The Story of J Dilla’s Foundational Album 'Welcome 2 Detroit'

The Effects of Antidepressant Discontinuation on MDMA-Assisted Psychotherapy

Mixmaster Morris - U Roy Tribute Show

A truly wild New York story: the Soho artist who, forty years ago, built a five- building by hand

King Britt's Blacktronica Celebrates Black Innovators In Electronic Music

Congrats to Mogwai on making #1 this week in the UK album charts

We did it! Thank you everyone!!!!!!! I can’t believe we have a number one album. I’m honestly so humbled and grateful for everyone’s support. ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️ #Mogwai4Number1

— stuart braithwaite (@plasmatron) February 26, 2021

pic.twitter.com/DtZmBj1GqJ

— Mogwai (@mogwaiband) February 26, 2021

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Great Australian Albums / 16 Lovers Lane - The Go-Betweens

+ Robert Forster and Peter Paphides In Conversation

Sounds about right...

History

Scottish independence: Support for independence has changed the face of unionism

Fairport Convention - 'Bouton Rouge' French TV Show, Broadcast Live, April 27 1968

 

01-Morning Glory 

02-Time Will Show The Wiser 

03-Reno Nevada 

Judy Dyble - Vocals/Recorder 

Iain Matthews - Vocals 

Simon Nicol - Rhythm Guitar/Vocals 

Ashley "Tyger" Hutchings - Bass Guitar 

Richard Thompson - Lead Guitar/Vocals 

Martin Lamble - Drums

Marianne Faithfull with Warren Ellis - She Walks in Beauty

Sam Shalabi - Lonely Woman

This is a solo oud version of “Lonely Woman” by Ornette Coleman. I’ve loved this melody ever since I first heard it over 30 years ago. A while back, I had the idea of playing and recording it on oud – the melody has always struck me as very Arabic/Middle Eastern sounding – it has a sobbing/emotional feeling that you hear in certain kinds of Arabic vocal music and modes. It’s only recently though that it has made sense to attempt a version of it. I’ve been exploring the idea of covering Free Jazz ‘standards’ that could work on oud and would have an emotional resonance on the instrument (I’ve recently recorded versions of “Ghosts” by Albert Ayler and “India” by John Coltrane ). This is what led me back to this piece… I recorded it at home in Montreal with one microphone and one take 

- Sam Shalabi

 

Experience: I was in a Scientology jazz band

Calling All Active Agents (WSB) Mix

'Smash The Control Machine' 

Tracks from Electronic Revolution/Real English Tea Made Here/Nothing Here Now But The Recordings/10% File Under Burroughs/Vaudeville Voices/Dub Spencer & Trance Hill/Ministry/Laurie Anderson/Bill Laswell & Material. Also features The Master Musicians of Joujouka with and without Ornette Coleman Repost