Tuesday 15 March 2011

Will Congress Push Google To Tweak Its Algorithm To Punish Pirate Sites?

Judging by today’s hearings, some members of Congress are willing to consider radical measures to rid the internet of “rogue” websites accused of piracy. Among them: getting search engines like Google (NSDQ: GOOG) to tweak their search results, and ordering ISPs to block certain websites from U.S. viewers altogether. Until several months ago, Congress had never even discussed taking steps like these. The fact that they are now on the table is probably a function of several factors, including aggressive lobbying by the entertainment industry and a proliferation of illegal content online.
Congress first started considering the idea of allowing federal law enforcement to block websites in September, when Sen. Patrick Leahy introduced the controversial COICA bill in the last Congress. Now the House of Representatives is considering a similar proposal, although no bill has yet been introduced...
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Joe Mullin @'paidContent'
Agency says stored nuclear fuel burned in Japan
Guardian World
cable: Japan govt "obscuring costs and problems" in nuclear industry

Japanese Stocks Plunge More Than 13% on Worries Over Radiation

Why is there no looting in Japan?

Japan Faces Prospect of Nuclear Catastrophe as Employees Leave Plant

♪♫ Linda Ronstadt - Willin' (Live 1976)



Bonus:
Lowell George & Linda Ronstadt, - Willin' - Live 1975 WHFS FM Maryland
HERE
(not embeddable)

Ernest Ranglin - Fireside Chat @ RBMAR


Ernest Ranglin's first instrument was the ukulele and his musical hero was the American jazz guitarist Charlie Christian - but he went on to preside over the birth of ska and its mutation into reggae. Without him, Jamaican music from Prince Buster to Bob Marley might have sounded very different. Born in rural Jamaica in 1932, it's an entire half-century has elapsed since Ranglin began his recording career for Chris Blackwell's Island label in 1958. Ernest is respected and renowned the world over and was awarded the Order of Distinction from the Jamaican Government for his contributions to music. He has collaborated with Prince Buster, Mille Small and Monty Alexander amongst innumerable others and career milestones include 'Rivers of Babylon' with the Melodians and playing guitar on 'It Hurts to be Alone' with The Wailers. In recent years he's made some fine records under his own name that have explored reggae's links with African music, including 'In Search Of The Lost Riddim', recorded in Senegal with Baaba Maal's band, and Alextown, a jazzy collaboration with South African township musicians. We were indeed honored when Mr Ranglin agreed to spare some time to come and chat by the Fireside with us.

Ernest Ranglin & Monty Alexander - Confucius - Telarc
Charlie Parker - Bebop - Essence
Ernest Ranglin - Liquidation - K&K
Prince Buster - Madness - Rhino
Millie Small - My Boy Lollipop - Island
Ernest Ranglin - Dr. No Go - K&K
Sound Dimension - Heavy Rock - Soul Jazz
The Melodians - Rivers Of Babylon - Mango
Ernest Ranglin - Surfin - Soul Jazz
Ernest Ranglin & Sound Dimension - Straight Flush - Soul Jazz
Ernest Ranglin - Satta Massagana - Island
Prince Buster - Wash Wash - Sequel
Ernest Ranglin - King Tubby Meets The Rockers - Island
Ernest Ranglin - Below The Bass Line - Island
Ernest Ranglin & Jackie Mittoo - Jericho Skank - Soul Jazz

'Steal your face right off your head' - The making of the Stealie logo


This is the logo that Bob Thomas and I designed for the Grateful Dead in 1969

How it came to be:

