thinq_, unfortunally you have been trolled. Ryan clearly had no intention to do anything for Anonymous... EVER, he was only ever here to boost his own ego. There is no "leadership", Ryan seems to be mistaking "leadership" with people who actually get of their ass and do stuff (and not just treating other users with contempt). To add further to the point of "leadership", network staff have a hard enough time trying to keep the network functional and stable, let alone leading a PR campaign.
Ryan talks about how he wanted to show how insecure AnonOps was, and yet he was an oper (Network admin) for over 5 months. You would of thought he would have bolstered security if he considered it inadequate. He talks about the "incompetence" of other opers, but it would appear this is merely a distraction from his own shortfalls.
Moving onto the database of leaked IP's. Ryan had been a network administrator on AnonOps since december (going under the name of V), since that time he had achieved a level of trust. It's this trust he exploited. There was no wholesale lapse in security, or critical vulnerability. As with many things its just the human element coming into play. It would be no different from a disillusioned employee releasing the photocopies after the christmas party. Embarassing, yes - catastrophic, no. As seen in recent copywrong cases, an IP doesn't equal a person, in the same way a blurry photocopy of someones ass is unlikely to prove who they are.
Finally, AnonOps is hoping to get some basic functionality within the next 12 hours.
P.S: Also names from the original post are removed as they were only added to be some "proof" of authenticity (users may have done !staff and seen one or more of these names), as without a formalized blog/bulletin, there is was no easy was to make users aware of the seriousness of the message. Seeing as it's now established that news will be here for the time being, this is no longer necessary
P.P.S: Should *.anonops.in stop resolving then further news will be on anonops.li
Tuesday 10 May 2011
Pakistani media 'name' CIA station chief in Islamabad
A Pakistani soldier patrols a street near the Abbottabad compound where Osama bin Laden was killed. Photograph: Asif Hassan/AFP/Getty Images Fresh tension has erupted between the CIA and Pakistani intelligence after several Pakistani media outlets published the alleged name of the CIA station chief in Islamabad.
Two senior Pakistani officials said the name published, Mark Carlton, was incorrect, but one said it was similar to the real one.
Despite the inaccuracy, publication of the name was seen as a sign of worsening relations between the two spy agencies a week after the death of Osama bin Laden in a garrison town north of Islamabad.
The CIA chief, Leon Panetta, said last week that he did not warn Pakistan's Inter-Services Intelligence (ISI) about the raid because he feared the information could leak in advance, prompting furious ISI denials of complicity.
Publication of an American spy's name caused friction between the two agencies six months ago.
The previous station chief, Jonathan Banks, was identified in court papers and the media in December, causing him to leave Pakistan immediately. Some US officials blamed the ISI for the leak.
This time, the name was published by the private television station Ary One on Friday, then reprinted in the rightwing Nation newspaper on Saturday.
According to reports, "Mark Carlton" was given an angry reprimand by the ISI chief, General Shuja Pasha, over the operation to kill Bin Laden.
The published name sounded similar to the real one, a senior Pakistani official said, suggesting the leak had come from a lower-level ISI source rather from than the top.
"It sounds similar. Mike can be misheard as Mark," he said. "It sounds like something someone misheard in the corridor, perhaps someone who is ideological or not very well educated."
The official declined to give the real name. US media did not report the incorrect name, saying that the information remained classified under US law.
A senior ISI official said the agency did not release the name. "If you're asking, no we didn't," he said. Asked about the state of relations with the CIA, he declined to comment.
Declan Walsh @'The Guardian'
ggreenwald Glenn Greenwald
Reasons we don't know what happened with OBL killing/legality: (1) http://is.gd/zgxAub (2) http://is.gd/0a7Xmi (3) http://is.gd/8UqgYi
Audio battlefield would prepare troops for combat or a typical Slayer concert
Ever wondered how well playing Call of Duty at maximum volume mimics a real combat experience? Researchers at the Missouri University of Science and Technology must have asked a similar question, because they've built a 64-speaker surround-sound audio battlefield designed to train new troops. The system reproduces screaming fighter jets, rumbling tanks, and persistent gunfire -- all the better to accommodate recruits to the overwhelming, disorienting cacophony of warfare. Veterans say even with the four large 20-hertz subwoofers, it's nowhere near the real thing: combat volume is 25 percent louder than the average rock concert, at levels that can cause permanent hearing loss. Still, the creators say every bit of training helps; having near-combat experience is certainly better than none at all. So tell that to your neighbors next time they bang on your wall.Jesse Hicks @'engadget'
Monday 9 May 2011
evgenymorozov Evgeny Morozov
re #netfredom: "the free flow doctrine...no longer presents itself as a legitimate element in global media policy" http://goo.gl/ZCEMU [pdf]
Trevor Brown's stolen art for sale : unexpected epilogue!
I will return your works “Trevor Brown 1984-1993″.read this post first
Please return your address to my e-mail address
I am still sick but I’ve heard my friend KIKUTI said to me
“Trevor want to return his works”.
it’s taken a while (17 years?) but today i got my artwork back! (minus several colour photos but nothing to cry about) - i guess i’m happy, particularly in the knowledge someone can no longer be tempted to impart a stupid amount of money for it - the actual art was mostly printed in “temple of blasphemy”, as i said - tho there are a number of drawings unpublished/unseen for decades (including a self-portrait!) - i’ll celebrate it’s return by posting a few here (before throwing it all in the trash!)
no, not me! - it’s an unused gg allin 7″ cover - i was told i drew him “too nice” (?) - my logo design for the label used instead
MORE
@'baby art blog'
SBTRKT - Wildfire (download)
Download ‘Wildfire’ ft.Yukimi Nagano (Little Dragon) by SBTRKT. Taken from the album ‘SBTRKT’ released June 28, 2011 on Young Turks.
