Saturday, 27 February 2021

ACAB (ALL CATS ARE BAST'RDS)

From the fevered imagination of exilestreet at 14:56 0 Reactions
The Story of J Dilla’s Foundational Album 'Welcome 2 Detroit'
From the fevered imagination of exilestreet at 13:38 0 Reactions
The Effects of Antidepressant Discontinuation on MDMA-Assisted Psychotherapy
From the fevered imagination of exilestreet at 13:12 0 Reactions

Mixmaster Morris - U Roy Tribute Show

From the fevered imagination of exilestreet at 13:08 0 Reactions
A truly wild New York story: the Soho artist who, forty years ago, built a five- building by hand
From the fevered imagination of exilestreet at 12:14 0 Reactions
King Britt's Blacktronica Celebrates Black Innovators In Electronic Music
From the fevered imagination of exilestreet at 12:10 0 Reactions

Congrats to Mogwai on making #1 this week in the UK album charts

+
From the fevered imagination of exilestreet at 11:57 0 Reactions

Great Australian Albums / 16 Lovers Lane - The Go-Betweens

+ Robert Forster and Peter Paphides In Conversation
From the fevered imagination of exilestreet at 11:52 0 Reactions

Sounds about right...

From the fevered imagination of exilestreet at 11:34 0 Reactions

History

From the fevered imagination of exilestreet at 06:23 0 Reactions
Scottish independence: Support for independence has changed the face of unionism
From the fevered imagination of exilestreet at 00:22 0 Reactions

Friday, 26 February 2021

Fairport Convention - 'Bouton Rouge' French TV Show, Broadcast Live, April 27 1968

 
01-Morning Glory 
02-Time Will Show The Wiser 
03-Reno Nevada 
Judy Dyble - Vocals/Recorder 
Iain Matthews - Vocals 
Simon Nicol - Rhythm Guitar/Vocals 
Ashley "Tyger" Hutchings - Bass Guitar 
Richard Thompson - Lead Guitar/Vocals 
Martin Lamble - Drums
From the fevered imagination of exilestreet at 23:54 0 Reactions

Marianne Faithfull with Warren Ellis - She Walks in Beauty

From the fevered imagination of exilestreet at 23:46 0 Reactions

Sam Shalabi - Lonely Woman

This is a solo oud version of “Lonely Woman” by Ornette Coleman. I’ve loved this melody ever since I first heard it over 30 years ago. A while back, I had the idea of playing and recording it on oud – the melody has always struck me as very Arabic/Middle Eastern sounding – it has a sobbing/emotional feeling that you hear in certain kinds of Arabic vocal music and modes. It’s only recently though that it has made sense to attempt a version of it. I’ve been exploring the idea of covering Free Jazz ‘standards’ that could work on oud and would have an emotional resonance on the instrument (I’ve recently recorded versions of “Ghosts” by Albert Ayler and “India” by John Coltrane ). This is what led me back to this piece… I recorded it at home in Montreal with one microphone and one take 
From the fevered imagination of exilestreet at 23:41 2 Reactions
 
From the fevered imagination of exilestreet at 23:08 0 Reactions
Subscribe to: Posts (Atom)