In 1969 the Dead were renting a warehouse in Novato, California. I was sound man for the band at the time, and lived in Oakland. Bob Thomas, an old friend of mine had just moved from LA to the Bay area and needed a place to stay, and we needed someone to look after the warehouse, which had had a problem with break-ins.
Bob was a superb graphic artist whose work is now familiar to most Deadheads in the form of the Live Dead album cover and the Bear's Choice cover, on which the popular Dancing Bears appeared.
The Dead in those days had to play in a lot of festival style shows where the equipment would all wind up at the back of the stage in a muddle. Since every band used pretty much the same type of gear it all looked alike. We would spend a fair amount of time moving the pieces around so that we could read the name on the boxes. I decided that we needed some sort of marking that we could identify from a distance.
I was in the habit of driving from Oakland to Novato in a little MGTF which had plastic side curtains, which were not very transparent, due to aging of the plastic. One day in the rain, I looked out the side and saw a sign along the freeway which was a circle with a white bar across it, the top of the circle was orange and the bottom blue. I couldn't read the name of the firm, and so was just looking at the shape. A thought occurred to me: if the orange were red and the bar across were a lightning bolt cutting across at an angle, then we would have a very nice, unique and highly identifiable mark to put on the equipment.
At the warehouse I told Bob the idea that I had, and he made a quick sketch. A mutual friend, Ernie Fischbach, who was visiting with Bob, said "Give it to me, I'll show you an easy way to put it on the boxes." Whereupon he proceeded to cut holes in a couple of pieces of stencil paper. One was a circular hole, about 5 1/2 inches in diameter, and the other was a part of a circle 5 inches in diameter. But it was a half circle with a jagged edge. Then he held the stencil to an amp and sprayed a circle of white paint. Then with one side up, the red half circle went on top of the dried white paint and after wiping off the red and turning the stencil over, the blue was applied. This was the first version, and we put it on to all our gear. It helped make it easier to find our stuff in the crunch. I still have an old toolbox with one of the stencils on it.
 A few days later I was talking to Bob and suggested that perhaps the words "Grateful dead" could be placed under the circle, using a style of lettering that would appear to be a skull if you saw it from a distance (I guess I was influenced by too many posters of the time). Any way a few hours later he came down from the loft with the design we know and love.
In 1992, Bob decided to produce hand-pulled prints of the logo as a hardwood block engraving, but first he cut a test block in pine, to see how the design looked as a woodcut. He liked the test block so well that he decided to pull 50 prints, signed, numbered and hand coloured them. He gave the last of the prints to me (a few months before he died) to help sell them. Most have now been sold. Please write if you are interested in getting one of the ones left, the money goes to his family. This was one of the last pieces he did. Here is a scan (trimmed down a little). The print is on heavy, off-white watercolour paper 14" by 17".
Owsley Stanley @'thebear.org'

The logo with lettering by Rick Griffin as used on 'Steal Your Face'

Owsley Stanley: The King of LSD

No one did more to alter the consciousness of the generation that came of age in the 1960s than Augustus Owsley Stanley (who passed away March 13, 2011). Long before the Summer of Love drew thousands of hippies to Haight-Ashbury, Owsley was already an authentic underground folk hero, revered throughout the counterculture for making the purest form of LSD ever to hit the street. Yet today, at seventy-two, he is all but forgotten.
Almost forty years to the day after he blew minds at the Monterey International Pop Festival in June 1967, with a brand-new batch of "Monterey Purple," Owsley is checking out of a motel in nearby Carmel. Three years ago, he underwent extensive radiation for throat cancer, losing thirty pounds in the process. He is moving so slowly that someone from the front desk comes to the room to ask if he ever intends to leave. Ignoring the inquiry, Owsley roots through his bags for a large state-of-the-art conical burr grinder and a white funnel-shaped device to heat water so he can make coffee from beans he grew and roasted at home in Australia. As the water boils, he packs up a Braun food mixer and the vast array of other gadgets he carries with him.
He puts on a pair of old bluejeans that are now several sizes too big and places a brown Thinsulate stocking cap on his head. With his dark-brown goatee and a gold hoop dangling from his left ear, he looks like an older, careworn version of the Edge from U2. Unable to swallow solid food since the cancer treatments, he laments that he can no longer enjoy dining out with friends. Suddenly, his eyes redden and he is nearly reduced to tears. Quickly regaining control, he says, "But, hey, I'm alive, right?" Without waiting for an answer, he stalks out the motel-room door.
In the Oxford English dictionary, the word "Owsley" is listed as a noun describing a particularly pure form of LSD. But manufacturing acid is not the only accomplishment on Owsley's résumé. He was the Grateful Dead's original sound man and their initial financial benefactor. Without his technical innovations — he was one of the first people to mix concerts live and in stereo — the band might never have emerged from the San Francisco scene. And because he had the foresight to plug a tape recorder directly into the sound board during Dead shows, the music the band made at the peak of its power has been gloriously preserved in recordings still being issued in the series titled Dick's Picks, for which Owsley continues to receive royalties...
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Robert Greenfield @'Rolling Stone'
This article appeared in the July 12-27, 2007 issue of Rolling Stone.
John Perry Barlow
Those who oppose incorporating Sharia into US law will doubtless resist codifying Christian law as well.

