Monday, 23 May 2016
No. Not a Rough Trade signing circa 82
Erich Consemüller, Marcel Breuer and his "harem" (from left to right: Marta Erps-Breuer, Katt Both and Ruth Hollos-Consemüller), ca. 1927
Weimar Classics Foundation
The photo, taken by Consemüller, a student and photographer at the Bauhaus, captures the junior master Marcel Breuer around 1927. The title of the picture refers to the women standing next to him as Breuer’s ‘harem’. The women appear self-confident, with cool gazes and tousled shocks of short hair, and in modern dress. Marcel Breuer is looking at his companions sceptically, with his arms crossed. These are ‘my’ women?!
The title expresses the precise opposite of what the photo itself shows – the modernity, emancipation, equality, or even superiority, of the women in it. The actual date of the photo is hard to judge from their haircuts and clothing. It could just as well have been made in the 1980s, when women’s emancipation was reaching new heights.
Marcel Breuer is looking at the Bauhaus women disconcertedly, with a distanced gaze and a dismissive posture. From 1925 to 1928, Breuer headed the carpentry workshop at the Bauhaus as a junior master. The women shown include Breuer’s wife Martha Erps (left) and Ruth Hollós, the wife of the photographer. The architect Katt Both is standing in the middle. The viewer is caught by the penetrating gazes of Both and Erp. Ruth Hollós-Consemüller, by contrast, seems to be suppressing laughter as she looks towards the photographer (her husband). The photo’s title may possibly have been given to it when they were examining the final product later and someone jokingly remarked that the women were apparently Breuer’s ‘harem’. But what is the role played by Marcel Breuer in the harem? Is he its sultan/patriarch or eunuch/superintendent? In the role-play, Breuer seems to be looking at the women to check that they are properly spruced up. Erich Consemüller’s photo once again reflects the modern basic feeling and relaxed fun that were characteristic of the Bauhaus.
Via
Marcel Breur & the Women of Bauhaus
Weimar Classics Foundation
The photo, taken by Consemüller, a student and photographer at the Bauhaus, captures the junior master Marcel Breuer around 1927. The title of the picture refers to the women standing next to him as Breuer’s ‘harem’. The women appear self-confident, with cool gazes and tousled shocks of short hair, and in modern dress. Marcel Breuer is looking at his companions sceptically, with his arms crossed. These are ‘my’ women?!
The title expresses the precise opposite of what the photo itself shows – the modernity, emancipation, equality, or even superiority, of the women in it. The actual date of the photo is hard to judge from their haircuts and clothing. It could just as well have been made in the 1980s, when women’s emancipation was reaching new heights.
Marcel Breuer is looking at the Bauhaus women disconcertedly, with a distanced gaze and a dismissive posture. From 1925 to 1928, Breuer headed the carpentry workshop at the Bauhaus as a junior master. The women shown include Breuer’s wife Martha Erps (left) and Ruth Hollós, the wife of the photographer. The architect Katt Both is standing in the middle. The viewer is caught by the penetrating gazes of Both and Erp. Ruth Hollós-Consemüller, by contrast, seems to be suppressing laughter as she looks towards the photographer (her husband). The photo’s title may possibly have been given to it when they were examining the final product later and someone jokingly remarked that the women were apparently Breuer’s ‘harem’. But what is the role played by Marcel Breuer in the harem? Is he its sultan/patriarch or eunuch/superintendent? In the role-play, Breuer seems to be looking at the women to check that they are properly spruced up. Erich Consemüller’s photo once again reflects the modern basic feeling and relaxed fun that were characteristic of the Bauhaus.
Via
Marcel Breur & the Women of Bauhaus
Sunday, 22 May 2016
Lee Perry - Live @Vivid (Sydney Opera House 11/6/09) *Live Mix by Adrian Sherwood
Roast Fish & Cornbread/Exodus
The other day I found this excellent recording on an old hard drive with absolutely no recollection of ever hearing it before or indeed where I got it from.
I remember at the time being somewhat pissed off that Scratch and Adrian were only doing the one show in Sydney and not coming down here to Melbourne as I think Adrian's previous working visit was the Audio Active/Tackhead/Mark Stewart & The Maffia 'Out of Control' tour that Mambo promoted in the mid nineties.
I recorded the Melbourne Zu-Zu's gig which I must try and grab out of storage one day.
