Monday, 25 May 2015

The Family: A film about Ramzan Kadyrov

Under The Influence: Krautrock

Sunday, 24 May 2015

Dear lawd! Drummers eh?


Tabla Beat Science - Talamanam Sound Clash


Filmed June 21, 2002 with 12 cameras at the legendary Fillmore in San Francisco, this DVD documents a Tabla Beat Science performance that features founders Zakir Hussein (Tablas) and Bill Laswell (Bass), along with Ustad Sultan Khan (Sarangi and Vocals), Ejigayehu "Gigi" Shibabaw (Vocals), Karsh Kale (Drums), DJ Disk (Turntable) and MIDIval PunditZ (Electronics). Directed by Alex Winter

Michael Jackson's recorded grunts

Truth

Via

Spoek Mathambo presents 'Future Sound Of Mzansi' (Part 1)


'Future Sound of Mzansi' is Spoek Mathambo and Lebogang Rasethaba's powerful new documentary about South African electronic music. Part one introduces the new sounds coming out of the townships and urban areas of cities like Durban, Cape Town, and Johannesburg. It becomes abundantly clear that regionalism is extremely important in the development of genres like broken beats, qgom, Shangaan electro, and kwaito. Or, as a producer puts it, it's about the need to "own our shit, own who we are, then bring that out to the world."
We also get to meet the film's colorful cast of characters, which includes Black Coffee, Okmalumkoolkat, Culoe De Song, the owners of Cape Town record label African Dope, and broken beats originators NakedBoys, among many others. The producers discuss the ways the Internet has both helped and hurt their scenes, while dancers show off the sneaker-shredding moves that bring the music to life.
One of this segment's most powerful moments comes from Nozinja, who delivers a passionate speech about using Shangaan electro—the genre he pretty much created—to represent the marginalized Shangaan people. "For me to be known and seen all over, representing that same marginalized and abused nation, I feel proud," he says, eyes twinkling. That same pride resonates with everyone else in the film.
Spoek Mathambo's "Future Sound of Mzansi" Credits:
Directed by: Nthato Mokgata and Lebo Rasethaba
Produced by: Black Major
Featuring: Black Coffee, DJ Spoko, Mujava, Culoe De Song, Christian Tiger School, Felix Laband, Aero Manyelo, Okmalumkoolkat, Saki Ibrahim and others.
Website: www.futuresoundofmzansi.com
Facebook link: https://www.facebook.com/futuresoundo...
Twitter: #futuresoundofmzansi
Via
check back for parts two and three
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Fantasma - Cat & Mouse

HA!

Australian columnist pens satirical article about 'halal coal'. Islamophobes contribute much hilarity in the comments
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Add the Hiss and Pop of a Vinyl Record to MP3's

Tony Williams Lifetime - Turn It Over (Unreleased Bill Laswell Remix)

In 1997, Verve asked Bill Laswell if he would be interested in picking an album from their (jazz) catalog to give a redux treatment - as he had successfully done for Columbia with Miles Davis's recordings on the CD Panthalassa - and he chose Tony Williams' Lifetime - Turn It Over. (Interestingly, that same year, Verve had just released the first official CD edition of that very selfsame album.)
However, Laswell knew from the then-late Tony Williams that the album was originally intended to be a double LP, like the first Lifetime record before it (Emergency) - but Verve in 1970 did not think the sales of the first album warranted making the second one a double as well, and forced Williams to edit it down to a single LPs worth of material.
Laswell was given access to all the tapes relating to the sessions, and reconstructed the expanded album as it should have originally been released, and in the process produced a digital transfer master that was finally true to Williams' vision of it as a bombastic rock production (Williams had long been frustrated by the final producers' mix on the LPs for both Emergency and Turn It Over)
In the intervening time that it took Laswell to deliver the finished project in 1999. Universal had bought up many major labels including Polygram, Island, and Verve, replacing many executives and A&R people. Laswell brought in the contracted project, but the new regime was not interested in issuing it, citing that they had only two years previously put out a version of the album on CD, and that is was no big seller anyway, not worthy of having an alternate edition. Thus the project was shelved
1 Vuelta Abajo
2 To Whom It May Concern: Us/Them
3 This Night This Song
5 Big Nick
6 Once I Loved
7 To Whom
8 Allah Be Praised
9 Right On
10 A Famous Blues
11 New Piece
Tony Williams - drums, vocals
John McLaughlin - guitar, vocals
Larry Young - organ
Jack Bruce - bass, vocals
Get it
HERE

Australia’s Rigid Immigration Barrier

Algiers - Black Eunuch


Franklin James Fisher on Protests, the South and an Algiers Album

Chalkie Davies: The NME Years


Unseen Chalkie Davies photographs of 70s and 80s pop stars go on show

Ad Break: TDK 1982


Saturday, 23 May 2015

'Who listens to commercial music is a reactionary'