White Gardenias In Your Eyes
1 hour ago
Thursday, 17 February 2011
jilliancyork Jillian C. York
Re-read #netfreedom speech. Incredibly disappointed that she mentioned circumvention but not the US-made tools that need circumventing.
Meet the International Music Registry
“All deep things are song”, said Thomas Carlyle. “It seems somehow the very central essence of us, song; as if all the rest were but wrappages and hulls!”
“Music is what feelings sound like”, said an unknown author.
“If I were to begin life again, I would devote it to music”, said Sydney Smith. “It is the only cheap and unpunished rapture upon earth.”
All wrong. Especially Sydney Smith. Because these days, music is neither cheap, nor unpunished rapture.
It’s a hard-core corporate commodity to be sold for maximum profit.
And punishment is an absolutely integral part of it.
While you hold that thought, a quote more appropriate to the 21st digital century comes from Francis Gurry, director general of WIPO, .
It’s on the creation of the International Music Registry which, “would need to be a global public asset, based on voluntary participation and available to all as a basis for operating or building business models for the management or exploitation of rights”, he says.
Ahhhhhhh. A statement sufficient to warm the cold, black hearts of the people behind the dying Big 4 labels, Vivendi Universal (France), Sony (Japan), EMI (Britain), and Warner Music (US, but controlled by a Canadian).
It’s their unbridled avarice and lust for domination and control which makes such a registry necessary.
“The project is a collaboration of the worldwide music sector, facilitated by WIPO, aimed at facilitating licensing in the digital environment by providing easier access to reliable information about musical works and sound recordings”, says the web site, going on >>>
The amazing growth and development of the Internet as the delivery mechanism for music over the last decade has challenged the music rights management architecture, which was not designed to facilitate use of music in the digital world.
We need to make it faster, easier, and simpler for those who want to use music for legal services to find who owns what rights in music – and not just in the developed world, but throughout the world.
What all this points to is the need to create an international system that ‘ties together’ all the different rights-management systems in use in different countries. An accurate, authoritative, registry of information about musical works, sound recordings and music videos is a fundamental, essential public good that supports a healthy ecosystem for digital music.
The World Intellectual Property Organization (WIPO) is a specialized agency of the United Nations that promotes balanced international intellectual property (IP) protection as a means of rewarding creativity, stimulating innovation, and contributing to economic development and access to knowledge in the public interest. As an immediate priority, WIPO is facilitating a platform for exchange among the worldwide music sector to look at the challenges facing music in the digital environment. The International Music Registry project is focussed on ensuring that such a registry collaborates with existing efforts around the world to improve access to music rights information. The result will lead to a more transparent, inclusive architecture that operates for the benefit of all stakeholders.
Below are items number 1 and 2 in the FAQ >>>
What is the nature of the problem the dialogue is looking at?
It is widely understood that the way all rights in music are presently managed was designed for territory-by-territory exploitation of physical products and not for the digital environment, where services need to ‘look global’ and allow consumers from multiple countries to easily access as large a collection of copyrighted materials as possible. The manual licensing of music country-by-country for the same content each time though generally from different rightsholders creates massive inefficiencies and a high cost of acquiring legal licenses to commercialize music that is multiplied for every territory that a service wishes to operate in. It has other problems, amongst them:
- It requires each provider to expensively develop complex rights-management systems through custom-developed software to interact with the different rights-management systems of rightsholders in each country. This reduces the flexibility providers have in pricing their services to consumers and also reduces the amount that service providers can offer in licensing revenue.
- A fragmented availability of works, where the same service ends up providing different works and performances from one country to another, with no apparent way for the users to acquire legal access to all the material – even though they can often see it is available to someone, just not to them.
- The manual nature of licensing (and the costs of licensing this way) guarantees that many works which do not have a clear likelihood of commercial success are largely, or entirely, unavailable legally for the consumer – while the nature of the Internet makes global availability of these works from unlicensed services easy – and creates an incentive for the unscrupulous to meet the legally-unmet demand.
- The complexity and cost of the licensing process, due to the large number of entities a service provider must acquire the various rights from, creates a significant barrier to entry for the development of innovative content services.
The worry across the industry is that it is becoming increasingly difficult to ‘compete with free’ and persuade consumers used to easy and convenient access to music from non-legal sites to start paying for it – and that the longer this situation continues the more difficult ‘retraining’ especially younger music lovers to use paid services will become.
What all this points to is the need to create an international system that ‘ties together’ all the different rights-management systems in use in different countries through electronic interfaces, making it much easier and cheaper for services to gain legal access to rights and ultimately to license them.
