Monday, 3 January 2011
RePost: Two songs by Lou Barlow
'Easy'
The Folk Implosion
Said I wouldn't do it, leave it alone
Tried to ditch it, followed me right back home
After a while I don't resist
I'm alive with a purpose
My way down looking for it
That's what I'm afraid of
When I finally hold it, arrive on the scene
The doors are open I can hardly breathe
And like every guilty feeling
I've forgotten before
Three hours later, I'm hungry for more
That's what I'm afraid of
I don't have the will to change
Not when it's so easy, to be easy
Resistance is low when I'm feeling bored
What I thought was fun isn't fun anymore
Gravity pulls neither wrong or right
The moon is full and we're out of our heads
Let's do it again and feel allright
The fight is over for now
The fight is over
'Too Pure'
Is something missing in my touch, a tension tugging at my smile?
If there's a right thing to say, I'm sure I missed it by a mile
Swallowed in some detail, heavy in my blood
I wanna hold you close, but I can't lift my arms up
Is there a reason for this distance?
More than the drug that floats my days
A nervous bug in my system, it keeps me edgy and ashamed
I've got a saint, never ever will forgive
That never understood me but still tells me how to live
It fits when I stretch and I stretch because I can
I stretch until I'm sore and then I open up for more
I do it out of habit, not addiction
And if I give it up, clean out my blood
Will I still feel bored and disconnected?
If I do it all for love, will I ever give enough?
'cause you can never be too pure or too connected
You can never be too pure or too connected
You can never be too pure
Anonymous and DDoS attacks: I predict a riot
Is this is the new revolution? Are online protests happening on a huge scale, involving tens of thousands of volunteers? I am talking about the actions taken by Anonymous, the loose online collective and its growing army of hangers-on and coattail-riders.
Something that began on message boards such as the infamous 4chan, for the purposes of attacking the Church of Scientology, has with generous media coverage evolved into a bigger deal. Tens of thousands of volunteers are downloading tools that enable them to participate in the global assault on businesses with which they feel personally aggrieved.
The latest version of this tool includes functionality that means the user can hand of control of their weaponised computer to a central authority to direct and control the attacks.
In addition to the Low Orbit Ion Cannon, or Loic, other variants are being developed and released, including JS-Loic, a JavaScript version ;a completely rewritten version called Loic-2, which supports alternative command-and-control methods such as RSS, Twitter and Facebook; and the Hoic and Goic versions that support more sophisticated attack methods, designed for simultaneous attacks on multiple victims and a plug-in architecture...
Something that began on message boards such as the infamous 4chan, for the purposes of attacking the Church of Scientology, has with generous media coverage evolved into a bigger deal. Tens of thousands of volunteers are downloading tools that enable them to participate in the global assault on businesses with which they feel personally aggrieved.
The latest version of this tool includes functionality that means the user can hand of control of their weaponised computer to a central authority to direct and control the attacks.
In addition to the Low Orbit Ion Cannon, or Loic, other variants are being developed and released, including JS-Loic, a JavaScript version ;a completely rewritten version called Loic-2, which supports alternative command-and-control methods such as RSS, Twitter and Facebook; and the Hoic and Goic versions that support more sophisticated attack methods, designed for simultaneous attacks on multiple victims and a plug-in architecture...
Continue reading
Rik Ferguson @'ZDNet'
Detroit Lives
Once the fourth-largest metropolis in America—some have called it the Death of the American Dream. Today, the young people of the Motor City are making it their own DIY paradise where rules are second to passion and creativity. They are creating the new Detroit on their own terms, against real adversity. We put our boots on and went exploring.
