Wednesday 16 March 2011

David Steven
The irony of the CIA benefiting from sharia law

CIA man free after 'blood money' payment 

Quietus Mix 16: Grinderman's Jim Sclavunos' Moanin' At Midnight


'You can hear Bradley Manning coming because of the chains'

Cat's Eyes with Luke Tristram - When My Baby Comes

 

♪♫ Warren G feat. Nate Dogg - Regulate



RIP NATE DOGG

Nate Dogg RIP

     

How to grow up in Long Beach

♪♫ Burial/Four Tet/Thom Yorke - Ego/Mirror


exiledsurfer
I am tired of orange jumpsuits being the new black, and the designers who made them fashionable.

A Brief History of Title Design


(Thanx Stan!)

Radiation fears prompt Tokyo exodus

Last Defense at Troubled Reactors: 50 Japanese Workers

How would a meltdown happen?

Tweeting in Japan: The Good, the Bad, and the Panicked

Interview: David Johansen

During his 40-plus-year-career, David Johansen has made a name for himself as a sleazy rocker with a taste for lipstick in New York Dolls, as well as the suave, campy crooner Buster Poindexter, whose dark-horse hit in the late ’80s, “Hot Hot Hot,” quickly overshadowed the mighty rush and roar of the Dolls. But not for long: The glammy proto-punk band has enjoyed an ever-increasing rise in critical recognition and popularity over the past few years, culminating in a full-blown Dolls reformation in 2005. The band—featuring the only surviving original members, Johansen and guitarist Sylvain Sylvain—recorded the inevitable comeback album in 2007.
What wasn’t inevitable was how good the comeback was. While not on par with the raunchy snarl of the Dolls’ pair of classic studio albums from the early ’70s, the new disc, One Day It Will Please Us To Remember Even This, was a respectable addition to the catalog of a band that always prided itself on disrespectability. Johansen and Sylvain reconnected with Todd Rundgren, the producer of the Dolls’ 1973 debut, for 2007’s Cause I Sez So, another raw batch of retro-rock that was hastily written, quickly recorded, and sounds like it—in other words, it’s an exhibition of the kind of trashy urgency that made the Dolls so revolutionary in the first place.
But with the group’s third post-reunion album—and fifth overall—Dancing Backward In High Heels, Johansen takes a different direction. With the help of Jason Hill (former frontman of Louis XIV and best known for his production work for The Killers), Dancing Backward is a shimmery, reverb-soaked album that evokes just about every era of Johansen’s career—not to mention ’60s girl groups and a reworked version of the disco-ish “Funky But Chic,” originally released on his self-titled 1978 solo debut. But as Johansen tells The A.V. Club, looking to the past is something that’s as painful as it is inescapable—not to mention occasionally funny...
 Continue reading
Jason Heller @'A.V. Club'

Bradley Manning's military doctors accused over treatment

Benkler argues against prosecution of WikiLeaks, detailing government and news media "overreaction"