The first step – getting the stakeholders together to discuss first principles
In order to create such a system, the organizing committee of this dialogue is inviting a key group of stakeholders from music to get together to discuss at a high level:
The proposition that an international registry of rights is an essential prerequisite to healthy, multi-territory licensing of music in the digital world.
What the high-level principles underpinning such a registry would be
What institution could be the ‘home’ and operator of such a system which would be trusted by both licensors, licensees, and governments to administer such a valuable common international resource
What the high-level principles underpinning such a registry would be
What institution could be the ‘home’ and operator of such a system which would be trusted by both licensors, licensees, and governments to administer such a valuable common international resource
How to move forward with the next steps
The World Intellectual Property Organisation (WIPO) has offered to host this meeting and provide technical services to it, as well as make its experts available to provide information requested by the dialogue as its members may require.
Hear the merry tinkle of cash registers ringing up Big 4 profits.
The new sound of music.
Where do we, the people come into it?
We don’t.
Jon Newton @'p2pnet'
Donald Rumsfeld's revisionism doesn't explain Iraq
We were Defense Department officials through the early phases of the war and worked for the CPA in Baghdad. We have defended many of the difficult decisions Rumsfeld made and respect his service to our country. But his book paints an inaccurate and unfair history of U.S. policymaking concerning Iraq's political transition.
Rumsfeld's basic theme is that the CPA erred by failing to grant Iraqis "the right to govern themselves" early in the U.S.-led occupation. Rumsfeld claims that he favored a "swift transition" of power to an "Iraqi transitional government" and that the Bush administration formally endorsed this strategy when it approved the Pentagon's plan for an Iraqi Interim Authority in March 2003. He writes that the head of the CPA, L. Paul Bremer, unilaterally decided not to implement this plan.
But Rumsfeld's own contemporaneous memos undermine this notion. The 26 "Principles for Iraq - Policy Guidelines" that Rumsfeld gave Bremer in May 2003 said nothing about handing real power to Iraqis...
Continue reading
(GB2011) Women's refuge chief returns OBE in protest over cuts
Denise Marshall says she is returning the OBE as she received it specifically for providing services to disadvantaged women, something she claims the cuts will prevent her from doing. Photograph: Martin Godwin
The head of a leading women's refuge is handing back the OBE she received for services to disadvantaged women because she believes government cuts will leave her unable to provide proper support to vulnerable women.
Denise Marshall, chief executive of Eaves charity, which specialises in helping women who have been victims of violence and those who have been trafficked into prostitution, said the level of funding cuts to support organisations such as hers meant they would soon be unable to function properly.
National and local government funding decisions have hit women's support services hard. Preliminary research by the national charity Women's Aid shows that more than half of all domestic violence services still do not know whether they will have enough money to remain fully open after March.
Marshall told the Guardian: "I received the OBE in 2007 specifically for providing services to disadvantaged women. It was great to get it; it felt like recognition for the work the organisation has done.
"But recently it has been keeping me awake at night. I feel like it would be dishonourable and wrong to keep it. I'm facing a future where I can't give women who come to my organisation the services they deserve – I won't be able to provide the services for which I got the OBE."
Marshall is worried about what the cuts will mean for women's safety. "We will see situations where women are in danger as a result of the cuts. There are disasters waiting to happen." she said.
Like many charity directors, Marshall is unclear whether government grants will continue to fund all the projects she runs in the new financial year. She has been asked by the Ministry of Justice to reapply for funding for the scheme she runs for trafficked women, the Poppy Project – but with a projected reduction in funding of up to 75% for each victim. "They want a bargain basement service," she said.
She has declined to submit a tender to provide services at a radically reduced level, and has pulled out of tendering to continue to provide refuge services in Kensington and Chelsea, west London, at similarly reduced rates.
"I'm not prepared to bid for a service that did not enable women to get the quality of service that is essential," she said. "If you run a refuge where you don't have the support staff it just becomes a production line, where you move people on as quickly as possible to meet the targets. You're not helping women to escape the broader problems they face. They may get a bed, but no help with changing their lives and moving out of situations of danger."
Women's organisations have always struggled financially, but charities across the sector are reporting that the current round of public sector cuts has left them facing unprecedented funding shortages. Earlier this year Devon county council proposed to scrap funding to its domestic violence support services; after vigorous campaigning from women's groups a 42% cut was imposed instead.
"I've worked in this sector for almost 30 years. I don't want to sound melodramatic but I don't think I have ever felt as depressed and desperate as I do now," Marshall said.
