Friday, 29 April 2011

Word cloud and Word document for 2011 White Paper on National Defense

White Paper National Defense 2011
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Twitter Ordered to Hand Over Personal Details of UK Politician’s Account

DJ echochorus - How I Ended This Summer Mix

Tracklist:
01 relapxych.0 – city nightlight II
02 relapxych.0 – ripples on the surface of time
03 bvdub – different place
04 bvdub – nothing you can say
05 skyscraper – shaping the sky
06 cv313 – beyond the clouds
07 bvdub – i knew you then
08 hallucinator – hallucinator
09 the orb – baghdad batteries
10 bvdub – a silent reign
11 bvdub – isolation’s embrace

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Thursday, 28 April 2011

Guantanamo's Child Soldiers

Policy Files: Operation Enduring Freedom and Operation Noble Eagle

OEF ONE SCF

This 47-page document, published on March 28, 2002, "provides instructions and guidance on the classification of information involved in Operation Enduring Freedom and Operation Noble Eagle," the former being "the war on terrorism outside the United States," and the latter referring to "US military operations in support of homeland defense and civil support to federal, state and local agencies in the United States." As such, it provides exhaustive lists of what the classification procedures are for a vast range of eventualities.
Download the PDF file 

@'WikiLeaks'
Charlie Connelly
I refuse to accept this wedding is a 'fairytale' until the Archbishop of Canterbury is eaten by a wolf wearing a lace cap and shawl.

ROFL!!!


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Adam Bienkov
Sleeping rough before protesting against the govt: illegal and wrong. Sleeping rough before bowing your head to the Royals: a patriotic duty

WikiLeaks: The Guantánamo files database

The Mark of Cain (A documentary by Alix Lambert about the culture of Russian prison tattoos)


The Mark of Cain documents the fading art form and language of Russian criminal tattoos, formerly a forbidden topic in Russia. The now vanishing practice is seen as reflecting the transition of the broader Russian society. Filmed in some of Russia;s most notorious prisons, including the fabled White Swan, the interviews with prisoners, guards, and criminologists reveal the secret language of The Zone and The Code of Thieve.
The prisoners of the Stalinist Gulag, or "Zone," as it is called, developed a complex social structure (documented as early as the 1920s) that incorporated highly symbolic tattooing as a mark of rank. The existence of these inmates at prisons and forced labor camps was treated by the state as a deeply-kept secret. In the 1990s, Russia's prison population exploded, with overcrowding among the worst in the world. Some estimates suggest that in the last generation over thirty million of Russia's inmates have had tattoos even though the process is illegal inside Russian prisons.
The Mark of Cain examines every aspect of the tattooing, from the actual creation of the tattoo ink, interviews with the tattooers and soberly looks at the double-edged sword of prison tattoos. In many ways, they were needed to survive brutal Russian prisons, but mark the prisoner for life, which complicates any readmission to normal society they may have. Tattoos expressly identify what the convict has been convicted of, how many prisons he;s been in and what kind of criminal he is. Tattoos, essentially, tell you everything you need to know about that person without ever asking. Each tattoo represents a variety of things; cupolas on churches represent the number of convictions a convict has, epaulets tattooed on shoulders represent the rank of the individual in the crime world and so on and so forth.
The unflinching look at the Russian prison system is slowly woven into the film. Cells meant to hold 15 hold 35 to 45 men. Drug resistant tuberculosis runs rampant through the prison populations and prisoners are served three meals a day of watery slop. There are allegations of brutality by the guards. As these men deal with pestilence, violence and grossly substandard living conditions, the prison guards and administration put on a talent show.
The film served as source material for David Cronenberg's 2007 dramatic movie, Eastern Promises. He commented, "This is a very courageous documentary on the tattooing subculture in Russian prisons. I don't know how it ever got made, but it's beautiful, scary, and heartbreaking."
(Wiki)
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Saw this when it was on SBS many years ago. Starting at 11:47 check out the work of Aleksander Borisov, one of the most amazing tattooists ever...