Finally debut Album from our fav.artist SBTRKT
Tracklist
1 Heatwave
2 Hold On
3 Wildfire
4 Sanctuary
5 Trials Of The Past
6 Pharaohs
7 Something Goes Right
8 Right Thing To Do
9 Ready Set Loop
10 Never Never
11 Go Bang
@'Extra Music New'
Mosques, Churches, and Synagogues Made From Bullets and Guns
Al Farrow’s New Reliquaries are currently exhibited at the Catherine Clark Gallery in San Francisco, including his most recent and ambitious work Bombed Mosque, a meticulously detailed, 780-pound sculpture composed from 50,000 bullets.
Via
Threads - Nuclear War (1984)
Threads is a 1984 television docudrama depicting the effects of a nuclear war on the United Kingdom and its aftermath. Written by Barry Hines and directed by Mick Jackson, Threads was filmed in late 1983 and early 1984. The premise of Threads was to hypothesize the effects of a nuclear war on the United Kingdom after an exchange between the Soviet Union and the United States escalates to include the UK.(Thanx DJ Pigg!)
Love Is the Devil: Study for a Portrait of Francis Bacon (1998)
Love Is the Devil: Study for a Portrait of Francis Bacon is a 1998 film made for television by the British Broadcasting Corporation (BBC). It was written and directed by John Maybury and stars Derek Jacobi, Daniel Craig, and Tilda Swinton.
A biography of Anglo-Irish painter Francis Bacon (Jacobi), it concentrates on his strained relationship with George Dyer (Craig), a small time thief. The film draws heavily on the authorised biography of Bacon, The Gilded Gutter Life of Francis Bacon by Daniel Farson, and is dedicated to him.
The film won three awards at the Edinburgh International Film Festival: Best New British Feature (director John Maybury) and two Best British Performance awards, one for Jacobi and the other for future James Bond actor Craig. The film was also screened in the Un Certain Regard section at the 1998 Cannes Film Festival.
(Wiki)
Breathless : Classic (ABC At The Movies w/ David Stratton & Margaret Pomeranz)
Review by Margaret Pomeranz
This week's classic is BREATHLESS. Michel Poiccard, JEAN-PAUL BELMONDO, a petty criminal, steals a car in a coastal town and finds a gun in the glove compartment. He shoots a policeman who stops him en route. In Paris he tries to get hold of some money while resuming his relationship with Patricia, JEAN SEBERG, an American who sells copies of the Herald Tribune on the Champs Elysses.Arguably, Jean-Luc Godard's A BOUT DE SOUFFLE, made in 1959, was the most original first feature since CITIZEN KANE or THE NIGHT OF THE HUNTER. Godard was one of a group of French cinephiles, a group that included Francois Truffaut, Claude Chabrol and Eric Rohmer, who had all written about film in the magazine Cahiers du Cinema. Godard himself said that with BREATHLESS he referenced scenes from the Hollywood films he admired - from directors like Samuel Fuller, Nicholas Ray, Otto Preminger and George Cukor.
Belmondo's amoral crim is patently inspired by Humphrey Bogart, while Jean Seberg was cast in what Godard claimed was a continuation of her role in Preminger's BONJOUR TRISTESSE. Godard threw out the rule book with this film; his characters break the fourth wall and address the camera, there are jump cuts, controlled hand-held camera: the director was taking the familiar story from a Hollywood B movie and filming it as though the cinema had just been invented - he even dedicates the film to Monogram Pictures, the lowest of Hollywood's poverty row studios. Banned in Australia for years because of its alleged immorality, BREATHLESS is an astonishing film - rough, abrasive, seemingly improvised and casual - it still radiates a strange charm thanks to the magnetism of Belmondo and Seberg. Jean-Pierre Melville, who plays Parvelscu, the visiting intellectual interviewed by Patricia, was a French director influenced by Hollywood thrillers and much admired by the New Wave directors.
BREATHLESS took my breath away when I saw it in London in 1961; when I arrived in Australia and found it was banned here I became a rebel with a cause.
DAVID: Margaret?
MARGARET: It's unbelievable. If ever there is an argument against censorship it's this film being banned.
DAVID: Well, it was criminal.
MARGARET: For goodness sake really.
DAVID: It was criminal because this was the film that changed cinema.
MARGARET: Well...
DAVID: And a whole generation of Australian filmgoers couldn't see it.
MARGARET: Yes. Yes. I saw it many, many years later and I revisited it again recently and it's interesting looking at it again and thinking that, in 1959 it was - it took everybody's breath away. It's almost like a feral film in a lot of ways. It's sort of like he's constantly making phone calls to no avail. He's constantly buying newspapers. He's stealing cars. The number of cars in that film is just unbelievable. Usually they're American tanks. It's sort of like it's bizarre. That bedroom scene between the two of them, where they talk about nothing for at least 25 minutes, it's absolutely bizarre and wonderful and you can see...
DAVID: But it's so charismatic.
MARGARET: Yes.
DAVID: Yes.
MARGARET: But the way it's shot too. The way it embraces the streets of Paris and Raoul Coutard, who shot it, said that they never had permission for any of the stuff they shot on the streets of Paris.
DAVID: No.
MARGARET: It was really bushranger filmmaking.
DAVID: Yes, absolutely. Yes.
MARGARET: And obviously low budget but full of some strange joie de vivre. I don't know and anarchy and, oh, it's wonderful. It's wonderful.
DAVID: Yes. Well, it certainly changed my film-going life.
@'ABC'
List of films still banned in Australia
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