Harland Miller’s Penguin Classics Inspired Art

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$10 drug now $1500 after FDA grants monopoly

A progesterone hormone injection, used to prevent preterm labor, used to be $10 a shot. Now that the FDA has assigned an exclusive right to create the easily-made formula to one company, KV Pharmaceuticals, the price has risen to $1500. Almost all of it is pure profit, and KV Pharma did not develop the drug or pay for its trials: the taxpayer did, via the National Institute for Health. It is said to be the only drug proven to prevent pre-term birth, and an expert cited by ABC News suggests that the profession was snookered into supporting the assignment as a quality standardization measure.
@'boingboing'

My Classmate Saif Gaddafi


Al Franken: ‘They're coming after the Internet’

♪♫ The Kills - Satellite


Download 'DNA'

Secrecy and Darkness Surround Mysterious $900m Piracy Report

sphere

Anti-piracy reports that are commissioned by the entertainment industries are suspicious by definition, but the mystery that surrounds a recent study goes far beyond that. Despite being widely covered in the press, no journalist has actually seen a copy of the report. Even worse, the company that produced the in-depth report was registered only four months ago, and appears to be carefully hidden from the public.
To convince the government that harsher anti-piracy legislation is needed, a coalition of Australian entertainment industry outfits – under the umbrella name Australian Content Industry Group (ACIG) – commissioned a study on the economical impact of Internet piracy. Although by itself this is nothing out of the ordinary, the lack of transparency and shadiness that surrounds it is stunning.
In late February the report in question was first mentioned in a speech by Attorney General McClelland, who was speaking at a conference on future directions in copyright law. At the time the public were not yet aware of the report’s existence. Journalists too remained in the dark.
The same could be said for the Australian Content Industry Group. The copyright coalition, which doesn’t have a public website, was virtually unknown at that point also. The group consists of a variety of entertainment industry outfits, most prominently Music Industry Piracy Investigations (MIPI), but until then had only appeared in a few recent government consultations.
That’s some background on the report, now let’s fast forward two weeks.
On March 6th, Australian newspaper The Age published a series of articles on Internet Piracy. Interestingly enough, the aforementioned report was at the center of the series that quickly made headlines. In particular the hit piece “Nation of unrepentant pirates costs $900m”, written by freelance journalist Neil McMahon, was picked up by dozens of other news outlets.
Curious about this seemingly influential report that dominated the headlines last week, we decided to take a good look at the company that conducted the research — Sphere Analysis. However, this was easier said than done.
Like the Australian Content Industry Group, Sphere Analysis doesn’t seem to have a web presence. With no website and no employees, not even a single reference to the company could be found. How could this be? Wouldn’t it be logical that such a big report would be written by a renowned company?
To us it seemed a little suspicious to say the least, so the first question that came to mind was: Who are behind Sphere Analysis?
With help from the Pirate Party, we found that Sphere Analysis is a business name registered to the ‘Sphere Property Corporation’. This company, which again has no web presence, appears to operate in the real-estate business. Not the type of business you’d expect to write an analysis of Internet piracy on the Australian economy.
Interestingly, ‘Sphere Analysis’ was registered less than four months ago, which means that immediately after it was registered they got this major contract. So who are these people?
To find out more about the company, calls were made to several numbers associated with Sphere Property Corporation but again without results. All calls went to so-called ‘virtual offices‘, where either the company name didn’t ring a bell, or where the person who answered the line was not allowed to give out information.
Additional research eventually led us to an alleged employee of Sphere Property Corporation, Phil Nott, who lists himself as a Real Estate Consultant on Linkedin. No other employees were found and Mr. Nott has two Linkedin profiles, each with just one connection.
Aside from dealing with real estate, Sphere Property Corporation also seems to be connected to the investing company Sphere Capital Advisers and the recruitment business Sphere Associates.
None of the above companies has a website of course, so that’s pretty much where our Sphere Analysis trail ended.
Now that our interest in the report had been pushed even higher, we wanted to know how Sphere Analysis concluded that illicit movie, music and games downloads cost the industry $900 million a year as well as 8,000 jobs. Aside from a few key figures quoted in The Age article, the full report was unfortunately nowhere to be seen.
But we were not the only ones left in the dark. The journalist who wrote the original article for The Age confirmed to TorrentFreak that he wasn’t provided with the full report either. His article was based on information he was given by ‘someone’ he didn’t want to name without permission.
In an attempt to get a copy of the report, we then began emailing several outfits that fall under the Australian Content Industry Group, but without a response. In addition the Australian Pirate Party submitted a Freedom of Information request to the Attorney General’s office, but that is still being processed.
So here we are. After a week of sending emails, making phone calls, and digging through all kinds of information we were unable to get our hands on the full report. On the contrary, the mystery surrounding the report is even greater because of the vagueness surrounding Sphere Analysis.
This is worrying, especially when the Attorney General clearly indicates that it influences future legislation. The Pirate Party, who helped us in our quest for information, agrees.
“Where such reports or studies direct the policy direction of our governments, there is a democratic imperative that the information is made available transparently, that the methodologies are sound and adequately reflect reality,” said Pirate Party’s Rodney Serkowski.
“The Age article inferred that the Attorney General was basing the government’s policy direction on these research figures. This is a very, very shaky foundation for public policy — especially when there is a growing consensus that the institution of copyright requires radical structural reform, lest it becomes irrelevant,” he added.
And then there’s the issue with hiring the brand new and unfindable Sphere Analysis to conduct such an important report.
“This study, carried out by a virtually unknown entity with access only being granted to one journalist is highly dubious, even for the copyright lobby. Any study that gets reported as fact should be made available to the general public. The fact that it is not casts a question over its contents,” said Pirate Party’s Simon Frew.
So, will Sphere Analysis step forward immediately with a full copy of this apparent policy-setting report either to us or another news outlet? Is transparency the way forward or are we to blindly accept spoon-fed ‘statistics’ from faceless groups, regurgitate them as fact, help build credibility where none has been earned and then work the whole thing into law? That can’t be the way forward.
Ernesto @'Torrent Freak'
Hmmm!!!