@'Palladium Boots'
Dustin O'Halloran - Vorleben
Dustin O'Halloran - Vorleben by sonic pieces
Considering the number of people in the world who know how to play the piano, it is amazing that a solo piano work can still come across as so striking and original. This is because it is not only the notes that matter, but also the performance. O'Halloran's live set on the night in which he suffered a personal loss is amazing, not just in the very fact of its execution, but in the tenderness with which it is delivered as well. The spaces between the notes are just as important as the notes themselves. O'Halloran has a strong sense of spacing, knowing exactly when to hold back when other pianists might have plowed forward, afraid that the tones might drift too long in the empty air. As a document of place and time, Vorleben is a remarkable achievement, one that will long echo in the hearts of its listeners like the notes drenching the stained glass of the church in which it was recorded. (Nayt Keane)
Considering the number of people in the world who know how to play the piano, it is amazing that a solo piano work can still come across as so striking and original. This is because it is not only the notes that matter, but also the performance. O'Halloran's live set on the night in which he suffered a personal loss is amazing, not just in the very fact of its execution, but in the tenderness with which it is delivered as well. The spaces between the notes are just as important as the notes themselves. O'Halloran has a strong sense of spacing, knowing exactly when to hold back when other pianists might have plowed forward, afraid that the tones might drift too long in the empty air. As a document of place and time, Vorleben is a remarkable achievement, one that will long echo in the hearts of its listeners like the notes drenching the stained glass of the church in which it was recorded. (Nayt Keane)
Pantha Du Prince - Black Noise
Pantha Du Prince - Black Noise by GvsB
Minimal techno is almost something of an oxymoron. Since why would anyone in the ravey, entrancing, maximalist pill-popping world of techno music ever want any of that indulgence minimized? I pose that question rhetorically, but if one were to force an answer, then the closest thing lies with Hendrik Weber, a.k.a. Pantha du Prince. Album three on his CV, Black Noise is the culmination of Weber’s adherence to a simple artistic ethic that single-handedly restores relevance to the "minimal techno" label: to treat all excess in dance music as precisely that—excess, superfluity, luxuriance, waste. Instead, the German native opts for economy, trading in thumping beats for a rhythmic sea of pulsation, abrasive thumping variety for loop utilization to its fullest effect, and big catchy hooks for the subtlety of a woven palette of melodic coloring. Black Noise is as intoxicating as it is intellectual, and most remarkably, as pure dance music, the euphoric yield remains utterly undiminished. (Mac Nguyen)
Minimal techno is almost something of an oxymoron. Since why would anyone in the ravey, entrancing, maximalist pill-popping world of techno music ever want any of that indulgence minimized? I pose that question rhetorically, but if one were to force an answer, then the closest thing lies with Hendrik Weber, a.k.a. Pantha du Prince. Album three on his CV, Black Noise is the culmination of Weber’s adherence to a simple artistic ethic that single-handedly restores relevance to the "minimal techno" label: to treat all excess in dance music as precisely that—excess, superfluity, luxuriance, waste. Instead, the German native opts for economy, trading in thumping beats for a rhythmic sea of pulsation, abrasive thumping variety for loop utilization to its fullest effect, and big catchy hooks for the subtlety of a woven palette of melodic coloring. Black Noise is as intoxicating as it is intellectual, and most remarkably, as pure dance music, the euphoric yield remains utterly undiminished. (Mac Nguyen)
Robyn - Promotional Mix 2011/01
Robyn - Promotional mix 2011/01 by djrobyn
Scuba - Glance [Hotflush]
Pariah - Crossed Out [R&S]
Joy Orbison - So Derobe [Aus Music]
Pariah - The Slump [R&S]
Ramadanman - Work Them [Swamp 81]
Girl Unit - IRL [Night Slugs]
Girl Unit - Shade On [Night Slugs]
Pearson Sound - Blanked [Hessle Audio]
Delphic - Halcyon (Deadboy Remix) [Tres Cool]
Ramadanman - Glut [Hemlock]
Jam City - 2 Hot [Night Slugs]
Girl Unit - Wut [Night Slugs]
Pearson Sound - Blue Eyes [Hessle Audio]
Boddika - Syn Chron [Nakedlunch]
Addison Groove - Footcrab VIP [Swamp 81]
Bloodman - Remote Viewing [Deca Rhythm]
XI - The Ghost [Orca]
DOWNLOAD
via
Scuba - Glance [Hotflush]
Pariah - Crossed Out [R&S]
Joy Orbison - So Derobe [Aus Music]
Pariah - The Slump [R&S]
Ramadanman - Work Them [Swamp 81]
Girl Unit - IRL [Night Slugs]
Girl Unit - Shade On [Night Slugs]
Pearson Sound - Blanked [Hessle Audio]
Delphic - Halcyon (Deadboy Remix) [Tres Cool]
Ramadanman - Glut [Hemlock]
Jam City - 2 Hot [Night Slugs]
Girl Unit - Wut [Night Slugs]
Pearson Sound - Blue Eyes [Hessle Audio]
Boddika - Syn Chron [Nakedlunch]
Addison Groove - Footcrab VIP [Swamp 81]
Bloodman - Remote Viewing [Deca Rhythm]
XI - The Ghost [Orca]
DOWNLOAD
via
Rop Gonggrijp – My Keynote at 27c3

the opening speech of Dutch net activist Rop Gonggrijp held @ the 27th Chaos Communication Congress
HERE
Edit:
I found a video of the speech:
Top Tours 2010
Worldwide:
1. Bon Jovi $201 million
2. AC/DC $177 million
3. U2 ($160.9 million)
4. Lady Gaga ($133.6 million)
5. Metallica ($110.1 million)
6. Michael Bublé ($104.2 million)
7. “Walking With Dinosaurs” ($104.1 million)
8. Paul McCartney ($93 million)
9. Eagles ($93.3 million)
10. Roger Waters $89.5 million
source
North America:
1. Bon Jovi $108 million
2. Roger Waters $89.5 million
3. Dave Matthews Band ($72.9 million)
4. Paul McCartney ($61.8 million)
5. Michael Bublé ($65.7 million)
6. Eagles ($64.5 million)
7. Lady Gaga ($51 million)
8. James Taylor / Carole King ($50.7 million)
9. The Black Eyed Peas ($50.5 million)
10. John Mayer ($49.9 million)
source
btw, who the fuck is Dave Matthews?
