Sunday, 10 January 2016

Mary Anne Hobbs: Dubstep Warz (BBC Radio1)



January 9th/10th 2016 is the 10th anniversary of the notorious Dubstep Warz transmission on my BBC Radio1 Breezeblock show. This show marked the global tipping point for the dubstep sound. Mala, Skream, Kode 9 & The Spaceape, Vex'd, Hatcha & Crazy D, Loefah & Sgt Pokes and Distance changed the world of global dance music forever. Dubstep Warz still sounds as vital, as primal and as thrilling as the night we threw it down.. it brings tears to my eyes. If, as a broadcaster, you can deliver one show with the cultural & historical impact of this one in a lifetime.. it's a miracle..

Saturday, 9 January 2016

The Animated High Rise


Paul Bowles: An American in Tangier (1993)



Soundscapes Composed from the Colors of Famous Paintings

Kendrick Lamar: Untitled 2 (Fallon)


Ad Break: Lemmy for Valio


Thursday, 7 January 2016

#bundyeroticfanfic

The Bug - Angry Dub (Demo)


The Bug ft Flowdan - Bad like That (Unreleased Murder We Riddim Dubplate)


+
The Bug ft Miss Red - Sneak A Thief (Unreleased Kill Them Riddim Dubplate)

The Bug ft Mentor Irie - 1 Gyal Style (Unreleased Dirty Riddim Dubplate)

More unreleased gems over at Kevin's FB page

Sound advice (1933)

Via
Thanks Pit

Philip K. Dick: A Day in the Afterlife (BBC Arena 1994)


Home (BBC film of J. G. Ballard's The Enormous Space)

An adaptation of JG Ballard's "The Enormous Space," written and directed by Richard Curson Smith, with Antony Sher. A disturbing, darkly comic tale of a man who attempts to sever all contact with the outside world, by simply staying at home. As Gerald Ballantyne rids himself of the surface clutter in his life he is led to a startling discovery; a mystery about the house begins to reveal itself, though possibly only in his fevered mind. The changes begin to obsess and take control of Ballantyne, bring his experiment to a chilling climax

A message from Mr Agreeable

CUNT AFTER CUNT AFTER CUNT AFTER CUNT AFTER CUNT AFTER CUNT AFTER CUNT - A STATEMENT.
Look, I’m getting fed up of the sideline sneering at Corbyn. The bloke was reluctant to stand in the first place but thanks to Blair’s scorched earth policy which deliberately prohibited talent from all sides of the supposed broad church of the Labour Party, he is the only option we’ve got - the one candidate who was prepared to vote against the Welfare Bill, something your Andy Burnhams, Dan Jarvises, Yvette Coopers, were unwilling to do, out of some ingrained, spineless expediency which until earlier this year passed for “grown up” policy in the Labour Party - ie, it’s all right to believe in Labour ideas in principle, but reckless and immature to actually propose putting them into practice.
Even now, with the issues as urgent and stark as they are, there are still people who wish to judge Corbyn in the X Factor, soap operatic, Andrew Rawnsley/Neil terms of “performance” - like that matters one fucking shit right now. It’s not the 1990s. We’re not in some snug, well-to-do, wry, jogging along, chamber music-accompanied political situation, despite the ambience the BBC insist on sticking by even now. Things are polarised. Evil, privileged, cancerously aggressive cunts like Osborne rule the roost. The days of smirking about the follies of trying to apply socialism in the “real world” are over. The days of imagining that there is a middle ground of convivial reasonableness we can all meet on and smirk genially and grown-uply are over. We go with Corbyn because he’s the only one right now and really, he is very decent indeed but very soon we get past Corbyn and usher in the new, angry, shit-your-pants talent that will explode our baby boomer consensus, demand of us why the fuck we allowed the political goalposts to drift so far towards the right, offer no resistance in the ideological tug o’ war process whereby that happened because we were too smirking and grown-up to deign to do so.
Anti-Corbynites: What do you actually THINK about such issues as Trident? Renationalisation of the railways? Selling arms to right wing regimes, including Saudi Arabia? Trade Unions and their role in modern society? The welfare state? Are you happy with things as they are? Because you NEVER EVER SAY.
Be advised: Uncertain as the electorate are about Corbyn, they’re actually a bit ahead of you in terms of accepting him, as Oldham showed. Produce someone. Produce a candidate. Propose something. Do something more than chortle at the follies of the “left”. Or actually put your considerable talents and energies towards the cause that’s presently being fought. Don’t regard it as beneath your dignity to show some solidarity. Ahh, but Hamas. Friends, Hamas. Hamas, friends. Know what? If Corbyn was fervently pro-Israel, I’d still vote for him. If Corbyn said, “I am against the selling of arms to right wing regimes, except Israel, of course, that’s an exception, because Islamofascism, etc”, I’d STILL vote for him. I’d think it was a bit bloody weird but I’d vote for him. Because domestic politics is all that counts. We haven’t the faintest fucking hope of influencing events in The Middle East, frankly, so so what? British people dwelling on foreign policy is a form of deluded, neo-imperialist displacement, however well-meaning - there’s shit closer to home we should be dealing with.
Seriously. I know, George Galloway, George Galloway, isn’t the left dreadful, George Galloway, George Galloway, is that what you want, President for life George Galloway? Look, here are the active, actually influential people we’re ranged against. Cameron. Richard Branson. Kay Burley. Rupert Murdoch. Katie Hopkins. Paul Dacre. Louise Mensch. Trump. Boris Johnson. Richard Desmond. Nameless twats who remain all the more effective for being nameless, quietly, behind the scenes. Cunt after cunt after cunt after cunt after cunt after cunt after cunt after cunt.
Seriously. Things promise to get very serious. Get on the right side of history.

George Micalef R.I.P.


He'll be up there jamming with Lemmy now

La Fête (est Finie): Music by 3D & Young Fathers


 A short, immersive film exploring the embers of a party that has to end. Directed & produced by Mark Donne & Joe Morris
I do wish I was heading to Young Fathers tonight...oh well