What a Long Strange Trip It Actually Was

Wisconsin's Governor Wins, but Is He Now Dead Man Walker?

The Wisconsin State Capitol had taken on an eerie quiet by late Friday. Gone were the throngs of protesters who had occupied its marble floors like it were a summer campground. The midnight honking of cars circling the white building had ceased. The chalk outlines around fake dead bodies etched with Wisconsin Governor Scott Walker's name remained in dismembered parts, not yet completely washed away by hoses.It was the governor, however, who had walked away the legislative victor in the showdown. On Friday, as angry protesters chanted "Shame" and blew horns and vuvuzelas, Walker took up a dozen pens, one at a time, to sign into law a bill that not only takes away the ability of unions to bargain collectively over pensions and health care but also limits pay raises of public employees to the rate of inflation and ends automatic union dues collection by the state. It also requires public unions to recertify annually. It was a coup by Wisconsin Republicans against the labor movement in one of its strongholds. 
The governor allowed himself a moment to reflect on how his signature might play historically. "Some have asked whether this is going to set a national precedent," he said. "And I don't know ... but if along the way we help lead a movement across the state for true fiscal reform, true budgetary reform to ultimately inspire others across this country, state by state and in our federal government, inspire others to stand up and make the tough decision to make a commitment to the future so that our children across all states don't have to face the dire consequences we face because previous leaders have failed to stand up and lead, I feel that is a good thing." He also attempted to be magnanimous toward the thousands of protesters who had gathered in Madison since he first announced his legislative intentions on Valentine's Day. "I think we've had a civil discussion," he said. "It's been passionate, but it's been civil along the way...
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Dawn Reiss @'Time'

Rocksteady: The Roots of Reggae (BBC Documentary)



The rocksteady era of Jamaican music in the mid-to-late 1960s is considered a golden age because rocksteady's sweet, soulful vocals, romantic but often socially conscious lyrics and prominent basslines gave birth to reggae, which went on to capture the world.
This documentary chronicles the coming together of rocksteady's surviving vocal stars - artists like the Tamlins, U-Roy, Ken Boothe, Leroy Sibbles from the Heptones, Judy Mowatt, Dawn Penn, Rita Marley and Marcia Griffiths - and some of the island's greatest players, to celebrate their greatest 60s hits, perform a reunion concert and celebrate that golden era. Think of it as a kind of Buena Vista Social Club for the great 60s architects of Jamaican music. It is also a beautiful portrait of Jamaica.
In 1962, Jamaica gained its independence from Great Britain. There was celebration, optimism, economic growth and opportunity. Recording studios popped up all over Kingston and a generation of great singers and players emerged playing the tuneful, mellow music that became known as rocksteady - tunes like The Tide Is High, Rivers of Babylon and You Don't Love Me Anymore, No No No, which were so successfully celebrated by UB40 on their Labour of Love albums. By 1968, Jamaica's economic bubble had burst and social unrest took to the streets. As poverty, violence and political upheaval spread, rocksteady became politicised, upped its tempo and began to evolve into the music they call reggae.
(BBC)