This is a couple of hours well spent
Review
Photographs
Get the full recording
HERE
The other day I found this excellent recording on an old hard drive with absolutely no recollection of ever hearing it before or indeed where I got it from.
I remember at the time being somewhat pissed off that Scratch and Adrian were only doing the one show in Sydney and not coming down here to Melbourne as I think Adrian's previous working visit was the Audio Active/Tackhead/Mark Stewart & The Maffia 'Out of Control' tour that Mambo promoted in the mid nineties.
I recorded the Melbourne Zu-Zu's gig which I must try and grab out of storage one day.
This is a couple of hours well spent
Review
Photographs
Get the full recording
HERE
Adrian Sherwood - On-U Sound Radio Show (Carhartt WIP Radio 5/16)
This month Carhartt WIP Radio is bringing you a show by Adrian Sherwood and his legendary label On-U Sound. During a career of more than 30 years, Sherwood produced and remixed artists such as Lee "Scratch" Perry, Primal Scream, Depeche Mode or Einstürzende Neubauten amongst others. His label On-U Sound, formed in 1980, is worldwide known for cutting edge releases that are rooted somewhere between dub, experimental, Reggae, Post-punk and electronica. Furthermore many On-U Sound releases greatly influenced the sounds of today like ambient and techno. Recently many On-U Sound records of artists and collectives like African Head Charge, Singers & Players or Bim Sherman got re-released and Sherwood himself produced, dubbed and released contemporary bands like the Japanese trio Nisennenmondai. For Carhartt WIP Radio Adrian Sherwood tuned in a mix that grooves between the past, present and future of On-U Sound.
Tracklist:
Ghetto Priest - Slave State (feat. Junior Delgado) [from forthcoming album "Slave State"]
Mark Stewart - Awidk [unreleased]
Nisennenmondai - 3 [from the newly released album "#N/A"]
Ital Horns with Dub Syndicate - Metropolis [from unreleased album "Blow The Man Down"]
Cha Cha - Dub No Frontiers (Excerpt) [unreleased]
Roots Manuva - Hit It (Alternative Version) [from current album "Bleeds"]
Dub Syndicate - Wadada (feat. Prince Far I) [from the 1991 album "Stoned Immaculate"]
Congo Natty - UK Allstars In Dub (Adrian Sherwood Remix) [from current album "Jungle Revolution In Dub"]
Coldcut/Adrian Sherwood feat. Junior Reid, Elan & Lee Perry [forthcoming project] - Divide And Rule
L.S.K. - Way Of The World [unreleased]
Denise Sherwood - Ghost Heart [unreleased]
Junior Delgado - None Shall Escape [unreleased classic version on "Masters of Deception" rhythm]
Missing Brazilians - Quicksand Beach Party [1981 original from the album "Warzone" reissue and also available on the Trevor Jackson compiled "Science Fiction Dancehall Classics"
Adrian Sherwood - Starship Bahia [from the album "Survival and Resistance"]
Adrian Sherwood Interview
Saturday, 21 May 2016
And the worst remix of the year award goes to...
...Anton Newcombe bastardising Primal Scream's '100% or Nothing'
Friday, 20 May 2016
I Am The Upsetter
LSP poster and slipmat and more available HERE
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The Unlimited Destruction
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LSP designs by New Analog
HERE & HERE
Black Ark in Lego: Lee 'Scratch' Perry’s Famed Studio Recreated
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The Unlimited Destruction
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LSP designs by New Analog
HERE & HERE
Thursday, 19 May 2016
Black Cab - Howler Melbourne (6/5/16) REMASTERED
Tracklist
Closing Ceremomy
Supermädchen
Combat Boots
Kornelia Ender
Uniforms
Victorious
Untitled
Sexy Polizei
Untitled
Isolation
Download
Photos: Gennady Revzin
Tapetweaking from my original handheld Tascam recording by Andrew from the band
Un-Australian
"It's a cliche but what Peter Dutton did yesterday was un-Australian" - @karlstefanovic #9Today https://t.co/k8Gx34Uv87— The Today Show (@TheTodayShow) May 18, 2016
Australia's disgraceful inhumanity to people seeking asylum
Journey into an Invisible War
The story of how Israeli settlements continue to spread into Palestinian territory despite international opposition
Via
Wednesday, 18 May 2016
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