Saturday, 1 May 2021

Futura Laboratories: FL-006

Nearly 3 feet tall. A limited edition of 350 and costing $1,950 USD. You can find all the details and how to enter the draw HERE. Personally it's just a wee bit expensive for me and tho I do have Futura merch I have avoided the figurines. These are more in my price range but then the cost of shipping to Australia is 4X the cost of the figures!

William Burroughs' Dead Fingers Talk inscribed for Alex Trocchi

Via
More on Trocchi HERE 
Reality Studio has now put downloadable PDF's of Burroughs's work for men's magazines such as the Mayfair Academy series  HERE
You can bid on one of WSB's shotgun paintings HERE
Mr Potato Head is making me fugn nervous

Mory Kante

(Original 12" mix) (The Afro-Acid Remix) By Martyn Young of Colourbox & M|A|R|R|S  
The first time I heard this song was in ZuZu's in Melbourne one (I think) Wednesday night. My sister-in-law (of the time) ran the nightclub and had also brought out Paul Oakenfold for a month residency (this was certainly the first time he played Melbourne and may have been first time down here.) I was chatting to a couple of friends fom London who were visiting and staying with us and then my feet just moved by themselves to the dancefloor. If this doesn't get you moving...you are DEAD

Geinoh Yamashirogumi - Ecophony Rinne (1986)

 
1. Primordial Germination 
2. Falling As Flowers Do - Dying A Glorious Death 
3. Dark Slumber 
4. Reincarnation 

From Lafawndah's Baker's Dozen at The Quietus 
I found this on YouTube. I have a big love affair with things that don’t sit anywhere – I like not knowing the lineage. Of course it’s Japanese, but you can hear and feel they’re studying a lot of different musical lineages and digesting them. It was kind of like the starter of my first record, Ancestor Boy: I came across this and it kind of gave me a breath and direction to start the record. It’s not a literal influence necessarily, but it’s more the emotional rainbow that they opened for me that was inspiring. They did the soundtrack for Akira, which is what they’re most known for, but they’re a collective made up of hundreds of people, gathered precisely for not being musicians, which is something very interesting to me. I studied classical music, but always felt like I didn’t belong or wasn’t enough, so it was a good foundation for me to be so in love with the music of hundreds of non-musicians – teachers, journalists, lawyers, whatever. I also love all the group singing, there’s rarely a focus on an individual voice. My entry point into music was the collective, and I’ve always been more interested in the feeling of the group than the “I”.

On Giuliani

Via

Zebulon Simentov

Here's a background briefing and the arguement with Yitzhak Levi inspired this play
Jeremy Scahill: Empire politician

Dexys Midnight Runners - The Bridge

Filmed at the Shaftesbury Theatre London 10th Oct. 1982 
Been on a BIG Dexy's kick here at Exile Towers recently

American tour visa application photos (1978)

Friday, 30 April 2021

The biggest technology news

Archives of Legendary Northeast Ohio Music Journalist Jane Scott Being Put Online

Jeb Loy Nichols: Erykah Badu Mix (VF82)

Tracklist: 
01. Southern Girl 
02. Amerykahn Promise 
03. Penitentiary Philosophy 
04. Booty 
05. Woo 
06. Back In The Day 
07. Bag Lady 
08. The Healer 
09. Phone Down 
10. Love Of My Life 
11. Southern Girl (unknown remix)

Roly Porter: Jah Shaka Mix (VF86)

Tracklist: 
01. Jah Shaka – Great Day Dub 
02. Jah Shaka – Seven Seals Dub 
03. Jah Shaka ft. Tony Tuff – Give Thanks Dub 
04. Jah Shaka ft. Icho Candy – Revelation Time Dub 
05. Jah Shaka ft. Tony Tuff – How Long 
06. Jah Shaka – How Long Dub 
07. Jah Shaka – Babylon Dub 
08. Johnny Clarke – Babylon 
09. Jah Shaka – Talking Drum Dub 
10. Wicked Man – Ras I 
11. Jah Shaka – Wicked Dub 
12. Twinkle Brothers – New Day 
13. Max Romeo – Fari, Captain of my Ship 
14. Jah Shaka – Just Infatuation Dub 
15. Jah Shaka – Numberless Dub 
16. Jah Shaka – Judgement Dub 
17. Max Romeo – Rich People
‘We are witnessing a crime against humanity’: Arundhati Roy on India’s Covid catastrophe