Group passes on $500k-plus to WikiLeaks

Brains of Buddhist monks scanned in meditation study

Gitmo, Wikileaks and a window on tyranny

Why We Need An Open Wireless Movement

Morrissey on the Royals

Fervent anti-Royalist Morrissey, whose swan song masterpiece in The Smiths was entitled The Queen Is Dead, has taken the impending Royal Wedding to lash out at the British monarchy.  Morrissey used an interview on BBC Radio 5 yesterday to dub the Royal Family as dole bludgers, accusing them of being ‘benefit scroungers’.
Morrissey questioned an interviewer who asked him if he’d be amongst the estimated two billion people watching the ceremony globally. “Why would I watch the wedding? Why would I watch it? I couldn’t take any of that seriously. I don’t think the so-called royal family speak for England now and I don’t think England needs them. I do seriously believe that they are benefit scroungers and nothing else. I don’t believe they serve any purpose whatsoever.”
Warming up to his topic, he added: “The press reports from Buckingham Palace tell you that people love them, but go out now and speak to people on the street and they will laugh at you. They really will.” Morrissey once fantasised in ‘The Queen is Dead’ back in the 1980s of breaking in to Buckingham Palace armed with just a “sponge and a rusty spanner”. His hatred of the Queen extended to her son Charles, Prince William’s old man, suggesting that he’d like to “appear on the front of the Daily Mail, dressed in your mother’s bridal veil.”
As recently as a few years ago he said of William’s Dad “The very idea of Charles being King is laughable. You might as well say that Ronnie Corbett will be king one day. I think that would give people more pleasure.” Clearly nothing has changed.
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♪♫ Nostalgia 77 - Simmerdown (feat. Josa Peit)

HA!

Dominic Knight
I will shortly be releasing the Certificate of Inauthenticity for Donald Trump's wig.

The Story Of This Is The Sea: An Interview With Mike Scott Of The Waterboys

You only had to take one look at Mike Scott in the early 1980s to know that he was born to write. His carefully cultivated appearance – long dark overcoat with collar turned up to the wind, shoulder length hair only a shampoo away from Bob Geldof's unkempt mop and tucked away beneath a Greek fisherman's cap – gave him the look of a poet, conveying an earnest, literary image no doubt enhanced by his study of English literature in his native Edinburgh. Like Morrissey, who formed The Smiths around much the same time as The Waterboys were born, Scott was a bookish romantic and also a product of punk culture: while Morrissey was running the New York Dolls fan club, Scott was publishing a fanzine, Jungleland. But unlike Morrissey, Scott wasn't immersed in the kitchen sink culture of 1950s England encapsulated by Alan Sillitoe, and neither did he write of gritty streets and the day-to-day minutiae of dreary disappointment. Instead he buried himself in the work of William Butler Yeats, Robbie Burns and William Blake, dreaming of "unicorns and cannonballs, palaces and piers / Trumpets, towers and tenements, wide oceans full of tears". Scott sought to give voice to a sense of the epic rather than the prosaic, almost guitar music's polar opposite of The Smiths, and he wasn't alone: U2 had made tentative steps towards grand themes on their early releases just as The Waterboys had on their first two impressive but nonetheless mildly technologically hamstrung albums. By 1985, however, the year that their third album, This Is The Sea, emerged, Scott had perfected a concept that The Unforgettable Fire, a year earlier, could only aspire to, a sound that rapidly became known as 'The Big Music'.
It took its name from a Waterboys song, the first single to be released from their second album, A Pagan Place. Though metaphorical in intent, its lyrics applied perfectly to the scale and grandeur with which Scott was beginning to carve his style: "I have heard the big music," he sang, "and I'll never be the same… I have climbed the big tree, touched the big sky / I just stuck my hand up in the air / and everything came into colour / Like jazz manna from sweet, sweet chariots". The album, however, was less successful at creating this sense of sweet euphoria: though its aim was ambitious – something to which opener 'A Church Not Made With Hands' and the mournful 'The Thrill Is Gone' testify, not to mention the eight minute waltz of 'Red Army Blues' – its reach sometimes fell somewhere short of Scott's target, partially due to the claustrophobic sound, a result of the fact that some of its tracks were little more than glorified demos. But that was, as Scott would have it, the river, and now he was looking to further, wider horizons: to the sea. With its follow up, Scott wasn't going to make the same mistake again...
 Continue reading
Wyndham Wallace @'The Quietus'

WSB

(Click to enlarge)

Crash

Available
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Josh Homme & Alain Johannes - Aqua Unit Patrol Squad One Theme

Arabic Calligraffiti: How Calligraphy Found Its Way Into Urban Arts

(Preview)

The 'carnival barker' speaks...