Harvard Law Professor Yochai Benkler ’94 has released an article detailing U.S. government and news media censorship of WikiLeaks after the organization released the Afghan War Diary, the Iraq War Logs, and U.S. State department diplomatic cables in 2010. Among his key conclusions: The government overstated and overreacted to the WikiLeaks documents, and the mainstream news media followed suit by engaging in self-censorship. Benkler argues further that there is no sound Constitutional basis for a criminal prosecution of WikiLeaks or its leader, Julian Assange.
Benkler, the Berkman Professor of Entrepreneurial Legal Studies at Harvard Law School and faculty co-director of the Berkman Center, argues that WikiLeaks’ freedom of expression is protected by the First Amendment and should not be treated differently from that of traditional news media. A working draft of his article, which will be published in the Harvard Civil Rights-Civil Liberties Law Review, can be found here.
Below, Benkler answers questions from June Wu for the publication Harvard Law Today.
Q: What did you set out to investigate?
A: The article essentially does two things. The first is to explain why WikiLeaks is essentially the Pentagon Papers case of the 21st century: a core journalistic release of material coming under attack. As a matter of First Amendment limitations, you can’t distinguish Wikileaks from the New York Times along any dimension that is constitutionally relevant. The second is to offer a case study of the difficult but important relationship between the new, networked media and traditional media that is coming to characterize the new media environment.
Q: How would you describe government and media response to WikiLeaks?
A: I think once you actually look at the facts carefully, the government and media vastly overreacted and overstated dramatically the extent of the actual threat of WikiLeaks. One of the things I did was an analysis of all the news stories at the time of the embassy cables release. About two-thirds of news reports in the U.S. in the first two weeks explicitly misstated what WikiLeaks had released and claimed that hundreds of thousands of cables had been dumped online at a time that only a few hundred cables had been released, in redacted form, and only after they were already published by one of the traditional newspaper partners in the endeavor. The pattern of misreporting in the news media fit the pattern of overstatement by government actors, both administration officials and senators.
Q: What is your primary criticism of the government and media overreaction?
A: It fed into a description of WikiLeaks as though it was some terrorist organization as opposed to what it is, which is, in fact, a journalistic enterprise. Joe Biden responded to the release of the embassy cables by stating that WikiLeaders founder Julian Assange is “more like a high-tech terrorist than the Pentagon Papers.” That captured the overstated, overheated, irresponsible nature of the public and political response to what was fundamentally a moment of journalistic disclosure. They responded as if it were a security threat, in a way that was simply inconsistent with a democratic American administration. This, in turn, set the background for the denial of service attacks by the commercial providers of services to Wikileaks: Amazon, EveryDNS, Mastercard, Visa, etc.
Q: What are the main implications of your findings?
A: The direct implication is the U.S. should take a look at this investigation and declare that the Constitution’s First Amendment simply does not permit prosecution of WikiLeaks. It is not, as a matter of law, sustainable to treat WikiLeaks or Assange any differently than the New York Times and its reporters.
The second implication is that we need a reformed legal regime, which is what I start to look at in the paper. A system that depends on privately-owned critical communications systems and privately-run payment systems owned by companies eager to avoid public controversy is an easy target for government trying to shut it down. We need to develop much more robust legal responsibility for private operators of critical infrastructures so they will have a backbone when the government or negative public opinion says you have to shut it down. We need to create a framework in which they instead have to say, we have a legal responsibility to not discriminate against users based on fact that they are unpopular speakers. We have a lot of work to do in this area.
The third piece is more about the future of journalism. Already, we are seeing today a much more global, much more diverse media environment that includes a wide range of actors. If we want to understand the future of journalism, we need to look at the whole integrated system. We can’t keep looking at it through a prism of traditional American media.
Q. How is WikiLeaks a journalistic organization?
A: There are multiple functions that go into journalism: identify sources, review material, preserve anonymity of sources at some points, and choreograph the release of information. WikiLeaks is not a traditional media organization, but essentially over course of the year, WikiLeaks was learning how to participate in a joint venture with a number of other traditional news organizations in order to achieve exactly that—finding sources, getting information, structuring it in a way that is usable, and integrating with other organizations to achieve release. That’s journalism.
@'Harvard Law School'

Marko Fürstenberg - Porn Infection (Das Kraftfuttermischwerk Softporn Edit)



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White House defends Obama no-fly stance