"There has never been enough money, but we were able to scratch around to find some. I've always been reasonably pragmatic; I've been good at finding bits of money from grants, local authorities and charities. Now it feels like there is nowhere to go to. I feel devastated.
"We have always worked on a shoestring, but now that shoestring has been cut. What is suffering is the quality of the service provision. What was already a barely functioning sector is now in danger of dying on its feet."
Marshall called St James's Palace to find out how to return the OBE, and was told she could send it to either the Queen or the prime minister, with an explanation of why she was giving it back. Last night she had dusted off the medal, which she had stored at the back of a cupboard, and was writing a letter to David Cameron.
"To be told that we are all in this together and must make cuts like everyone else isn't right, because we didn't have enough money to begin with," she said. "Do we have to say to rape victims, you can only have half the counselling sessions you need because we don't have enough money? That's just wrong. It's not like there are other services we can tell them to go to instead – that's just not the case any more."
She believes local authorities have consistently failed to understand the need for women's refuges, and she worries that a move to a "big society" model of local decision-making will mean that these services lose out further.
"Domestic violence victims don't go and storm the local town hall to demand more help; rape victims don't go to the local paper to complain that there isn't a good service for them. They are invisible," she said. "Women's services are seen as an easy target. They are usually quite small, and lack the power to campaign and lobby because of historic funding shortages."
A Home Office spokesman said: "Tackling violence against women and girls is a priority for this government. We have protected Home Office funding for specialist services to tackle violence against women and girls with over £28m of funding allocated until 2015."
Inside Eaves's headquarters in south London, women were anxious about the organisation's long-term prospects. Mary (who preferred not to give her real name), 32, who was trafficked into prostitution from Nigeria, said if the charity's Poppy Project were to lose its funding, she would become homeless. "It would destroy me," she said. "I'd be on the streets doing prostitution. We don't want the service to close."
Amelia Gentleman @'The Guardian'
Wednesday, 16 February 2011
PJ Harvey - La Maroquinerie Paris 2/14/11
1. Let England Shake
2. The Words That Maketh Murder
3. All & Everyone
4. The Glorious Land
5. The Last Living Rose
6. Bitter Branches
(GB2011) UK Law Enforcement Also Looking To Be Able To Seize Domains
Ah, the power of censorship. It appears that some other countries may be jealous of Homeland Security getting to seize all those domain names, or the proposed COICA law that would allow even more domain seizures in the US. drew points out that, over in the UK, law enforcement is also asking for official power to force Nominet to shut down domains that it claims were "used by criminals." That seems pretty broad. Lots of domains are "used by criminals" in one way or another, does that mean they should automatically have the right to shut those domains down? And with both the US and the UK looking for such rights, won't more and more countries now start to follow? It certainly makes you wonder about the impact of the overall internet, when various countries can just seek to shut down various domains without any trial determination.
@'techdirt'
@'techdirt'
Is the Arab revolt spreading to Libya?
Fifteen years later, relatives of the victims are still demanding justice. On Feb. 15, 2 days ahead of a planned nationwide day of protests, the Libyan regime arrested Fatih Tarbel, an advocate for the Abu Salim families -- sparking outraged demonstrations in the coastal city of Benghazi. The BBC says the crowd was about 2,000 people, and activists on Twitter claim that at least 2 people have died.
It's not easy to report in Libya, and details of the protests remain sketchy and hard to confirm. It hasn't helped that some news organizations, such as the Associated Press, have confused what are doubtless orchestrated pro-Qaddafi protests with the genuine outpouring of anger against one of the world's most odious regimes (at one point, Qaddafi himself even said he might demonstrate against the prime minister).
While it's not clear how far the unrest might spread, the mere fact that people are lifting up their heads in a brutal police state like Libya is an incredible testament to human courage. And the swift fall of Zine el-Abidine Ben Ali in next-door Tunisia is a reminder that even the toughest regimes can prove surprisingly brittle once that mantle of fear is lifted.
Blake Hounshell @'FP'
blakehounshell Blake Hounshell
This phrase "the people demand the fall of the regime" (as-shaab yurid asqot an-nazam) is really catching on.
Clinton Demands Net Freedom Abroad as Domestic Restrictions Loom
It was the secretary’s second address on net freedoms and comes as social media sites like YouTube, FaceBook and Twitter helped fuel uprisings from Algeria to Syria.
“I urge countries everywhere to join the United States in our bet that an open internet will lead to stronger, more prosperous countries,” she said at George Washington University.
But will the United States join Clinton?