...#bellend

Glenn Greenwald: FBI serves Grand Jury subpoena likely relating to WikiLeaks

Steadman's unused Fear & Loathing title

Video from 1998 shows artist Ralph Steadman at work on the title treatment for the film Fear and Loathing in Las Vegas. This version ultimately wasn't used.
HERE
Birgitta Jónsdóttir
I'm sure could use some mail. Write directly to: Bradley Manning 89289 ~ 830 Sabalu Road ~ Fort Leavenworth, KS 66027 USA

Chicago Odense Ensemble - Soup

A Lack of Crackers


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Dub FX, CAde, Pete Philly & Mr. Woodnote - Supernova Pilot

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William S Burroughs on trial for corrupting Turkish morality

The Istanbul Prosecutor’s Office has opened an investigation into a book written by internationally renowned author William S. Burroughs. It was translated and published by Sel Publishing House in January.
The court referred to a report written by the Prime Ministry’s Council for Protecting Minors from Explicit Publications that accused the novel, “The Soft Machine,” of “incompliance with moral norms” and “hurting people’s moral feelings.” Sel Publishing issued a press release that included parts of their testimony in the court.
“It is impossible to understand the insistence in sending books written and published for adults to councils that specialize in minors. If we consider things from this perspective, then dozens of such reports could be written about TV channels, newscasts and thousands of books,” read the testimony given by the publishing house.
The testimony also argued that the Prime Ministry’s council had no credentials in literature, aesthetics or translation, thus causing what the representatives of the publishing house called a “freakish” decision by the council.
The council also accused the novel of “lacking unity in its subject matter,” “incompliance with narrative unity,” for “using slang and colloquial terms” and “the application of a fragmented narrative style,” while claiming that Burroughs’s book contained unrealistic interpretations that were neither personal nor objective by giving examples from the lifestyles of historical and mythological figures. None of the above, argued the publishing house, constitutes a criminal act.
The council went further and said, “The book does not constitute a literary piece of work in its current condition,” adding it would add nothing new to the reader’s reservoir of knowledge, and argued the book developed “attitudes that were permissive to crime by concentrating on the banal, vulgar and weak attributes of humanity.”
The representatives of the publishing house responded to these charges. “Just as no writer is under any special obligation to highlight humanity’s fair attributes under every circumstance, the measure of whether a book has any literary value or not, and the judge of what the book may add to the reader’s reservoir of knowledge, is not an official state institution, but the reader himself,” they said.
“Once again, societies comprised of modern, creative and inquisitive individuals are formed by reading and being exposed to literary texts and works of art that can be considered as the most extreme examples of their kind,” further asserted the defendants’ statement.
The testimony also invited members of the council to conduct “a simple Internet research” about the writer, and learn about the fact that Burroughs was one of the pioneers the “Beat Generation” that rebelled against the stagnant morality of the middle class in post-World War II America. The testimony also drew attention to the fact that the “cut-up” technique used in the book was once heralded as a great novelty among literary circles.
“Through this technique, Burroughs runs counter, not just to entrenched attitudes in people’s lifestyles but also in contradiction to [older] literary techniques. That being the case and since the aim of the book itself is to push boundaries, it is clearly absurd to search for criminal elements in the book by suggesting that the book does not conform with social norms,” further stated the press release.
“Moreover, it is also meaningless to expect William S. Burroughs, who was not raised in accordance with the National Education Law, or as an individual who ‘identifies with the national, moral, humanitarian, material and spiritual cultural values of Turkish society, and who always tries to exalt his family, country and nation,’ to have produced a text within this framework,” read the testimony. “It is clear and obvious that this case carries no weight nor any respectability outside of the borders of our country.”
“We demand an end to investigations that constrain our activities and the prosecution of books for any reason whatsoever,” concluded the statement.
@'Hurriyet Daily News'