From Hiroshima to Fukushima

DOD Gives Manning Caveman Gown, Says They’re Not Humiliating Him

Get down

Via

Libya rebels face last stand as Gaddafi forces zero in on Benghazi

The Birthday Spliff

via

Julian Assange tells students that the web is the greatest spying machine ever

The internet is the "greatest spying machine the world has ever seen" and is not a technology that necessarily favours the freedom of speech, the WikiLeaks co-founder, Julian Assange, has claimed in a rare public appearance.
Assange acknowledged that the web could allow greater government transparency and better co-operation between activists, but said it gave authorities their best ever opportunity to monitor and catch dissidents.
"While the internet has in some ways an ability to let us know to an unprecedented level what government is doing, and to let us co-operate with each other to hold repressive governments and repressive corporations to account, it is also the greatest spying machine the world has ever seen," he told students at Cambridge University. Hundreds queued for hours to attend.
He continued: "It [the web] is not a technology that favours freedom of speech. It is not a technology that favours human rights. It is not a technology that favours civil life. Rather it is a technology that can be used to set up a totalitarian spying regime, the likes of which we have never seen. Or, on the other hand, taken by us, taken by activists, and taken by all those who want a different trajectory for the technological world, it can be something we all hope for."
Assange also suggested that Facebook and Twitter played less of a role in the unrest in the Middle East than has previously been argued by social media commentators and politicians.
He said: "Yes [Twitter and Facebook] did play a part, although not nearly as large a part as al-Jazeera. But the guide produced by Egyptian revolutionaries … says on the first page, 'Do not use Facebook and Twitter', and says on the last page, 'Do not use Facebook and Twitter'.
"There is a reason for that. There was actually a Facebook revolt in Cairo three or four years ago. It was very small … after it, Facebook was used to round-up all the principal participants. They were then beaten, interrogated and incarcerated."
Assange said that cables released by WikiLeaks played a key role in both fomenting unrest in the Middle East and forcing the US government not to back former Egyptian president Hosni Mubarak.
Assange said diplomatic cables concerning US attitudes to the former Tunisian regime had given strength to revolutionary forces across the region.
"The Tunisian cables showed clearly that if it came down to it, the US, if it came down to a fight between the military on the one hand, and Ben Ali's political regime on the other, the US would probably support the military."
He continued: "That is something that must have also caused neighbouring countries to Tunisia some thought: that is that if they militarily intervened, they may not be on the same side as the United States."
Assange, who is appealing against his extradition to Sweden on alleged sex charges, said the WikiLeaks releases had also forced the US to drop their tacit support of Mubarak.
"As a result of releasing cables about Suleiman [the vice-president of Egypt under Mubarak], the US and Israel's preferred option for regime takeover in Egypt, as a result of releasing cables about Mubarak's approval of Suleiman's torture methods, it was not possible for Joseph Biden to [repeat his earlier claim that Mubarak was not a dictator]. It was not possible for Hillary Clinton to publicly come out and support Mubarak's regime."
Responding to a question about Bradley Manning, the US soldier incarcerated for allegedly leaking classified information, Assange said: "We have no idea whether he is one of our sources. All our technology is geared up to make sure we have no idea."
He expressed sympathy for Manning. "He is in a terrible situation. And if he is not connected to us, [then] he is there as an innocent … and if he is in some manner connected to our publications, then of course we have some responsibility. That said, there is no allegation that he was arrested as the result of anything to do with us. The allegation is that he was arrested as a result of him speaking to Wired magazine in the United States."
Assange also criticised the New York Times, which he claimed had suppressed stories about secret American military activity in Afghanistan.
Patrick Kingsley @'The Guardian'

Roots Manuva @ L'Alhambra, Paris 17 November 2008



Directlink with tracklist

DJ Smiley Culture Dies In Drugs Raid

The musician, real name David Emmanuel, 48, apparently died from self-inflicted wounds.
The Independent Police Complaints Commission has launched an investigation, after the incident was voluntarily reported to it by Scotland Yard.
Officers from the Metropolitan Police had called at his home in Warlingham, Surrey, as part of a series of raids during a drugs investigation.
It is believed he died in the kitchen of the house after police tried to resuscitate him.
Surrey police were called to the house during the incident.
It is understood other suspects were arrested at other addresses during the series of raids.
Smiley Culture had a short burst of fame in the 1980s with singles Cockney Translation and Police Officer which both reached the singles charts and led to appearances on BBC's Top Of The Pops.
As his pop career diminished he turned to acting, with a cameo appearance in the film Absolute Beginners.
In September last year he was charged with conspiracy to supply cocaine and appeared at Croydon Magistrates' Court.
@'Sky'

David Emmanuel aka Smiley Culture 1963-2011

Kruder & Dorfmeister - “The 16 F***king Years Anniversary Session” Zürich 1/29/11



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AUDIO DOWNLOAD
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The Strokes – Angles (2011 - Albumstream)


Tracklist:
01 – Machu Picchu
02 – Under Cover Of Darkness
03 – Two Kinds Of Happiness
04 – You’re So Right
05 – Taken For A Fool
06 – Games
07 – Call Me Back
08 – Gratisfaction
09 – Metabolism
10 – Life Is Simple In The Moonlight

