Tuesday, 22 March 2016

Beats of the Heart: Rock Roots Reggae (1977)


'Roots Rock Reggae' depicts an unforgettable moment in Jamaica's history when music defined the island's struggles and immortalised its heroes. Director Jeremy Marre films Bob Marley and the Wailers, and Lee 'Scratch' Perry record in his legendary Black Ark studio with The Upsetters. Jimmy Cliff rehearses with Sly and Robbie, while Inner Circle's historic live gig is recorded on the violent Kingston streets. The legendary Abyssinians harmonise their haunting Rastafarian songs; Joe Higgs (formerly Bob Marley's teacher) plays and talks; majestic toaster U Roy raps alongside The Mighty Diamonds, and Third World record in a Kingston studio. There is also early archive footage of Toots and the Maytals, and Haile Selessie's royal visit to Jamaica while police and thieves battle it out on the streets, and the ghettos erupt in violence. 1977: An extraordinary year for Reggae music, captured live in this award-winning film. Roots Rock Reggae was the first in-depth documentary about Reggae
imdb
Jeremy Marre

Excerpts from Guy Debord’s 'The Muppets'

HERE

Sunday, 20 March 2016

Best phone charger EVER


Info
Only one available (£3,814.08) HERE

Has it really come to this - punk as heritage culture?

The Story of Funk: One Nation under a Groove


In the 1970s, America was one nation under a groove as an irresistible new style of music took hold of the country - funk. The music burst out of the black community at a time of self-discovery, struggle and social change. Funk reflected all of that. It has produced some of the most famous, eccentric and best-loved acts in the world - James Brown, Sly & the Family Stone, George Clinton's Funkadelic and Parliament, Kool & the Gang and Earth, Wind & Fire.
During the 1970s this fun, futuristic and freaky music changed the streets of America with its outrageous fashion, space-age vision and streetwise slang. But more than that, funk was a celebration of being black, providing a platform for a new philosophy, belief system and lifestyle that was able to unite young black Americans into taking pride in who they were.
Today, like blues and jazz, it is looked on as one of the great American musical cultures, its rhythms and hooks reverberating throughout popular music. Without it hip-hop wouldn't have happened. Dance music would have no groove. This documentary tells that story, exploring the music and artists who created a positive soundtrack at a negative time for African-Americans.
Includes new interviews with George Clinton, Sly & the Family Stone, Earth, Wind & Fire, Kool & the Gang, War, Cameo, Ray Parker Jnr and trombonist Fred Wesley.

Watch George Clinton's P-Funk Mothership Get Reassembled For Its Smithsonian Museum Debut


Via

Saturday, 19 March 2016

How to send an 'E mail' (Database Thames TV 1984)

Change Itself: An Art Apart - Genesis Breyer P'Orridge (Trailer)


To sum up the life and work of British artist Genesis Breyer P-Orridge is close to impossible. Not only because of the wide range of artistic disciplines, but also because of the timespan, since the mid 1960s to the present day, that has been saturated by hundreds of records, thousands of concerts, exhibitions, interviews, videos, spoken word performances, collages, sculptures, philosophy, cultural engineering, occultism and radical transgender concepts. A couple of descriptions are still valid after these 50 years of active creativity and provocation. P-Orridge is a romantic existentialist and a cultural engineer. Everything is both work as such and seed for cultural and behavioural change.
A film by Carl Abrahamsson, Sweden, 2016, 58 mins. Copyright © Carl Abrahamsson trapartfilm.com

'Ramones': The Story Behind a Debut Album From Punk Pioneers

Taipan Tiger Girls - Live @PBS FM's Drive Live (1/2/16)


Ollie Olsen (synths)
Mat Watson (drums)
Lisa MacKinney (guitar)
Playing this Sunday as Taipan Pisces Girls (2 synths 1 organ) @ Keele St Collingwood with The Primitive Calculators (4:00-7:00)

Girlz With Gunz #59399

...and Trump fans say Michelle cheapened the highest office!

Dull hipsters in broad daylight - why I’m done with today’s dance music