1. Bon Jovi $201 million
2. AC/DC $177 million
3. U2 ($160.9 million)
4. Lady Gaga ($133.6 million)
5. Metallica ($110.1 million)
6. Michael Bublé ($104.2 million)
7. “Walking With Dinosaurs” ($104.1 million)
8. Paul McCartney ($93 million)
9. Eagles ($93.3 million)
10. Roger Waters $89.5 million
source
North America:
1. Bon Jovi $108 million
2. Roger Waters $89.5 million
3. Dave Matthews Band ($72.9 million)
4. Paul McCartney ($61.8 million)
5. Michael Bublé ($65.7 million)
6. Eagles ($64.5 million)
7. Lady Gaga ($51 million)
8. James Taylor / Carole King ($50.7 million)
9. The Black Eyed Peas ($50.5 million)
10. John Mayer ($49.9 million)
source
btw, who the fuck is Dave Matthews?
Sunday, 2 January 2011
Gazan youth issue manifesto to vent their anger with all sides in the conflict
"Fuck Hamas. Fuck Israel. Fuck Fatah. Fuck UN. Fuck UNWRA. Fuck USA! We, the youth in Gaza, are so fed up with Israel, Hamas, the occupation, the violations of human rights and the indifference of the international community!"We want to scream and break this wall of silence, injustice and indifference like the Israeli F16s breaking the wall of sound; scream with all the power in our souls in order to release this immense frustration that consumes us because of this fucking situation we live in...
"We are sick of being caught in this political struggle; sick of coal-dark nights with airplanes circling above our homes; sick of innocent farmers getting shot in the buffer zone because they are taking care of their lands; sick of bearded guys walking around with their guns abusing their power, beating up or incarcerating young people demonstrating for what they believe in; sick of the wall of shame that separates us from the rest of our country and keeps us imprisoned in a stamp-sized piece of land; sick of being portrayed as terrorists, home-made fanatics with explosives in our pockets and evil in our eyes; sick of the indifference we meet from the international community, the so-called experts in expressing concerns and drafting resolutions but cowards in enforcing anything they agree on; we are sick and tired of living a shitty life, being kept in jail by Israel, beaten up by Hamas and completely ignored by the rest of the world.
"There is a revolution growing inside of us, an immense dissatisfaction and frustration that will destroy us unless we find a way of canalising this energy into something that can challenge the status quo and give us some kind of hope.
"We barely survived the Operation Cast Lead, where Israel very effectively bombed the shit out of us, destroying thousands of homes and even more lives and dreams. During the war we got the unmistakable feeling that Israel wanted to erase us from the face of the Earth. During the last years, Hamas has been doing all they can to control our thoughts, behaviour and aspirations. Here in Gaza we are scared of being incarcerated, interrogated, hit, tortured, bombed, killed. We cannot move as we want, say what we want, do what we want.
"ENOUGH! Enough pain, enough tears, enough suffering, enough control, limitations, unjust justifications, terror, torture, excuses, bombings, sleepless nights, dead civilians, black memories, bleak future, heart-aching present, disturbed politics, fanatic politicians, religious bullshit, enough incarceration! WE SAY STOP! This is not the future we want! We want to be free. We want to be able to live a normal life. We want peace. Is that too much to ask?"