Wednesday, 27 April 2011

ABC forced to pull Chaser wedding coverage

Just two days before Prince William and Kate Middleton are due to tie the knot, ABC TV has been forced to cancel The Chaser's one-off live coverage of the event due to what it says are restrictions imposed by the royal family.
The Chaser's Royal Wedding Commentary was due to air on ABC2 from 7:00pm AEST on Friday, offering viewers a satirical take on the royal wedding.
But now the live special - promised to be "uninformed and unconstitutional" - has been reluctantly pulled due to restrictions imposed over the Easter break.
ABC TV was initially advised by the BBC, and subsequently by Associated Press Television News (APTN), there were no coverage restrictions that would prevent The Chaser's wedding commentary.
But new conditions of use issued by APTN over the Easter break state footage cannot be used "in any drama, comedy, satirical or similar entertainment program or content".
ABC TV director Kim Dalton says he is disappointed.
"The national broadcaster has acted in good faith in its negotiations around ABC2's planned coverage with both the BBC and APTN," he said.
"We're surprised and disappointed at this very late stage to be informed that any satirical or comedic treatment of the marriage of Australia's future head of state has been banned."
As late as this morning the BBC issued a new contract imposing additional restrictions on the use of its material.
"ABC TV had always planned to take the BBC's full coverage with commentary on ABC1, however, like other broadcasters, we thought Australians would appreciate an alternative take on this major event," Mr Dalton said.
"The Nine Network has Dame Edna giving her commentary and the Ten Network has the 7PM Project taking a light-hearted approach to the royal wedding.
"Our obvious choice for a light-hearted commentary is The Chaser team. Clearly, the BBC and Clarence House have decided The Chaser aren't acceptable."
The Chaser's Julian Morrow says the team accepts the ABC has been put in an "impossible position by people acting on behalf of the royal family".
"For a monarchy to be issuing decrees about how the media should cover them seems quite out of keeping with modern democratic times... but I suppose that's exactly what the monarchy is," he said.
"It's traditional for the condemned to appeal to the monarch for a stay of execution, so that's what we're going to do.
"Unfortunately it's also traditional for people who appeal for clemency to be executed."
Morrow says the move goes against free speech.
"It seems a bit crazy for the royal family to be trying to dictate the way they get represented in the media," he said.
"It seems a bit out of step with a modern democracy, but I suppose royalty is out of step with a modern democracy, so there you go."
The Chaser's Chris Taylor says it is an "honour" to be taken off air by the Queen herself.
The APTN advisory says the restrictions on the coverage of the wedding ceremony from Westminster Abbey have been agreed between Clarence House, the private office of the Prince of Wales, and the BBC.
According to the advisory, restrictions apply to the "period from the arrival of the first member of the royal family for the wedding service until the last member of the royal family leaves the main entrance of Westminster Abbey following the conclusion of the wedding service".
ABC1 will still be taking the BBC coverage of the wedding, including its commentary, and ABC News and ABC News 24's coverage will not be affected by the ban on ABC2 usage.
@'ABC'
Australian Republic NOW!!!

End of story?

In 2008, in response to media inquiries, the President’s campaign requested his birth certificate from the state of Hawaii. The state sent the campaign the President’s birth certificate, the same legal documentation provided to all Hawaiians as proof of birth in state, and the campaign immediately posted it on the internet. That birth certificate can be seen here (PDF).
When any citizen born in Hawaii requests their birth certificate, they receive exactly what the President received. In fact, the document posted on the campaign website is what Hawaiians use to get a driver’s license from the state and the document recognized by the Federal Government and the courts for all legal purposes. That’s because it is the birth certificate. This is not and should not be an open question.
The President believed the distraction over his birth certificate wasn’t good for the country. It may have been good politics and good TV, but it was bad for the American people and distracting from the many challenges we face as a country. Therefore, the President directed his counsel to review the legal authority for seeking access to the long form certificate and to request on that basis that the Hawaii State Department of Health make an exception to release a copy of his long form birth certificate. They granted that exception in part because of the tremendous volume of requests they had been getting. President Barack Obama's long form birth certificate can be seen here (PDF):
Correspondence with the Hawaii State Department of Health can be seen here (PDF).
At a time of great consequence for this country – when we should be debating how we win the future, reduce our deficit, deal with high gas prices, and bring stability to the Middle East, Washington, DC, was once again distracted by a fake issue.  The President’s hope is that with this step, we can move on to debating the bigger issues that matter to the American people and the future of the country.
Dan Pfeiffer @'The White House Blog'