via

♪♫ Pickers' Local 608 - There Is Power In A Union

About twenty of Madison, Wisconsin's bluegrass musicians, as the collective Pickers' Local 608, gathered at Audio For The Arts on Sunday, March 6th 2011, to record their version of the Billy Bragg song There Is Power In A Union, with special featured guest banjo man Bill Evans! Bluegrass Local 608 includes members of The Oak Street Ramblers, The Malt Liquors, The Cork n' Bottle String Band, The Pints, Spare Time Bluegrass Band, Northern Pikers, and others... Keep fighting the good fight!

Emergency Cooling Effort Failing at Japanese Reactor, Deepening Crisis

Moritz von Oswald Trio - Horizontal Structures (Albumstream)


Since they debuted last year with Vertical Ascent, the Moritz von Oswald Trio have enjoyed cult status among electronic music fans. Despite the avant-garde sound of their music, the outfit were a staple of electronic festivals in 2010, nabbing slots at Mutek, Unsound (New York and Poland), Club to Club and Dissonanze to name a few. In concert they've occasionally picked up high-profile members like Carl Craig and Francois K, but the core trio consists of Max Loderbauer (of nsi.), Sasu Ripatti (aka Vladislav Delay, Luomo), and of course Moritz von Oswald, partner to Mark Ernestus in two of dub and techno's most influential groups, Basic Channel and Rhythm & Sound. (Resident Advisor)

ALBUMSTREAM

Even WIPO Realizing That Copyright Law May Have Gone Too Far

Is an American ‘Day of Rage’ nigh?

4chan founder: Zuckerberg is “totally wrong” about online identity

Christopher Poole, the founder of controversial online image board 4chan, outlined his vision for Web-based community today at the South by Southwest Interactive conference — and yes, his ideas are in pretty sharp contrast to those of Facebook founder Mark Zuckerberg.
Zuckerberg has spent a lot of time talking about his stance on identity and privacy, especially recently, as Facebook has taken more criticism for its various privacy policies. (To get the flavor of his remarks, check out VentureBeat’s post about Zuckerberg’s privacy stance from last May, as well as David Kirkpatrick’s book The Facebook Effect.) He’s been pretty aggressive about advocating for users to have one identity wherever they are online, because that encourages them to be more authentic (and also means they can carry their social connections with them to any site).
Poole, who is also known under his 4chan username “moot”, said, “I think that’s totally wrong.” He’s had plenty of opportunity to observe the pluses and minuses of anonymity in action, since 4chan is well-known for its anonymous user base. (In fact, the activist hacker group that emerged from 4chan is known as Anonymous.)
Poole argued that anonymity allows users to reveal themselves in a “completely unvarnished, unfiltered, raw way.” One of the things that’s lost when you carry the same identity everywhere is “the innocence of youth.” (“Innocence” isn’t the first word that would come to mind when I think of 4chan, but okay, I’ll go with him here.) In other words, when everyone knows everything you’ve done online, you’re a lot more worried about screwing up, and you’re less willing to experiment. Poole compared this to being a kid, moving to a new neighborhood, and having the opportunity to start over. On the Internet, you don’t get that opportunity.
“The cost of failure is really high when you’re contributing as yourself,” Poole said.
In the case of 4chan, users feel a lot more comfortable trying to create funny images that can become memes, because content that doesn’t catch on disappears quickly, and they’re not weighed down by their failures. Poole said another benefit to 4chan’s anonymity is that content becomes more important than the creator, which is unlike virtually any other online community. Rather than prioritizing the most valued and experienced users, 4chan allows anyone to access the site and post something that might take off.
At the same time, it seems Poole’s attitude towards privacy has evolved. He’s working on a new community site called Canv.as, which actually integrates with Facebook Connect, although users can still post anonymously. Poole said the fact that “you know that we know” the user’s real identity, even if other users can’t see it, discourages people from indulging in the most obnoxious behavior.
The “Wild West” approach, while important for 4chan’s popularity, has had an effect on Poole’s ability to turn the site into a real business. Very few brands are willing to run their ads alongside content that’s so unpredictable and potentially offensive, he acknowledged.
Anthony Ha @'VentureBeat'

