compressed what for others would have been a long lifetime of artistic revolution and exotic adventure into just 37 years. A deepened and more detailed acquaintance with the legend does not disappoint: he is one of those exceptional meteoric individuals whose very eruption and subsequent accomplishments remain dazzling and difficult to explain away.
Arthur Rimbaud was born in 1854 in Charleville, in the northeast of France close to the Belgian border, to a sour-tempered, repressively pious mother and a mostly absent soldier father who disappeared for good when Rimbaud was 6. He excelled in school, reading voraciously and retentively and regularly carrying off most of his grade’s year-end academic prizes. Early poems were written not just in French but sometimes in Latin and Greek and included a 60-line ode, dedicated (and sent) to Napoleon III’s young son, and a fanciful rendering of a math assignment.
He had announced in a letter written when he was only 16 that he intended to create an entirely new kind of poetry, written in an entirely new language, through a “rational derangement of all the senses,” and when, not yet 17, he made his first successful escape to Paris, financed by the older poet Paul Verlaine, he came prepared to change the world, or at least literature. He was immediately a colorful figure: the filthy, lice-infested, intermittently bewitching young rebel with large hands and feet, whose mission required scandalizing the conventional-minded and defying moral codes not only through his verse but through his rude, self-destructive and anarchical behavior; the brilliantly skillful and versatile poet not only of the occasional sentimental subject (orphans receiving gifts on New Year’s Day) but also of lovely scatological verse; the child-faced young innovator whose literary development evolved from poem to poem at lightning speed.
In Paris, he became close friends and soon lovers — openly gay behavior being very much a part of his project of self-­exploration and defiance of society — with Verlaine, whose own poetry Rimbaud had already admired from a distance, with its transgression of traditional formal constraints including, shockingly, bridging the caesura in the alexandrine line. (Although this line occurred in Verlaine’s third book, Rimbaud may well also have been familiar with the first, “Poèmes saturniens,” or “Poems Under Saturn,” which was published in 1866 and has recently appeared in a deftly rhymed and metered new translation by Karl Kirchwey that offers it for the first time in English as an integral volume.) Their stormy relationship, which extended into Belgium and England and lasted a surprising length of time, was richly productive literarily on both sides...
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Lydia Davis @'NY Times'

Glenn Greenwald: In a pure coincidence, Gaddafi impeded U.S. oil interests before the war

HA!

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(Thanx David!)

Photo of the Day

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Thousands attend Albertina Sisulu funeral held in South Africa

Why Newt Gingrich’s campaign crashed

US defence chief blasts Europe over Nato

Robert Gates delivers a speech on entitled Reflections on the status and future of the transatlantic alliance, warning that Nato risks 'military irrelevance' unless spending is increased by members other than the US. Photograph: Jason Reed/AFP/Getty Images
The US defence secretary, Robert Gates, has warned that a new post-cold war generation of leaders in America could abandon Nato and 60 years of security guarantees to Europe, exasperated by Europe's failures of political will and the gaps in defence funding needed to keep the alliance alive.
In a blistering attack on Europe - which he accused of complacency over international security - Gates predicted a Nato consigned to "military irrelevance" in a "dim if not dismal" future unless allies stepped up to the plate.
"If current trends in the decline of European defence capabilities are not halted and reversed, future US political leaders - those for whom the cold war was not the formative experience that it was for me - may not consider the return on America's investment in Nato worth the cost," Gates, a former CIA chief, warned.
Three weeks before standing down as Pentagon head and retiring from decades at the heart of the US security establishment, Gates used a 20-minute valedictory speech in Brussels to read the riot act to a stunned elite audience of European officers, diplomats, and officials.
Nato had degenerated into a "two-tiered" alliance of those willing to wage war and those only interested in "talking" and peacekeeping, he fumed in his bluntest warning to the Europeans in nearly five years as the Pentagon head.
Washington's waning commitment to European security could spell the death of the alliance, he said. The speech was laced with exasperation with and contempt for European defence spending cuts, inefficiencies, and botched planning.
The Libya mission was a case in point, Gates said, pointing out that the Anglo-French-led campaign was running out of munitions just weeks into operations against an insubstantial foe. The US had again had to come to the rescue of the Europeans in a campaign on Europe's shores and deemed to be of vital interest to the Europeans, he complained.
"The mightiest military alliance in history is only 11 weeks into an operation against a poorly armed regime in a sparsely populated country. Yet many allies are beginning to run short of munitions, requiring the US, once more, to make up the difference."
In March, all 28 Nato members had voted for the Libya mission, he said. "Less than half have participated, and fewer than a third have been willing to participate in the strike mission … Many of those allies sitting on the sidelines do so not because they do not want to participate, but simply because they can't. The military capabilities simply aren't there."
The air campaign had been designed to mount 300 sorties daily but was struggling to deliver 150, Gates added.
Away from the specifics of the current operations in Libya and Afghanistan, Gates charged Europe's leaders with lacking the political will to sustain Nato, complained bitterly about unending defence budget cuts, but conceded that the reduction in spending was probably irreversible.
The US share of Nato military spending had soared to 75%, much more than during the cold war heyday when Washington maintained hundreds of thousands of US troops across Europe, he said. The US public would not stand for this much longer.
Congress would rebel against spending "increasingly precious funds on behalf of nations apparently willing and eager for American taxpayers to assume the growing security burden left by reductions in European defence budgets", he said.
Noting he was 20 years older than Barack Obama, Gates said his peers' "emotional and historical attachment" to Nato was "ageing out".
"In the past, I've worried openly about Nato turning into a two-tiered alliance, between members who specialise in 'soft' humanitarian, development, peacekeeping, and talking tasks, and those conducting the 'hard' combat missions ... This is no longer a hypothetical worry. We are there today. And it is unacceptable."
Ian Traynor @'The Guardian'

