Back in 2020 producer Kevin Richard Martin, best known for his work as The Bug and with Techno Animal and King Midas Sound, started a new record label, Intercranial Recordings. Responding in kind to extremely dark times with equally dark sounds, he inaugurated the new imprint with a volley of solo albums, Frequencies for Leaving Earth Volumes One to Five.
Moving from “smacked out jazz” and “massive low-end gravity”, through what Martin wryly refers to as his “gospel album”, to “celestial drones” and “cavernous dubspaces”, these five albums saw the producer plunging further into the sound worlds he has been exploring since the late ’80s.
Coming together with Portuguese filmmaker Pedro Maia, who has collaborated with Vessel, SHXCXCHCXSH and Shapednoise, Martin set these sonic explorations into deep space against transcendent analogue visuals. Using a combination of traditional analogue processing techniques and digital technology Maia presents five contemporary variations on 2001: A Space Odyssey‘s star gate, each catapulting us past earth’s orbit into the unknown