ALBUMSTREAM

Tuesday 15 March 2011

Burial, Four Tet and Thom Yorke split new limited 12″ single

Rough Trade’s pre-order list, as of today, includes a new 12″ by Burial, Four Tet and Radiohead’s Thom Yorke.
No details are given except for the fact it’s black label, housed in a plain black bag. The A-side is by Burial, and called ‘Ego’, the B-side is a Four Tet and Thom Yorke collaboration titled ‘Mirror’. We presume this will sell out very, very quickly, so if you want one then act sharp. Expected release date is March 21, via Four Tet’s Text label.
Via

Bahrain king declares state of emergency after protests

The king of Bahrain has declared a state of emergency, due to start immediately and which will last for three months, state TV has reported.
The announcement follows weeks of unrest in the kingdom.
The nation's armed forces chief has been authorised to take all measures to "protect the safety of the country and its citizens", says the statement from the king.
On Monday, forces from Gulf countries arrived to bolster the regime.
@'BBC'
BBC Breaking News
Accident at 's Fukushima Daiichi nuclear plant upgraded to level six crisis, on scale of seven, say French officials - AFP

Here's the Truth, where's the Justice


Here's the truth, where's the Justice, is a short film about how the Hillsborough football disaster on April 15th 1989 links two people together. Anne Williams and John Herbert.
Made by M3D 3rd year Media group:
Terry Rytz
Jennifer Robinson
Annemarie Mcalister
Declan Mcgettigan

Secret Fears of the Super-Rich

Australian PM Julia Gillard on Q&A answering Julian Assange last night


ABC lined up Assange for Gillard — but denies ambush

David House on Bradley Manning

'I Have Watched My Friend Degrade over Time'

A boy walks through the rubble of Rikuzentakata in northern Japan (Picture: Reuters)
kode nine
Don;t get it twisted. I don't hate genres. My genre is called bubble'n'squeak, and your genre is shit.
The front page of the People’s Daily newspaper, March 14, 2011
The front page of the People’s Daily newspaper, March 14, 2010

People’s Daily: Two Years, Two Editions, One Front Page?

Jamie Woon - Lady Luck (Hudson Mohawke's Schmink Wolf Re-fix)

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How much of Japan's suffering can people comprehend?

The American author Annie Dillard summed up well the difficulty of empathising with hordes of other people. "There are 1,198,500,000 people alive now in China," she wrote. "To get a feel for what this means, simply take yourself – in all your singularity, importance, complexity, and love – and multiply by 1,198,500,000. See? Nothing to it."
I came across that honest, wise remark this weekend, while watching the footage from Japan. The two did not sit well with each other. When a big disaster strikes, either here or abroad, politicians and journalists alike work on the basis that the greater the misery, the more they, and we, should care. David Cameron was working to that logic when he said yesterday that "our thoughts are with the Japanese people". And after reading the reports of 10,000-plus deaths and nuclear warnings, or seeing the photos of submerged towns and stranded survivors, who could disagree?
Yet the uncomfortable truth is that the academic research suggests Dillard is right. However horrifying the pictures, however moving the reports, there's a limit to how much suffering people can take on board – and it's extremely low.
The bigger the numbers of fatalities and injuries, the harder it is for audiences to comprehend them. This law of diminishing returns doesn't just apply to natural disasters, but to other varieties of misery – from oil spills to famines and genocides.
"Psychic numbing" is how the University of Oregon psychologist Paul Slovic refers to this. To illustrate what he means, he sometimes sketches two graphs. The first shows how we might believe we value human lives, with the line going straight up along a diagonal: the more lives at stake, the more attention we pay. The second shows the reality, as Slovic sees it. Here the line starts off very high, but then drops all the way down: we get very worked up when one or two lives are at stake, but then the numbers begin to blur and we tune out.
The result is that humans will often throw money at one sad story – even when it doesn't involve a human. Researchers sometimes quote the story of how more than $48,000 was raised in 2002 to save a dog stranded on a ship adrift near Hawaii. Charities know this impulse too, which is why they often put a single child on their envelopes and posters...
Continue reading
Aditya Chakrabortty @'The Guardian'