Odessa (TX) cops bust a house where two xmas trees are being grown under lights in elaborate sting to expose illegal police conduct.
Full story here.
MOⒶNARCHISM
"As a Jew, I am ashamed that Jews could do such a thing."
Story from the 'BBC' here.
For 20 years, Mike, a stocky Glaswegian, presided over the fiction and poetry department of Compendium bookshop in Camden Town, north London, which from its opening in 1968 until its closure in 2001 was Britain's pre-eminent radical bookstore. Whether you wanted books on anarchism, drugs, poststructuralism, feminism or Buddhism, Compendium was the place to go. Under Mike's supervision, its modern fiction department was its greatest strength, and the tradition of bohemian bookselling was carried forward into the 1980s and 1990s.
When Mike took over the department in the early 1980s, British fiction was in a dismal, class-bound rut. Mike helped to change all that. His enthusiasms included then unheralded American thriller writers such as Elmore Leonard and George V Higgins; London writers from the forgotten Patrick Hamilton to the unknown Iain Sinclair. A new Scottish writer called James Kelman was also a favourite, as was the great African-American writer Chester Himes. If these writers have emerged from the margins to become major players in the literary landscape it is in no small part due to Mike's efforts.
To walk into Compendium, survey the novels on display and ask Mike's advice was to enter a new world of fiction. The shop became the haunt of an unlikely mixture of more or less literary luminaries, from Nick Cave to Ben Okri, Ivor Cutler to Kathy Acker.
Thanks to Mike, and others, Camden Town in the 1980s became a kind of counter-cultural nexus: a place where you could drift from record shop to caff to Compendium and thence to the pub. There you would find Mike at the heart of a group of autodidacts, musicians, writers, lowlifes and drunks whose house band was the Pogues and whose cultural heroes were Jim Thompson, Hank Williams, Tom Raworth and Little Willie John.
A GP's son, born in Clydebank, Glasgow, Mike was the eldest of four children. After local schools he went on to Glasgow Art School, before moving to London in the early 1970s. He did odd jobs and then took a history degree at North London Polytechnic, where he met his wife Angela. They split up in the late 1970s, but he maintained a close relationship with his son. He combined working on building sites with running a Camden Market stall, before Compendium in 1982.
As the 1980s moved into the 1990s, Camden became a magnet for the world's teenagers and Compendium underwent a facelift. Mike formalised its literary scene by initiating regular readings in the bookshop, something of an innovation at the time. Visiting Americans, from old beat heroes like Lawrence Ferlinghetti to new literary lions like Walter Mosley, read there; so too did the London writers Iain Sinclair, Martin Millar and Derek Raymond.
By the end of the 1990s, Camden Town was thoroughly commercialised, its last remaining outposts of bohemianism swamped by endless leather jacket stores, and it was with a sense of bowing to the inevitable that Compendium closed its doors.
Mike moved to the independent crime specialists Murder One. With his death, the literary world lost a sweet and genuinely unselfish man who freely gave of his vast knowledge and delighted in the achievements of those he influenced so profoundly.
He is survived by his son Stephen."
John Williams - The Guardian December 9 2002
Patrick Michael Hart, bookseller, born May 20 1948; died November 15 2002
He joined the staff of Camden Town's now legendary independent Compendium Bookshop in the early 1980's and remained there until it's sad closure almost twenty years later. A familiar, avuncular and friendly presence usually at the front of the shop saw him for years provide advice, friendship and much-needed support for Scottish literature, independent publishers and alternative presses, and he ran the poetry, music and literature sections of Compendium with a relaxed attitude to commerce but an acute appreciation of the timelessness of good writing. Here, he established lasting friendships with many writers from the onset of their careers, organising readings and events and was himself a regular presence at book events throughout London and not just at Compendium.
When Compendium closed, I was pleased to be able to offer him a position at Murder One, where many of his previous customers gladly followed him and he made a new set of friends amongst the crime and mystery community and colleagues. He was here two years until generalised cancer was detected in the summer of 2002 and he returned to his native Glasgow where the end came mercifully quickly and he died in his sleep on 15th November with his son, brothers and sister present.
Mike Hart was a bookseller of the old school who treasured human contact and handselling and communicated the joy of books (and his other great love, blues music) like no other.
He will be sorely missed."
Maxim Jakubowski - Murder One
"Like a lot of people, I can mark out certain important influences in my life by purchases in Compendium - in the early 1970s buying a copy of Mircea Eliade's Shamanism, for example, or the time that Nick Kimberley had a consignment of La Monte Young's 'black' album. In those days, booksellers tended to be more knowledgeable than most of their customers, and Mike Hart's expertise seemed to cover an extraordinary amount of ground. I bought my first Elmore Leonard in Compendium, and Mike directed me to Don DeLillo's Running Dog. This was long before either author was celebrated. Mike also knew which thrillers hit the spot as well-written, pleasurable escapism, and which ones were a disappointment. He would never express a negative opinion, but you could tell from his expression when to save your money. On the other hand, he was already ready with the new Beach Boys Stomp, or the latest rockabilly and deep soul fanzines; if I look through the books and magazines in my music collection, there are numerous obscure titles that remind me of our conversations, and his recommendations.
Mike was a reserved man, perhaps shy, and so he was difficult to know well. After many years I discovered that he lived in Victoria Road, Alexandra Park, almost directly opposite to a house in which I'd lived in the early 1970s. We talked often about his proposed book on the Glasgow music scene and I tried to encourage him to finish it, get it out. Perhaps he knew too much, and felt unable to make the compromises that allow a book to become a practical reality. His knowledge could always surprise me. When I was putting together an ill-fated compilation to complement my book, Exotica, I was trying to track down the license owner for J.B. Lenoir's "I Sing Um the Way I Feel". Mike took this challenge seriously, and if we bumped into each other at a book launch, he'd update me on his researches into the problem. After his death I met Paul Hammond in Barcelona. Paul was surprised I hadn't been present at the wake organised in London for Mike. I'd felt badly enough, not knowing Mike was ill, even though I'd spoken to him in Murder One during the period when he moved there after Compendium, but to have missed the wake felt terrible. What saddens me is the fact that people like Mike, who quietly and modestly informed the tastes and knowledge of such a wide range of practicing artists, musicians, authors, and poets, have now become an extinct species."