Bread and fugn circuses! (GB2011)

Journalisted
Past 24hrs: 20 articles on the leaked Guantanamo files vs. 70 articles on Prince William

Petraeus 'next head of CIA', Panetta to lead Pentagon

Arnold returns to 'Terminator.' Is it a good idea?

♪♫ Tindersticks - Black Smoke

A MUST READ!

My father, the hero

Robert Fisk: If the rumours and conspiracies are true, then President Assad's regime is on the road to civil war

James Ball
is much like a zombie film: one by one your friends succumb, and you have to attack them with a pitchfork.

Jimmy Carter's blog from North Korea

I am pleased to be back in Pyongyang on my third visit to North Korea. It’s a privilege to be able to visit a place that is quite mysterious to most people – and this time I am here with three of my fellow Elders – Mary Robinson, Gro Brundtland and Martti Ahtisaari.
Gro has been here before and we have been recalling our previous visits. She was here in 2001 as Director General of the World Health Organisation and will be taking particular interest in our planned visits to a hospital and to better understand food issues here.
I was here last year to negotiate the release of a US citizen – and before that in 1994, when Kim Il Sung – known here as the Eternal President – was still alive. At that time, North Korea’s nuclear programme was in its infancy. On a memorable six hour boat trip, I discussed nuclear and security issues with Kim Il Sung who agreed to freeze his nuclear programme. He was very warm and friendly towards my wife Rosalynn and me. Keep in mind that our countries were (and still are) officially at war, with a ceasefire prevailing.
Sadly he died shortly afterwards, and his son Kim Jong Il succeeded him as leader. Kim Jong Il pledged to honor his father’s commitments and continued his father’s policy, and in October 1994 North Korea and the US adopted a Framework Agreement which committed North Korea to denuclearisation.
Kim Jong Il also agreed to take part in a summit meeting with the then President of South Korea, Kim Dae Jung whose “Sunshine policy” was very helpful in building better relations. This kind of people-to-people contact is vital in trying to encourage dialogue and build sufficient confidence and trust between former enemies to allow them to reach lasting peace.
Since then – relations have gone up and down between North and South Korea but they are currently at rock bottom. There is no official dialogue on the key issues that divide the two countries, tensions are very high, and the US, as South Korea’s key ally, also refuses to engage directly with North Korea. Also, neither the US nor South Korea is at this time willing to assist with the desperate food shortage in North Korea.
We are hearing consistently throughout our busy schedule here in Pyongyang that the North wants to improve relations with America and is prepared to talk without preconditions to both the US and South Korea on any subject. The sticking point – and it’s a big one – is that they won’t give up their nuclear programme without some kind of security guarantee from the US.
We will be working hard in our few days in Pyongyang to learn as much as we can about the North Korean position. I hope we will be able to return to the US and Europe with a positive and constructive message. We have been told that our visit here is seen as helpful in establishing a positive atmosphere and that the people in both North and South expect a lot from us.
It is to my mind a tragedy that, more than 60 years after the Armistice that ended the Korean War, North and South Korea have not signed a peace treaty. My country, the United States, is South Korea’s guarantor, which creates enormous anxiety among the North Korean people and drains their political energy and resources.
I hope that this visit by the Elders will help North Korea become less mysterious to outsiders and that we can provide a glimpse of the country’s development ambitions as well as the serious challenges it faces.
In order to succeed we will all need to work together – especially the United States and South Korea. The warmth with which I am always greeted in Pyongyang makes me hopeful that our nations can, with political will on all sides, find peace at last.
@'The Elders'