More @'The Guardian'
Master At Play
When Shigeru Miyamoto was a child, he didn’t really have any toys, so he made his own, out of wood and string. He put on performances with homemade puppets and made cartoon flip-books. He pretended that there were magical realms hidden behind the sliding shoji screens in his family’s little house. There was no television. His parents were of modest means but hardly poor. This was in the late nineteen-fifties and early nineteen-sixties, in the rural village of Sonobe, about thirty miles northwest of Kyoto, in a river valley surrounded by wooded mountains. As he got older, he wandered farther afield, on foot or by bike. He explored a bamboo forest behind the town’s ancient Shinto shrine and bushwhacked through the cedars and pines on a small mountain near the junior high school. One day, when he was seven or eight, he came across a hole in the ground. He peered inside and saw nothing but darkness. He came back the next day with a lantern and shimmied through the hole and found himself in a small cavern. He could see that passageways led to other chambers. Over the summer, he kept returning to the cave to marvel at the dance of the shadows on the walls.
Miyamoto has told variations on the cave story a few times over the years, in order to emphasize the extent to which he was surrounded by nature, as a child, and also to claim his youthful explorations as a source of his aptitude and enthusiasm for inventing and designing video games. The cave has become a misty but indispensable part of his legend, to Miyamoto what the cherry tree was to George Washington, or what LSD is to Steve Jobs. It is also a prototype, an analogue, and an apology—an illuminating and propitious way to consider his games, or, for that matter, anyone else’s. It flatters a vacant-eyed kid with a joystick (to say nothing of the grownups who have bought it for him or sold it to him) to think of himself, spiritually, as an intrepid spelunker. The cave, certainly, is an occasion for easy irony: the man who has perhaps done more than any other person to entice generations of children to spend their playtime indoors, in front of a video screen, happened to develop his peculiar talent while playing outdoors, at whatever amusements or mischief he could muster. Of course, no one in the first wave of video-game designers could have learned the craft by playing video games, since video games didn’t exist until people like Miyamoto invented them. Still, there may be no starker example of the conversion of primitive improvisations into structured, commodified, and stationary technological simulation than that of Miyamoto, the rural explorer turned ludic mastermind...
Continue reading
In Memorium
Nigel Pickup (8)
Robert Carrigan (13)
Peter Easton (13)
Ian Hunter (14)
Donald Sutherland (14)
Mason Phillips (14)
Brian Todd (14)
Martin Paiton (14)
Russell Morgan (14)
David McGhee (14)
Robert Maxwell (15)
Richard Bark (15)
Walter Shields (15)
George Wilson (15)
Douglas Morrison (15)
Thomas Grant (16)
Francis Dover (16)
John Jeffrey (16)
Russell Malcolm (16)
Robert Mulholland (16)
Brian Hutchinson (16)
Thomas Stirling (16)
Alexander Orr (16)
Thomas Melville (17)
Thomas McRobbie (17)
Duncan McBrearty (17)
William Somerhill (17)
Robert Cairns (17)
Margaret Ferguson (18)
John Semple (18)
Andrew Lindsay (18)
James Mair (19)
James Rae (19)
James Trainer (20)
Charles Stirling (20)
Ian Frew (21)
George Findlay (21)
Robert Grant (21)
George Irwin (22)
David Duff (23)
John McLeay (23)
John Crawford (23)
James McGovern (24)
Robert Rae (25)
Peter Farris (26)
James Sibbald (28)
Richard McLeay (28)
Alex McIntyre (29)
John Neil (29)
Charles Livingston (30)
Donald McPhearson (30)
William Shaw (30)
Peter Wright (31)
Charles Dougan (31)
John Buchanan (31)
John Gardiner (32)
Thomas Dickson (32)
Hugh Addie (33)
Walter Raeburn (36)
Robert McAdam (36)
James Grey (37)
George Smith (40)
Adam Henderson (42)
George Adams (43)
David Anderson (45)
Matthew Reid (49)
Robert Carrigan (13)
Peter Easton (13)
Ian Hunter (14)
Donald Sutherland (14)
Mason Phillips (14)
Brian Todd (14)
Martin Paiton (14)
Russell Morgan (14)
David McGhee (14)
Robert Maxwell (15)
Richard Bark (15)
Walter Shields (15)
George Wilson (15)
Douglas Morrison (15)
Thomas Grant (16)
Francis Dover (16)
John Jeffrey (16)
Russell Malcolm (16)
Robert Mulholland (16)
Brian Hutchinson (16)
Thomas Stirling (16)
Alexander Orr (16)
Thomas Melville (17)
Thomas McRobbie (17)
Duncan McBrearty (17)
William Somerhill (17)
Robert Cairns (17)
Margaret Ferguson (18)
John Semple (18)
Andrew Lindsay (18)
James Mair (19)
James Rae (19)
James Trainer (20)
Charles Stirling (20)
Ian Frew (21)
George Findlay (21)
Robert Grant (21)
George Irwin (22)
David Duff (23)
John McLeay (23)
John Crawford (23)
James McGovern (24)
Robert Rae (25)
Peter Farris (26)
James Sibbald (28)
Richard McLeay (28)
Alex McIntyre (29)
John Neil (29)
Charles Livingston (30)
Donald McPhearson (30)
William Shaw (30)
Peter Wright (31)
Charles Dougan (31)
John Buchanan (31)
John Gardiner (32)
Thomas Dickson (32)
Hugh Addie (33)
Walter Raeburn (36)
Robert McAdam (36)
James Grey (37)
George Smith (40)
Adam Henderson (42)
George Adams (43)
David Anderson (45)
Matthew Reid (49)
YNWA
Egyptian President Condemns Deadly Explosion Outside Church in Alexandria
Eyewitnesses say at least 21 people have been killed and scores wounded in a suicide bombing attack at a Coptic Christian church in Alexandria, Egypt. Tensions between Christians and Muslims have been on the rise in Egypt and nearby Iraq following recent threats by the al-Qaida terrorist group.
