Friday, 11 November 2016

Leonard Cohen to Marianne Ihlen (July 2016)


Leonard Cohen managed that rare thing: to talk with clarity about death

Leonard Cohen R.I.P.

The 11th hour of the 11th day of the 11th month


In Memory of
2766529, 6th Bn., Black Watch (Royal Highlanders)
who died age 20
on 24 April 1944
Son of Robert Arthur and Catherine Haddock,
of Orrell, Bootle, Lancashire.

Remembered with honour
CASSINO WAR CEMETERY
[REPOST]

Friendly As A Hand Grenade indeed



Gee Vaucher: Introspective

Gee Vaucher's artwork 'Oh America' and the story behind the Daily Mirror's historic US election front page

JK Flesh - Secret Thirteen Mix 200


Info/Download

How Half Of America Lost Its Fucking Mind

Thursday, 10 November 2016

Colbert tries to make sense of it all


Seth Mayers

US election 2016: It's not about racism or sexism, it's about class warfare

El Grafico (Mexico)


No Alternative (But To Fight) On-U Sound Mix



https://66.media.tumblr.com/7d0b968fc16906e676130c55bae0659e/tumblr_occphuWLiO1voa7nlo1_500.gif

The Can Project featuring Irmin Schmidt, Jaki Liebezeit, Malcolm Mooney and Thurston Moore Live In London 2017

Founding member Irmin Schmidt premieres an orchestral reinterpretation of classic Can material alongside new work with the London Symphony Orchestra, before an all-star band of former Can members and long-time admirers pay tribute to their pioneering music.
Assembling their music through improvisation and studio editing, Can’s writing process resembled collage. Tonight, Can founder Irmin Schmidt takes that approach to their entire oeuvre, conducting the world premiere of his piece An homage to Can, written with Gregor Schwellenbach, which weaves together quotations and abstractions of some of the band’s most renowned pieces.
After an extended interval screening of Can’s 1972 performance at Cologne Sporthalle, the second half of the show brings together a supergroup led by Thurston Moore (Sonic Youth), featuring ex-Can drummer Jaki Liebezeit, as well as Can’s first singer Malcolm Mooney, realising and reinterpreting the band’s music.
Laying the foundations of what came to be known as Krautrock, Can became one of the most influential avant-rock groups of all time, and echoes of their work is audible in everything from Joy Division, to Radiohead, to Kanye West. Can combined the deconstructed rock’n’roll of The Velvet Underground, the determined rhythmic propulsion of Sly & the Family Stone, and the appetite for studio experimentation of their former teacher Karlheinz Stockhausen to create a new kind of rock music – something avant-garde and groovy, both wildly experimental and utterly compelling.
The show will be preceded by a Q&A with Rob Young, author of a new book devoted to Can – one-part biography, one part memoir by Schmidt himself
Tickets

Give Me Justice (Oh America)

Art by Gee Vaucher. Words by Penny Rimbaud

Wednesday, 9 November 2016

Keith Rowe as per usual nails it