Clinton’s speech came a day after the House voted to extend to December 8 three controversial domestic spy provisions of the Patriot Act. And Customs officials seized 18 more internet domains without giving the pirate website owners a chance to challenge the forfeiture.
What’s more, the Obama administration on Thursday is expected to testify before a House subcommittee about the need to expand the Communications Assistance for Law Enforcement Act, which already requires telcos and internet access providers to have wiretapping capabilities. The FBI wants Congress to demand that same requirement for encrypted e-mail services like Blackberry, and also wants that for social networks and peer-to-peer messaging networks like Skype.
The secretary, meanwhile, was quick to point out that the United States government’s vocal and legal campaign against WikiLeaks is premised on a “theft” of government material.
“The fact that WikiLeaks used the internet is not the reason we criticized its actions,” Clinton said.
Hours after the speech, the Justice Department was in federal court trying to get Twitter to cough up records related to WikiLeaks founder Julian Assange and others.
David Kravets @'Wired'
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David Bowie - Plastic Soul Review (Documentary)
This DVD examines Bowies Plastic Soul Era. An era just as creative, magnificent and popular as any other during his life so far, yet one rarely considered as a stand alone and separate entity within his complete body of work. Here, the albums David Live, Young Americans and Station To Station and the performances that accompanied them, are reexamined and newly appraised more than 30 years after they first appeared. This DVD features obscure footage, rare interviews and seldom seen photographs. It also includes review, comment, criticism and insight from journalists and aquaintances, as well as live and studio performances of Bowie classics from the Plastic Soul era.
The Smiths - Under Review (Documentary)
This 90-minute documentary film covers the full story and music of The Smiths. It features rare musical performances, videos, TV appearances, interviews with the band, and expert comment and review from an esteemed panel of experts. It is the first of its kind to document the history of one of the most important band of the 1980s: The ultimate icons of the "indie" genre. It includes contributions from; producers Stephen Street, John Porter and Kenny Jones; Smiths fifth member Craig Gannon; Author of Saint Morrissey Mark Simpson; Journalists Paul Morley, Nigel Williamson, Jake Kennedy and John Robb; Factory Records supreme Tony Wilson; ‘Roadie’ Grant Showbiz; DJ and early champion David Jensen and a host of other names.
Featuring Rare Versions of these Classics: Hand In Glove, This Charming Man, What Difference Does It Make, How Soon Is Now, Heaven Knows I’m Miserable Now, The Queen Is Dead, Bigmouth Strikes Again, Panic, and Girlfriend In A Coma
Review @ bullz-eye.com
Tuesday, 15 February 2011
The Pop Group - London, 31 December 2010
Colour Blind
Thief of Fire
Sense of Purpose
We Are All Prostitutes
Words Disobey Me
Trap
We Are Time
At last a live recording from one of the reformation gigs has surfaced.
BIG thanx to Phil for taping & uploading.
You can download it from his blog HERE
While you are there check out some of the other goodies on offer.
iankatz1000 ian katz
RT @evgenymorozov: Isn't it ironic that Clinton will declare support for Internet freedom on same day that court rules on WikiLeaks/Twitter?
Thom Yorke - Skirting on the Surface (live in Los Angeles)
One Shot Not : Sophie Hunger
Armed with an acoustic guitar and an indie folk sensibility, Sophie Hunger is a Swiss singer/songwriter from Zurich whose independently released studio album debut, Monday's Ghost (2008), was a critically acclaimed chart-topping success in her homeland. Born Emilie Jeanne-Sophie Welti Hunger on March 31, 1983, in Berne, Switzerland, she spent parts of her youth abroad, living in England and Germany. She began her recording career as a member of the band Fisher, where she billed herself as Emilie Welti. The band released one album, Fisher (2005),
before she embarked on a solo career as a singer /songwriter, changing her performance name to Sophie Hunger. Her full-length solo album debut, Sketches on Sea (2006), was a home-recorded effort that steadily became an underground sensation. It helped, of course, that Hunger was an engaging live performer. Her renown as a live performer led to an appearance at the 2008 Montreux Jazz Festival, among other high-profile appearances. The positive word of mouth and glowing press coverage for Hunger was such that her studio album debut, Monday's Ghost, debuted at number one on the Swiss albums chart upon its release in October 2008 on the independent label Two Gentlemen. The album, sung in English as well as German, was licensed for international release by Universal Music in 2009, and Hunger toured Europe in support of the album's major-label re-release. (Jason Birchmeier - allmusic)directlink
The most beautiful missed free-kick!!
FC Mulhouse - Louhans (1-0)
ROFLMFAO!
btw, 1.460.976 youtube clicks within 5 days...
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