Egyptian President Hosni Mubarak denounced the explosion at a Coptic church in the port city of Alexandria overnight, calling on Christians and Muslims to unite in confronting such acts of terrorism.
He says that this act of terrorism points to the involvement of foreign gangs that wish to turn Egypt into a terrorist playground in the region. He warns that he and the Egyptian people will stop these forces from carrying out their plots to destabilize the country and destroy the cohesion and unity of its people. The plotters, he adds, will ultimately be captured and punished.
People inside All Saints Coptic church began screaming after the initial blast, as a priest urged them to stay calm. The New Year's eve midnight mass had just drawn to a close and worshippers were preparing to leave. Many of those who began leaving early were either killed or wounded.
Firemen doused the flames after the blast while friends and rescue workers ferried the wounded to local hospitals.
A heavy set man who was burned across his face explains what happened, saying he was leaving the church when he felt a massive explosion. He said he was dazed by the force of the blast and woke up in the hospital.
The Egyptian Interior Ministry issued a statement saying the explosion was caused by a suicide bomber although several eyewitnesses claim a car bomb was responsible for the blast.
Other eyewitnesses say angry Coptic Christians tried to attack a mosque across from the church after the explosion and that fights broke out, causing more casualties. Al-Arabiya TV showed a crowd of mostly young Coptic men waving their fists and shouting as police intervened.
The local TV news channel, Nile News, reported that despite the angry reactions of many people, dozens of ordinary Egyptians rushed to area hospitals to donate blood for victims of the blast...
Egyptian President Hosni Mubarak denounced the explosion at a Coptic church in the port city of Alexandria overnight, calling on Christians and Muslims to unite in confronting such acts of terrorism.
He says that this act of terrorism points to the involvement of foreign gangs that wish to turn Egypt into a terrorist playground in the region. He warns that he and the Egyptian people will stop these forces from carrying out their plots to destabilize the country and destroy the cohesion and unity of its people. The plotters, he adds, will ultimately be captured and punished.
People inside All Saints Coptic church began screaming after the initial blast, as a priest urged them to stay calm. The New Year's eve midnight mass had just drawn to a close and worshippers were preparing to leave. Many of those who began leaving early were either killed or wounded.
Firemen doused the flames after the blast while friends and rescue workers ferried the wounded to local hospitals.
A heavy set man who was burned across his face explains what happened, saying he was leaving the church when he felt a massive explosion. He said he was dazed by the force of the blast and woke up in the hospital.
The Egyptian Interior Ministry issued a statement saying the explosion was caused by a suicide bomber although several eyewitnesses claim a car bomb was responsible for the blast.
Other eyewitnesses say angry Coptic Christians tried to attack a mosque across from the church after the explosion and that fights broke out, causing more casualties. Al-Arabiya TV showed a crowd of mostly young Coptic men waving their fists and shouting as police intervened.
The local TV news channel, Nile News, reported that despite the angry reactions of many people, dozens of ordinary Egyptians rushed to area hospitals to donate blood for victims of the blast...
Continue reading
Edward Yeranian @'Voice of America'
One minute's silence to mark Ibrox stadium disaster
As a an 11 year old in Glasgow at the time I unfortunately remember this day all too well!
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