4chan founder forms a new outlet

♪♫ Dan Bull - The King's Speech Rap

Germany likely to suspend nuclear plant plans

Lykke Li - I Follow Rivers (Tyler the Creator Mix)


Gulf states send force to Bahrain following protests

Assange confronts Australian PM with video question

Assange confronts PM with video question
WikiLeaks founder Julian Assange has levelled a question at Prime Minister Julia Gillard via video link from house arrest in the UK, asking if she swapped information about citizens with foreign powers.
Assange, under house arrest in London, made a surprise appearance on video during the ABC's QA program on Monday to ask whether Ms Gillard had swapped information about Australians, particularly those who work at WikiLeaks.
Ms Gillard, just back from a trip to the United States, rejected the claim.
'I honestly don't know what he's talking about,' she said, adding that no-one in the US had asked her about Mr Assange.
'So I'm afraid I can't help him with a full and frank exchange about people who work with WikiLeaks.
'To my knowledge it hasn't happened.'
But she conceded that the exchange of information between countries happened often, in cases relating to drug or people trafficking.
@'Sky'

1% of all Americans...

(Click to enlarge)
Illustration: 3232 Design

Brian Cox says BBC is wrong over show music

Physicist Professor Brian Cox has said the BBC made a mistake by agreeing to turn down the music volume for his scientific series Wonders of the Universe.
The BBC agreed to lower the sound after receiving 118 complaints about the background music on the first episode being too loud and/or intrusive.
Speaking on Radio 4's Start the Week, Cox said he thought it was an error.
"We can sometimes be too responsive to the minority of people that complain."
"It should be a cinematic experience - it's a piece of film on television, not a lecture," he added.
In the BBC Two series, Cox reveals how the most fundamental scientific principles and laws explain the story of the universe and humanity. Each show this series has been watched by more than 3m people.
Pop career The four-part series tackles life's big issues, such as what we are and where we come from, as well as how gravity sculpts the entire universe.
The BBC has yet to respond to Cox's comments.
Cox began his career as a rock star, when his band Dare signed a deal with A&M records in 1986. Dare recorded two albums and toured with Jimmy Page, Gary Moore and Europe before breaking up in 1992.
Cox then joined D'Ream, whose song Things Can Only Get Better was famously used by Tony Blair as the Labour Party election song in 1997.
He studied at Manchester University while he was in the band, and in 2009, he became a professor of particle physics at the same university.
He has since gone on to become a radio and TV presenter. His credits include BBC Two's Stargazing and Wonders of the Solar System.
@'BBC'

Australian Prime Minister Julia Gillard on atheism

Iraq Then, Libya Now

The Hardest-Working Bands of 2010 (Infographic)

(Click to enlarge)
@'The Next Web'

Obama Owns The Treatment Of Manning Now

By firing PJ Crowley for the offense of protesting against the sadistic military treatment of Bradley Manning, the president has now put his personal weight behind prisoner abuse. The man who once said that forced nudity was a form of torture, now takes the word of those enforcing it over a distinguished public servant. Money quote:
A little-known factor in Crowley's comments about Manning was revealed Saturday by April Ryan, a White House correspondent for American Urban Radio who covered Crowley in the Clinton White House. Ryan wrote on Twitter that Crowley "dislikes treatment of prisoners as his father was a Prisoner of War."
While it's true that Crowley's father was imprisoned during World War II, people close him downplay that as a major factor in his comments about Manning, saying the biggest factor is simply that Crowley believes what he said.
Yes. It is not necessary to have had a father as a prisoner of war to see the evil of prisoner abuse, and the stain it places on everyone enforcing it. And in the military, as with Bush, so with Obama. As commander-in-chief, Obama is directly responsible for the inhumane treatment of an American citizen. And Crowley's firing will make it even less likely in the future that decent public servants will speak out against such needless sadism.
Andrew Sullivan @'The Daily Dish'

What would the Obama campaign think of the Obama administration?

Monday 14 March 2011

Group Doueh at home in Dakhla, South Morroco

Radioactive Releases in Japan Could Last Months