Andy Carvin - Curating The Revolution(s)

Saturday 11 June 2011

Little Feat Live at The Rainbow Theatre London (August 2, 1977)

Lowell George


Walking All Night
Fat Man In The Bathtub
Red Streamliner
Oh Atlanta
All That You Dream
Mercenary Territory
On Your Way Down
Skin It Back
Old Folks Boogie
Rock & Roll Doctor
Cold Cold Cold >
Dixie Chicken >
Tripe Face Boogie (fades out)

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BitTorrent.com and Archive.org Blacklisted as Pirate Sites by Major Advertiser

GroupM, one of the world’s leading advertising companies, has compiled a blacklist of more than 2,000 URLs in an attempt to prevent its clients’ ads from appearing on pirate websites. The blacklist includes many of the usual suspects such as The Pirate Bay and KickassTorrents, but it also features many perfectly legitimate websites including Archive.org and BitTorrent Inc’s site.
blockedGroupM is a leading player in the advertising world, spending several billion dollars buying ads on websites each year. The company represents many top brands worldwide and has more than 17,000 employees and 400 offices.
In keeping with a company of its stature, GroupM is very diligent when it comes to the placement of their clients’ ads. To ensure ‘legit’ advertising placements, this week GroupM introduced a blacklist designed to prevent its clients’ ads from appearing on websites that distribute illegally obtained content.
“We’re serious about combating piracy and protecting our clients’ intellectual property as forcefully as we possibly can,” said GroupM North America CEO Rob Norman in the press release.
“Pirate sites are known to ‘domain hop,’ so we need to keep on top of the latest list of identified offenders as best as we possibly can in order to enforce this new policy to its fullest effect,” Norman added.
Indeed, companies that maintain a blacklist have to be on top of it, and compile the list with the utmost care. The last thing they want is to miss a potential pirate site, or indeed the opposite – include websites that don’t offer or link to unauthorized downloads at all.
GroupM was kind enough to share the full list of 2279 domains with TorrentFreak, so we could see for ourselves how accurate their list is. As we suspected, there’s still a lot of work to do for the advertising giant.
Among the ‘pirate’ websites that are currently listed we find the non-profit digital library Archive.org, which isn’t particularly known for offloading warez. Also listed is the website of BitTorrent Inc., the San Francisco based company which only offers its own software for download.
Neither of the above sites carry advertising at the moment, which limits the effects of the blacklist, but they are undoubtedly unhappy being branded as pirates.
“BitTorrent is simply a technology company that enables people to efficiently move large files over the Internet. We don’t distribute unauthorized content, though we do work with many independent artists to help distribute their works,” BitTorrent Inc’s Senior Director of Marketing Allison Wagda told TorrentFreak.
Aside from Archive.org and BitTorrent.com there are various other websites in the list which don’t offer or even link to copyrighted material. The file-sharing clients Frostwire, Emule, BitTornado, SoulSeek and Acquisition for example, the IRC client mIRC and the ‘legal’ torrent search engines Mininova, Publicdomaintorrents and YouTorrent.com.
Other websites that are not directly linked to piracy are the Russian Facebook Vkontakte, the video portal Suprnova.org and the Linux distro site Tuxdistro.com.
And then there are many file-hosting services such as RapidShare, YouSendit and the late Drop.io that are in the grey area to say the least. All are banned from serving ads. Those who take a good look at the list will see many websites that are not necessarily linked to copyright infringement, but are included nonetheless.
GroupM’s failed effort to compile a completely accurate anti-piracy blacklist once again shows the problem with these types of censorship; the collateral damage. Although one can certainly make a case for blocking many of the listed sites, it also puts several obviously non-infringing sites in the same corner.
Although there are problems, rather than hide behind a veil of secrecy, GroupM has been bold enough to allow their list into the open, a level of transparency rarely seen in these instances. GroupM was asked to comment on our findings, and we will add their response to the article when it comes in.
The Blacklist
Ernesto @'Torrent Freak'
Very interesting! As a point of reference in the two and a half years of doing this blog (all 13,800 posts,) I have only received a handful of DMCA takedown notices and most have been for links to legal downloads at the archive...

Faust's Jean-Hervé Péron wearing his 'Exile' badge

(Click to enlarge)
(Top) J-PH wearing his 'Exile' badge that I gave to him this afternoon at the chat put on at 3RRR.
(Bottom) Occasional 'Exile' photographer TimN with J-PH.
(Photos: Mona Street)
(BIG thank you for 'Rund ist schön ist rund...')

Faust (Melbourne 10/06/11)

(Click to enlarge)
Photos by 
Gennady Revzin
(BIG thanx!)