Rendezvous In A Manchester Basement
3 minutes ago
Friday, 26 January 2018
Tuesday, 23 January 2018
Help save Bill Laswell's Orange Music Studio
In an era where music, among other creative endeavours, has been devalued as mere “content,” freely accessed through the new digital medium, the very survival of those who create music and art and culture has been threatened. Bassist, iconic producer, and sonic visionary Bill Laswell becomes the latest legendary talent to fall victim to the vagaries of these crazy times. Beset by health problems while trying to navigate this harsh and uncertain economic landscape, Laswell is struggling to maintain Orange Music, the legendary New Jersey studio that he as helmed for the last 20 years. He is putting the call out to all fans, friends, and fellow artists alike: If you can help, please do so now. No contribution is too small.
As an artist and producer, Bill Laswell really needs no introduction. Though he has operated largely out of view of the pop charts, he has managed to collaborate with the giants in practically every genre of music—from Miles Davis to Mick Jagger to Bob Marley to name but a few. At the peak of his commercial success, he even produced the Grammy-award winning hit “Rock It” for Herbie Hancock in 1983, one of the first songs that helped hip-hop crossover to the mainstream. At this point, he could have moved to L.A. and cashed in, but he chose to stay in New York and later, New Jersey, and keep it real. In doing so, he displayed his very real commitment to the underground.
Orange Music, the studio Bill moved to in 1998 after getting priced out of rapidly-gentrifying Greenpoint, Brooklyn, has a storied history of its own. Supposedly built in the late 60s for Franki Valli and the Four Seasons, it was originally called Vantone Studio. In the 70s, groups like Jethro Tull, Humble Pie, Brooklyn Bridge, and Carole King recorded there. In the 80s, the studio was renamed Grand Slam Studios and hosted such luminaries as Aerosmith and George Benson. When Laswell took over the studio, he brought with him his international cast of colourful characters, producing such artists as Tabla Beat Science, Sly & Robbie, Matisyahu, Bernie Worrell, and the inimitable Lee “Scratch” Perry. As a maverick in his field, he has always supported other independent artists, who, like himself, are striving for something further, deeper, and true. That’s why he allows other artists and independent labels to use the studio at reduced rates. So many stand to lose if Bill cannot hold onto Orange Music.
Bill’s entire career is a powerful statement of art over commerce. Money has never been an issue, but Bill now needs your help.
PayPal account for Bill Laswell:
More info & Rewards
HERE
Friday, 5 January 2018
The Clash - New Year's Day '77
Built around the earliest, until now unseen, footage of The Clash in concert, filmed by Julien Temple as they opened the infamous Roxy club in a dilapidated Covent Garden on 1 January 1977, this show takes us on a time-travelling trip back to that strange planet that was Great Britain in the late 1970s and the moment when punk emerged into the mainstream consciousness.
Featuring the voices of Joe Strummer and The Clash from the time, and intercutting the raw and visceral footage of this iconic show with telling moments from the BBC's New Year's Eve, Hogmanay and New Year's Day schedules of nearly 40 years ago, it celebrates that great enduring British custom of getting together, en masse and often substantially the worse for wear, to usher in the new year.
New Year's Day is when we collectively take the time to reflect on the year that has just gone by and ponder what the new one might hold in store for us. Unknown to the unsuspecting British public, 1977 was of course the annus mirabilis of punk. The year in which The Clash themselves took off, catching the imagination of the nation's youth. As their iconic song 1977 counts us down to midnight, we share with them and Joe Strummer, in previously unseen interviews from the time, their hopes and predictions for the 12 months ahead.
Featuring the voices of Joe Strummer and The Clash from the time, and intercutting the raw and visceral footage of this iconic show with telling moments from the BBC's New Year's Eve, Hogmanay and New Year's Day schedules of nearly 40 years ago, it celebrates that great enduring British custom of getting together, en masse and often substantially the worse for wear, to usher in the new year.
New Year's Day is when we collectively take the time to reflect on the year that has just gone by and ponder what the new one might hold in store for us. Unknown to the unsuspecting British public, 1977 was of course the annus mirabilis of punk. The year in which The Clash themselves took off, catching the imagination of the nation's youth. As their iconic song 1977 counts us down to midnight, we share with them and Joe Strummer, in previously unseen interviews from the time, their hopes and predictions for the 12 months ahead.
Thursday, 4 January 2018
Monday, 1 January 2018
Wednesday, 6 December 2017
Saturday, 2 December 2017
Paul Kelly - Life Is Fine / Dumb Things (Live At The 2017 ARIAS)
Paul Kelly performs Life Is Fine/Dumb Things with A.B. Original, Dan Sultan and Short Black Opera
Friday, 1 December 2017
Sunday, 26 November 2017
Sunday, 15 October 2017
Nothing To Hide Mix
Tracklist:
Rainforest Spiritual Enslavement - Nocturnal Anatomy
Nurse With Wound - Mothering Tongue
Moor Mother - Valley of Dry Bones
Sevdaliza - Hero
Kikuri - That Place Into Which You Fell Was Lined With A Cushion of Pain And Is No Proof of Your Continuing Existence
Jah Wobble - Just Me And Phil
Kelela - Hallucinogen
Hospital Ships - Nothing To Hide
Lone Taxidermist - Dribble Wizard
L.A.N.D. - Nothing Is Happening Everywhere
Kaitlyn Aurelia Smith - Existence In The Unfurling
KiKu & Blixa Bargeld & Black Cracker - Like This
Burial - Rodent (Kode9 Remix)
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